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*tagore.001
Ì©¸ê¶û    ¡¶Ô°¶¡¼¯¡·   (The Gardener) 


		     Ì©¸ê¶û (Rabindranath Tagore, 1861 -- 1941)

      

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ÊäÈë: µËÃùç÷ (deng@cs.psu.edu)

Õª×Ô: <<Ô°¶¡¼¯>>£¬ ÎâÑÏ Òë£¬ÉÏº£ÒëÎÄ³ö°æÉç£¬1981, 1982¡£



A Indian, Tagore was the winner of the Nobel prize of literature, 1913. His

work was translated into English mostly by himself. Gardener was the first

one so introduced to the English world, to the world outside of Indian. This

later lead to his winning of the Nobel prize. Poems like the above one

are frequently found in his works. They are very beautiful indeed. In this

poem, I especially love:

    Ã»ÓÐÒ»¸öÈË³¤Éú²»ÀÏ£¬Ò²Ã»ÓÐÒ»¼þ¶«Î÷ÓÀÊÀ³¤´æ£¬

    ÐÖµÜ£¬¼Ç×¡ÕâÒ»µã¶ø»¶ÐÀ¹ÄÎè°É¡£

and  

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    ÐÖµÜ£¬¼Ç×¡ÕâÒ»µã¶ø»¶ÐÀ¹ÄÎè°É¡£

I also love:

    ÎÒÃÇµÄÒ»ÉúÊÇ¶Ì´ÙµÄ; Ò»ÉúÖ»¸øÎÒÃÇ¼¸ÌìÁµ°®µÄÈÕ×Ó¡£

It not only says that our life is too short to let go by, but also that

we must grasp every moment of love if we are lucky enough to fall into it.



±ùÐÄ also translated "The Gardener". But I find her translation hardly 

enjoyable. She translated 

    ÐÖµÜ£¬¼Ç×¡ÕâÒ»µã¶ø»¶ÐÀ¹ÄÎè°É¡£

as

    ÐÖµÜ£¬¼Ç×¡ÕâÒ»µã¶ø¼°Ê±ÐÐÀÖ°É¡£

I do not know what words Tagore used in his original poem, but by my

observation, ÎâÑÒ's translation is more consistent with Tagore's spirit

in the rest poems of "The Gardener".

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*landor.001
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¡¡¡¡                    Walter Savage Landor

                    On His Seventy Fifth Birthday

               I strove with none, for none was worth my strife;
                    Nature I loved, and next to Nature, Art;
               I warm'd both hands before the fire of Life;
                    It sinks; and I am ready to depart.


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1. Collier's Encyclopedia, Crowell-Collier, 1964; R.H. Super ×«¡¶À¼µÂ¡·´ÊÌõ
2. Encyclopedia Americana, Ammericana Co., 1967 (New York); De Lancey Ferguson ×«¡¶À¼µÂ¡·´ÊÌõ
3. Poems by Walter Savage Landor, Geoffrey Grigson Ñ¡²¢Ðò,  Centaur Press, 1964 (London)
4. ¡¶½ð¹ûÐ¡Ö¦¡·£¬»ªÓîÇå±à£¬ºÚÁú½­ÈËÃñ³ö°æÉç1982Äê£¬¹þ¶û±õ
5. ¡¶Ó¢ÃÀÃûÊ«Ò»°ÙÊ×¡·£¬ËïÁº±à£¬ÖÐ¹ú¶ÔÍâ·­Òë³ö°æ¹«Ë¾£­ÉÌÎñÓ¡Êé¹ÝÏã¸Û·Ö¹Ý1987Äê£¬±±¾©
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    ÕâÊ«µÄÌØÉ«ÊÇÑÔ¼òÒâÉî¶ø¾ßÓÐÒôÀÖ½Ú×à. ÒëµÃÌ«°×ÔòÏ¡ÊÍÔ­Î¶(Èç±«Òë),ÒëµÃÌ«ÎÄÔò
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È±µãÊÇÀÁ¶èÁËµã¶ù,ÓÅµãÊÇ»ÙÓþÈ«ÓÉ Landor ½Ó×Å,²»¸É¼ºÊÂ.     

     I strove with none, for none was worth my strife;
     Nature I loved, and next to nature, art;
     I warm'd both hands before the fire of life;
     It sinks; and I am ready to depart.

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ÀÊ·ÑÂÞ - ÈËÉúËÌ
 A Psalm of Life
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²»ÒªÔÚ°§ÉËµÄÊ«¾äÀï¸æËßÎÒ£ºTell  me  not,¡¡in  mornful  numbers,
¡¡¡°ÈËÉú²»¹ýÊÇÒ»³¡»ÃÃÎ£¡¡±¡¡¡¡"Life is but an empty dream!"
Áé»êË¯×ÅÁË£¬¾ÍµÈÓÚËÀÁË£¬¡¡For the soul is dead that slumbers,
¡¡ÊÂÎïµÄÕæÏàÓëÍâ±í²»Í¬¡£¡¡And things are not what they seem.

ÈËÉúÊÇÕæÇÐµÄ£¡ÈËÉúÊÇÊµÔÚµÄ£¡¡¡Life is real!  Life is earnest!
¡¡ËüµÄ¹éËÞ¾ö²»ÊÇ»Ä·Ø£»¡¡¡¡And the grave is not its goal;
¡°Äã±¾ÊÇ³¾ÍÁ£¬±Ø¹éÓÚ³¾ÍÁ¡±£¬ "Dust thou art, to dust¡¡returnest,"
¡¡ÕâÊÇÖ¸Çû¿Ç£¬²»ÊÇÖ¸Áé»ê¡£¡¡¡¡Was not spoken of the soul.

ÎÒÃÇÃü¶¨µÄÄ¿±êºÍµÀÂ·¡¡¡¡Not¡¡enjoyment,¡¡and¡¡not¡¡sorrow,
¡¡²»ÊÇÏíÀÖ£¬Ò²²»ÊÇÊÜ¿à£»¡¡¡¡Is our destined end or way;
¶øÊÇÐÐ¶¯£¬ÔÚÃ¿¸öÃ÷Ìì¡¡¡¡¡¡But to act,¡¡that each to-morrow
¡¡¶¼³¬Ô½½ñÌì£¬¿ç³öÐÂ²½¡£¡¡Find us farther than to-day.

ÖÇÒÕÎÞÇî£¬Ê±¹â·ÉÊÅ£»¡¡Art is long,¡¡and Time is fleeting,
Õâ¿ÅÐÄ£¬×ÝÈ»ÓÂ¸Ò¼áÇ¿£¬ And our hearts, though stout and¡¡brave,
Ò²Ö»ÈçÜ±¹Ä£¬ÃÆÉùÇÃ¶¯×Å£¬ Still, like muffled drums, are beating
¡¡Ò»ÏÂÓÖÒ»ÏÂ£¬Ïò·ØµØËÍÉ¥¡£¡¡Funeral marches to the grave.

ÊÀ½çÊÇÒ»Æ¬ÁÉÀ«µÄÕ½³¡£¬ In the world's broad field of battle,
¡¡ÈËÉúÊÇµ½´¦ÔúÕ¯°²Óª£»¡¡¡¡In the bivouac of life,
ÄªÑ§ÄÇÌýÈËÇý²ßµÄÑÆÐó£¬¡¡Be not like dumb,¡¡driven cattle!
¡¡×öÒ»¸öÍþÎäÉÆÕ½µÄÓ¢ÐÛ£¡¡¡¡¡Be a hero in the strife!

±ðÖ¸Íû½«À´£¬²»¹ÜËü¶à¿É°®£¡ Trust no Future, howe'er pleasant!
¡¡°ÑÒÑÊÅµÄ¹ýÈ¥ÓÀ¾ÃÑÚÂñ£¡¡¡Let the dead Past bury its dead!
ÐÐ¶¯°É£­£­³Ã×Å»îÉúÉúµÄÏÖÔÚ£¡¡¡Act, -- act in the living Present!
¡¡ÐÄÖÐÓÐ³àÐÄ£¬Í·ÉÏÓÐÕæÔ×£¡¡¡Heart within, and God o'evhead!

Î°ÈËµÄÉúÆ½ÆôÊ¾ÎÒÃÇ£º¡¡ Lives of great men all remind us
¡¡ÎÒÃÇÄÜ¹»Éú»îµÃ¸ßÉÐ£¬¡¡We can make our lives sublime,
¶øµ±¸æ±ðÈËÊÀµÄÊ±ºò£¬¡¡¡¡And, departing, leave behind us
¡¡ÁôÏÂ½ÅÓ¡ÔÚÊ±¼äµÄÉ³ÉÏ£»¡¡Footprints on the sand of time;

Ò²ÐíÎÒÃÇÓÐÒ»¸öÐÖµÜ¡¡¡¡¡¡Footprints,¡¡that perhaps another,
¡¡º½ÐÐÔÚ×¯ÑÏµÄÈËÉú´óº££¬¡¡Sailing o'er life's solemn main,
ÓöÏÕ³ÁÁË´¬£¬¾øÍûµÄÊ±¿Ì£¬A forlorn and shipwrecked brother,
¡¡»á¿´µ½Õâ½ÅÓ¡¶øÕñ×÷ÆðÀ´¡£¡¡Seeing, shall take heart again.

ÄÇÃ´£¬ÈÃÎÒÃÇÆðÀ´¸É°É£¬¡¡Let us,¡¡then,¡¡be up and doing,
¡¡¶ÔÈÎºÎÃüÔËÒª¸ÒÓÚµ£´÷£»¡¡With¡¡a¡¡heart¡¡for¡¡any¡¡fate;
²»¶ÏµØ½øÈ¡£¬²»¶ÏµØ×·Çó£¬¡¡Still¡¡achieving,¡¡still¡¡pursuing,
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ÀÊ·ÑÂÞ - ÏçÏÂÌú½³
THE VILLAGE BLACKSMITH


Ò»¿ÃÀõ×ÓÊ÷ÑÓÉì¿í¹ã£¬¡¡¡¡Under a speading chestnut-tree
¡¡ÏçÏÂÌú½³ÆÌ¿¿ÔÚÊ÷ÅÔ£»¡¡¡¡The village smithy stands;
Ìú½³ÊÇ¸öÓÐÁ¦ÆøµÄºº×Ó£¬¡¡The smith, a mighty man is he,
¡¡Ò»Ë«´óÊÖÓÖ´ÖÓÖÇ¿×³£»¡¡¡¡With large and sinewy hands;
¸ì±ÛÉÏ¹Ä¹ÄÄÒÄÒµÄ¼¡Èâ¡¡¡¡And the muscles of his brawny arms
¡¡½áÊµµÃ¾ÍÏóÌú´òµÄÒ»Ñù¡£¡¡Are strong as iron bands.

ËûÈ­ÇúµÄÍ··¢ÓÖºÚÓÖ³¤£¬¡¡His hair is crisp, and black, and long,
¡¡Á³É«ÏóÊ÷Æ¤Ò»Ñù½¹»Æ£»¡¡His face is like the tan;
¶îÉÏÌÊµÄÊÇÀÏÊµÈËµÄº¹Ë®£¬His brow is wet with honest sweat,
¡¡Æ¾Á¦Æø¸É»î£¬È¡µÃ±¨³¥£»¡¡He earns whate'er he can,
ËûÑïÃ¼ÕöÑÛÍû×ÅÈ«ÊÀ½ç£¬¡¡And looks the whole world in the face,
¡¡ÒòÎªËû²»Ç·ÈÎºÎÈËµÄÕÊ¡£For he owes not any man.

ÐÇÆÚÁ¬ÐÇÆÚ£¬ÔçÉÏµ½ÍíÉÏ£¬Week in, week out,  from morn till night,
¡¡ÌýµÃ¼ûËûÄÇÃù×àµÄ·çÏä£»¡¡You can hear his bellows blow;
ÌýµÃ¼ûËûÂÕÆð³ÁÖØµÄ´ó´¸£¬You can hear him swing his heavy sledge,
¡¡½Ú×à·ÖÃ÷£¬»ºÂýµÄÇÃÏì£¬¡¡With the measured beat and slow,
Ïó½ÌÌÃË¾ÊÂ°ÑÍíÖÓÇÃ¶¯£¬¡¡Like a sexon ringing the village bell,
¡¡µ±Ï¦Ñô½¥½¥³ÁÏòÎ÷·½¡£¡¡When the evening sun is low.

Ã¿Ìì£¬º¢×ÓÃÇ·ÅÑ§»Ø¼Ò£¬And the children coming home from school
¡¡´Ó³¨¿ªµÄÃÅ¿ÚÏòÎÝÀïÕÅÍû£»Look in at the open door;
ËûÃÇ°®¿´ÄÇºìºìµÄÂ¯»ð£¬They love to see the flaming forge,
¡¡°®ÌýÄÇÃùÃùºð½ÐµÄ·çÏä£¬¡¡And hear the bellows roar,
²¹×½ÄÇ±¬³öµÄ»ð»¨µãµã£¬¡¡And catch the burning sparks that fly
¡¡Ïó´ò¹È³¡ÉÏ·É±ÅµÄ¹È¿·¡£¡¡Like chaff from a threshing floor.

Ò»µ½ÐÇÆÚÌì£¬Ëû¾ÍÉÏ½ÌÌÃ£¬He goes on Sunday to the church,
¡¡×øÔÚËûµÄº¢×ÓÃÇÖÐÑë£»¡¡And sits among his boys;
ËûÌýÄÁÊ¦½²µÀºÍÆíµ»£¬He hears the parson pray and preach,
¡¡Ò²Ìý´åÀï³ªÊ«°àºÏ³ª£¬¡¡He hears his daughter's voice,
Ìý³öÁËËûµÄÅ®¶ùµÄÉ¤Òô£¬¡¡¡¡Sings in the village choir,
¡¡Ê¹ËûÖ¹²»×¡ÐÄ»¨Å­·Å¡£¡¡And it makes his heart rejoice.

ËûÌýÀ´£¬ÕâÉ¤Òô¾ÍÏóËûÄ¸Ç×  It sounds to him like her mother's voice,
¡¡¸è³ªÔÚ¹âÃ÷Ê¥½àµÄÌìÌÃ£¡¡¡Singing in Paradise!
Ëû²»½ûÓÖÒ»´Î°ÑËý»³Ïë£º¡¡He needs must think of her once more,
¡¡²»ÖªÄ¹Ñ¨ÀïËýË¯µÃÔõÑù£¿¡¡How in the grave she lies;
ËûÓÃÓÖ´ÖÓÖÓ²µÄ´óÊÖ¡¡And with his hard,  rough hand he wipes
¡¡°ÑÒ»µÎÀáË®Ä¨³öÁËÑÛ¿ô¡£¡¡ A tear out of his eyes.

ÐÁ¿àÀÍ×÷£­£­¿ìÀÖ£­£­±¯ÉË£¬¡¡ Toiling, -- rejoicing,  -- sorrowing,
¡¡Ò»²½²½×ßÔÚÈËÉúµÄÂ·ÉÏ£»¡¡Onward through life he goes;
Ã¿ÌìÔçÉÏÓÐ»î¼Æ¿ªÊ¼£¬¡¡Each morning sees some task begin,
¡¡Ã¿ÌìÍíÉÏÓÐ»î¼ÆÊÕ³¡£»¡¡Each evening sees it close;
ÓÐµÄÆðÁËÍ·£¬ÓÐµÄ¸ÉÍêÁË£¬Something attempted, something done,
¡¡¸øËûÕõÀ´ÁËÒ»Ò¹µÄº¨³©¡£¡¡Has earned a night's repose.

Ð»Ð»ÄãÁË£¬ÎÒ¿É¾´µÄÅóÓÑ£¡ Thanks, thanks to thee, my worthy friend,
¡¡Ð»Ð»ÄãµÄ½ÌÒæºÍ°ñÑù£¡¡¡For the lesson thou hast taught!
ÎÒÃÇµÄÃüÔËÒ²µÃÒª´¸Á¶£¬Thus at the flaming forge of life
¡¡Òª¾­ÊÜÈËÉúµÄÂ¯»ð·çÏä£»¡¡Our fortunes must be wrought;
ÔÚ¶£µ±ÕðÏìµÄÌúÕèÕ¹ÉÏ´¸³ö¡¡Thus on its sounding anvilshaped
¡¡»ð»¨ËÄÉäµÄÊÂÒµºÍË¼Ïë¡£¡¡Each burning deed and thought.

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¡¡¡¡¡¡¡¡Ö²×Ö£ºÍõÐ¦·É£¨xiaofei£Àacsu£®buffalo£®edu£©

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ÀÊ·ÑÂÞ - Ò¹µÄÔÞ¸è
 HYMN TO THE NIGHT

Henry¡¡Wadsworth¡¡Longfellow
ÀÊ·ÑÂÞÊ«Ñ¡¡¡ÑîµÂÔ¥Òë


ÎÒÌý¼ûÒ¹µÄ´¹Ò·µÄÇáÉÑ¡¡I heard the trailing germents of the Night
·÷¹ýËýµÄ´óÀíÊ¯ÌüÌÃ£¡     Sweep through her marble halls!¡¡¡¡
ÎÒ¿´¼ûËýµÄõõºÚµÄÒÂñÕ¡¡I saw her sable skirts all fringed with light
×ºÊÎ×ÅÌì¹ú¹¬Ç½µÄÓ«¹â£¡¡¡     From the celestial Walls!¡¡

´ÓÄÇÇ¿´óµÄ÷ÈÁ¦£¬ÎÒ²ì¾õ¡¡I felt her presence, by its spell of might¡¡
ËýµÄ·á×Ë´ÓÉÏ¿Õ¸©ÁÙ£»¡¡ Stoop o'er me from above;¡¡¡¡
Ò¹µÄ¶ËÄý£¬³Á¾²µÄ·á×Ë£¬The calm, majestic presence of the Night,
ÍñÈçÎÒµÄÁµÈËµÄÙ»Ó°¡£  As of the one I love.¡¡¡¡

ÎÒÌýµ½»¶ÓäµÄ¡¢°§Ô¹µÄ¸èÉù£¬
I heard the sounds of sorrow and delight,
¡¡¡¡¶àÖÖ¶àÑùµÄÈáºÍµÄÔÏÂÉ£¬¡¡     The manifold, soft chimes,
ÑóÒçÔÚ¾«Áé³öÃ»µÄÒ¹¹¬£¬That fill the haunted chambers of the Night,
¡¡¡¡ºÃÏó¹Å´úÊ«ÈËµÄÊ«¾ä¡£¡¡¡¡    Like some old poet's rhymes.

ÎçÒ¹µÄ¿ÕÆøÈçÇåÁ¹µÄË®³Ø£¬From the cool cisterns of the midnight air
Áé»êÏòÕâÀï¼³È¡°²Êæ£»¡¡¡¡     My spirit drank repose;
ÓÀºãºÍÆ½µÄÉñÊ¥ÈªË®  The fountain of perpetual peace flows there,--
¡¡¡¡¾Í´ÓÕâÐ©Éî³ØÀïÁ÷³ö¡£¡¡ From those deep cisterns flows.

Ò¹°¡£¡Äã½ÌÎÒÑ§»áÈÌÊÜ¡¡O holy Night! from thee I learn to bear
¡¡¡¡ÈËÃÇÔø¾­ÈÌÊÜµÄÒ»ÇÐ£¡¡¡¡¡     What man has borne before!
ÄãÊÖÖ¸Çá´¥¡°ÓÇÉË¡±µÄ´½ÎÇ£¬
Thou layest thy finger on the lips of Care,
Ëû±ãÇÄÈ»Í£Ö¹ÁËÎØÑÊ¡£¡¡     And they complain no more.

¡¡Ïó°ÂÈðË¹ß¯Ë¹£¬ÎÒÆíÇóÄþ¾²£¡
Peace! Peace! Orestes-like I breathe this prayer!
ÊÜ»¶Ó­¡¢±»ÆíÇó¡¢×î¿É°®µÄÒ¹   Descend with broad-winged flight,
Õ¹¿ªËý¹ãÀ«ÎÞÛóµÄ³á°ò
The welcome, the thrice-prayed for, the most fair,
¡¡¡¡·ÉÐÐ×Å£¬½µÁÙÎÒÃÇµÄÊÀ½ç¡£     The best-beloved Night!¡¡¡¡

´ò×Ö:¡¡ÍõÐ¦·É¡¡(xiaofei@acsu.buffalo.edu)

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¡¼Ô­ÎÄ¡½

THE QUADROON GIRL

THE Slaver in the broad lagoon
  Lay moored with idle sail;
He waited for the rising moon, 
  And for the evening gale.
  
Under the shore his boat was tied,
  And all her listless crew
Watched the gray alligator slide
  Into the still bayou. 
  
Odors of orange-flowers, and spice,
  Reached them from time to time,
Like airs that breathe from Paradise
  Upon a world of crime. 
  
The Planter, under his roof of thatch,
  Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
  He seemed in haste to go.
  
He said, "My ship at anchor rides
  In yonder broad lagoon;
I only wait the evening tides,
  And the rising of the moon."
  
Before them, with her face upraised,
  In timid attitude,
Like one half curious, half amazed,
  A Quadroon maiden stood. 
  
Her eyes were large, and full of light,
  Her arms and neck were bare;
No garment she wore save a kirtle bright,
  And her own long, raven hair.
  
And on her lips there played a smile
  As holy, meek, and faint,
As lights in some cathedral aisle
  The features of a saint. 
  
"The soil is barren, -- the farm is old,"
  The thoughtful planter said;
The looked upon the Slaver's gold, 
  And the upon the maid.      
      
His heart within him was at strife
  With such accused gains:
For he know whose passions gave her life,
  Whose blood ran in her veins. 
  
But the voice of nature was too weak;
  He took the glittering gold!
Then pale as death grew the maiden's cheek,
  Her hands as icy cold. 
  
The Slaver led her from the door,
  He led her by the hand,
To be his slave and paramour
  In a strange and distant land!
  
from "The Poetical Works of Longfellow", Houghton Mifflin Company, Boston, 1975.
typed in: xiaofei@acsu.buffalo.edu ( Xiaofei Wang )

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