Colors in Ancient Greek

Stephen Nelson
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Re: Colors in Ancient Greek

Post by Stephen Nelson »

This on topic article seems to be causing some controversy online:

https://www.greecehighdefinition.com/bl ... HBACDZgLTQ

The title says it all - "Is it true that the ancient Greeks could not see blue until modern times?"
Peng Huiguo
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Re: Colors in Ancient Greek

Post by Peng Huiguo »

Color in ancient chinese (and in general) is a complex topic. Western commentaries haven't even scratched its surface and are often wrong about it. I won't attempt to discuss it here, but I should point out that I-Ching mentioned "sky is black and earth is yellow". That "black" and "yellow" are loaded words that don't mean what they apparently mean today. I suspect Homer's seemingly haphazard description of colors is a similar problem. Think about the difficulty folks have in describing the smell of durian, let alone putting it into various types (which connoisseurs are able to do). Or can we categorize pains into a spectrum? Pleasures? Has the literature engaged on ideasthesia?

This problem may have wider significance, I don't know, probably extending to the concept of time in ancient greek tense.
Brian Gould
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Re: Colors in Ancient Greek

Post by Brian Gould »

“Blue” in the OT is usually תְּכֵלֶת (tekelet) in Hebrew, which in the LXX is generally translated as either ὑάκινθος or ὑακίνθινος. In some passages, however, these Hebrew and Greek terms can appear in English as either “violet” or “purple”.

In addition, ὑακίνθινος is also sometimes used in the LXX as the translation of an unrelated Hebrew noun, תַּחַשׁ (tachash), denoting a kind of leather or skin, thought be that of the porpoise. It sometimes happens that the same Greek word appears twice in the same verse, as for example in Numb. 4:6:

καὶ ἐπιθήσουσιν ἐπ’ αὐτὸ κατακάλυμμα δέρμα ὑακίνθινον καὶ ἐπιβαλοῦσιν ἐπ’ αὐτὴν ἱμάτιον ὅλον ὑακίνθινον ἄνωθεν καὶ διεμβαλοῦσιν τοὺς ἀναφορεῖς
Stephen Nelson
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Re: Colors in Ancient Greek

Post by Stephen Nelson »

I only recently discovered this video presentation, which gives a rather balanced perspective on ancient color theory:

https://youtu.be/hE4T-pfU5wc

At the 4:00 minute mark the presenter quotes Odyssey 9.465 as describing "purple sheep". Does anyone know where this so-called 'purple' reference is actually from? All I'm seeing in the vicinity of verse 465 is "fine-fleeced sheep (καλλίτριχα μῆλα)" -

Odyssey 9.465-470
πολλὰ περιτροπέοντες ἐλαύνομεν, ὄφρ᾽ ἐπὶ νῆα
ἱκόμεθ᾽. ἀσπάσιοι δὲ φίλοις ἑτάροισι φάνημεν,
οἳ φύγομεν θάνατον, τοὺς δὲ στενάχοντο γοῶντες.
ἀλλ᾽ ἐγὼ οὐκ εἴων, ἀνὰ δ᾽ ὀφρύσι νεῦον ἑκάστῳ,
κλαίειν, ἀλλ᾽ ἐκέλευσα θοῶς καλλίτριχα μῆλα
πόλλ᾽ ἐν νηὶ βαλόντας ἐπιπλεῖν ἁλμυρὸν ὕδωρ.

The baseline assumption of the article I posted earlier is that Homer conflates the color of wine (οἶνοψ) with both the color of the sea (cf. Iliad 23.316 and Odyssey 2.421, 5.132) and the color of oxen (cf. Iliad 13.703 and Odyssey 13.32), and presumably with sheep (citation?).

On another note regarding "blue" - Poseidon does have the epithet, ‘dark-haired’ (κυανοχαίτης) with a form of κυανοῦν. But Zeus is also described in the Iliad 1.528 as having 'dark eyebrows' of presumably the same color (the verb form "κυανέω").

For example, Iliad 13.563:

κυανοχαῖτα Ποσειδάων βιότοιο μεγήρας

http://www.perseus.tufts.edu/hopper/tex ... lJ5mm_kNlc

Later in the Iliad you have a reference to a ‘dark-maned’ stallion that has no association with the sea.

For example, Iliad 20.224:

ἵππῳ δ᾽ εἰσάμενος παρελέξατο κυανοχαίτῃ

http://www.perseus.tufts.edu/hopper/tex ... izUyAY3n64

And again, in Hesiod, you have a ‘dark-maned’ or ‘black-maned’ horse named Arion.

For example, Shield of Heracles 120:

ὣς καὶ νῦν μέγαν ἵππον Ἀρίονα κυανοχαίτην

http://www.perseus.tufts.edu/hopper/tex ... NfgnvBPbp4
Stephen Nelson
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Re: Colors in Ancient Greek

Post by Stephen Nelson »

Stephen Nelson wrote: December 13th, 2019, 1:01 am
RandallButh wrote: December 12th, 2019, 5:31 am You might put ὠχρόν "pale" with μήλινον or even left of λευκόν, since it is a bridge between yellow and white.
“τὸ δὲ ὠχρὸν γίγνεται λευκοῦ ξανθῷ μειγνυμένου”
I've moved some things around. The yellow spectrum now grades from μήλινον to θειῶδες to ὠχρόν.
I'm puzzled by the LSJ reference to ὠχρόν as "of a frog" (Batr.81). What is Batr. 81?
I suppose it could refer to a yellow frog :lol:. But it leads me to suspect that it might have been more of a greenish yellow at some point :mrgreen:. I'm inclined to go with whatever Plato says.
I clarified that Batr. in LSJ stands for Homerus Epicus [Hom.] Batr. = Batrachomyomachia (q.v.)

This is (Pseudo)Homer's 'The Battle of the Frogs and Mice'.

Here's the quotation:
Οὐχ οὕτω νώτοισιν ἐβάστασε φόρτον ἔρωτος
ταῦρος ὅτ’ Εὐρώπην διὰ κύματος ἦγ’ ἐπὶ Κρήτην
ὡς μῦν ἁπλώσας ἐπινώτιον ἦγεν ἐς οἶκον
βάτραχος ὑψώσας ὠχρὸν δέμας ὕδατι λευκῷ.
Here's an excerpt of a translation from H.G. Evelyn-White (1920):
Not in such wise did the bull bear on his back the beloved load,
when he brought Europa across the sea to Crete,
as this Frog carries me over the water to his house,
raising his yellow back in the pale water.
Barry Hofstetter
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Re: Colors in Ancient Greek

Post by Barry Hofstetter »

Stephen Nelson wrote: June 4th, 2020, 1:25 pm I clarified that Batr. in LSJ stands for Homerus Epicus [Hom.] Batr. = Batrachomyomachia (q.v.)

This is (Pseudo)Homer's 'The Battle of the Frogs and Mice'.

Here's the quotation:
Οὐχ οὕτω νώτοισιν ἐβάστασε φόρτον ἔρωτος
ταῦρος ὅτ’ Εὐρώπην διὰ κύματος ἦγ’ ἐπὶ Κρήτην
ὡς μῦν ἁπλώσας ἐπινώτιον ἦγεν ἐς οἶκον
βάτραχος ὑψώσας ὠχρὸν δέμας ὕδατι λευκῷ.
Here's an excerpt of a translation from H.G. Evelyn-White (1920):
Not in such wise did the bull bear on his back the beloved load,
when he brought Europa across the sea to Crete,
as this Frog carries me over the water to his house,
raising his yellow back in the pale water.
For the record:
ὠχρός -ά -όν pale, yellowish BATR. 81 EUR. Bac. 438 ARISTOPH. Lys. 1140, Pl. 422 HP. Int. 37 GAL. 15.554; of philosophers LUC. Iupp. trag. 1, al.; ὠχρὸς κἀνυπόδητος pale and barefoot THEOCR. 14.6; of a poor man ὠ. καὶ αὐχμηρός pale and wan LUC. Cat. 17; χρῶμα δʼ ἀσίτων … γίγνεται ὠχρόν the complexion of one who does not eat becomes pale ALEXIS 167.9; τὸ πρόσωπον ὠχραί pale of face ACH. 1.1.7 ‖ subst. τὸ ὠχρόν pale yellow (cf. ὤχρα): τὸ δὲ ὠ. λευκοῦ ξανθῷ μειγνυμένου pale yellow is obtained by mixing white with yellow PLAT. Tim. 86c | simpl. yellow: τὸ ὠ. τοῦ ᾠοῦ the yolk of the egg ARISTOT. H.A. 560a 21; subst. τὸ ὠχρόν the color yellow ARISTOT. Cat. 12a 18.
Montanari, F. (2015). M. Goh & C. Schroeder (Eds.), The Brill Dictionary of Ancient Greek. Leiden; Boston: Brill.
N.E. Barry Hofstetter, M.A., Th.M.
Ph.D. Student U of FL
Instructor of Latin
Jack M. Barrack Hebrew Academy
καὶ σὺ τὸ σὸν ποιήσεις κἀγὼ τὸ ἐμόν. ἆρον τὸ σὸν καὶ ὕπαγε.
Daniel Semler
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Re: Colors in Ancient Greek

Post by Daniel Semler »

Ran into ὕσγινον today.

ὕσγῐνον, τό, a vegetable dye of bright crimson or scarlet colour, perh. the kermes (v. ὕσγη), Nic. Th. 511, AP 6.254 ( Myrin. ); hysginum, Vitr. 7.14.1 (excygno codd.), Plin. HN 9.140, 21.170, 35.45 (hygino, yyg-, yog-, id genus, codd.), Dig. 32.1.78.5, Isid. Etym. 19.17.15 (iscino): gen. sg. ισγινης Edict.Diocl. 19.8; ισγενης, ib. 24.9 - 12.

2 scarlet cloak, τὸ ἄλλο ζεῦγος τῶν ὑσγείνων POxy. 531.17 (ii A.D.). [ι̅ Nic. and AP ll. cc.; but ὑσγῐνόεις Nic. Th. 870 : the forms ισγινη, ισγενη point to a naturally short, ι, lengthd. metri gr.]



LSJ, s.v. “ὕσγῐνον, τό ισγινης ισγενης,” 1904.
https://accordance.bible/link/read/LSJ#169082

Thx
D
Bryan41
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Re: Colors in Ancient Greek

Post by Bryan41 »

According to Rabbi Isaac Herzog, garments colored red can sometimes be referred to as purple (πορφυρα). He says “whenever argaman occurs in the Torah it is rendered by Porphyra or one of its derivatives in the Septuagint.” He interprets purple (πορφυρα) to refer to “stuff dyed with sea-snail pigments” which he claims can be red. See pp 52, 54 of “The Royal Purple and the Biblical Blue” edited by Ehud Spanier, Keter Publishing House, Jerusalem Ltd, 1987. This book includes research by several scholars and establishes some usages of the term πορφυρα as used in the culture of the Septuagint writers, as well as Josephus, Pliny and also Aristotle. There were a wide range of colors obtained from dyes made from aquatic snails, at least shades of blue, purple and red. All could possibly be referred to as purples because of their origin from aquatic snails.
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