Electroacoustic music - periodical articles anon. "Activities in the Field of Electronic Music." World of Music. No.2 Oct, 1957. anon. "By the Numbers." Musical America. 76 Sept, 1956. anon. "Die Reithe and Electronic Music." Score. No. 13 Sept, 1955. anon. "How's Petrillo Gonna Collect AFM Dues From RCA's Electronic Tooter?" Variety. 197 Feb 2, 1955. anon. "Interesting Experiment." Musical Courier 159: 14 March 1959. anon. "Look, Ma, No Side Men with RCA's Music Synthesizer Bow On Wax." Variety. 199 July 20, 1955. anon. "Luening-Ussachevsky Tape Work Premiered." Musical America. 75 December 15, 1955. anon. "Mechanized Music." Musical America 80 August 1960. anon. "Music of the Future." Time. 68 July 2, 1956. anon. "Urges Copyright Protection for New Electronic Music." Billboard Magazine, 70: 4, August 25, 1958. Babbitt, Milton. "Electronic Music: The Revolution in Sound." Uinversity Magazine, No. 4, Spring 1960, pp. 4-8. Babbitt, Milton. "Twelve-Tone Rhythmic Structure in the Electronic Medium." Perspective of New Music, Vol. 1, No. 1, Fall 1962, pp. 49-79. Babbitt, Milton. "Who Cares if You Listen?" High Fidelity Magazine, VIII Feb, 1958. Badings, H. and J. W. De Bruyn. "Electronic Music." Philips Technical Review 19, no. 6, 1957-58. Barron, B. "Forbidden Planet." Film and Television Music 15 Summer 1956. Bereger, A. "Music Written For Tape Recording." Bulletin of American Composers Allience. 2 No.4, 1953 Berio, Luciano. "Sur la Musique Electronique." Schweizerische Musikzeitung. 97 June, 1957. Beyer, Robert. "Zur Geschichte der Electronischen Musik." Melos; Zeitschrift fr Neue Musik. 20 Jan, 1953. Breuer, R. "A New Dimension in Music." Show Case. 40 No. 5, 1961. Canby, E. T. "Music Synthesizer." Audio Magazine. 40 May, 1956. Canby, E. T. "The Composing Machine." Audio Engineering. 38 November, 1954. Chapman, E. "Electronic Music." Musical Events 16 December 1961. Chowning, John. "The Synthesis of Complex Audio Spectra by Means of Frequency Modulation." Journal of the Audio Engineering Society 21, no. 7 (1973): 526-534. Computer Music Journal Cowell, Henry, Otto Luening and Vladimir Ussachevsky. "Composing With Tape." Hi-Fi Music at Home, 2 Jan-Feb, 1956. Cross, D. "Music Versus ERlectronics." Hi-Fi Music 6 April 1959 Darrel, R. D. "The Ersatz Melody." Saturday Review. 38 April 30, 1955. Douglas, A. "Recent Developments in Electrical Music Production." Readings of the Royal Music Association, 83, 1956-1957. Eimert, Herbert. "Musique Electronique." Revue Musical. 36 No.2, 1957. Eimert, Herbert. "Was Ist Electronische Musik?" Melos; Zeitschrift fr Neue Musik. 20 Jan, 1953. Eimert, Herbert. "What Is Electronic Music?" Die Reihe, no. 1, 1958. Electronic Musician. Electronic Music Reports. - Institute of Sonology, Utrecht University. Electronic Music Review. Electronotes. Eyer, R. "Works for Tape Recorder Played in Stowkowski Concerts." Musical America 72 November 15, 1952. Forte, A. "Composing With Electrons in Cologne." High Fidelity Magazine. 6 Oct, 1956. Frankenstein, A. "Vortex, The Music of the Hemispheres." High Fidelity Magazine. 9 May, 1959. Gelatt, R. "Music Makers." High Fidelity Magazine. 5 Aug, 1955. Goeyvaerts, K. "The Sound Material of Electronic Music." Die Reihe, no. 1, 1958. Gradenwitz, p. "Experiments in Sound: Ten-Day Demonstration in Paris Offers the Latest in 'Musique ConcrŠte.'" Bulletin of American Composers Alliance. 3 No. 3 1953. Gregory, R. "Music by Machine." Musical Opinion. 82 Oct, 1958. Helm, E. "As Dead As C Major." New York Times 110: 9 sect. 2 May 14, 1961. Holde, A. "Electronic Music Synthesizer; Ein Neuer Klangerzeuger." Das Musikleben, 8 July-Aug, 1955. Holde, A. ''The Electronic Music Synthesizer': Neue Medien der Klangerzeugung." Neue Zfm 121 October 1960. Interface Magazine. Journal of the Acoustical Society of America. Journal of the Audio Engineering Society. Keyboard Magazine. Koenig, G. E. "Studio Technique." Die Reihe, no. 1, 1958. Krenek, Ernst. "New Developments in Electronic Music." Musical America. 75 Sept, 1955. La Rue, Jan. "An Electronic Concert in New York." Music Review. 22 No.3, 1961. Lawrence, H. "Electronics in Leaps and Bounds." Audio Magizine 45 May 1961. Lawrence, H. "Is 'Live' Music On the Way Out." Audio Engineering. 38 Sept, 1954. Lawrence, H. "Music Criticism in the Electronic Age." Audio Magizine 44 October 1960. Luening, Otto and Vladimir Ussachevsky. "Union Card for a Tape Recorder." Music Journal, 22 May, 1954. Luening, Otto. "Electronic Music: A Practical Guide." Music Today, Vol. 3, No. 1, November-December. Luening, Otto. "New Sound Techniques in Music." Art and Artists, University of California Press, Berkeley, 1956. Luening, Otto. "Widening Horizons for Music." The Story of Our Times, Grolier Encyclopedia Yearbook, Grolier Society, New York, 1954. Maren, R. "Electronic Music: Untouched by Human Hands." Reporter. 16 April 18, 1957. Mauzey, Peter. "A Control Consol for Multi-Speaker Presentations of Electronic Music." Journal of the Audio-Engineering Society, Vol. 10, No. 4, October, 1962. Mauzey, Peter. "Specialized Equipment Used at the Columbia University Studio for the Production of Tape Music." Audio Engineering Society Reprint, No. 57, 7 pp., October, 1958, (Presented at the Tenth Annual AES Convention, September 29, 1958). Mauzey, Peter. "The Electronic Music Center of Columbia and Princeton Universities." Columbia Enineering Quarterly, Vol. 13, No. 2, January, 1960. McCarty, Frank. "Electronic Music Systems: structure, control and product." Perspectives of New Music, Spring-Summer, 1975, 98-125. Meyer-Eppler, Werner. "Electronische Kompositionstechnik." Melos; Zeitschrift fr Neue Musik. 20 Jan, 1953. Meyer-Eppler, Werner. "Statistic and Psychologic Problems of Sound." Die Reihe, no. 1, 1958. Moles, A. "Machines a Musique; L'Apport des Machines Electroniques et Electro-acoustiques a la Nouvelle Sensibilite Musicale." Revue Musical. 36 No.2, 1956. Moorer, James A. and John Grey. "Lexicon of Analyzed Tones." Computer Music Journal 1, nr. 2 and continuing. Myers, R. H. "Music in France in the Post War Decade." Readings of the Royal Music Association. 81 1954-1955. Nettel, R. "Electronic Music." Monthly Music Record. 87 Sept-Oct, 1957. Olson, Harry. "RCA Electronic Synthesizer: A Symbol of Things to Come." Variety. 200 Oct 19, 1955 Oram, D. "Electronic Music- The Present and ther Potential." Musical Events 15 December 1960. Paisley, W. J. "Twilight of the Musician." Hi Fi Review 5 August 1960. Parmenter, R. "Electronic Studio Here Aided by Large Grant." NY Times. 108:9 sect. 2, Jan 18, 1059. Petrillo, J. C. "Man, Machine, Music, and Musicians." International Musician. 53 April, 1955. Randolf, D. "Machine-Made Music." Music Journal 17 March 1959. Rich, A. "Columbia Offers Electronic Concert." Musical America 81 June 1961. Robin, H. "U. S. Experiments." NY Times 105 Sect. 2 July 17, 1956. Sabiston, C. "Engineers Lead Composers." Musical America 80 October 1960. Salzman, E. "From Composer to Magnetron to You." Hi Fi Magizine 10 August 1960. Schonberg, H. C. "Splitting the Octave." NY Times. 105 Sect. 2 June 17, 1956. Schottstaedt, Bill. "The Simulation of Natural Instrument Tones Using Frequency Modulation With a Complex Modulating Wave." Computer Music Journal 1, 4 (1977): 46-50. Smith Brindle, R. "The Lunatic Fringe: 1. Concrete Music. 2. Electronic Music. 3. Computation Composition" Musical Times. 97 June, 1956. Smith Brindle, R. "The R.I.A. Studio di Fonologia Musicale at Milan." Musical Times 99 Feb. 1958. Stadlen, P. "Electronic Music." Musical Times 101 December 1960. Stuckenschmidt, H. H. "Musical Avant Garde Gathers in Darmstadt for the Tenth Year." Musical America. 76 Sept, 1956. Stuckenschmidt, H. H. "New World of Electronic Music Evokes Admiration and Fear." Musical America. July, 1957. Stuckenschmidt, H. H. "The Third Stage: Some Observations on the Aesthetics of Electronic Music." Die Reihe, no. 1, 1958. Synthesis Magazine. Tall, J. "Music Without Musicians." Saturday Review. 40 Jan 26, 1957. Tallmadge, W. H. "The Composer's Machine." Journal of Musical Aesthetics 19, no. 3, 1961. Taubman, H. "Machines and Men." NY Times. 104 Sect. 2 Feb 6, 1955. Ussachevsky, Vladimir. "As Europe Takes to Tape." Bulletin of American Composers Alliance, 3 No.3, 1953. Ussachevsky, Vladimir. "Columbia-Princeton Electronic Music Center." Revue Belge de Musicologie, Vol. XIII, 1959. Ussachevsky, Vladimir. "La 'Tape Music' aux tates-Unis." La Revue Musicale, 36 No.2, 1957. Ussachevsky, Vladimir. "Music in the Tape Medium." Juilliard Review, 6 Spring, 1959. Ussachevsky, Vladimir. "Musical Timbre by Means of the Klangumwanler." Audio-Engineering Society Reprint, No. 65. Ussachevsky, Vladimir. "Notes on a Piece for Tape Recorder." Musical Quarterly, Vol. XLVI, No. 2, April, 1960. Ussachevsky, Vladimir. "Reel vs Real," with Elliot Carter. American Symphony Orchestra League Newsletter. 11, 1960. Ussachevsky, Vladimir. "Sound Materials in the Experimental Media of Musique ConcrŠte, Tape Music, and Electronic Music." Journal of the Acoustical Society of America, XXIX, 1957, p. 768. Ussachevsky, Vladimir. "Synthetic Means." The Modern Composer and His World, University of Toronto Press, 1961. Ussachevsky, Vladimir. "The Process of Experimental Music." Journal of the Audio-Engineering Society, Vol. 6, No. 3, July, 1958. Walter, A. "Music and Electronics." Canadian Music Journal 3 Summer 1959. Wilkinson, M. "Two Months in the 'Studio di Fonologia.'" Score, no. 22, Feb. 1958. Winograd, T. "Linguistics and the Computer Analysis of Tonal Harmony." Journal of Music Theory 12:1, 1968. 4/93