{"id":3087,"date":"2010-11-05T11:05:00","date_gmt":"2010-11-05T16:05:00","guid":{"rendered":"http:\/\/ibiblio.org\/pjones\/blog\/?p=3087"},"modified":"2010-11-06T10:43:40","modified_gmt":"2010-11-06T15:43:40","slug":"watch-the-fountain-with-producer-eric-watson","status":"publish","type":"post","link":"https:\/\/www.ibiblio.org\/pjones\/blog\/watch-the-fountain-with-producer-eric-watson\/","title":{"rendered":"Watch the Fountain with producer Eric Watson"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.hollywood-north.net\/fountain.jpg\" alt=\"The Fountain\" height=350 width=500 \/><\/p>\n<p><strong>Tuesday November 9<\/strong><\/p>\n<p><strong>7 pm<\/strong> &#8211; showing of <a href=\"http:\/\/www.imdb.com\/title\/tt0414993\/\">The Fountain<\/a> and discussion with Eric Watson.<\/p>\n<p><strong>Where<\/strong>: <a href=\"http:\/\/oasis.unc.edu\/training\/space\/howell_hall_arrows.png\/image_preview\">Howell 104 UNC Campus<\/a><\/p>\n<p><strong>Inside &#8216;The Fountain&#8217;: Death and Rebirth (scenes from the making of The Fountain)<\/strong><br \/>\n<object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/QgkZHNpGKhY?fs=1&amp;hl=en_US\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/QgkZHNpGKhY?fs=1&amp;hl=en_US\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"480\" height=\"385\"><\/embed><\/object><\/p>\n<p><a href=\"http:\/\/www.ugo.com\/channels\/filmtv\/features\/thefountain\/watson.asp\">Watson interviewed about producing The Fountain by Daniel Robert Epstein.<\/a><\/p>\n<p>With director Darren Aronofsky, <a href=\"http:\/\/www.imdb.com\/name\/nm0914615\/\">Eric Watson<\/a> produced his first feature, &#960;, in 1995 in New York City. The film debuted at the Sundance film Festival in 1998 and earned Watson an IFP\/West Spirit Award nomination for Best First Feature. It also earned praises from Robert Ebert of the Chicago Sun-Times as \u201ca study in madness and its partner, genius.\u201d<\/p>\n<p>Equally impactful is his film Requiem for a Dream, lauded by Rolling Stone as a movie \u201cno one interested in the power and magic of movies should miss.\u201d The film earned Watson another IFP\/West Spirit Award nomination for Best Feature and was named one of the Top Ten Films of 2000 by The New York Times, Rolling Stone and Entertainment Weekly.<\/p>\n<p>Watson began his career as a Broadcast Communication Arts major at San Francisco State and continued with Motion Picture Production at the American Film Institute, where he was awarded the Mary Pickford Scholarship for Excellence in Producing. At AFI, Watson first met and collaborated with director Darren Aronofsky and cinematographer Matthew Libatique.<\/p>\n<p>Watson is currently developing several projects including the film, What\u2019s Wrong With Virginia, starring Liam Neeson and Jennifer Connelly, and written by Academy Award Winner Lance Black (Milk, Big Love). He is also working with writer and film producer Susannah Mills on a collaborative narrative project intended for a Web audience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tuesday November 9 7 pm &#8211; showing of The Fountain and discussion with Eric Watson. Where: Howell 104 UNC Campus Inside &#8216;The Fountain&#8217;: Death and Rebirth (scenes from the making of The Fountain) Watson interviewed about producing The Fountain by Daniel Robert Epstein. With director Darren Aronofsky, Eric Watson produced his first feature, &#960;, in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3087","post","type-post","status-publish","format-standard","hentry","category-general","post-preview"],"_links":{"self":[{"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/posts\/3087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/comments?post=3087"}],"version-history":[{"count":5,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/posts\/3087\/revisions"}],"predecessor-version":[{"id":3092,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/posts\/3087\/revisions\/3092"}],"wp:attachment":[{"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/media?parent=3087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/categories?post=3087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ibiblio.org\/pjones\/blog\/wp-json\/wp\/v2\/tags?post=3087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}