Harris, Roy - compositions Year Written Title. performance medium. publisher. date of publication (if known). Abbreviations: op = out of print AMP = Associated Music Publishers BM = Belwin Mills (now CPP/Belwin - also owns Mills Music and G. Ricordi & Co.) CUP = Columbia University Press CF = Carl Fischer, Inc. HF = Harold Flammer GMP = Golden Music Publishers GS = G. Schirmer SP = Shawnee Press WLP = World Library Publications 1925 Andante for orchestra. 1926 Concerto for Piano, Clarinet, and String Quartet. AMP. op. 1927 Song Cycle on Words by Whitman. for women's chorus and two pianos. 1928 Sonata for Piano. Three movements. AMP. 1931. 1929 Symphony - American Portrait 1929. String Quartet No. 1. Four movements. 1930 Concert Piece for orchestra. 1931 Toccata for orchestra. 1932 Andantino. for small orchestra. Two versions, of which the second uses additional woodwinds and horn. Version 1: 1931; version 2: 1932. Concerto for String Sextet. (2 vln, 2 viola, 2 celli) Fantasy (Sextet) for Woodwinds. 1933 Symphony 1933. (Symphony No. 1) for orchestra. CF. Three Variations on a Theme. (String Quartet No. 2) GS. 1939. 1934 Four Minutes-20 Seconds. for flute and string quartet. BM. 1942. op. A Song for Occupations. for a cappella chorus. GS. 1935. op. Trio for Piano, Violin, and Violoncello. AMP. 1936. op. Symphony No.2. for orchestra. 1935 Farewell to Pioneers (A Symphonic Elegy). GS. 1935. op. Symphony for Voices on Poems of Walt Whitman. for a cappella chorus. (Three movements) GS. 1939. op. When Johnny Comes Marching Home (An American Overture). for orchestra. GS. 1935. 1936 Prelude and Fugue. for string orchestra. GS. 1936. op. Quintet for Piano and Strings.(also known as, Concerto for Piano and Strings and Passacaglia, Cadenza, and Fugue). GS. 1940. 1937 Sanctus for a cappella chorus. GS. 1939. op. String Quartet No. 3(Four Preludes and Fugues). GS. Three Symphonic Essays for Orchestra. GS. When Johnny Comes Marching Home (A Free Choral Paraphrase) for a cappella chorus. GS.1939. op. 1938 Sad Song. for jazz band. Soliloquy and Dance. for viola and piano. GS. 1941. op. Symphony No. 3. for orchestra. GS. 1939 and 1940. 1939 He's Gone Away. for a cappella chorus. GS. 1939. op. Little Suite. for piano. GS. 1939. Prelude and Fugue for strings and four trumpets. (a reworking of String Quartet No. 3). 1940 American Creed. for orchestra. (also known as Creed). BM. Challenge 1940. for bass solo,chorus,and orchestra. GS. Folksong Symphony. (Symphony No.4). for chorus and orchestra. GS. 1940, 1942. Quintet for Two Violins, Two Violas, and Violoncello. (also known as Viola Quintet). A Red-Bird in a Green Tree. for a cappella chorus. BM. 1979. To Thee, Old Cause. for a cappella chorus. BM. 1979. Whitman Triptych. for women's a cappella chorus. GS. 1940. op. Year That Trembled. for a cappella chorus. BM. 1979. 1941 Acceleration. for orchestra. BM. Cimarron (Symphonic Overture). for band. BM. Evening Piece. for orchestra. BM. Four Songs. for voice and piano. I. Watin'. II. La Primavera. III. Evening Song.IV.Freedom's Land. (also version for solo voice, unison chorus and piano). BM. 1981. Freedom's Land. for baritone solo, chorus, and orchestra. BM. Freedom's Land. for male chorus, a cappella. BM. 1979. Freedom's Land. for solo voice or unison chorus and piano. BM. 1981. Freedom's Land. for women's chorus a cappella (with piano or organ ad lib.). BM. 1979. Freedom, Toleration. (The Open Air I Sing) for a cappella chorus. BM. 1979. From This Earth. (ballet) for chamber ensemble. BM. Mirage. for orchestra. BM. Ode to Truth. for orchestra. BM. One-Tenth of a Nation. film score for chamber ensemble. A Railroad Man's Ballad. for chorus and orchestra. BM. When Johnny Comes Marching Home (A Free Adaptation for Band). GS. Work. for orchestra. BM. 1942 The Birds; Courting Song. for a cappella chorus. BM. 1979. Concerto for Piano and Band. BM. Fanfare for the Forces. for brass and percussion with optional violins and violas. Four Charming Little Pieces. for violin and piano. BM. 1943, 1944. Freedom's Land. for a cappella chorus. BM. 1979. Freedom's Land. for male chorus and band (two versions). Namesake. ballet for violin and piano. Sonata for Violin and Piano. BM. 1974. Symphony No. 5. for orchestra. BM. 1961. What So Proudly We Hail (Dance Suite [ballet] based on American Folk Song). 1943 Chorale for organ and brass. BM. Fantasia for piano and band. Folk Rhythms of Today. for orchestra(a transcription of scene V. of the ballet: What So Proudly We Hail). BM March in Time of War. for orchestra. BM. Piano Suite in Three Movements. BM. 1944. Rhythms of Today. for band. (two versions exist, authorship of portions of second version are in question). Work Song. for a cappella chorus. BM. 1979. 1944 Children's Hour. for orchestra. BM. Chorale for orchestra. (a transcription of the Chorale for organ and brass). BM. Concerto for Piano and Orchestra. BM. Conflict (War Piece). for band. (a reworking for band of Symphony No.6). BM. Lamentation. for soprano.viola, and piano. BM. 1981. L'il Boy Named David. for a cappella chorus. BM. 1979. Ode to Friendship. for orchestra. BM. 1946. Our Fighting Sons. for unison chorus, brass, piano, organ, and timpani. Rock of Ages. for chorus and orchestra. (An adaptation of Scene III. from: What So Proudly We Hail). BM. Sammy's Fighting Sons. for chorus and orchestra. (other versions exist entitled, Sons of Uncle Sam, and War Song of Democracy, differing in terms of text and performance medium, but is essentially same music). BM. 1944. Sun and Stars. for band. The Sun From Dawn to Dusk. for band. BM. Symphony No. 6 (Gettysburg). for orchestra. BM. Take the Sun and Keep the Stars. for voice or unison chorus and band. (variants of words and music from Sammy's Fighting Sons). BM. 1944. Toccata. for organ and brass. BM. 1945 Fog. for voice and piano. CF. 1948. Memories of a Child's Sunday. for orchestra. CF. Walt Whitman Suite. for chorus, strings, and piano. BM. 1946 Blow the Man Down (A Free Improvisation on the Sailor's Ballad). for soloists, chorus and orchestra. CF. 1947. Celebration Variations on a Timpani Theme by Howard Hanson's Third Symphony. for orchestra. Concerto for Two Pianos and Orchestra. CF. Melody for orchestra. CF. 1947. Radio Piece. for orchestra and piano. CF. 1947. 1947 Mi Chomocho (Israel). for soloist, Chorus, and organ. GS (copyright held by CF, published in anthology, Synagogue Music by Contemporary Composers). 1951. The Quest (A Concert March-Passacaglia). for orchestra. CF. They Say that Susan Has No Heart for Learning (Madrigal). for 3-Part women's voices and piano. AMP. 1956. op. Wedding Song. for bass solo, string trio and organ. 1948 Elegy and Paean. for viola and orchestra. Mass. for men's chorus and organ. CF. 1949 Cindy. for a cappella chorus. CF. 1951. Concerto for Violin and Orchestra. CF. Fruit of Gold. for band. CF. If I Had a Ribbon Bow. for a cappella chorus. CF. 1951. Kentucky Spring. for orchestra. CF. Toccata. for piano. CF. 1950. 1950 Dark Devotion. for band. Kentucky Jazz Piece. for band. Lyric Studies. for solo woodwinds and piano. (Six pieces, one each for flute, oboe and bassoon, three for clarinet). AMP. 1951 Cumberland Concerto for Orchestra. BM. Red Cross Hymn. for chorus and Band. 1952 Remember November (Election Day Is Action Day). (two versions - unison chorus, piano-four hands, second version exists only on tape recording). Symphony for Band (West Point). West Point: United States Military Academy. Availableon loan. Symphony No. 7. for orchestra. AMP. 1956. 1953 Abraham Lincoln Walks at Midnight (A Cantata of Lamentation). for mezzo-soprano, violin, cello, and piano. AMP. 1962. 1954 Fantasy. for piano and orchestra. AMP. Symphonic Epigram. for orchestra. AMP. Symphonic Fantasy. for orchestra. AMP. 1956 Each Hand Has Need. for chorus and organ. Folk Fantasy for Festivals. for folk singers, soloists, speakers, double mixed chorus, and piano. AMP. 1957. op. Give Me the Splendid Silent Sun (Cantata for Baritone and Orchestra). AMP. 1962. Ode to Consonance. for orchestra. AMP. 1957. Our Tense and Wintry Minds. for unison chorus and organ. Columbia University Press, 1980. Published in anthology, American Hymns of Old and New, Vol. 1. Read, Sweat, How Others Strove. for chorus and organ. Columbia University Press, 1980. Published in anthology, American Hymns of Old and New, Vol. 1. 1957 The Hustle With the Muscle. for male chorus and band. Psalm 150. for a cappella chorus. GMP. 1963. 1958 Ad Majorem Gloriam Universitatis Illinorum (Symphonic Tone Poem). AMP. 1960. 1960 Canticle of the Sun (A Cantata on the Words of St. Francis of Assisi) for high voice and chamber ensemble. AMP. 1962 Sweet and Low. for voice and piano. Symphony No. 8 (San Francisco Symphony). for orchestra. AMP. Symphony No. 9. for orchestra. AMP. 1966. 1963 These Times. for small orchestra and piano. 1964 Epilogue to Profiles in Courage-J.F.K. for orchestra. AMP. Etudes for Pedals. for organ pedals. World Library Publications. 1973. Fantasy. for organ, brass, piano, and percussion. Horn of Plenty. for orchestra. AMP. 1967. Jubilation (cantata). for chorus, brass, piano, and percussion. Salute to Youth. for orchestra. AMP. Sonata for Violoncello and Piano (also known as Duo). 1965 Rhythms and Spaces. for string orchestra. Symphony No. 10 (Abraham Lincoln Symphony). for speaker, chorus, brass, two pianos, and percussion. AMP. 1966 Childhood Memories of Ocean Moods. for piano, string quartet, and double bass. The Brotherhood of Man. for chorus and orchestra. Symphony No. 11. for orchestra. AMP. 1968 Concerto for Amplified Piano, Brass, String Basses, and Percussion. movement I of three is lost, available from AMP under title, Concert Piece. 1969 Symphony No. 12 (Pere Marquette Symphony). for tenor solo/speaker, and orchestra. 1970 Peace and Goodwill to All. for chorus, brass, organ, and percussion. (This is a reworking of Jubilation). 1971 Whether This Nation. for chorus and band. 1973 Folksong suite. for harp, winds, and percussion. Gethsemane. for a cappella chorus. GMP. 1973. Life. cantata for soprano, woodwinds, and percussion. AMP. Lincoln's Legacy. for chorus and band. 1975 America, We Love Your People. (originally titled, Covina). Bicentennial Symphony 1976 (Symphony 13 [composer originally numbered it as 14 due to superstition concerning the number 13]). AMP. 1976 Rejoice and Sing. for bass, string quartet, and piano. Undated Works Choral Fanfare. for a cappella chorus. True Love Don't Weep (Variations on an American Folk Song). for piano. Arrangements and Transcriptions Bach.J. S. Well Tempered Clavier, Book I. Prelude and Fugue XVI transcribed for small orchestra. 1932. Bach, J. S. The Art of the Fugue. transcribed for string quartet. GS. 1936. Niles, John Jacob. The Story of Noah. arranged for a cappella chorus. GS. 1934. op. The Star Spangled Banner. arranged for string quartet. 1941. Singing Through the Ages. collection containing several Harris songs, When Johnny Comes Marching Home, Psalm 32, Gethsemane. 3/92