Partch, Harry - periodical articles "Ex-Hobo Partch, Composer and Inventor Dies at 73." Billboard, 21 September 1974, 61. "Goblin Music?" Time (March 24, 1952): 44. "Harry Partch Speaks Here Wednesday." Golden Gater (SF State College), 17 April 1953, 1, 3. "Harry Partch." Who Was Who in America/With World Notables, vol. 6 (1974-76), 317.Post 1974. "Harry Isn't Kidding." Time (5 July 1963): 50."Harry Isn't Kidding." Letters Written by Partch and David Ward-Steinman. Time (19 July 1963): 10. "Harry Partch." Symphony News, (October--November 1974): 32. "Harry Partch Dead at 73." Rolling Stone, 10 October 1974, 22. "Harry Partch Reviews Yasser's Theory of Evolving Tonality." Interval 4 (1985): 5-6. "Here & There." High Fidelity/Musical America (December 1974): MA-27. "In the Press: When the Topic Is Music." BMI. The Many Worlds of Music (March 1970): 8-9. "In the Press: Latter-Day Quixote." BMI, The Many Worlds of Music (November-December 1968): 40. "In the Press: Harry Partch, Rebel." BMI. The Many Worlds of Music (Febru- ary 1972): 16-17. "Kithartist." New Yorker, May 27, 1944, 21-22. "Milestones." Time 16 September 1974, 79. "Musicology." Times Literary Supplement, 29 September 1950, 615. "New Music by a Composer Who Composes Instruments." Woman's Day, November 1957, 5-6. "Sight and Sound." A Review of The World of Harry Partch (Columbia Records MS-7207,1969). McCall's, June 1969, 12. "The Harry Partch Fund." Interval 4 (1985): 45. "The Artist in Society: Discussion." Arts in Society (Fall-Winter 1962-63): 61-69. "The Musical Whirl." High Fidelity/Musical America, February 1967, MA 16-17. "Tonal Ingenuity." Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) Audio Engineering (March 1954): 37-38. "Who? . . . A Guide to Party Conversation: Harry Partch." National Observer, 22 December 1969, 18. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Playboy, February 1972, 38. A Review of the Recording of Revelation if the Courthouse Park by Harry Partch. From the American Musical Theater Festival, Oct 8, 1987. Fanfare 14 February 1990, 28-31. A Review of the production of The Bewitched by Harry Partch. Dance News (May 1959): 10-11. Applebaum, Samuel and Sada Applebaum. Violins and Violinists 11 (May-June 1950): 181. Archer, William Kay. "Microtonality Revisited." Etc.: A Review of General Semantics 8 (1951): 146-50. Barbour, J. Murray. Musical Quarterly 36 (1950): 131-35. Baronijan, Vartkes. "Hari Perc-Graditlj sa Zapadne Obale." Zvuk: Jugoslovnska Muzicka Revija (1969): 231-32. Barzun, Jacques. "Distust of Brains." The Nation, 6 January 1945, 18-19. Barzun, Jaques. "Genesis of a Music." In American Panorama, ed. by Eric Larrabee. New York: New York University Press, 1957. Baxten, Robert. A Review of the Production of Revelation if the Courthouse Park by Harry Partch at the American Musical Theater Festival, Oct 8, 1987. Opera 39 (February 1988): 207; Opera News 52 (January 1988): 34. Baxten, Robert. A Review of the Production of Revelation if the Courthouse Park by Harry Partch at the American Musical Theater Festival, Oct 8, 1987. Opera 39 (February 1988): 207; Opera News 52 (January 1988): 34. "Earviews: The Music of Harry Partch." A Review of the Recording The Music of Harry Partch. (CRI, CD-7000, 1989). Ear 14 (November 1989): 52-3. Bowen, J. David. "Harry Partch's Music between the Keys." Hi Fi/Stereo Review, February 1961, 50-53. To be annotated. Bowen, Meiron. "Harry Partch." Music and Musicians (May 1968): 20-25. Bowen, Meirion. "Notes on a Lone Wolf." The Guardian, 27 April 1974, (Arts Guardian section) 8. Brink, Margaret J. "St. Louis: Harry Partch on Film." Musical Magazine/Musical Courier (7 August 1962): 23. Broomer, Stuart. "Harry Partch: 1901-1974. In Appreciation." Coda (December 1974): 25. Brozen, M. "Harry Partch: Music and Instruments." A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968.). High Fidelity/Musical America (December 1968): MA 17. Cadman, B. Meredith. "New Musical Philosophy." Etude 67 (Augus 1949): 467. Cage, John. "South Winds in Chicago." Modern Music (May-June 1942): 263. Canby, Edward Tatnall. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Audio, August 1972, 55-56. Chase, Gilbert. "New Sources for New Music." Inter-American Institute for Musical Research Yearbook 3 (1967): 77-84. Chase, Gilbert. "Toward a Total Musical Theatre." Arts in Society (Spring-Summer 1969): 26-37. Choice 11 (1974): 1321. Cohen, Selma Jeanne. "'The Bewitched.'' A Review of the New York Production of The Bewitched by Harry Partch. Dance Magazine, June 1959, 27, 29. Cott, Jonathan. "The Forgotten Visionary." Rolling Stone, 11 April 1974, 32-34. Cowell, Henry. "43-Tone Minstrelsy." Saturday Review 26 November 1949, 65. Daniel, Oliver. "Harry Partch." Music at Home (January-February 1955): 30-33, 46-47. Davis, Peter G. "Composer Harry Partch--With Boo and Eucal Blossom." High Fidelity, January 1969, 30, 36. Dery, M. "Bang a Gong: The Do-It-Yourself Musical Universe of Harry Partch." Keyboard Magzine, 16 June 1990, 49-54. Dery, M. "At the Top of the Inferno: The Top Undergroud Albums of 1989." A Review of the Recording The Music of Harry Partch. (CRI, CD-7000, 1989). Keyboard Magazine, 16 June 1990, 24-25. Dickenson, Peter. Tempo (December 1976): 41-43. Diegel, Margaret. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Stereo, Fall 1969, 83. Drummond, Dean. "Ear Liberation-The Music of Harry Partch." Protos (November 1970). Duennling, A. "First Lady zeitgenšssischer Musik." Neue Zeitschrift FŸr Musik 152 (Feb 1991): 6-12. Earls, Paul. "Harry Partch: Verses in Preparation for 'Delusion of the Fury." Inter-American Institute for Musical Research 3 (1967): 1-32. Ellsworth, Ray. "Americans on Microgrove." High Fidelity, August 1956, 63-64. Fitch, Johannes. "Die Tonalitt des Harry Partch." in Avantgarde Jazz Pop Tendenzen zwischen Tonalitt und Atonalitt. Neue Vortagstexte, ed. by Reinhold Brinkmann. Mainz: Schott, 1978: 31-41. To be annotated. Ellsworth, Ray. "Americans on Microgrove." High Fidelity, August 1956, 63-64. "A Modern Dance, Its in the Bag." A Review of the Premier of The Bewitched by Harry Partch. Life (July 1 1957): 76. Ellsworth, Ray. "The Weird, Wonderful World of Harry Partch." A Review of The Bewitched by Harry Partch (Gate 5 Records, 1957) The American Record Guide, October 1958, 110-112. Etc: A Review of General Semantics II. Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) (1954): 316-317. Evett, Robert. "The Bewitched." A Review of a performance of The Bewitched by Harry Partch. New Republic, 25 May 1959, 23. Flanagan, William. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Stereo Review, July 1969, 90, 92. Flanagan, William. A Review of From the Music of Harry Partch by Harry Partch (CRI-193, 1964). Stereo Review, June 1965, 76. Flugg, Darrell E. "Previews and Reviews . . Classroom and Community Films: Delusion of the Fury." A Review of Delusion of the Fury, Film by Margaret Tourtelot, Music by Harry Partch. Film News 30 (1973): 15. Fox, Charles Warren. Notes 6 (1949): 621-22.Hughes, Charles W. Journal of Aesthetics and Art Criticism 8 (1949): 273-74. Frankenstein, Alfred. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). High Fidelity, June 1969, 96. Frankenstein, Alfred. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). High Fidelity, January 1972, 94, 96. Frankenstein, Alfred. Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) High Fidelity (March 1954): 65. Freund, David. "Harry Partch." Source 1, January 1967, 95-101. Friedman, Elliott. "Tonality in the Music of Harry Partch." The Composer 2 (1970): 17-24. Fuller, Mary. "Harry Partch, Musician-Sculptor." Art in America, December 1964, 47, 49. Gaburo, Kenneth. "In Search of Partch's Bewitched; Concerning Physicality." Percussionist 23 (1985): 54-84. Garland, Peter. "Harry Partch's Soundings-Correspondances." Tanslated into German by Herbert Henek. Neuland V (1985): 316-26. Garland, Peter, Lou Harrison, Tom Nixon, and Laurence Weisberg. "Four Tributes to Harry Partch." Soundings 9 (1975): 1-12. Gessler, Clifford "Mills College Gives Premiere of 43-Tone Score." Musical America (April 1, 1952): 26. Gessler, Clifford "Mills College Gives Premiere of 43-Tone Score." Musical America (April 1, 1952): 26. Gojowy, Detlef. "Symposion unbekannte neue Musik bei der Zagreb Biennale 77." Die Musikforschung 30/4 (1977): 515-516. Goldberg, Albert. "Los Angeles." A Review of the UCLA Production of The Delusion of the Fury by Harry Partch. Opera News (8 March 1969): 32. Goldwaite, Scott. "Urbana, Illinois." Musical Quarterly 43 (1957): 390-91. Graham, Glen. "Revolutionist: Creative Musician 'Hiding Out' Here." Petaluma (California) Argus-Courier, 3 September 1963. Griffiths, Paul. Musical Times 116 (1975): 144-45. Hagen, Dorothy. "Americn Festival of Contemporary Music: University of Illinois, 1959." A Review of the Illinois Production of The Bewitched by Harry Partch. Canon (Australia) (November-December 1959): 91-94. Harrison, Lou. "Season's End, May 1944." Modern Music (May-June 1944): 235-36. Harrison, Lou. "Season's End, May 1944." Modern Music (May-June 1944): 235-36. Heath-Taylor, Noel. "Monphony: Looking into the Future." Pacific Coast Musician, August 1939, 2. Heath-Taylor, Noel. "Artist in the Wilderness." California Arts and Architecture, July 1939, 8, 36. Henry, Norman. "A Justly-tuned Harpsichord." Just Intonation 1/4 (Fall 1985): 7-9. To be Annotated. Hentoff, Nat. "Cosma Listens to Records." A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Cosmopolitan, February 1972, 16. Highwater, Janmake Mamamake. "Hall of Obsurity." Stereo Review, April 1975, 61. Hiss, Anthony. "Hobo Concerto." A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). The New Yorker, 7 February, 1970. Hohman, Marv. "Harry Partch." Downbeat, 7 November 1974, 12. Hollander, Hans. Melos/Neue Zeitschrift fr Musik 1 (1975): 325. Hyams, Ben. "Arts of This Century: Fifteenth Festival Proves There's More to Hawaiian Life Than Surf and Sun." High Fidelity/Musical America (21 October 1971): MA 24-25. Jacobi, Peter. "The Strange Relam of Harry Partch." Music Magazine/Musical America (6 July 1962): 14-16. Johnston, Ben. "The Corporealism of Harry Partch." Perspectives of New Music 13 (Spring-Summer 1975): 85-87. Johnston, Ben. "Beyond Harry Partch." Perspectives of New Music 22 (1983-84): 223. Johnston, Ben. "The Corporealism of Harry Partch." Perspectives of New Music 13 (Spring-Summer 1975): 85-87. Kakinuma, T and M. Fugieda. "I am One of Mr. Ives' Legal Heirs: an Interview with Lou Harrison." Sonus 9 (1989): 46-58. To be annotated. Kakinuma, T and M. Fugieda. "I am One of Mr. Ives' Legal Heirs: an Inter- view with Lou Harrison." Sonus 9 (1989): 46-58. Kolodin, Irving. "The Sound of Harry Partch." A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Saturday Review, 31 May 1969, 50. Kremenliev, Boris. "Ein Ritual von Traum und Wahn in Los Angeles." A Review of the UCLA Production of The Delusion of the Fury by Harry Partch. Melos: Zeitschrift fur Neue Musik (June 1969): 274-76. Kvistad, Garry, and Allen Otte. "Harry Partch (1901-74): Genesis of a Music. A Review of the New Expanded Edition." Numus West 6 (1974): 28-34. Laneri, R. A Review of the record New Music for Trumpet. Music by Harry Partch. (Orion ORS-7294, 1972). Stereoplay, April 1974, 111. Leach, Willford. "Music for Words Perhaps." Theater Arts (January 1953): 65-68. Leach, Willford. "Music for Words Perhaps." Theater Arts (January 1953): 65-68. Lederer, Muriel. "Mathematics Makes a New Music: This Experimenter Uses 43 Notes to the Octave and Some Strange Home-Built Instruments--to Create a Startling New Music." Science and Mathematics, December 1960, 74-77. Lucraft, Howard. "Hollywood Headlines." A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Melody Maker, December 18 1954, 9. Machlis, Joseph. Introduction to Contemporary Music. New York: W. W. Norton, 1961. Maconie, Robin. "The Well-tempered Bottle." Times Literary Supplement, 17 September 1976, 1178. Mandelbaum, Joel. Music Educators Journal (December 1975): 93-95. Mandelbaum, M. Joel. "Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament." Ph. D. diss. Indiana University, 1961. McGary, Keith. "Music As Challenge." The Anitoch Review (Fall 1949): 421-23. McVoy, James. American Music Teacher (January 1975):47-48. Mellers, Wilfred, "New Worlds for Old: a Letter from America." Musical Times 74 (July 1983): 417-421. Mellers, Wilfred. "Round and About Govecki's Symphony No. 3." Tempo 168 (March 1989): 22-24. Mellers, Wilfred. "The Avant-Garde in America." Proceedings of the Royal Music Association 90 (1963-63): 1-13. Mellers, Wilfred. "An American Aboriginal." Tempo: A Quarterly Review of Modern Music (Spring 1963): 2-6. Mitchell, Danlee. "Percussion in the Orchestra of Harry Partch." Percussionist, April 1966, 37-38. Moevs, Robert. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Musical Quarterly 59 (1973): 160-63. To be annotated. Monson, Karen. "Harry Partch: California's Musical Maverick." Coast Fm & Fine Arts, August 1969, 24-29. Monson, Karen. "Harry Partch: California's Musical Maverick." Coast Fm & Fine Arts, August 1969, 24-29. Monsour, John. "The Photography of 'The Dreamer That Remains.'" American Cinematographer, March 1974, 333, 344-45. Monsour, John. "The Photography of 'The Dreamer That Remains.'" American Cinematographer, March 1974, 333, 344-45. Moore, David W. "Delusion of the Fury: A Ritual of Dream and Delusion." A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). American Record Guide, July 1972, 544-47. Morch, Al. "Truth-in-Music." Women's Wear Daily, 17 January 1967, 22. Musical Courier (15 May 1949): 77. Newman, Elain W. "Enesco's Oedipus: a Little-known Masterpiece." Current Musicology 26 (1978): 99-105. Parsons, Bruce. "Former Madisonian harry Partch Does Strange Things with Music." Daily Cardinal, 8 December 1972, (sec. 2) 3, 13. Partch, Harry. "Ratio Keyboard Design, September 1932." Interval 5 (1986-87): 14-17. Paul, Eugene. "Percussive Arts Society Hall of Fame 1974: Harry Partch." Percussive Notes (Spring 1974): 22, 40. Pluth, Linda Schell. "Harry Partch (1901-1974): An American Musical Pioneer." Percussive Notes (Spring 1975): 19-20. Pluth, Linda Schell. "Harry Partch (1901-1974): An American Musical Pioneer." Percussive Notes (Spring 1975): 19-20. Pouliot, Stephen. "Filming the Work of Harry Partch or First Get to Know Your Genius." American Cinematographer, March 1974, 322-225, 333. Pouliot, Stephen. "Filming the Work of Harry Partch or First Get to Know Your Genius." American Cinematographer, March 1974, 322-225, 333. Ramsey, Basil. Musical Opinion 99 (1976): 239. Read, Peter Hugh. "The Music of Harry Partch." Review of Plectra and Percussion and Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1953, 1954) American Record Guide, January 1955, 149-51. Redewill, Francis H. "Mills College Presents New Score in Production of Yeats." Musical Courier, April 1, 1952, 33. Redewill, Francis H. "Mills College Presents New Score in Production of Yeats." Musical Courier, April 1, 1952, 33. Rosen, Michael. "Last Year at Oberlin-a Review." Numus West USA 2/1 (Winter 1975): 40-42. To be annotated. Reviews of the First Edition of Genesis of a Music. Reviews of Second Edition of Genesis of a Music. Rich, Alan. "The Hindemith 'Brandenburgs.'" A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). New York, 26 May 1969, 50. Rich, Alan. A Review of From the Music of Harry Partch by Harry Partch (CRI-193, 1964). High Fidelity, June 1965, 81. Ringo, James . A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Opera News (22 January 1972): 35. Rogers, Harold. "Record Review." Good Listening, December 1953, 7, 30. Rosen, Michael. "Last Year at Oberlin-a Review." Numus West USA 2/1 (Winter 1975): 40-42. Sabin, Robert. "Harry Partch Work Has Local Premier." A Review of the New York Production of The Bewitched by Harry Partch. Musical America (June 1959): 19-20. Salmon, Will. "The Influence of Harry Partch's Delusion of the Fury." Perspectives of New Music 22/1-2 (Fall-Winter 1983/Spring-Summer 1984): 233-52. Salzman, Eric. "Harry Partch: Organic Foods for souls Tormented by Contem- porary Music." A Review of The Bewitched A Dance Satire by Harry Partch. U. of Illinois Music Ensemble conducted by John Garvey. (CRI SD-304, 1973). Stereo Review, August 1974, 118. Salzman, Eric. "A Visit with Harry Partch: A New Columbia Release Tells a Little of How it Is in Cloud-Chamber Land." Stereo Review, March 1972, 94. Salzman, Eric. "A Visit with Harry Partch: A New Columbia Release Tells a Little of How it Is in Cloud-Chamber Land." Stereo Review, March 1972, 94. To be annotated. Santoro, Gene. "Killer Tomatos." A Review of the Recording of Revelation in the Courthouse Park by Harry Partch. From the American Musical Theater Festival, Oct 8, 1987. Downbeat 57 (October 1990): 45. Sargent, Wintrop. "Musical Events: Whither?"A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968). New Yorker, 21 September 1968, 137-38. Schafer, Murray. "New Records." A Review of U. S Highball by Harry Partch (Gate 5 Records, Issue No. 6, 1958). Canadian Music Journal (Winter 1959): 55-58. Schubart, Margaret. "Bay Area Diary: Partched Sounds." Counterpoint (San Fran) (April 1952): 30. Schubart, Margaret. "Bay Area Diary: Partched Sounds." Counterpoint (San Fran) (April 1952): 30. Shinn, R. "First Greek Study." Perspectives of New Music 15 (1977): 145. Siwe, Tom, "In Memoriun: Harry Partch (1901-1974)." Perspectives of New Music 13 (Fall-Winter 1974):239. Smith, J. "The Partch Reverberations: Notes on a Musical Rebel." San Diego Weekly Reader, 25 September 1980; Reprinted in Interval 3/1 (1981): 7; 3/2 (1981): 6. Smith, J. B. "Instrument Innovations: The Harry Partch Instrument Collection and Ensemble." Percussive Notes 25 (1987): 61-62. Smith, Cecil. Musical America (1 November 1949): 31. Sorell, Walter. "Report from New York." A Review of the New York Production of The Bewitched by Harry Partch. Ballet Today, June 1959, 18-19. Spiker, Ken. "Harry Partch." Earth, March 1971, 70-72.Moevs, Robert. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Musical Quarterly 59 (1973): 160-63. Stiller, A. "(Revelation in the Courthouse Park) Rethinking Harry Partch." Musical America 110 (1990): 90-92. Stiller, A. "(Revelation in the Courthouse Park) Rethinking Harry Partch." Musical America 110 (1990): 90-92. Terry, K. "Music of Harry Partch." Downbeat 46 (1975): 85. Terry, K. "Music of Harry Partch." Downbeat 46 (1975): 85. To be annotated. The Book Exchange (January 1950): 11."Published by Us." Saturday Review, 7 January 1950, 27. Tourtelot, Madeline. "Partch: Microtonal Pioneer." Well Tempered Notes (November 1974): 1, 4. Turok, Paul. Music Journal 33 (1975): 28. Wehmeyer, Grete. "Klavier in unserem Jahrhundert." Neu Zeitschrift fŸr Musik 152/2 (1981): 445-52. Wen-chung, Chou. "Asian Concepts and Twentieth-Century Western Composers." Musical Quarterly 57 (1971): 211-29. Wernick, Richard. "Genesis of a Music." Journal of Music Theory 20 (1976): 133-37. Whittal, Arnold. Music Review 36 (1975): 311-14. Wisckol, M. "Harry Partch: Freedom beyond 12 Tones." Musician Player and Listener 37 (November 1981): 32. Wood, J. "Microtonality: Aesthetics and Practicality." Musical Times 127 (June 1986): 328-30. Woodbury, Arthur. "Harry Partch: Corpereality and Monphony." Source 2, July 1967, 91-93. Yates, Peter. "Genesis of a Music: Composer Harry Partch Builds Own Instruments, Uses 43-Tone Scale, and Incorporates Speech, Dance, and Mime in the Creation of a New Kind of Music Drama." High Fidelity, July 1963, 36-38, 85. Yates, Peter. Arts and Architecture, July 1953, 33-34. Yates, Peter. "Schubert, Berg, Partch, Tremblay." Arts and Architecture, January 1958, 35. Yates, Peter. A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Arts and Architecture, December 1954, 33-34. Yates, Peter. "A Collage of American Composers--Part 3." California Arts and Architecture, January 1959, 4-5, 32-33. Yates, Peter. "Genesis of a Music: Composer Harry Partch Builds Own Instruments, Uses 43-Tone Scale, and Incorporates Speech, Dance, and Mime in the Creation of a New Kind of Music Drama." High Fidelity, July 1963, 36-38, 85. Zimmerman, Paul D. "A Prophet Honored." A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968). Newsweek, 23 September 1968, 109. 4/92