Thiruppavai-Pasuram 16to 20
Pasuram16- nAyakanAi ninra
nAyakanAi ninra nandagOpanudaiya
kOilkAppAnE koditthOnrum thOraNa
vAyilkAppAne maNikkadhavamthAL thiravAi
Ayar sirumiyarOmiukkaraiparai
mAyan maNivaNNam nennalE vAi nErndhAn
thooyOmAi vandhOm thuyilezappduvAn
vayAl munnammunnam mAttradhE ammAnee
nEyanilaikkadhavam neekkElorempAvai
You , the guard of the palace and the festooned gateway of Nandhagopa,our master, open the jewelled door.The enchanting and lustrous Lord Krishna has promised to grace us, the cowherd girls, who have come pure, to awaken Him.with our singing.Please open the main door without saying anything to the contrary.
Before getting the darsana of the Lord the dvarapalakas have to be entreated for granting permission to go in. It is called thadheeyapurskAra in vaishnavasampradhaya, which means that the bhagavathArAdhana will be fruitful only through bhAgavathArAdhana.
nayakana---vAyilkAppAne- It may mean that the guard at the palace and the one at the door are appeased or it may be that there is one guard who is referred to as both 'koil kAppAn and vAyil kAppAn.
The palace is called Koil because it is the abode of the Lord. The gate keeper is called by his occupation to please him like calling a minister by his position.The word nayakanai ninra may also be combined with koilkAppAn extolling him as the nayakan or prime factor in enabling the darsan of the Lord like the acharya who makes it easy for the disciple to approach the Lord.
koditthOnrum thOraNavayil-The flag flutters and the palace gate is decorated with festoons only when the king is there. The flag on the
'eendu nee varinum engaL eziludai ezuvivaNNan pAndavarthangatkallAl padaitthuNai AgamAttAn;meendu nee pOga------kaigaLAl thaduppappOnru.'
It looked as though the flags waved its hands as if telling Duryodhana that
Kamban gives even a more beautiful picture about the flag that fluttered on the
maiyarumalarinneengi yAn sei mAthavatthin vandhu
seyyavaL irundhAL enru sezumaNikkodigaL ennum
kaigalai neetti andhakkadinaga rkamalacchengaN
ayyanai ollai vA enru azaippadhanpOnradhammA
It looked as though the flags extended their hands and invited the lotus eyed Rama to the city saying, "Sridevi leaving her abode of lotus has come here due to our penance and so you also come here."
kAppAnE-These guards protect Him who protects the whole world. Andal is the daughter of Periazvar who sang pallAndu to the Lord to protect Him from evil eyes and hence says that the guards are protecting the Lord.
Ayarsirumiyar-we are only cowherd girls and harmless and so you need not hesitate to let us in.
maNikkadhavam- the doors are imbedded with gems. Even the mansions of others in Ayarpadi are described as thoomaNimAdam and it is obvious that the palace of Nandhagopa should be even more rich in appearance.The attention is diverted to the external decor as long as one has not seen the deity inside the temple.But once we stand in front of the Lord we notice nothing except his form. Likewise till they go in, the appearance of the mansion, flag etc. are mentioned but once they stand in front of Him they could talk about nothing else but His glory.
Mayan-the word is used in three pasurams before this.
1. Mayanai mannu vadamadurai maindhanai-Pasuram no.5.-The wonder of his avathara is expressed here.
2.MAmAyan mAdhavan- in the pasuram 'thoomaNimAdatthu,' pasuram no.9-This is supposed to refer to the story of Muchukundha, who was sleeping inside a cave and Krishna led Kalayavana into the cave as though he is fleeing from him out of fear and Kalyavana attacked Muchukundha thinking that he was Krishna and was burnt by his look.I t was one of the mayaleela of the Lord.
3.MayanaippadelorempAvai-in the preceding pasuram 'elle ilamkiliye.. This has reference to the glory of Bhagavathas. The mayam of the Lord in enchanting even Narada, who became proud once that the worldly desires could not touch him and Krishna asked him to fetch a cup of water and when Narada went to the river, by the maya of the Lord he saw a beautiful damsel and married her and lived happily. When she and the sons he had from her died he sat on the bank and cried when Bhagavan approcached him and asked him that what ever happened to the cup of water he was supposed to fetch.Then only Narada realised that all was the maya of the Lord.
In this pasuram it is mentioned 'mAyan maNivaNnan nennal vAinErndhAn,' which refers to the episode of the hunchbacked whose hunch Krishna straightened and went to her house later as promised earlier 'nennalE vAi nErndhAn..' Also He promised Droupadhi that he will come to her resque when needed. Rama will promise easily and keep His promise at any cast but
These are the explanations given by the great scholars and devotees.
ThooyOmAi vandhom- They have come with thrikaraNasuddhi, that is purity of body, mind and intellect.
ThuyilezappaduvAn-They want to sing inorde to awaken Him so that His glance will fall on them first as mentioned in a later pasuram.
vAyAl munnam----amma- As the tamil saying goes, 'sAmi varam kodutthAlum poojari varam kodudukkaNum,' the great personages may be quite accessible but the people around them may prove to be difficult.So the girls are requesting the door keeper to allow them in, telling him not to say anything on the contrary.
This pasuram contains all the three manthras of vaishnava tradition namely, he ashtakshara,
NAyakanAi---koilkAppAnE-denotes the moolamanthra. Nayakan is the Lord who is the nayaka of the world.His koil is praNava,
koditthOnrum thOraNavayilkAppAnE- is the dvayamanthra. KoditthOnrum thoraNavasal meaning Vaikunta and the word kAppAn means the Lord.He gives mOksha to those who surrender to His feet.
Ayarsirumiyar -----nErndhaAn refers to the promise of the Lord in the Gita that He will redeem the ose who surrender to Him, which is the only qualification whether the prpanna is learned or low born.
Thuyileza-----amma- To wake up from the sleep of samsara the acharya is entreated to instruct the three manthras without reserve and the word ammA refers to the acharya.
neya nilaikkadhavam- the doors are two in each manthra ,
They should be opened in the sense that the secret of the meaning should be opened by the acharya.
Pasuram 17-ambaramE thaNNeerE
ambarame thaNNeerE sorE
emperumAn nandagopAlA ezundhirAi
kombanArkkellAm l kozyundhE kulaviLakkE
emperumAtti yasOdhAi arivurAi
ambaram oodarutthu Ongi ulagalandha
umbarkOmAnE urangAdhezundhirAi
semporkazqladichelvA baladhEva
umbiyum neeyum urangElorempAvai.
Lord Nandhagopala, who gives clothes, water and food to all, wake up. Yasodha, the best among beautiful slender women, the light of the clan, wake up.Oh Lord, who is the God of gods, and who pierced the sky and measured the whole world, do not sleep, wake up.Balarama, with golden anklet do not be sleeping with your brother.
Nandhagopa is known for giving ambaram,clothes, thaNNeer,water and
aramseyyum-aram is charity done with righteous attitude, dharmabuddhi. That is why it is called
YasOdha means giver of yasas which normally means fame and in the vedas it means Brahman. Since she gave us the Brahmam in form of
The word ambaram has many meanings such as clothes, sky etc. The first ambaram means the clothes while the second denotes the sky. But the scholars take it that to translate ambaram in 'ambaramE thaNNeerE, sOre' as akasa, the word may be taken to refer to the Lord Himself.The basis for this is the upanishadic statement that Brahman, who was one and only without a second willed to become many and created the elements. Akasa being the first and later followed fire, air, water and earth. As the earth is denoted by the word
Ambaramoodarutthu refers to the piercing of the cosmic shell to bring water from the outer region as mentioned in the upanishad as 'thripAdhasyAmrtham dhivi,' that is the whole cosmos pervaded by the Lord is only a quarter of His form and the remaining three quarters are outside.It is said that Brahma wanted to wash the feet of the Lord when it reached his loka by the water of his kamandalu but found that it was not enough when Thrivikrama pierced the cosmic shell by His foot and brought the water which became the akasaganga, celestial Ganges which was later brought to earth by Bhagiratha.
selva baladeva- his semporkazal is a veerakkazal.as he killed asuras and dragged the whole Hasthinapura into the Gangesby his plough when Duryodhana insulted him and diverted Yamuna to where he was for his jalakreeda. Being the incarnation of adhisesha he cleaned the womb of Devaki to make it divine for
umbiyum neeyum urangelorempavai- Sesha being the couch they entreat him to wake up as when he moves the Lord will be awakened.They call Krishna his younger brother implying that Krishna will listen to him if he takes mercy on them and recommend their case.
In the pasurams 16,17 and 18 Nandhagopa is mentioned as being the master (nayakanAi) charitable, (aram seyyum) valourous (undhumadhakalittran OdAdhathOlvaliyan).Desika in his Yadhavabhyudhaya says that Nandhagopa excelled the wish-giving jewel, chinthamani and the celestial wish- fulfilling tree, kalpatharu and the rainbearing clouds in his generosity at the birth of Krishna.
The ashtakshar manthra is referred to by this pasuram. Ambaram=pranavam,sOru =narayana sabdha and thaNNeer=namah
Ambaram meaning AkAsa denotes the pranava in which all sabdhas are included as everything exists in AkAsa.
Upanishad says '
thaN neer - cool water is namah sabdha since it is the means of life eternal.Through prapatthi, surrender, the devotion attains its culmination and like the cool water the jiva is refreshed from the heat caused by samsara.
kombanSrkkellAm kozundhu is the ashtakshara which is the best of manthras as it shows the Lord. It is like Yasodha who has
Ambaram oodarutthu indicates the all- pervasiveness of the Lord.
umbiyumneeyum urangelorempAvAi-Bhagavtseshatnvam and bhAgavathaseshathvam. It is equally important to worship the bhagavathas as it is to worship BhagavAn, who will be pleased more by the propitiation of His devotees as a father will be more pleased by fondling of his son rather than honouring himself. The sleep here is the lack of awareness of this fact.
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