86.aachinvaanam ahani ahani ahani saakaaraan vihaarakramaan
aarunDhaanam arunDhathee hrdhayam api aardhrasmithaasyaSriyaa
aathanvaanam ananyajanmanayanaSlaaghyaam anrghyaam dhasaam
aamandham vrajasundhareesThanathatee saamraajyam ujjrmbhathe
The existence that is Krishna, whose playful activities go on appearing afresh day by day, whose smile tender and merciful in his beautiful face, churns even the mind of ArunDhathi , whose evergrowing youth is extolled by and attracts even the eye of Manmatha and who rules over the kingdom of the gopis who love him, appear in front and grows fast.
The existence that is
87. samucChvasithayouvanam tharalaSaiSavaalamkrtham
madhacChurithalochanam madhanamugDhahaasaamrtham
prathikshaNavilokanam praNayapreethavaSeemukham
jagatthryavimohanam jayathi maamakam jeevitham
The Krishna thathva which is my life itself, appear victorious, jayathi, the signs and decorations of his childhood slowly disappearing, tharalaSaiSavaalamkrtham, with the appearance of budding youth, samucChvasithayouvanam, his eyes expressing love, madhacchurithalochanam displayed afresh every moment, prathikshaNavilokanam his nectarine smile beautiful and desirable, madhanamugDhahaasaamrtham, his flute that seems to drink the nectar of his lips, praNayapreethavaSeemukham by its openings and his form is enchanting the three worlds, jagatthryavimohanam.
Youth is making its appearance in
88. chithram thadhethath charanaaravindham
chithram thadhethath nayanaaravindham
chithram thadhethath vadhanaaravindham
chithram thadhethath punaramba chitharam
Wonderful is this lotus, which is the feet of
89.akhilabhuvanaikabhoosham aDhibhooshitha
jalaDhidhuhithru kuchakumbham
vrajayuvaythee haaraavali marakatha
naayakamahaamaNim vandhe
I bow down to Him who is the ornament of the whole universe, akhilabhuvanaikabhoosham, and also an iornament on the breasts of Lakshmi, the daughter of the ocean, jalaDhidhuhithru kuchakumbham and is the central emerald pendant, marakatanaayakan mahaamaNi of the pearl necklace formed by gopis, vrajayuvatheehaaraavali.
90. kaanthaakachagrahana vigraha badDhalakshmee
khandaangaraaga rasaranjitha manjulaSreeH
gandasThaleemukura mandalakhelamaana
gharmaankuram kimapi khelathi krshNathejaH
There is a light called
91.maDhuram madhuram maDhurasya vib hoh
maDhuram maDhuram vadhanam maDhuram
madhuganDhimrdhusmitham ethath aho
maDhuram maDhuram maDhuram maDhuram
Everything with reference to the Lord is sweet, because he himself is sweet. His face, the fragrance on him and his smile, everything is sweet sweet nothing but sweet.
In Madhurashtakam we have the line `maDhuraadhipatherakhilam madhuram,' and the same idea is reflected here.Since
92, Srngaararasa sarvasTham SikhipicChavibhooshaNam
angeekrthanaraakaaram aaSraye bhuvanaaSrayam
I take refuge in him, who is the refuge of the whole world, bhuvanaaSraya, and who has taken a human form,angeekrthanaraakaara, wearing peacock feather, SikhipiccChvibhooshana, and embodiment of love, srngaara rasa sarvasTha.
93, naadhyaapi paSyathi kadhaachanadharsanena
chitthena cha upanishadhaa sudhrsaam sahasram
sa thvam chiram anayoH nayanayoH padhavyaaam
svaamin kayaa nu krpayaa mama sanniDhathse
Oh Lord! You are not to be seen by the study of sasthras, by meditation, by enquiry through the Upanishads and by sages having divine sight. But you appear to my eyes for such along time. To what extraordinary grace is this due to!
Naradabhakthi suthra says, `sa keerthyamaanaHSeeghrameva aavirbhavathianubhaavayathi bhakthaan.' The Lord appears quickly to those who sing his glories and protects them as He Himself has said, naaham vasaami vaikunte na yogi hrdhaye ravou;madbhakthaa yathra gaayanthi thathra thishTaami naaradha.' "I do not dwell in Vaikunta , nor in the heart of the sages nor in the orbit of the Sun. I stand in front of my devotees who sing my glories." This is the experienxe of Leelasuka mentioned here.
94. keyam kaanthiH kesava thvanmukhendhoH
koayam veshaH koapivaachaam abhoomiH
seyam soayam svaadhuthaa manjulaSreeH
bhooyo bhooyo bhooyaSaH thaam namaami
Oh Kesava! What a brilliance, kaa iyam kaanthiH, there is, in your moon-like face, mukhendhu and what an enchanting form have you, ko ayam veshaH, which is beyond description, vaachaam abhoomiH! The sweetness and beauty, svaadhuthaa manjulaSree manifested by you makes me bow down to you again and again, bhooyo bhooyo bhooyasaH, many times.
The particle kaa and kaH used by way of praise imply wonder.
95. vadhanendhu vinirjithaH saSee
dhaSaDhaa dheva padham prapadhyathe
aDhikaam Sriyam asnuthe itharaam
thava kaaruNyavijrmbhitham kiyath
The moon is vanquished by your face in beauty and brilliance and hence resort to you dividing himself into ten parts and what ever additional merit he gets as a result is due to your mercy alone.
After comparing the face of
The moon dividing himself into ten has reference to the ten finger nails of
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