Sondheim, Stephen - dissertations and theses Adams, M. C. "The Lyrics of Stephen Sondheim: Form and Function." DA, 4 (1980), 2355A. Cartmell, D. J. "Stephen Sondheim and the concept musical." DA, 44 (1984), 3208A. Gordon, J. L. "The American musical stops singing and finds its voice: a study of the work os Stephen Sondheim." DA, 45 (1985), 1919A. Huber, E. R. "Stephen Sondheim and Harold Prince: collaborative contributions to the development of the modern concept musical, 1970-1981." DA, 51 (1990), 1049A. McDonough, James Duggins. "A New Direction for the American Musical Theatre: an application of theories by Martin Gottfried to Company and Follies, two musicals by Stephen Sondheim and Harold Prince." Thesis University of North Carolina at Chapel Hill, 1977. Orchard, L. F. "Stephen Sondheim and the disintegration of the American dream: a study of the work of Stephen Sondheim from Company to Sunday in the Park with George." DA, 49 (1988), 1314A. Ramczyk, S. M. "A performance demands analysis of six major female roles of the American musical theatre." DA, 47 (1987), 3911A. Wilson, Stephen Blair. "Motivic, Rhythmic, and Harmonic Procedures of Unification in Stephen Sondheim's Company and A Little Night Music." Diss. Ball State University 1983. 4/92