Sriman Naaraayanaya Namaha: Srimathe Ramaanujaya Namaha: Srimathe Vedaantha Desikaaya Namaha: I would concur with some positing in this thread saying that the nAyaki bhAvam was what Sri Desikar used to compose Acyutha Satakam. But this simple interpretation requires some examination. According Sri VangIpuram Ramadesikar's work on our acharyas stothras, Sri Desikar felt as a devanayaki when he was enjoying the tirumeni of Tiruvahindrapuram Devanathan also known as Achuthan. Apparently prAkrit ( that came from Prakruti or Sanskrit ), since having a solid grammar, was sanctioned for the women to use freely. Demonstrating PrAkrit as women's lingua franca, several dramas were written in those days with nAyakis speaking in prAkrit and the nAyakan speaking in Sanskrit. Immitating that style, Sri Desikar desired to compose a long set of verses on DevanAyakan in PrAkrit. Apparently Sri Desikar did not write many other works in Prakrit. And DevanAyakanwas was the only one to enjoy the outpouring of Sri Desikar in all three languages that he was proficient in ( Sanskrit, Tamil and PrSkrit.) In this stothram, Swami Desikan did not actually use the full nAyaki bhavan. He seems to have felt inadequate to sing on Devanayakan. So he says he felt like a child and was composing the stothras in prakrit. The main reason was to compose verses pleasing to the ears like parrot's talk. In verses 2 and 4 he uses the word bAla explicitly. Thus he felt like an inexperienced child, and chose the nAyaki bhavam at the same time and chose Prakrit, a clever idea to use it. He also mentions that Saraswathi spoke 'PrAkrit' when she was kid and it later became the official 'PrAkrit', and so he was using the same. The verse 2 is as follows: kinkarascca duyI duha sayambu kehiNI vilAsa vAhita mayI| paNiyA bAleNa maye panjara suya jappiyam va gunAyu pasAyam|| True to Bhakthas, DevanAyaka! Brahma's pathni Saraswathi's child- speak became Prakrit. I am not yet fully capable yet. So I am trying to write this stothram in Prakrit. People enjoy the sounds the parrots make. In the same way, these stothrams coming from my mouth should give you similar enjoyment. What a scene setting and modesty! It is generally said that, like Azhwars, Sri Desikar used the nAyaki bhava in this stothram, Sri DevanAyaka PancAsath and mummanikovai. But Sri Desikar mentions in Achuta Satakam and Devanayaka panchasath that 'he is a bAla'. So he did not fully use the nAyaki bhavam exploited by the Azhwars. BTW: DevanAyakan is sung as the ParavAsudeva himself by Sri Desika in these two stothrams. Sri Desika nicely ties together the nigama and agama glorifications of Sriman Narayana in these two stothrams. Adiyen, Dasan, R.T.V. Varadarajan ------------------------ Yahoo! Groups Sponsor --------------------~--> Make a clean sweep of pop-up ads. Yahoo! Companion Toolbar. Now with Pop-Up Blocker. Get it for free! http://us.click.yahoo.com/L5YrjA/eSIIAA/yQLSAA/VkWolB/TM --------------------------------------------------------------------~-> Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/SriRangaSri/ <*> To unsubscribe from this group, send an email to: SriRangaSri-unsubscribe@xxxxxxxxxxxxxxx <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
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