Sri Parthasarathi thunai Srimathe ramanujaya Namaha Srimad Vara Vara MunayE namaha Sri Vanachala mahA munayE
namaha Coming to the last paasuram in thiruppavai “vanga kadal kadaindha mAdhavanai
kEsavanai”, we have now come to the end of this series. All through her prabhandam andal
had been talking about kannan and now in this paasuram she calls him by two
divine thirunamas, “mAdhavan" (one
who has Sridevi in his chest) and "Kesavan" (KEsi hanthA, one who overrides
all the hurdles that prevents us from reaching the divine lord). This makes adiyen feel that probably
andal sang her thiruppavai only for Sri Parthasarathi in mAdamAmayilai
thiruvallikeni. Why because
Parthasarathi is none other than kannan and to all our surprise here he
undergoes kalyana utsavam only with kodha nachiyar and very close to
thiruvallikeni in mylapore we are able to have the divine darshan of mAdhavan
(at madhava perumal koil) and Kesavan (at kesava perumal koil) and beyond all
these thiruvallikeni as per the puranas is called as “brindAranyam” Andal wished
to go to brindavanam and she envied the conch in the hands of emperuman in her
nachiyar thirumozhi. Here we find
venkata Krishnan in brindaranyam holding only the conch on his right hand. So surely to have the divine anubhavam
of andal thiruvallikeni is the right place. In this final paasuram, andal gives the pala
shruthi. She says, “It is not that
only the gopis in thiruAypAdi attained the divine kainkaryam of emperuman or we
in Srivilliputtur got the same by doing anukAram it is possible for one and all
who wishes to attain the same by just reciting this prabhandam.” In adiyen’s anubhavam it is real joy to
chant the verses of thiruppavai and enjoy in front of Sri andal sametha Sri
Parthasarathi emperuman in thiruvallikeni. Marghazi month is a real treat since
thiruppavai upanyasams happen in many places giving our ears the cause for their
existence. In the previous paasuram we saw the meaning of
thirumanthram embedded. In this
paasuram, the meaning of dwayam has been given by andal. The first two lines give the
poorvakandArtham and the last two give the uttara
kandArtham. “vanga kadal kadaindha
mAdhavanai kEsavanai” Sriman
nArayana charanow “thingal thirumugaththu
sEyizhaiyAr sendru eranji” sharaNam
prapathyE “angu apparai konda
vAttrai anipuduvai …. kOdhai sonna sangath thamizh mAlai muppadum thappAmE engu
epparisuraippAr errandu mAl varai thOl sengam thirumugaththu selvath thirumAlAl
engum thiruvarul peRRu enburuvar empAvAi” SrimathE nArAyanAya
namaha Whatever adiyen has written in this series is just a
token to increase all your interest and to show the greatness of our
poorvacharya vyakhyanams. There may
be many mistakes due to adiyen’s ignorance and limited knowledge. Adiyen begs the pardon under the divine
feet of bhagavatas for any knowingly or unknowingly committed
mistakes. “Srimatyai
vishnuchitArya manO nandhana hEthavE nandanandana sundaryai kOdhAyai nithya
mangalam” (To be continued) Azhvar emperumAnAr Jeeyer thiruvadigalE
sharaNam Adiyen ramanuja dAsee Sumithra Varadarajan
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