76. DhenupaaladhayithaasthanasThaleeDhanyakumkumasanaaThakaanthaye
veNugeethagathimoolaveDhase thejase thadhidham om namo namaH
Salutations again to
77.mrdhukvaNan noopura manThareNa baalena paadhaambujapallavena
anukvaNan manjula venugeetham aayaathi me jeevitham aattha keli
The four slokas starting with this one describe
Desika in his Gopalavimsathi says that the flute accompanies the sound of the bracelets of the gopis.
Jayathi lalithavrtthim sikshithO vallaveenAm
SiThilavalayaSinjASeethalairhasthathAlAih
akhilabhuvanarakshAvEshagOpasyaVishnOh
aDHaramaNisuDHAyAm amSavAn vENunAlah (gopalavimsati-16)
The flute at the gemlike lips of Krishna, the saviour of the whole world who has assumed the disguise of a cowherd, shine well, being taught of the dance of lalithavrtthi by the loose bangles worn by the coolhands of the gopis. The dance of the svaras that flow out of the flute was set to the thala of the sound of the bangles.This is just to show the bhakthavAthsalya of the Lord.
78.soayam vilaasa muralee ninaadhaamrthena
sinchan udhanchitham mamakarnayugmam
aayaathi me nayanabanDhuH ananyabanDhuh
aanandha kandhalitha keli kataakshalakshmeeH
Krishna is coming towards me, drenching my two eager ears, with his nectarine music, with his glances glorious with bubbling joy, binding the eyes is he who is the one and only close relative to all.
The word banDhu is derived as baDhnaathi ithi , one who binds and hence here nayanbanDhu means that he binds the eyes which are fastened on him. anayabanDhu means he is the reltive of those who do not care for any other.
79.dhooraathvilikayathi vaaranakhelagaamee
dhaaraakataakshabharithena vilokanena
aaraadhupaithi hrdhayangamaveNunaadha
veNeedhughena dhasanaavaraNenadhevah
Krishna is looking at me from afar,walking like a playful elephant, his eyes wide with continous flow of glances, his lips beautiful sednig out continous music through the flute which is enchanting to the heart.
His contionous looks, dhaaraakataaksha, fall on the devotees like a shower. He is playing the flute, the music of which flows from his lips and enters the heart, hrdhayangamaveNunaadha.
80. thribhuvansarasaabhyaam dheepthabhooshaapadhaabhyaam
dhrSi dhrSi SiSiraabhyaam dhivyaleelaakulaabhyaam
aSaraNaSaraNaabhyaam adhbhuthaabhyaam padhaabhyaam
ayam ayam anukoojath veNuraayaathi dhevaH
In this sloka, Krishana has come near and Leelasuka is enjoying the beauty of his feet. They are adorned with shining anklets,dheepthabhooshaa, and merely by looking at them the devotee gets comfort,dhrSi dhrSi SiSira, because it reminds one of the divine sports he engaged in, dhivyaleelaakula, in order to protect his devotees like roaming around in Brindavan, lifting the ovardhana, killing the asuras, going as an envoy to help the Pandavas etc., thus beingthe refuge of the distressed and hence there is nothing more enchanting than his feet in all the three worlds, thribhuvanasarasa.
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