[percy-l] The Moviegoer - Please ignore my previous posts

janet cantor janetcantor37 at yahoo.com
Tue Oct 12 04:48:31 EDT 2010


Dear Percy-L,



I am a 72 year old general reader and have numerous questions after 
completing the Moviegoer. Please overlook my earlier posts to the list 
as I am new to listservs in general. Please allow me to tell you of my 
experience with the book.



I read and reread the book. I led a discussion of it in my book group. 
My reading was absolutely different from theirs. This stunned me. I 
found the book funny, endearing and uplifting. They found it depressing 
and hopeless. 



I include below two items I’d like to present to the list: 1) a personal
 review I wrote about the MG for Amazon, and 2) the questions I still 
have after exploring my thoughts about the book in my review.  I intend 
to edit my review after I have reread the book in the future and my 
thoughts have become more clear. I am not a scholar, merely a reader.



My overall question concerns that the book was written in the 50's. It 
seems to me that it is not correct to read it narrowly from the 
perspective of current attitudes. Please forgive any naivete I may bring
 to my reading as present in my review. I will come back to the book in 
about a year and see if I agree with myself. 



Rest assured any help or responses to this post that anyone can give me will be decidedly appreciated.



Cheers,

Janet Cantor





MY PERSONAL AMAZON REVIEW

A masterpiece, September 25, 2010  

SPOILER ALERT. Do not read this review until after you have finished the book and considered it for yourself. 



If fifteen people read and reviewed The Moviegoer,
 they could create fifteen different descriptions of it. If one person 
read it a year later, he could write a completely different review of it
 from the one he wrote the year before. It all depends on what is 
emphasized, the southernness, New Orleans,
 the story of ancestries, the blacks and whites or the relationship of 
the story to Kierkegard. There are so many aspects of the novel to 
consider. 

This is a funny book, an endearing book. The writing is gasp inducing gorgeous. 

This is a book of its time, post Becket, the existentialists, and the 
absurdists. It follows a half century of the realization of the great 
scale of the horror man is capable of perpetrating on his fellow men. Salinger has been writing about teenage angst. Yet, while it is so relevant to the late nineteen fifties, Binx's story finds resonance to this day. 

It is  funny to read how Binx plots to make his secretary fall in love 
with him. The descriptions of movies and their use to him and how he 
makes a movie house more real are wonderful. Look on page 216 for a line
 that gives the reader pause on the subject of the title. 

 Binx's elaborate descriptions of the components of his search make up a
 good portion of the story. Yet every time he is with Aunt Emily, he 
either can't talk about it or it seems to be smaller in importance. And 
in the face of Aunt Emily's big rant at him in part five, he understands
 that he is finished with his search. 

His search, he tells us, is to forestall the everydayness; in his head he criticizes other people who are satisfied with ordinary lives.
 All the while he is thinking and working out the details of his search,
 he is carrying out normal activity and conversation, and no one having 
discourse with him, knows about his interior life. The only one who 
knows it all is his fellow mentally discomfited, Kate. In the end, he 
will accept everydayness as he takes care of Kate. 

It is a great theme in a lot of literature, the concept of coming home. Ulysses, The Wizard of Oz,
 Pippin, the musical, where he realizes he is not extraordinary and will
 settle as man, woman, child in an every day existence, and Candide, who
 after his upsetting adventures will join with his love and just make 
his garden grow. And so it is here. The epilogue may be one of the most 
gorgeous things I have ever read. Tender, quiet, accepting; Kate and 
Binx will make it, I believe. 

The book is described as an existential novel. What kind of existential 
protagonist loves his job, loves making money, and goes to great lengths
 to protect his clients' accounts? What kind of existential character 
loves others, his half brother, Lonnie and Aunt Emily? He even has a kind of love for minor characters like Mr. Kinsella and the ladies in ticket booths. And Kate and Binx have a kind of love for each other. 

This book doesn't seem to be an existential novel as much as a rebuke to the existentialists. Walker Percy
 seems to be saying to them, "Come off it. Get with the program. It's 
enough already."  Aunt Emily as she scolds Binx in Part Five represents 
this. 

To discuss this book and leave out Aunt Emily is to forget someone 
central to it all. For this reader she is most important of all for 
Binx. It is his love of her, he even enjoys it when she scolds him, that
 keeps him from going off the deep end. And her brilliantly written big 
rebuke at the end is what saves him from himself. One is reminded of the
 biblical verse that says now I am become a man and must put away childish things. 

One is reminded of another biblical verse when the book is over. And now
 abideth faith, hope and charity (love) but the greatest of these is 
charity. 

Lonnie's Faith is pure and perfect. The scenes between Lonnie and Binx 
are utterly exquisite. Binx couldn't care less about religion, yet his 
love of Lonnie makes him happy and interested as Lonnie describes his 
faith to him. And when Lonnie tells Binx he is taking his communion for 
Binx, that is a spectacular moment. 

Hope? Is there hope for Binx? I think so and I think Walker Percy thinks so, too. 

And, as has already been noted, love runs throughout the novel. 

I don't think this is an existential novel. I think it is a Christian Morality Tale. 

   

MY OUTSTANDING QUESTIONS

Is the book an existential book, contrary to what I thought? 
Is Aunt Emily as important to the story as I thought? 
Is his half brother as important as I thought and are the scenes with him as gorgeous as I found them? 
Is the book meant to be funny and endearing or depressing? 
Is
 the end meant to be uplifting or are they destined for the divorce 
court in a few months as so many have suggested to me? Here's how I read
 the end. There was a line in the book when they were in Chicago
 and Kate declared that she knew how she could live in a big city - if 
Binx told her what to do. So when he is taking care of his siblings (a 
repetition of when his aunt comforted him when his brother, Scott, died)
 and he needs Kate to do his business for him, he tells her what to do. I
 just loved that. 
Is
 Kate simply a bipolar person? Or did Aunt Emily restrict her freedom 
and self expression so much that she became mad? This last was not my 
impression. It was what someone suggested to me. I saw no evidence of 
that. Is that in the book?








      
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