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	<title>Preserving Games &#187; dos</title>
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	<link>http://www.ibiblio.org/winget</link>
	<description>Archiving the Creation Processes of the Video Game Industry</description>
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		<title>Not-So-Sensible World of Soccer</title>
		<link>http://www.ibiblio.org/winget/2009/02/not-so-sensible-world-of-soccer/</link>
		<comments>http://www.ibiblio.org/winget/2009/02/not-so-sensible-world-of-soccer/#comments</comments>
		<pubDate>Mon, 23 Feb 2009 17:43:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Emulation and Vintage Gameplay]]></category>
		<category><![CDATA[complexity]]></category>
		<category><![CDATA[dos]]></category>
		<category><![CDATA[playability]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[videogame]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/winget/?p=110</guid>
		<description><![CDATA[My experiences playing Warcraft reminded me of a time when games were simpler, and I enjoyed reliving those memories.  Sensible World of Soccer, on the other hand, reminded me that, when it comes to sports games, added complexity is a necessity that is sometimes taken for granted by younger players like myself.  To get right [...]]]></description>
			<content:encoded><![CDATA[<p>My experiences playing Warcraft reminded me of a time when games were simpler, and I enjoyed reliving those memories.  <a href="http://www.abandonia.com/en/games/910/Sensible+World+of+Soccer.html">Sensible World of Soccer</a>, on the other hand, reminded me that, when it comes to sports games, added complexity is a necessity that is sometimes taken for granted by younger players like myself.  To get right to the point, I find SWoS to be almost unplayable.</p>
<p>But before I address how the gameplay in sports games has, thankfully, advanced over the years, I will note that my issues with SWoS began with the speed of the game itself.  When I began playing the game on DOSBox (see previous posts for information on how to obtain and use DOSBox), the little soccer players were zooming around the screen.  Before I could hit escape and catch my breath, it seemed that five goals had already been scored against my team.  No matter much I tried to slow the game&#8217;s movement through DOSBox&#8217;s options menu, the game never seemed to calm down.  Filled with frustration, I downloaded the recent re-release of the game from XBOX 360&#8217;s online marketplace.  To my surprise, though the game was slowed considerably, it was still blazing at a speed entirely incompatible with the actual game of soccer.  Can this really be the default speed?</p>
<p>This was the first of many complaints about the ways in which SWoS presents the game of soccer to video game players.  Soccer is known throughout the world as the &#8220;beautiful game,&#8221; due to the grace and intricacy required to truly compete in the sport.  Soccer is not the kind of hyperkinetic sport that basketball is, or that SWoS would have you believe soccer is.  It is more like an athletic chess match; players are constantly scanning the field, looking for their best option before making a move.  The speed of SWoS makes this kind of thought and strategy impossible, robbing the sport of its great uniqueness.  In modern soccer video games like EA Sports&#8217;s FIFA series, the game allows the player to take his time; indeed, acting or moving too quickly will likely result in defeat.  This is the pace that a soccer video game demands, the pace of the sport itself.</p>
<p>Another glaring issue is the one-button control scheme.  You use the same button to pass the ball and to shoot the ball.  This requires you to use your movement buttons to both move your player and to guide the ball so that, when you press the &#8220;kick ball&#8221; button, the ball is sent toward a teammate for a pass or toward the goal for a shot attempt.  There is not enough room here to elaborate on how incompatible this button scheme is to soccer movement and strategy, but I can simply say that soccer players often find themselves running in one direction and kicking the ball in another direction.  A player running towards the goal may have an open teammate to his left; good luck trying to kick the ball to your left while continuing to move play forward in SWoS.  In modern games, the player is given a shoot button, a normal pass button, a lob/cross pass button, and a through pass button, and all of them are necessary if the player really wishes to recreate the sport itself.  Considering these options in addition to the advanced buttons that a player can now use in modern games to turn a normal shot into a chip shot or an exceptionally powerful line drive, one recognizes how important the new complexities of modern soccer games are.  These control options are not simply added in for innovation&#8217;s sake; they are, in fact, finally allowing the soccer video game to be what it ought to be.</p>
<p>Obviously, I am not suggesting that SWoS was a failed attempt in its time.  I imagine, in the mid-1990s, that soccer fans were happy for any soccer video game they could find, and SWoS certainly broke some important ground that continues to benefit soccer gamers today, most importantly the incredible depth of its leagues, player rosters and career modes.  The <a href="http://worldofstuart.excellentcontent.com/swos/manual3.htm">manual</a> for the game claims to have &#8220;practically every professional team, league, and cup competition in the world,&#8221; and after perusing the team select menus, I am inclined to agree.  Also, the game not only features 26,000+ real life players but also includes &#8220;accurate personal statistics,&#8221; so the better players in real life will perform better in the game.  These inclusions provided SWoS with an off-the-field depth that was ahead of its time and set a high standard for games to come.  Not to mention that the game now serves as a delightful history lesson; for someone like myself who only recently became a fan of world soccer, it is quite interesting to see who was playing for all the teams I know and who were the best players in the mid-1990s.</p>
<p>With that said, I could not wait to turn SWoS off and return to my beloved FIFA &#8216;08.  I have come to expect from soccer video games the ability to guide the players that I know and love via advanced control schemes at a thoughtful and strategic pace, and it is astonishing to see what gamers had to settle for just over a decade ago.  Many of the classic video games that have been deemed important and influential have aged well, continuing to be enjoyable and entertaining to new players even as the graphics increasingly show the game&#8217;s age.  However, SWoS, I would argue, will be better served in my generation by remembering than by replaying.</p>
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		<title>Doom: 15 Years Later</title>
		<link>http://www.ibiblio.org/winget/2009/01/doom-15-years-later/</link>
		<comments>http://www.ibiblio.org/winget/2009/01/doom-15-years-later/#comments</comments>
		<pubDate>Wed, 14 Jan 2009 02:00:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Emulation and Vintage Gameplay]]></category>
		<category><![CDATA[difficulty]]></category>
		<category><![CDATA[dos]]></category>
		<category><![CDATA[emulation]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[videogame]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/winget/?p=77</guid>
		<description><![CDATA[In 2007, Henry Lowood, curator of the History of Science and Technology Collections at Stanford University, presented a video game canon in order to encourage initial preservation efforts by the Library of Congress.  On this list of ten important video games is the 1993 DOS-based game Doom, and rightly so.  Doom is one of the earliest, [...]]]></description>
			<content:encoded><![CDATA[<p>In 2007, Henry Lowood, curator of the History of Science and Technology Collections at Stanford University, presented a <a href="http://www.nytimes.com/2007/03/12/arts/design/12vide.html">video game canon</a> in order to encourage initial preservation efforts by the Library of Congress.  On this list of ten important video games is the 1993 DOS-based game <em>Doom</em>, and rightly so.  <em>Doom</em> is one of the earliest, and still one of the best, entries in the first-person shooter genre, a genre that continues to succeed in the market in such forms as the <em>Halo </em>and <em>Resistance </em>franchises.  Despite monumental advances in graphics technology and more efficient control schemes, <em>Doom</em> continues to be considered one of the finest first-person shooters of all time, thanks to the thoughtful level design and the exciting array of weaponry that is still copied by successful first-person shooters today.  Nevertheless, video gaming has certainly changed in the 15 years since the game&#8217;s initial release, and thus, so has the <em>Doom </em>experience.</p>
<p>The changes begin immediately with the installation of the game, the ease of which depends upon the version of <em>Doom</em> that you possess.  Indeed, there are many versions of <em>Doom</em> to be found, and the easiest version to access is the recent release of the game on Microsoft&#8217;s Xbox 360 online marketplace.  With this version, the player does not have to worry about setting the game controls or toggling the sound options.  Additionally, playing <em>Doom</em> online with other players is far easier on the Xbox than with any of the current versions of the PC.  Ironically, a game that was created for the PC in order to utilize its multiplayer network capabilities is now easier to play online with a console than with an actual PC.  Concerning the PC versions, one can still purchase the most recent official release of the game from internet marketplaces and local game stores.  This version is called <em>The Ultimate Doom</em>, which adds an additional fourth episode to the DOS version&#8217;s original three and, unfortunately, works best on Windows 95.  In order to play this version on Windows XP or Vista, one must go through a great deal of trouble, resetting certain display options for Windows and even manually downloading plugins and adding them to system folders.  Thus, if a gamer purchases <em>The Ultimate Doom</em> and is unable to play it on his or her Windows operating system, I would suggest that the PC user find <a href="http://takegame.com/shooter/htm/doom1.htm">an original DOS version of <em>Doom</em></a> and <a href="http://www.dosbox.com/download.php?main=1">utilize the DOSBox program.</a></p>
<p>To install and use DOSBox and the DOS version of <em>Doom</em>, simply follow the same instructions as in the previous post for <em>Ultima</em>, except for an additional step.  If you try to play this DOS version of <em>Doom</em> immediately, you will have no sound.  Thus, after completing step 5 from the <em>Ultima </em>instructions (mount the &#8220;dosprog&#8221; folder), type &#8220;c:\&#8221; and press enter.  Then, type &#8220;setup&#8221;, which will bring you to the setup menu for <em>Doom</em>.  Here, you will need to choose &#8220;Select Music Card,&#8221; then choose &#8220;Sound Blaster&#8221; and press enter through the remaining choices.  Then, choose &#8220;Select Sound FX Card&#8221; and again choose &#8220;Sound Blaster&#8221; and press enter through the following options.  Now, choose &#8220;Save Settings and Run <em>Doom</em>.&#8221;</p>
<p>When starting the game, one immediately encounters a difference between <em>Doom</em> and many of today&#8217;s games.  Because the gameplay in a first-person shooter relies upon quick reflexes and hand-eye coordination, <em>Doom</em> offers five choices of difficulty so that the player can toggle the game to match the player&#8217;s experience with the genre.  With the higher difficulty options, the enemies become more accurate and deal more damage to the player, and, at the highest difficulty setting &#8220;Nightmare,&#8221; the enemies will actually &#8220;respawn&#8221; soon after being killed.  Today, many games are eschewing difficulty settings in favor of a more flowing experience in which the player initially fights only a few, easy enemies and slowly begins to face stronger opposition as the player&#8217;s ability naturally progresses through practice.  Because the difficulty decision for <em>Doom</em> is made at the beginning of the experience, a good player may become bored if the difficulty was set too low or an overzealous player may set the difficulty too high and find the game too hard.  This is an example of an early game&#8217;s willingness to interrupt the story&#8217;s flow; if the gamer was too confident in choosing a difficulty, the game was all too happy to humble the player, initiating a &#8220;game over&#8221; that forced the player out of the narrative flow and back to the beginning.</p>
<p>Not that <em>Doom</em> has a grand narrative to interrupt.  Unlike modern first-person shooters, which rely on the storyline to propel players from one level to another through cinematic scenes and lengthy discussions between characters, <em>Doom </em>contains very little story and absolutely no character development.  The gamer is simply told that he or she is playing as a future Marine who, while experimenting with teleportation on the moons of Mars, accidentally opens a gateway to Hell.  Thus, the Marine must fight his way through Phobos, Deimos, and finally Hell to beat the game.  The only references to this narrative occur between each level, when an overview of the surface of the moon (or Hell) is shown and the recently beaten location is marked off as the Marine moves to the next location, and upon the successful completion of a moon (or Hell), when some text or a single image appears, telling the story of how the Marine moves from one chapter to another.  Therefore, the game relies almost entirely on the pure enjoyment of the gameplay to encourage the player to continue.</p>
<p>Because the game is fairly linear, <em>Doom</em>, unlike <em>Ultima</em>, does not demand a walkthrough to be defeated.  However, a <a href="http://www.gamefaqs.com/computer/doswin/file/524287/1775">walkthrough</a> will likely be necessary if the player wishes to find all of the &#8220;secret locations&#8221; hidden in each level.  Because the game is not interested in narrative, these secret locations do not provide the player with additional information on the plot or characters like modern games often do.  Instead, these hidden areas usually give the player massive health upgrades or a better weapon a few levels earlier than the player would have otherwise found it.  Again, the player&#8217;s motivations for finding these locations are not drawn from narrative but from gameplay; how fun it will be to start blowing up enemies with the rocket launcher starting in level 3 instead of waiting for level 7!.  After each level, the player is told how many of the secret areas he or she found, so the player can feel pride in knowing that 100% of the secret areas were discovered.  Also, since the game is mostly interested in the player enjoying the gameplay, <em>Doom</em> is happy to provide the player with <a href="http://www.gamefaqs.com/computer/doswin/file/524287/1779">cheat codes</a>, unlike many modern games.  These codes allow the player to gain invincibility, accumulate all weapons, and walk through walls.  With these codes, the player need not play a minute of the game without his or her favorite weapons.</p>
<p>The final key difference between <em>Doom</em> and newer PC first-person shooters is the control scheme.  Because <em>Doom</em> was made in the DOS years when many PC users did not yet own a mouse, the game is played with both hands on the keyboard.  The left hand operates the Left-Ctrl button (fire weapon) and spacebar (open door), and the right hand uses the arrow keys to move: up moves forward, down moves backward, left turns the player in a counter-clockwise circle, and right turns the player clockwise.  In modern games, thanks to the ubiquity of the mouse, the player now uses the left hand to move (usually, &#8216;w&#8217; moves forward and &#8217;s&#8217; moves backward) and the right hand controls the mouse.  Rather than using the left and right arrow keys to turn the player, &#8216;a&#8217; and &#8216;d&#8217; are used to &#8220;strafe,&#8221; moving the player to the left or right while continuing to face the same direction.  Thus, the player is now able to continue firing at an enemy while moving aside from that enemy&#8217;s line of fire.  To turn, the player now uses his or her right hand to operate the mouse, spinning the character&#8217;s view with the movement of the mouse and using the mouse buttons to fire the weapon.</p>
<p>Because the controls are now more efficient, the player is required to exhibit even greater hand-eye coordination in modern games.  In <em>Doom</em>, because the player did not have the mouse and thus could not easily look up or down, the player&#8217;s aim was adjusted by the game.  If an enemy was standing on a ledge above the player, the player needed only to look in that general direction and start firing, and the game would send the bullets upward to strike the enemy.  In modern games, now that the player has a mouse, the player must not only move the weapon&#8217;s aim left and right but also up and down to zero in exactly on the enemy&#8217;s position, making the experience more difficult.  Since players could not aim so efficiently or strafe in <em>Doom</em>, the game assumes that the player will take some unfortunate damage as a result of these unavoidable control inefficiencies and provides the player with more health items in a level than many modern games provide in an entire game.  Thus, the designers of these games recognize that the ability, or inability, of the player to translate his or her reactions to the in-game character relates directly to the difficulty of the game, and the games are designed accordingly.</p>
<p>Finally, the spacebar, used to open doors in <em>Doom</em>, is now most often used to jump, an ability that <em>Doom</em> players were not given.  The lack of jumping in <em>Doom</em> contributed heavily to its linear design; the player was like a rat running through a labyrinth.  In modern games, the player is able to jump over ledges and up to greater heights, which increases the player&#8217;s feeling of control over the gameplay and changes the experience substantially from that of playing <em>Doom</em>.  In newer games, when a player sees an item on a ledge, the first instinct is, &#8220;How do I jump up there?&#8221;  Playing <em>Doom</em>, the gamer would think, &#8220;Where is the passage that will allow me to walk up there?&#8221;</p>
<p>After a decade of jumping, strafing, and mouse-aiming, one realizes how much these control innovations, as well as stronger narratives and flowing difficulties, have changed the first-person shooter.  It is a testament to the eternal joy of playing <em>Doom</em> that these innovations are soon forgotten after stepping back onto the moons of Mars and revisiting all those secret places you used to know.</p>
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		<title>Preservation and Emulation &#8211; A Guide to Installing “Ultima 1:  The First Age of Darkness”</title>
		<link>http://www.ibiblio.org/winget/2008/12/guide-to-installing-%e2%80%9cultima-1-the-first-age-of-darkness%e2%80%9d/</link>
		<comments>http://www.ibiblio.org/winget/2008/12/guide-to-installing-%e2%80%9cultima-1-the-first-age-of-darkness%e2%80%9d/#comments</comments>
		<pubDate>Fri, 12 Dec 2008 06:11:14 +0000</pubDate>
		<dc:creator>TimA</dc:creator>
				<category><![CDATA[Emulation and Vintage Gameplay]]></category>
		<category><![CDATA[dos]]></category>
		<category><![CDATA[emulation]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[videogame]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/winget/?p=35</guid>
		<description><![CDATA[An important method to preserve videogame content, and all content contained in electronic records for that matter, is emulation.  In order to access many DOS-based videogames, for example, one must download a DOS emulator.  These emulators are now widely available on the Internet and videogames that are no longer playable on modern operating systems can [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal">An important method to preserve videogame content, and all content contained in electronic records for that matter, is emulation.  In order to access many DOS-based videogames, for example, one must download a DOS emulator.  These emulators are now widely available on the Internet and videogames that are no longer playable on modern operating systems can be played through this application which emulates the functionality of DOS.  Below is a guide to installing one of the most influential DOS-based games, Richard Garriott&#8217;s &#8220;Ultima 1: The First Age of Darkness.&#8221;</p>
<p class="MsoNormal">In order to play Ultima 1, you must first download a DOS emulator.<span> </span>Currently, one of the most popular DOS emulators is DOSBox 0.72, which can be downloaded free-of-charge at <a href="http://www.dosbox.com/download.php?main=1">www.dosbox.com/download.php?main=1</a>. Choose the version of DOSBox that corresponds to your operating system, save the installer executable, and follow the steps to install DOSBox.</p>
<p class="MsoNormal">
<p class="MsoNormal">DOSBox can be used to play a number of DOS-based games.<span> </span>Finding these games can be tricky as websites with DOS game libraries often require you to enter personal information including e-mail and physical addresses before the site will let you download a game.<span> </span><a href="http://www.oldschooldos.com/">www.oldschooldos.com</a> allows you to download games anonymously. To find Ultima 1, from the Old School DOS <span> </span>homepage click the link for “RPG” games.<span> </span>Listed on this page are six classic DOS RPGs including two other games that are widely considered to be foundational to the RPG genre: “NetHack” and “Dungeon Master.&#8221;<span> </span>In order to play Ultima 1, follow these steps:</p>
<p class="MsoNormal">
<p class="MsoNormal">(Note that the following steps are valid only for Windows operating systems. <span> </span>Directions may vary for other operating systems).</p>
<p class="MsoNormal">
<ul>
<li> In the RPG menu at oldschooldos.com, click on the link for “Ultima 1” and download the zipped file.<span> </span></li>
<li>Extract all of the unzipped files into a new folder on your C:\ drive, and title the folder “dosprog”<span> </span></li>
<li>Open DOSBox.<span> </span></li>
<li>In DOSBox, enter the following command string: “mount c c:\dosprog\” and hit enter. I’m not totally sure about this, but in entering the above command string you are essentially convincing the emulator that in accessing the “dosprog” folder, it is actually accessing the c:\ drive. <span> </span>If you forget the above command string, you can also enter the command “intro mount” and DOSBox will remind you how to mount the folder “dosprog” as your c:\ drive.</li>
<li>Once you have mounted the dosprog folder, type “c:\” and hit enter.<span> </span>You will notice that the beginning of the command string changes from “Z:\&gt;” to “C:\&gt;.”</li>
<li>Now type “ultima” and the game should start.</li>
<li>When a picture of a castle appears, hit the space bar.</li>
<li>You will be prompted to create a new character or continue a previous game.<span> </span>Choose the former.</li>
<li>You will now be prompted to generate a character.<span> </span>From this point the best thing to do is follow a walkthrough. <a href="http://www.gamefaqs.com/">www.gamefaqs.com</a> is a good website for walkthroughs of all videogames from all eras.<span> </span>A walkthrough for Ultima 1 can be found here: <a href="http://www.gamefaqs.com/computer/doswin/file/562657/9073">www.gamefaqs.com/computer/doswin/file/562657/9073</a>.<span> </span>This walkthrough has good tips on how to stay alive as Ultima 1 is much more difficult than the average modern RPG.  A walkthrough that takes you through the narrative can be found here: <a href="http://www.gamefaqs.com/computer/doswin/file/562657/1804">www.gamefaqs.com/computer/doswin/file/562657/1804</a>. FYI, you should definitely consult the first walkthrough before you create your character. <span> </span>After you designate your character’s attributes they cannot be altered and certain attributes are more essential than others depending on the race and character class that you select.</li>
<li>Once you create your character you can start playing the game.  You can command your character by hitting certain letters on your keyboard.  You can &#8220;attack,&#8221; e.g., by pressing the letter &#8220;a.&#8221;  A complete list of keyboard functions for Ultima 1 can be found here: <a href="http://www.rpgclassics.com/shrines/pc/ultima1/commands.shtml">www.rpgclassics.com/shrines/pc/ultima1/commands.shtml</a> This website also offers a brief walkthrough and some interesting game facts.</li>
</ul>
<p>The walkthrough for Ultima 1 is pretty essential.  Unlike modern games, there is no tutorial element in the first part of the game, so you pretty much have to figure things out on your own.  These walkthroughs, however, are considerably shorter than a walkthrough for a modern game.  This is due largely to the fact that the narrative element in Ultima 1 is pretty thin.  You will spend most of your time simply killing monsters and trying to stay alive (which is a tall order).  Through killing monsters you will raise your attributes and acquire gold which you can use to spend on weapons, armor, and food.  Note that you must level up considerably before attempting any &#8220;quests.&#8221;  Also expect to die often, but don&#8217;t let this discourage you.  Remember that unlike modern games, dieing is just a part of the experience (one might say frustrating experience) of playing older games.</p>
<p>That being said, in terms of game mechanics, there is not that much difference between Ultima 1 and Final Fanasy XII, for example,  or World of Warcraft.  You have a character for whom you select a character class, a race, and a gender.  You designate that character&#8217;s strength, intelligence, etc.  You kill monsters, cast spells, go on quests, buy weapons and armor and eventually fight &#8220;bosses.&#8221;   One minor (though significant) difference is that when you start the game you will find that if you start fighting the monsters that are presented to you, you will die pretty quickly and you will be unable to progress.  If you take a look at one of the walkthroughs, you&#8217;ll find that you need to start fighting in the first level of a dungeon in order to get money and to raise your hit points.  This is a salient difference from modern RPGs in which the challenges that you are presented with are almost always tailored to the level of your character.  You get the sense, in Ultima 1, that the world of the videogame pre-exists your character and you need to figure out how to acclimate your character to the world.  This seems like a much more &#8220;realistic&#8221; approach to gameplay and one that more closely resembles the layout of a modern MMORPG than a modern single-player RPG.  Apart from this sort-of &#8220;pre-existence&#8221; of the videogame world, however, there is surprisingly little difference between the content and structure of Ultima 1 and that of a modern RPG.</p>
<p>Because of this relative lack of difference in game structure,  I don&#8217;t think that someone who is familiar with the gameplay of modern RPGs will have much difficulty playing Ultima 1.  From a preservation standpoint, including a walkthrough with the emulation would be helpful, if only to convince the player to not give up after dieing a couple of times.  Also, including the list of keyboard commands is essential as I have been unable to locate one in the game itself.  Other than that, from a thirty-year vantage point, Ultima 1 is still largely intelligible and playable for a modern videogame player.</p>
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