Sri:
SrimathE Gopaladesika mahadesikaya nama:
Dearest all,
Having heard the divne names of the Lord from her pet parrot, and enjoyed,
Parakala nayaki is all excited and plays Veena and sings herself. The parrot,
and the nayaki all now sing and she plays the veena too...
OR the Veena and the parrot are not enjoying while singing (while she does)
kalluyarndha nedumathiLsoozh kacchi mEya
kaLiRenRum kadalkidandha kaniyE! enRum,
alliyampoo malarppoygaip pazhana vEli
aNiyazhunthoor ninRugandha ammaan enRum,
solluyarndha nedveeNai mulaimEl thaangith
thoomuRuval nagaiyiRaiyE thOnRa nakku,
melviralkaL sivappeythath thadavi yaangE
men_kiLipOl migamizhaRRum enpE thaiyE. 15
en pEthai â My daughter;
sol â the meaningful words (or words themselves)
uyarndha â unparalleled
nedu veenai â the long Veena (musical instrument)
mulai mEl thaangiâ (she) holds and places in her tender breasts (and plays);
thoo muRuval nalga iRai yE thOnRa â she smiles slightly with the pure white
milky teeth shown
mel viralgaL sivappu yeydha aangE thadavaâ tender fingers are reddened by her
playing the Veena
mel kiLi pOl- with her parrot like sweet shrill voice
kal uyarndha nedu mathiL â the tall ramparts made of rocky stones
soozh kacchi â surround the divine divya desam kanchipuram
mEya kaLiRu â the male strong elephant that resides (at such a divine place)!
kadal kidandha kaniyE â the sweetest fruit that reclines on the milky ocean!
alli am poomalar â the pollen filled fresh flowers
poykai pazhanam â have filled the ponds and fertile fields
vEli â surround as the fence;
aNi azhundhoor â in the most beautiful ornament like Thiruvazhundhoor divya
desam
ninRa uvandha ammaan â standing here joyfully as Sarva Swami;
miga mizhaRRum â She (thus sings elaborately with raga Alaapanam);
kacchi mEya kaLiRu â Male elephant of kacchi; probably referring to all divya
desams in and around Kzanchipuram; Tall rampart surrounded divya desam perhaps
refers to only Kanchi puram (atthigiri perumAL). Reclined milky ocean PaaRkadal
nAthan and standing Thiruvazhundhoor Divya desam perumAL are referred to. And
hence purvacharyas refer to Thiruppadakam (instead of Kacchi);
Thirumazhisai AzhwArâs âninRadhu enthai ooragatthu; irundhadhu yendhai
paadagatthu; anRu ve:kaNaikkidandhuâ â
He shows Himself thus in all three postures to Parakala naayaki. Perhaps she
wants to hold Him on her tender breasts like she holds and places the Veena.
She wants Him to follow her songs as the parrot does.. She longs for the same.
What a great anubhavam!
AzhwAr ThiruvaDigaLE SaraNam
Regards
Namo Narayana
dAsan
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