Works Cited

WORKS CITED

American Visionary Art Museum.
2005 Mission Statement. Online. Available: http://www.avam.org/stuff/whatsvis.html. May 22, 2005.

Ames, Kenneth L.
1994 Outside Outsider Art. In The Artist Outsider: Creativity and the Boundaries of Culture, edited by Michael D. Hall and Eugene W. Metcalf, Jr., pp. 252-275. Smithsonian Institution Press, Washington.

Anderson, Brooke Davis
2004-2005 Update: The Henry Darger Study Center. Folk Art Magazine of the Museum of American Folk Art. Winter 2004-2005: 78.

2004 Update: The Henry Darger Study Center. Folk Art Magazine of the Museum of American Folk Art. Fall 2004: 80.

2001 Darger: The Henry Darger Study Collection at the American Folk Art Museum. American Folk Art Museum and Harry Abrams, New York.

Announcement: The Contemporary Center of the Museum of American Folk Art
1997 Folk Art: Magazine of The Museum of American Folk Art. Spring:33.

Beardsley, John and Jane Livingston
1982 Black Folk Art in America, 1930-1980. University Press of Mississippi, Jackson, Mississippi.

Beardsley, John
1997 The Joy Zone. In A. G. Rizzoli, Architect of Magnificent Visions, Beardsley, Cardinal and Hernandez, pp. 69-99. San Diego Museum of Art and Harry Abrams, New York.

Berge, Jos ten
2000 Marginalia: Perspectives on Outsider Art. De Stadshof Museum of Naive and Outsider Art, the Netherlands.

Bonesteel, Michael
2000 Henry Darger: Art and Selected Writings. Rizzoli International, New York.

Borum, Jenifer
1993-1994 Term Warfare. Raw Vision 8: 24-31.

Bowman, Russell
1992 Looking to the Outside: Art in Chicago, 1945-1975. In Parallel Visions: Modern Artists and Outsider Art. Maurice Tuchman et al., pp. 150-173. Los Angeles County Museum of Art.

Browne, Lynn and Ann Oppenheimer
2004 Margins and Mainstream: Disability Art Today. Folk Art Messenger
17(2):8-9.

Cardinal, Roger
1972 Outsider Art. Praeger, New York.

2001 The Self in Self-Taught Art. In Self-Taught Art: The Culture and Aesthetics of American Vernacular Art, edited by C. Russell, pp. 68-80. University Press of Mississippi, Jackson.

Cardinal, Roger and Victor Musgrave
1979 Outsiders: An Art Without Precedent or Tradition. Arts Council of Great Britain, London.

Danto, Arthur
2001 Outsider Art. In Self-Taught Art: The Culture and Aesthetics of American Vernacular Art, edited by C. Russell, pp. 61-67. University of Mississippi, Jackson.

DeCarlo, Tessa
2002-2004 Outsider Biographies vs. Outsider Art. Raw Vision 41: 22-27.

Dubuffet, Jean
1988 Asphyxiating Culture and Other Writings. Four Windows, New York.

Foucault, Michel
1988 Madness and Civilization: A History of Insanity in the Age of Reason. Random House, New York.

Gale, Matthew
1999 Artistry, Authenticity, and the Work of James Dixon and Alfred Wallis. In Two Painters: Works by Alfred Wallis and James Dixon, Matthew Gale and Richard Inglesby, pp. 16-27. Irish Museum of Modern Art and Marrell Holberton, London.

Hamilton, William
2003 Outsider Art, In From the Edge and Under the Gavel. The New York Times 23 January: A1 and A6.

Hernandez, Jo Farb
1997 Divine Design Delights: The Life and Art of A. G. Rizzoli. In A. G. Rizzoli, Architect of Magnificent Visions, J. Beardsley et al., pp. 13-67. San Diego Museum of Art and Harry Abrams, New York.

Intuit: The Center for Intuitive and Outsider Art.
2005 Mission Statement. Online. Available: http://outsider.art.org/. May 12, 2005.

Johnson, Ken
2005 Self-Taught and Inspired by the Bible. The New York Times 13 May: B29 and B33.

Janis, Sidney
1942 They Taught Themselves: American Primitive Painters of the Twentieth Century. Dial Press, New York.

Kalllir, Jane
2003 Outsider Art At a Crossroads. Raw Vision 43: 38-43.

Kandinsky, Wassily
1977 Concerning the Spiritual in Art. Translated by M. T. H. Sadler. Reprinted. Dover, New York. Originally published 1914, Constable and Company Limited, London.

Klee, Paul
1973[1964] The Diaries of Paul Klee 1898-1918, edited by Felix Klee. Reprinted, 2nd ed. University of California Press, Berkeley. Originally published 1957, M. DuMont Schauberg, Cologne.

MacGregor, John M.
1989 The Discovery of the Art of the Insane. Princeton University Press, New Jersey.

1999 Metamorphosis: The Fiber Art of Judith Scott (The Outsider Artist and the Experience of Down’s Syndrome). Creative Growth Art Center, Oakland.

2002 Henry Darger: In the Realms of the Unreal. Delano Greenridge Editions, New York.

Malaro, Marie C.
1998 A Legal Primer on Managing Museums. Smithsonian Press, Washington.

Maresca, Frank and Roger Ricco
1993 American Self-Taught: Paintings and Drawings by Outsider Artists. Alfred A. Knopf, New York.

Marshall, Catherine
2000 Art without Precedent: Nine Artists from the Musgrave Kinley Outsider Art Collection. Exhibition Information. Irish Museum of Modern Art, Dublin.

Metcalf, Eugene W., Jr.
1994 From Domination to Design: Insiders and outsider Art. In The Artist Outsider: Creativity and the Boundaries of Culture, edited by Michael D. Hall and Eugene W. Metcalf, Jr., pp. 212-227. Smithsonian Institution Press, Washington.

Morris, Randall
2001 The One and the Many: Manifest Destiny and the Internal Landscape. In Self-Taught Art: The Culture and Aesthetics of American Vernacular Art, edited by C. Russell, pp. 117-128. University Press of Mississippi, Jackson.

Peiry, Lucienne
2001 Art Brut: The Origins of Outsider Art. Translated by James Frank. Flammarion, Paris.

Preziosi, Donald
1992 Art History, Museology, and the Staging of Modernity. In Parallel Visions: Modern Artists and Outsider Art. Maurice Tuchman et al., pp. 296-305. Los Angeles County Museum of Art.

Prinzhorn, Hans
1972 Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration. Translated by Eric von Brockdorff. Springer, New York.

Rexer, Lyle
2005 How to Look at Outsider Art. Harry N. Abrams, New York.

Rhodes, Colin
2000 Outsider Art: Spontaneous Alternatives. Thames and Hudson, London.

Russell, Charles
2001 Finding a Place for the Self in the Art World[s]. In Self-Taught Art: The Culture and Aesthetics of American Vernacular Art, edited by C. Russell, pp. 3-34. University Press of Mississippi, Jackson.

Smith, Robert
2005 Altered Views in the House of Modernism. The New York Times 29 April: B29 and B31.

Thevoz, Michel
1995 Art Brut. Translated by James Emmons. Editions d’Art Albert Skira, Geneva.

Warren, Karen J.
1999 A Philosophical Perspective on the Ethics and Resolution of Cultural Property Issues. In The Ethics of Collecting Cultrural Property, edited by P. M. Messenger, pp 1-26. University of New Mexico Press, Albuquerque.

Weld, Alison
2001 The Aesthetic Language of Self-Taught Art. In Self-Taught Art: The Culture and Aesthetics of American Vernacular Art, edited by C. Russell, pp. 3-34. University Press of Mississippi, Jackson.

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