SrI:
SrImathE Nigamantha Mahadesikaya namah:
SrImAn venkatanAthAryaH kavitArkika kesarI |
vedAntAcArya-varyo me sannidhattAm sadA hRdi ||
May the glorious Venkatanatha, the greatest of teachers of Vedanta, and the
lion among poets and debaters, reside forever in my heart.
Dearest Srivaishnavas,
Let us continue to enjoy the sthOthra granthas of Swamy Desikan [in
alphabetical order]
Raghu-Vira-Gadya -The hero in the Raghu?s dynasty (in prose)
This Stotra in prose is popularly known as Raghu-vira gadya; though Sri
Desika gives it the name of Mahaa-Vira Vaibhava (the glory of the great
Hero). This describes in brief the various episodes in the life of Sri Rama
as narrated in the great epic Valmiki-Ramayana in all the seven Kaandas.
This is in the form of ninety-five direct addresses in poetic prose to Sri
Rama portraying Him as a Maha-vira in various ways as Dharma-vira,
Daana-vira, Daya-vira, Yuddha-vira and SaraNya-vira as exhibited by his
various lovable and charming qualities.The stotra is a pleasing composition
because of its rhythm and harmony? figures of speech like metaphor and
simile addresses short and long and sweet sounds and hard syllables.
The ninety-five addresses describe the story of the Seven kaandas as
follows;
1.Bala-kaanda 1-20
2.Ayodhya-kaanda 21-25
3.Aranya-kaanda 29-41
4.Kishkinda-kaanda 42-46
5.Sundara kaanda 47
6.Yuddha-kaanda 48-77
7.Uttara-kaanda 78-95
These addresses glorify the various qualities of Rama. The Lord in Vaikunta
coming down to this world at the request of the gods to dispel their
sufferings, born as the son of Dasaratha and Kausalya. His respectful
obedience to preceptors like Vasishta and Visvamita and to sages like
Bharadwaja and Valmiki, his love for all irrespective of their hunter-woman
Sabari, birds like Jatayu and Kakasura, monkeys like Hanuman and Sugriva,
always being wedded to truth, offering protection to those who seek refuge
even once, treating Sugriva and Vibhishana as His equal, and studiously
discharging the duties of a king and observing closely the rites prescribed
for a Kshatriya and householder, listening as one of the audience to the
verses of the Epic Ramayana of Valmiki, sung by lava and Kusa and finally
taking with Him to Sri Vaikunta all the Jivas, moving and non-moving who had
the good fortune to be born ay Ayodhya when He was in this world.
There are only three verses in this composition of poetic prose, one at the
beginning and two at the end. The first sloka hails Sri Rama and Sita as the
Divine Couple, Bhagavan and Lakshmi. Bhagavan is the resplendent Sun on
Paramapada (Sri Vaikunta) and Sita is the effulgent lustre whose
manifestation brings about the destruction of the darkness (i.e. fear) of
those who surrender themselves at Their feet seeking refuge.
By the first of last two slokas, Sri Vedanta Desika pays homage to Sri
Rama, the house-holder (grhasta) associated with Sita, the house wife, both
of whom shine with their progeny-the four-faced Brahma, the son, Siva, the
grandson and other deities as other children.
By the last sloka which is the colophon, Acarya Sri Desika, the lion
amongst poets and logicians pays a compliment to his
composition,Maha-vira-vaibhavam that it is pregnant with deep and precious
thoughts clothed in words hard and smooth and concludes with an appeal to
men of wisdom to read it which is an infallible recipe that dispels the
fears of the mortal world.
Swamy Desikan ThiruvadigaLE SaraNam
Regards
Namo narayana
dAsan
kavi-tArkika-simhAya kalyANa-guNa-SAline |
Srimate venkateSAya vedAntagurave namaH ||
Salutations to Sri Venkatesa, in whom all perfections reside, who is the
teacher of Vedanta and the lion among poets and debaters
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