CHARLIE MOORE
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell with data from Praguefrank & the Bluegrass Discography
19581000 | Fall 1958, Session tapes sold to Starday, Radio Station WFBC, Greenville, S.C. | ||
ST 2881 | No grave (is gonna keep this soul) | SEP-103 | |
C. Moore-L | |||
ST 2882 | Over in gloryland | SEP-103 | |
C. Moore-L | |||
ST 2883 | Were you there (when they crucified my Lord) | SEP-103 | SLP-105 |
C. Moore-L | |||
ST 2884 | Why is mother buried | SEP-103 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; other personnel not known | |||
19590400 | April 1959, Starday session, Radio Station WANS, Anderson, S.C. | ||
ST 3009 | Calvary's cross | SEP-116 | DLP-188 |
C. Moore-L | |||
ST 3010 | The crossroads | SEP-116 | SEP-116 |
C. Moore-L | |||
ST 3011 | Dreams of mother | SEP-116 | SEP-116 |
C. Moore-L | |||
ST 3012 | My Lord remembered me | SEP-116 | SEP-116 |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; other personnel not known | |||
19600700 | Summer 1960, American session, Unknown | ||
[01] | The story of love (Moore-Napier; Oleta Publ., BMI) | 45-101 | |
C. Moore-L; B. Napier-T | |||
[02] | Big daddy of the blues (Raney, Zack & Johnny; Oleta Publ., BMI) | 45-101 | |
C. Moore-L; B. Napier-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-bj; other personnel not known | |||
19621228 | 28 December 1962, King session, Producer: Chuck Seitz, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 11391 | Truck driver's queen (C. Moore, B. Napier) | 45-5782 | King 828 |
C. Moore-L; B. Napier-T | |||
K 11392 | Georgia bound (C. Moore, B. Napier) | 45-5883 | King 828 |
C. Moore-L | |||
K 11393 | Country twist (C. Moore, B. Napier) | 45-3064 | King 828 |
C. Moore-L; B. Napier-T | |||
K 11394 | It hurts to see you go (C. Moore, B. Napier) | King 828 | |
C. Moore-L; B. Napier-T | |||
K 11395 | Florida pickin' (C. Moore, B. Napier) | King 828 | |
(Instrumental) | |||
K 11396 | Metracal, same old gal, sing along with Mitch (C. Moore, B. Napier) | 45-3064 | King 828 |
C. Moore-L; B. Napier-T | |||
K 11397 | Twilight swamp (C. Moore, B. Napier) | King 828 | |
(Instrumental) | |||
K 11398 | In a world of broken hearts (C. Moore, B. Napier) | 45-5782 | King 828 |
C. Moore-L; B. Napier-T | |||
K 11399 | No longer a sweetheart of mine (Swift, Reno, Smiley) | King 828 | |
C. Moore-L; B. Napier-T | |||
K 11400 | When the roses bloom again (A. Delmore, R. Delmore) | King 828 | |
C. Moore-L | |||
K 11401 | Columbus Stockade blues (Davis- Sargent) | King 828 | |
C. Moore-L; B. Napier-T | |||
K 11402 | Gathering flowers from the hillside (J.E. Mainer, Jr.) | King 828 | |
C. Moore-L; B. Napier-T | |||
K 11403 | Lonesome wind blues (Wayne Raney) | King 828 | |
C. Moore-L; B. Napier-T | |||
K 11404 | My dear one (C. Moore, B. Napier) | 45-5926 | King 828 |
C. Moore-L; B. Napier-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Dan Padgett?-bj; Ansel Guthrie?-m; unknown-sb | |||
19630725 | 25 July 1963, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 11631 | Chain gang (C. Moore-B. Napier) | 45-5926 | King 880 |
C. Moore-L | |||
K 11632 | Johnny on the spot (C. Moore-B. Napier) | 45-5840 | King 880 |
C. Moore-L; B. Napier-T | |||
K 11633 | Whitrock (C. Moore-B. Napier) | King 880 | |
(Instrumental) | |||
K 11634 | Love me one more time (C. Moore-B. Napier) | King 880 | |
C. Moore-L; B. Napier-T | |||
K 11635 | No one as sweet as you (C. Moore-B. Napier) | King 880 | |
C. Moore-L | |||
K 11636 | I'm giving you your freedom (C. Moore-B. Napier) | King 880 | |
C. Moore-L; B. Napier-T | |||
K 11637 | Goodbye and so long to you (Traditional) | 45-5986 | King 880 |
C. Moore-L | |||
K 11638 | Down the road (L. Flatt-E. Scruggs) | King 880 | |
C. Moore-L | |||
K 11639 | I've got over you (Ray Starr Pennington) | 45-5840 | King 880 |
C. Moore-L; B. Napier-T | |||
K 11640 | Way, way down south (C. Moore-B. Napier) | 45-5942 | King 880 |
(Instrumental) | |||
K 11641 | I'm just your stepping stone (R. Pennington-R. Marcum) | 45-5986 | King 880 |
C. Moore-L; B. Napier-T | |||
K 11642 | Barbara Allen (Traditional) | King 862 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g/bj; Audie Webster-m; Horace 'Benny' Williams-f; Ralph Eugene Mayo-sb | |||
19640406 | 6-7 April 1963, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 11862 | Springtime in Heaven | King 917 | |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11863 | Something got hold of me | 45-6073 | King 917 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11864 | Jonah and the whale | 45-5987 | King 917 |
C. Moore-L | |||
K 11865 | Praise God, I'm ready to go | King 917 | |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11866 | Our fathers had religion | 45-5988 | King 917 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11867 | I'd rather be on the inside looking out | 45-5939 | King 917 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11868 | My home in the sky | 45-5939 | King 917 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11869 | God had His way | 45-5987 | King 917 |
C. Moore-sp/L; B. Napier-T; H. Dockery?-BS | |||
K 11870 | Gathering in the sky | 45-5988 | King 917 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11871 | Home in the rock | King 917 | |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11872 | The arm of God | King 917 | |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 11873 | Old fashioned preacher | King 917 | |
C. Moore-sp/L; B. Napier-T; H. Dockery?-BS | |||
K 11874 | Lonesome truck driver (C. Moore-B. Napier) | 45-5883 | King 922 |
C. Moore-L; B. Napier-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-bj/g; Henry Dockery-sb; other personnel not known | |||
19640727 | 27-28 July 1964, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 11977 | Ballad of Christopher Columbus (C. Moore-B. Napier) | 45-5940 | King 922 |
C. Moore-L; B. Napier-T | |||
K 11978 | Guitar pickin' truck driver (C. Moore-B. Napier-H. Dockery) | 45-5941 | King 922 |
C. Moore-L | |||
K 11979 | Mousy, Lucy and Bureau (C. Moore-B. Napier) | 45-5940 | King 922 |
C. Moore-L; B. Napier-T | |||
K 11980 | One broken home for sale (C. Moore-B. Napier) | 45-6014 | King 922 |
C. Moore-L; B. Napier-T | |||
K 11981 | Ain't that some pickin' (C. Moore-B. Napier) | 45-5942 | King 922 |
(Instrumental) | |||
K 11982 | Kentucky shuck (C. Moore-B. Napier) | King 922 | |
(Instrumental) | |||
K 11983 | Sand Mountain blues (A. Delmore-R. Delmore) | King 922 | |
C. Moore-L; B. Napier-T | |||
K 11984 | Banjo Mountain (C. Moore-B. Napier) | King 922 | |
C. Moore-L; B. Napier-T | |||
K 11985 | Sadness and sorrow | ||
C. Moore-L; B. Napier-T | |||
K 11986 | Talk of the town (Don Reno) | King 922 | |
C. Moore-L | |||
K 11987 | My sweet Kentucky mountain home (C. Moore-B. Napier) | 45-6050 | King 922 |
C. Moore-L; B. Napier-T | |||
K 11988 | Great big Casey (T. Downs-B. Hughes) | 45-5941 | King 922 |
C. Moore-L; B. Napier-T | |||
K 11989 | John Henry | 45-6050 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-bj; Henry Dockery-sb; other personnel not known | |||
19641118 | 18 November 1964, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12006 | Grundy hoedown (C. Moore, B. Napier) | 45-5990 | King 1014 |
(Instrumental) | |||
K 12007 | Pickin' Willie (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12008 | Steppin' high (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12009 | Buffalo pickin' (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12010 | Lonesome guitar (C. Moore, B. Napier) | 45-5990 | King 1014 |
(Instrumental) | |||
K 12011 | Stump House Mountain (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12012 | Big daddy's blues (Moore, Napier, Dickery) | 45-5989 | King 1014 |
(Instrumental) | |||
K 12013 | Bill's breakdown (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12014 | Brushy Creek (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12015 | Movin' along (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
K 12016 | Cincinnati breakdown (Moore, Napier, Mullin) | 45-5989 | King 1014 |
(Instrumental) | |||
K 12017 | Dixie boogie (C. Moore, B. Napier) | King 1014 | |
(Instrumental) | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g/bj; Henry Dockery-sb; other personnel not known | |||
19650726 | 26-27 July 1965, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12038 | Long old road | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12039 | Truck driver's woman | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12040 | Hot rod kids and women drivers (C. Moore-B. Napier; Lois, BMI) | 45-6014 | KS 936 |
C. Moore-L; B. Napier-T | |||
K 12041 | Long white line | 45-6004 | KS 936 |
C. Moore-L; B. Napier-T | |||
K 12042 | Ballad of Big Fred | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12043 | Coming home to you | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12044 | Pinball blues | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12045 | I'm waiting for dad to come home | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12046 | This truck and me | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12047 | Blue grass truck driver | KS 936 | |
C. Moore-L; B. Napier-T | |||
K 12048 | Truck driver's romance | 45-6004 | KS 936 |
C. Moore-L; B. Napier-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Henry Dockery-sb; other personnel not known | |||
19660403 | 3 April 1966, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12099 | Have I come home to die | King 982 | |
C. Moore-L; B. Napier-T | |||
K 12100 | God please protect America | King 982 | |
C. Moore-L; B. Napier-T | |||
K 12101 | Next Sunday darling is my birthday | King 982 | |
C. Moore-L | |||
K 12102 | Down where the river bends | King 982 | |
C. Moore-L; B. Napier-T | |||
K 12103 | Banjo bugle | 45-6075 | King 982 |
(Instrumental) | |||
K 12104 | Is this a useless war | 45-6036 | King 982 |
C. Moore-L; B. Napier-H | |||
K 12105 | Filipino baby | King 982 | |
C. Moore-L | |||
K 12106 | I'll be home | King 982 | |
C. Moore-L; B. Napier-T | |||
K 12107 | A soldier's prayer | 45-6036 | King 982 |
C. Moore-L; B. Napier-T | |||
K 12108 | Soldier's joy | ||
(Instrumental) | |||
K 12109 | Five string special | King 982 | |
(Instrumental) | |||
K 12110 | A soldier's grave | King 982 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Henry Dockery-sb; other personnel not known | |||
19660906 | 6-7 September 1966, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12219 | There ain't nobody gonna miss me (Slim McAuliffe) | KS-1021 | |
C. Moore-L; B. Napier-T | |||
K 12220 | Girl of the night (C. Moore, B. Napier) | 45-6075 | KS-1021 |
C. Moore-L; B. Napier-T | |||
K 12221 | Pretty Polly | KS-1021 | |
C. Moore-L | |||
K 12222 | You make a fool of me (C. Moore, B. Napier) | KS-1021 | |
C. Moore-L; B. Napier-T | |||
K 12223 | Slick possum (C. Moore, B. Napier) | KS-1021 | |
(Instrumental) | |||
K 12224 | Shenandoah waltz (Moody-Wise) | KS-1021 | |
C. Moore-L | |||
K 12225 | That wasn't in the deal (C. Moore, B. Napier) | KS-1021 | |
C. Moore-L; B. Napier-T | |||
K 12226 | Howlin' moon dog (C. Moore, B. Napier) | KS-1021 | |
(Instrumental) | |||
K 12227 | Lonely I wait | ||
C. Moore-L | |||
K 12228 | Tragic romance (G. Jones) | KS-1021 | |
C. Moore-L | |||
K 12229 | Darby's ram | KS-1021 | |
C. Moore-L; B. Napier-T | |||
K 12230 | Walkin' on the mountain | KS-1021 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Henry Dockery-sb; other personnel not known | |||
19661004 | 4 October 1966, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12234 | Will the circle be unbroken (Traditional) | KS-1017 | |
(Instrumental) | |||
K 12235 | Shout and sing (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T; H. Dockery?-B | |||
K 12236 | He leads me on (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T | |||
K 12237 | Oh Lord I'm glad (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 12238 | Won't you come in (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T; H. Dockery?-B | |||
K 12239 | That beautiful home (Traditional) | KS-1017 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Henry Dockery-sb; other personnel not known | |||
19661005 | 5 October 1966, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12240 | Don't wait too long (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T | |||
K 12241 | The Stranger in the tavern (Moore-Napier) | KS-1017 | |
C. Moore-L; B. Napier-T | |||
K 12242 | Wayfarring [sic] pilgrim (Moore-Napier) | KS-1017 | |
C. Moore-L | |||
K 12243 | I believe in the old time way (Moore-Napier) | 45-6073 | KS-1017 |
C. Moore-L; B. Napier-T; H. Dockery?-BS | |||
K 12244 | Take a message to mother (Moore-Napier) | 45-6081 | KS-1017 |
C. Moore-L | |||
K 12245 | Sweeter than the flowers (Burns-Rouse-Mann) | 45-6081 | KS-1017 |
(Instrumental) | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Henry Dockery-sb; other personnel not known | |||
19691200 | Late 1969, Country Jubilee session, Ralph's Studios, Demerest, Ga. | ||
[01] | Lorena go home (Moore and Dockery) | CJ-70617 | |
[02] | Bringing Mary home (Duffey-Kingston-Mank) | CJ-70617 | |
[03] | Bill Cheatham (P.D.) | CJ-70617 | |
(Instrumental) | |||
[04] | 90 day blues (Charlie Moore) | CJ-70617 | |
[05] | Three nights of experience (Henry Dockery) | CJ-70617 | |
[06] | The last thing on my mind (Tom Paxton) | CJ-70617 | |
[07] | I feel like traveling on (P.D.) | CJ-70617 | |
[08] | Lonesome wind blues (Moore and Dockery) | CJ-70617 | |
[09] | Ralph's rag (Unknown) | CJ-70617 | |
(Instrumental) | |||
[10] | Blue Monday morning (Moore and Dockery) | CJ-70617 | |
[11] | I haven't got the right to love you (Buchanan-Claude) | CJ-70617 | |
[12] | Sugarfoot rag (H. Garland-G. Vaughn) | CJ-70617 | |
(Instrumental) | |||
Charles Benjamin 'Charlie' Moore-g; Al Osteen-bj; Larry Jefferson-m; Charles Hutsen-f; Sam Cobb-bs | |||
19720200 | ca. February 1972, Vetco session, Producer: Lou Ukelson, Jewel Recording Company, 1594 Kinney Ave., Cincinnati, Oh. | ||
[01] | I'm leaving Detroit | Vetco 522 | LP-3011 |
C. Moore-L; L. Jefferson?-T | |||
[02] | Mary of the wild moor | LP-3011 | |
C. Moore-L | |||
[03] | When John Henry was a little boy | LP-3011 | |
C. Moore-L | |||
[04] | Sadie Johnson (Sally Johnson) | LP-3011 | |
(Instrumental) | |||
[05] | It's gonna be a long long night | LP-3011 | |
C. Moore-L; L. Jefferson?-T | |||
[06] | It don't make any difference anymore | LP-3011 | |
C. Moore-L; L. Jefferson?-T | |||
[07] | Fly around my pretty little miss | LP-3011 | |
C. Moore-L; L. Jefferson?-T | |||
[08] | Barbara Allen | Vetco 522 | LP-3011 |
C. Moore-L | |||
[09] | Banks of the old Pontchartrain | LP-3011 | |
C. Moore-L | |||
[10] | Thunder wing | LP-3011 | |
(Instrumental) | |||
[11] | You're love is like a flower | LP-3011 | |
C. Moore-L; L. Jefferson?-T | |||
[12] | She's not to blame | LP-3011 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Joseph Calvin 'Butch' Robins-bj; Larry Jefferson-m; Paul Mullins-f; Henry Dockery-bs | |||
19721200 | Late 1972, Vetco session, Jewel Recording Company, 1594 Kinney Ave., Cincinnati, Oh. | ||
[01] | Where the soul of man never dies | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[02] | Wayfarin' stranger | LP-3013 | |
C. Moore-L | |||
[03] | Waiting for the boys to come | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[04] | My main trial is yet to come | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[05] | Leaning on the everlasting arms | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[06] | A beautiful home | LP-3013 | |
C. Moore-L | |||
[07] | I'll fly away | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[08] | Amazing grace | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
[09] | Stranger in the tavern | LP-3013 | |
C. Moore-L | |||
[10] | Over in the gloryland | LP-3013 | |
(Instrumental) | |||
[11] | When the saints go marching in | LP-3013 | |
C. Moore-L; L. Jefferson?-T; unknown-B | |||
[12] | Old log cabin for sale | LP-3013 | |
C. Moore-L; L. Jefferson?-T | |||
Charles Benjamin 'Charlie' Moore-g; Joseph Calvin 'Butch' Robins-bj [except 08]; Larry Jefferson-m [except 08; Paul Mullins-f [except 08; Henry Dockery-sb | |||
19730000 | 1973, Old Homestead session, Old Homestead Studios, Brighton, Mich. | ||
[01] | I'll break out again tonight (Arr. Charlie Moore) | 45-5036 | OHS 90033 |
C. Moore-L; B. Napier-T | |||
[02] | Next Sunday is my birthday | OHS 90033 | |
C. Moore-L | |||
[03] | I can tell when I'm not wanted (Clyde Moody) | OHS 90033 | |
C. Moore-L; B. Napier-T | |||
[04] | The leaf of love | OHS 90033 | |
C. Moore-L | |||
[05] | Whispering pines | OHS 90033 | |
C. Moore-L | |||
[06] | I've been talking to the Lord for you (Charlie Moore; Jaymore, BMI) | 45-5027 | OHS 90033 |
C. Moore-sp/L; B. Napier-T | |||
[07] | Jealous heart (J.L. Carson) | 45-5027 | OHS 90033 |
C. Moore-L | |||
[08] | I'll still be around if you need me | OHS 90033 | |
C. Moore-L | |||
[09] | Shenandoah waltz (Moody-Wise) | OHS 90033 | |
C. Moore-L | |||
[10] | If I had my life to live over (Moody) | OHS 90033 | |
C. Moore-L | |||
[11] | Where the old Red River flows (J. Davis) | OHS 90033 | |
C. Moore-L | |||
[12] | Shake my mother's hand for me (P.D.) | OHS 90033 | |
C. Moore-L; B. Napier-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Eddie Carroll-g; Billy Constable-g; Ben Green-bj; Tommy Hunter-bj; Richard Edward 'Curley' Lambert-m; Terry Baucom-f; Virgil Shouse-f; V. E. Edney-f; Danny Proctor or Henry Dockery-sb | |||
19730102 | 2 January 1973, Wango session with Don Reno, Producer: Ray Davis, Ray Davis Studio, Glen Burnie, Md. | ||
[01] | Ridin' on that midnight train | LP-112 | |
C. Moore-L; D. Reno-T | |||
[02] | Why not confess? | LP-112 | |
C. Moore-L; D. Reno-T | |||
[03] | As long as I live | LP-112 | |
C. Moore-L; D. Reno-T | |||
[04] | I wonder where you are tonight | LP-112 | |
C. Moore-L; D. Reno-T | |||
[05] | It's mighty dark to travel | LP-112 | |
C. Moore-L; D. Reno-T | |||
[06] | Highway of sorrow | LP-112 | |
C. Moore-L; D. Reno-T | |||
[07] | Love please come home | LP-112 | |
C. Moore-L; D. Reno-T | |||
[08] | The quilting party | LP-112 | |
C. Moore-L; D. Reno-T | |||
[09] | Darlin' Nellie Gray | LP-112 | |
C. Moore-L; D. Reno-T | |||
[10] | Remember me | LP-112 | |
C. Moore-L; D. Reno-T | |||
[11] | As long as I live | LP-112 | |
C. Moore-L; D. Reno-T | |||
[12] | The picture on the wall | LP-112 | |
C. Moore-L; D. Reno-T | |||
[13] | I dreamed I searched Heaven for you | LP-112 | |
C. Moore-L; D. Reno-T | |||
[14] | Keep on the firing line | LP-112 | |
C. Moore-L; D. Reno-T | |||
[15] | From the manger to the cross | LP-112 | |
C. Moore-L; D. Reno-T | |||
Charles Benjamin 'Charlie' Moore-g; Jimmy Arnold-bj; Larry Jefferson-m; Johnny Dacus-f; Henry Dockery-bs | |||
19730200 | February 1973, Starday session, Starday Sound Studio, 3557 Dickerson Road, Nashville, Tenn. | ||
ST 9485 | Lorena go home (Charlie Moore-Henry Dockery; Ralphs Radio Music, BMI) | 966 | |
C. Moore-L | |||
ST 9486 | Your letter | 966 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; other personnel not known | |||
19740000.1 | 1974, Old Homestead session, Producer: John W. Morris, Old Homestead Studios, Brighton, Mich. | ||
[01] | On a high high mountain (C. Moore-B. Robins) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[02] | When the wagon was new (Arr. C. Moore) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[03] | I'll live with God (I. & C. Louvin) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[04] | Let me walk Lord by your side (Stanley) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[05] | God put a rainbow in the clouds (Arr. C. Moore) | OHS 90040 | |
C. Moore-L/BS; unknown-T; C. Lambert?-B | |||
[06] | Praise God I'm ready to go (C. Moore-B. Napier) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[07] | He will set your fields on fire (Arr. C. Moore) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[08] | This world can't stand long | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[09] | My home in the sky (C. Moore-B. Napier) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B; unknown-BS | |||
[10] | Whiskey is the devil (W. Bailes) | OHS 90040 | |
C. Moore-L; C. Lambert?-B | |||
[11] | Dust on the bible (Bailes) | OHS 90040 | |
C. Moore-L; unknown-T; C. Lambert?-B | |||
[12] | Take a message to mother (C. Moore-B. Napier) | OHS 90040 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Ben Green-bj; Richard Edward 'Curley' Lambert-m; Terry Baucom-f; Johnny Dacus-f; Danny Proctor or Virgil Shouse-sb | |||
19740000.2 | 1974, Old Homestead session, Producer: John W. Morris, Old Homestead Studios, Brighton, Mich. | ||
[01] | Kentucky girl (C. Moore) | 45-5036 | OHS 90046 |
C. Moore-L | |||
[02] | Teardrops falling in the snow (McCarty) | OHS 90046 | |
C. Moore-L | |||
[03] | Oh so many years (Bailes) | OHS 90046 | |
C. Moore-L | |||
[04] | Blue Monday morning (Moore) | OHS 90046 | |
C. Moore-L | |||
[05] | Brown Mountain waltz (Moore-Dacus) | OHS 90046 | |
(Instrumental) | |||
[06] | Tormented men (C. Moore) | OHS 90046 | |
C. Moore-L | |||
[07] | Help me make it through the night (K. Kristofferson) | OHS 90046 | |
C. Moore-L | |||
[08] | Girl of the night (Napier-Moore) | OHS 90046 | |
C. Moore-L | |||
[09] | There was a time (C. Moore) | OHS 90046 | |
C. Moore-L | |||
[10] | For old time sake (Anglin-Wright) | OHS 90046 | |
C. Moore-L | |||
[11] | Daybreak in Dixie (Napier) | OHS 90046 | |
(Instrumental) | |||
[12] | I'd like to have Papa show me around (B. Graves-J. Lambert) | OHS 90046 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Billy Constable-lead g [on 10, 12 only]; Ben Green-bj; Richard Edward 'Curley' Lambert-m; John 'Smokey' Dacus-f [except 01, 10]; Terry Baucom-f [on 01 only]; Warren Blair-f [on 10, 12]; Danny Proctor or Virgil Shouse-sb | |||
19740000.3 | 1974, Wango session, Producer: Ray Davis?, Wango Studios | ||
[01] | Rebel soldier | Wango 203 | LP 114 |
C. Moore-L | |||
[02] | Lonesome road blues (P.D.) | LP 114 | |
(Instrumental) | |||
[03] | The convict and the rose (P.D.) | LP 114 | |
C. Moore-L | |||
[04] | The best female actress of the year (Red Smiley, Charlie Moore) | Wango 203 | LP 114 |
C. Moore-L | |||
[05] | Chubby's lonesome blues (C. Wise) | LP 114 | |
(Instrumental) | |||
[06] | Philadelphia lawyer (W. Guthrie) | LP 114 | |
C. Moore-L | |||
[07] | Six white horses (Clyde Moody) | LP 114 | |
C. Moore-L | |||
[08] | Little blossom (P.D.) | LP 114 | |
C. Moore-L | |||
[09] | Cacklin' hen (P.D.) | LP 114 | |
(Instrumental) | |||
[10] | Don't let your sweet love die (Van Ness-Manners) | LP 114 | |
C. Moore-L | |||
[11] | Put my little shoes away (P.D.) | LP 114 | |
C. Moore-L | |||
[12] | Shady Grove (P.D.) | LP 114 | |
C. Moore-L; unknown-T | |||
Charles Benjamin 'Charlie' Moore-g; Joseph Calvin 'Butch' Robins-bj; Robert Russell 'Chubby' Wise-f; Henry Dockery-bs | |||
19750000.1 | 1975, Old Homestead session, Old Homestead Studios, Brighton, Mich. | ||
[01] | The legend of the rebel soldier (C. Moore) | OHS 90052 | |
C. Moore-L | |||
[02] | Amanda | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
[03] | Listen to my hammer ring (Aubrey Holt) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
[04] | Remember me (Wiseman) | OHS 90052 | |
C. Moore-L; Lois Constable-T | |||
[05] | Lonesome river (Stanley) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
Charles Benjamin 'Charlie' Moore-g/sb; Billy Constable-g; Lois Constable-g; Larry Jefferson-m; Larry Sparks-m [on 04 only]; Johnny Dacus-f; Virgil Shouse-sb | |||
19750000.2 | 1975, Old Homestead session, Old Homestead Studios, Brighton, Mich. | ||
[01] | The fiddler (Charlie Moore) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
[02] | Flying south (C. Walker) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
[03] | The letter (C. Moore) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
[04] | Brown Mountain light (S. Wiseman) | OHS 90052 | |
C. Moore-sp/L; L. Jefferson-T; J. Dacus-B | |||
[05] | You've been a friend babe (C. Moore) | OHS 90052 | |
C. Moore-L | |||
[06] | Billy in the low ground | OHS 90052 | |
(Instrumental) | |||
[07] | I heard my mother weeping (Story Blanchard) | OHS 90052 | |
C. Moore-L; L. Jefferson-T; J. Dacus-B | |||
Charles Benjamin 'Charlie' Moore-g/sb; Billy Constable-g; Ben Green-bj; Larry Jefferson-m; Terry Baucom-f; Henry Dockery-sb | |||
19750000.3 | 1975, Old Homestead session for Johnny Dacus, Old Homestead Studios, Brighton, Mich.? | ||
[01] | Tennessee mountain fiddle | OHS 90067 | |
(Instrumental) | |||
[02] | Liberty | OHS 90067 | |
(Instrumental) | |||
[03] | Roxianna waltz | OHS 90067 | |
(Instrumental) | |||
[04] | Indian killed a woodcock | OHS 90067 | |
(Instrumental) | |||
[05] | Johnny's reel | OHS 90067 | |
(Instrumental) | |||
[06] | Softly and tenderly | OHS 90067 | |
(Instrumental) | |||
[07] | I've been framed | OHS 90067 | |
(Instrumental) | |||
[08] | Moonlight waltz | OHS 90067 | |
(Instrumental) | |||
[09] | Devil's dream | OHS 90067 | |
(Instrumental) | |||
[10] | John's fiddle blues | OHS 90067 | |
(Instrumental) | |||
[11] | Ragtime Annie | OHS 90067 | |
(Instrumental) | |||
[12] | Gloryland march | OHS 90067 | |
(Instrumental) | |||
Johnny Dacus-f/g [on 08 only]; Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Billy Constable-g [on 01-04 only]; Tony Stubbs-g; Ben Greene-bj; Nolan Faulkner-m; Charles Partin or Virgil Shouse-bs | |||
19750000.4 | 1975, Old Homestead session for Bob Smallwood, Old Homestead Studios, Brighton, Mich.? | ||
[01] | Rebel soldier (your memory will never die) (B. Smallwood; Jaymore, BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[02] | Don't step over an old love | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[03] | All she wants is to be all I want (L. Leatherman; Jaymore, BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[04] | Bill Cheatham | OHS 70006 | |
(Instrumental) | |||
[05] | The Same old place tonight (B. Constable; Jaymore, BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[06] | Now Lord, what can I do for you? | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[07] | I'm not looking for a saint (B. Smallwood-J. Morris; Jaymore, BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[08] | Mountain dew (S. Wiseman) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[09] | I feel just like a stranger (B. Smallwood-R. Smallwood; Jaymore, BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[10] | Paul's breakdown (P. Boyd; Jaymore, BMI) | OHS 70006 | |
(Instrumental) | |||
[11] | Eight more miles to Louisville | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
[12] | Way upon the mountain | OHS 70006 | |
B. Smallwood-L; C. Moore-T; R. McGinnis-T; C. Lambert-B; J. Dacus-B | |||
Charles Benjamin 'Charlie' Moore-g; Richard Edward 'Curley' Lambert-g/m; Bob Smallwood-bj; Paul Boyd-bj; Johnny Dacus-f; Danny Proctor-sb | |||
19750318 | 18 March 1975, Old Homestead session, Old Homestead Studios, Brighton, Mich.? | ||
[01] | Handsome Molly (Arr. Charlie Moore) | OHCS 121 | |
C. Moore-L; A. Elliott-T | |||
[02] | Nashville skyline rag | OHCS 121 | |
(Instrumental) | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Billy Constable-lead g; Al Osteen-bj; Larry Jefferson-m; Steve Whalen-f; Gary Cooper-sb | |||
19750805 | 5 August 1975, Old Homestead session, Old Homestead Studios, Brighton, Mich.? | ||
[01] | If that's the way you feel (Stanley) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[02] | Heaven seemed so near (Elliott) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[03] | Hearts bouquet (Hall-Dickens) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[04] | Just the thought of losing you (Al Elliott; Jaymore Music, BMI) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[05] | Today I'm broken hearted (Al Elliott; Jaymore Music, BMI) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[06] | Open pit mine (D. T. Gentry) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[07] | Friends in Baltimore (Charlie Moore; Jaymore Music, BMI) | OHCS 121 | |
C. Moore-L; A. Elliott-T; B. Napier-B | |||
[08] | My Christmas dream (Charlie Moore; Jaymore Music, BMI) | OHCS 121 | |
C. Moore-L; A. Elliott-T | |||
[09] | Katy Hill (Arr. by Terry Beaucom [e.g. Baucom]) | OHCS 121 | |
(Instrumental) | |||
[10] | The old chain gang (Charlie Moore-Bill Napier) | OHCS 121 | |
C. Moore-L; A. Elliott-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; Ron Rigsby-bj [on 01-07 only]; Billy Constable-bj [on 08 only]/lead g [on 09 only]; Ben Green-bj [on 09 only]; Al Osteen [on 010 only]; Al Elliott-m [on 01-08 only]; Larry Jefferson-m [on 09-10 only]; Bill Richmond-f [on 01-07 only]; Johnny Dacus-f [on 08 only]; Terry Baucom-f [on 09 only]; Robert Russell 'Chubby' Wise-f [on 010 only]; Gary Cooper-sb; Henry Dockery-sb [on 09 only] | |||
19751200 | Late 1975-early 1976, Old Homestead session, Old Homestead Studios, Brighton, Mich.? | ||
[01] | Broken engagement (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[02] | Handsome Molly (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[03] | Letter edged in black (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
[04] | Lorena the slave (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[05] | When the roses bloom again (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[06] | Knoxville girl (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[07] | The last letter (Griffin) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[08] | Just a little farm lad (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[09] | Each night at nine (Tillman) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[10] | The girl in the blue velvet band (Carlisle) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[11] | I haven't got the right to love you (Buchanan) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[12] | Hills of Roane County (Arr. C. Moore; Jaymore Music, BMI) | OHS 90134 | |
C. Moore-L; B. Constable-T | |||
[13] | Blue eyes crying in the rain (Rose) | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[14] | Plenty of everything | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[15] | The sweetest gift (Arr. C. Moore; Jaymore Music, BMI) | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[16] | An old love affair | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[17] | God walks these hills | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[18] | Homecoming in Heaven | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[19] | Teach me to forget (Arr. C. Moore; Jaymore Music, BMI) | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[20] | You're my best friend | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[21] | The black sheep returned to the fold | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[22] | Behind these prison walls of love (Bolick) | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[23] | Dark as a dungeon | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
[24] | Kentucky mountain home (Charlie Moore-Bill Napier; Jaymore Music, BMI) | OHS 90135 | |
C. Moore-L; B. Constable-T | |||
Charles Benjamin 'Charlie' Moore-g; Billy Constable-g/bj/autoharp; Al Osteen-bj [on 02 only]; Larry Jefferson-m; Nolan Faulkner-m; Terry Baucom-f [on 01 only]; Johnny Dacus-f; Steve Whalen-f [on 02 only]; Eddy Lovelace-sb [except 01]; Henry Dockery-sb [on 01 only] | |||
19751220 | 20 December 1975, Old Homestead session for Bob Smallwood, Engineer: John W. Morris, Old Homestead Studios, Brighton, Mich.,
| ||
[01] | Let me tell you about a preacher (B. Smallwood-J. Morris; Jaymore Pub., BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[02] | That light is guiding me home (B. Smallwood; Jaymore Pub., BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[03] | Cup of loneliness | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[04] | You're not home yet | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[05] | I love it just like it is (Laverne Tripp) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[06] | Satan can't promise tomorrow (B. Smallwood; Jaymore Pub., BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[07] | He whispers sweet peace to me (J. Morris; Jaymore Pub., BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[08] | Jesus is everywhere (B. Smallwood; Jaymore Pub., BMI) | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[09] | That day is almost here | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[10] | Let the world call me a fool | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[11] | Three rusty nails | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
[12] | I saw the light | OHS 70006 | |
B. Smallwood-L; C. Moore-L/B; A. Elliott-T; J. Dacus-B/BS | |||
Bob Smallwood-g; Charlie Moore-g; Billy Constable-bj/g; Al Elliott-m; John Dacus-f; Eddie Lovelace-sb; Tony Stubb, Duane Fisher-snare drum; Russ DeRose-steel g [on 06 only] | |||
19760000 | 1976, Philips session, Producers: Wobbe van Seijen, Lois Moore, Charlie Moore, Mirasound Studios, Amersfoort, Nederlands,
| ||
[01] | Wabash Cannonball (A. P. Carter) | 6416 114 | |
C. Moore-L | |||
[02] | I still miss someone (J. R. Cash) | 6416 114 | |
C. Moore-L | |||
[03] | Talk of the town (Reno) | 6416 114 | |
C. Moore-L | |||
[04] | Me and Bobby McGee (K. Kristofferson-F. Foster) | 6416 114 | |
C. Moore-L | |||
[05] | Mansion on the hill (Hank Williams, Sr.) | 6416 114 | |
C. Moore-L | |||
[06] | A memory of you (Larry Role) | 6416 114 | |
C. Moore-L | |||
[07] | T for Texas (Jimmie Rodgers) | 6416 114 | |
C. Moore-L | |||
[08] | It's all over now but the crying (Paul Walters) | 6416 114 | |
C. Moore-L | |||
[09] | Lonesome wind blues (Wayne Raney) | 6416 114 | |
C. Moore-L | |||
[10] | Wayfaring pilgrim (W. Goldman) | 6416 114 | |
C. Moore-L | |||
[11] | Windmill (W. Goldman) | 6416 114 | |
C. Moore-L | |||
[12] | There's no room in my heart for the blues (W. Goldman) | 6416 114 | |
C. Moore-L | |||
Bart van der Velde-rhythm g; Jerry Gout-bj; Hans Hoevelaak-m/harmonica; Fred Koning-f; Frans Sluyters-sb; Sallie Miller-H | |||
19760726 | 26-28 July 1976, Old Homestead session, Producer: Lois Moore, Music Lab, Fountain Inn, Simpsonville, S.C. | ||
[01] | Wheeling (Charlie Moore) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[02] | Lorena go home (Charlie Moore-Henry Dockery) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[03] | Tombstone every mile (Dick Curless) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[04] | My baby just ain't here (Charlie Moore) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[05] | Good bye and so long to you (Ray Couture) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[06] | Seasons (Charlie Moore) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[07] | Best female actress | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[08] | Come sundown (K. Kristofferson) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[09] | Georgia bound (Charlie Moore-Bill Napier) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[10] | J U L I E | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[11] | Same old place tonight (Billy Constable-Charlie Moore) | OHS 90075 | |
C. Moore-L; L. Jefferson-T | |||
[12] | The sweetest gift, a mother's smile (J. B. Coates) | OHS 90075 | |
C. Moore-V; Lois Moore-V | |||
Charles Benjamin 'Charlie' Moore-g; Al Osteen-bj; Larry Jefferson-m; Donald Lee 'Chubby' Anthony-f; Eddy Lovelace-sb | |||
19770722 | 22 July 1977, Old Homestead session, Producer: John W. Morris, Lemco Sound Studios, Lexington, Ky. | ||
[01] | Avery County (Charlie Moore) | 45-5047 | OHS 90102 |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[02] | Streets of Baltimore (Tompalll Glaser) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[03] | Rocks in the mountain (Charlie Moore) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[04] | Blue eyes crying (Willie Nelson) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[05] | Maple sugar | OHS 90102 | |
(Instrumental) | |||
[06] | Matthew Twenty Four | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
Charles Benjamin 'Charlie' Moore-g; Bill Constable-g; Ben Green-bj; Frank Godbey-m; Ebb Collins-f; John Mashburn-sb | |||
19770914 | 14-15 September 1977, Old Homestead session, Producer: John W. Morris, Music Lab, Fountain Inn, Simpsonville, S.C. | ||
[01] | High society (C. Moore-B. Harrell) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[02] | Before the weekends over (Charlie Moore) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[03] | Lily Marlene (Arr. Charlie Moore) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[04] | Mansion on the hill (Williams) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[05] | Just when I needed you (Anglin-Baum) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
[06] | When it's moonlight on my cabin (Seckler) | OHS 90102 | |
C. Moore-L; J. Mashburn-T; B. Green-B/T | |||
Charles Benjamin 'Charlie' Moore-g; Bill Constable-g; Ben Green-bj; Frank Godbey-m; Ebb Collins-f; John Mashburn-sb | |||
19780705 | 5 July 1978, Old Homestead session, Old Homestead Studios, Brighton, Mich. | ||
[01] | Will you be loving another man | OHS 90119 | |
C. Moore-L; J. C. Hale-T; B. Napier-B | |||
[02] | The end of memory lane | OHS 90119 | |
C. Moore-L; J. C. Hale-T; B. Napier-B | |||
[03] | Bartender's blues | OHS 90119 | |
C. Moore-L; J. C. Hale-T; B. Napier-B | |||
[04] | Just one more time (Bill Napier-Charlie Moore) | OHS 90119 | |
C. Moore-L; J. C. Hale-T; B. Napier-B | |||
Charles Benjamin 'Charlie' Moore-g; Billy Edward 'Bill' Napier-g; J. C. Hale-g/harmonica; Dana Cupp, Jr.-bj; Richard Edward 'Curley' Lambert-m; Pete Smith-db; Danny Proctor-sb | |||
19790000.1 | 1979, Leather session, KA Recording and Sound Corp., Roanoke, Va. | ||
[01] | Truckin', bluegrass pickin' son of a gun (Lisa Moore) | LBG 7704 | |
C. Moore-L | |||
[02] | Love me one more time (Charlie Moore, Bill Napier) | LBG 7704 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[03] | The Opry in the fortys (Lisa Moore) | 7704-45 | LBG 7704 |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[04] | It don't make no difference anymore (Charlie Moore) | LBG 7704 | |
C. Moore-L | |||
[05] | Momma's roses (Lisa Moore) | LBG 7704 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[06] | Don't step over an old love (Fred Stryker) | LBG 7704 | |
C. Moore-L; J. Davis-T | |||
[07] | It's morning already (Lisa Moore) | 7704-45 | LBG 7704 |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[08] | Don't let your sweet love die (Clark Van Ness) | LBG 7704 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[09] | Nine pound hammer (P.D.) | LBG 7704 | |
C. Moore-L | |||
[10] | Rosie (Floyd Atkins) | LBG 7704 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[11] | Look what I've turned to (Bennie Caudill) | LBG 7704 | |
C. Moore-L | |||
[12] | If you're from Dixie (George L. Cobb, Jack Yellen) | LBG 7704 | |
C. Moore-L | |||
Charles Benjamin 'Charlie' Moore-g; Ben Green-bj; Richard Edward 'Curley' Lambert-m; Lester Woodie-f; John Davis-sb | |||
19790113 | 13 January 1979, Old Homestead session, Old Homestead Studios, Brighton, Mich. | ||
[01] | The cotton farmer (Charlie Moore) | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[02] | Upstairs in the bedroom | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[03] | Sand Mountain blues | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[04] | Lisa (Charlie Moore) | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[05] | Broken engagement (Arr. Charlie Moore) | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[06] | I will sing you a song (Arr. Charlie Moore) | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[07] | Don't call me (J. Morris-L. Russeau) | 45-5047 | OHS 90119 |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
[08] | I am a pilgrim (Arr. Charlie Moore) | OHS 90119 | |
C. Moore-L; J. Davis-T; C. Lambert-B | |||
Charles Benjamin 'Charlie' Moore-g; Dana Cupp, Jr.-g/db; Billy Wheeler-bj; Richard Edward 'Curley' Lambert-m; John Davis-sb | |||
19790311 | 11, 15 March 1979, Racoon session, Tamara King Studio, Heist o/d Berg, Nederlands | ||
[01] | Mountain sweetheart (Charlie Moore) | 118L | |
C. Moore-L; P. Van Eyck-T; J. Michielsen-B | |||
[02] | I'll never love another (Lester Flatt) | 118L | |
C. Moore-L | |||
[03] | Fireball (Earl Scruggs) | 118L | |
(Instrumental) | |||
[04] | She'll never wear a drunkard's ring (Charlie Moore) | 118L | |
C. Moore-L | |||
[05] | I'll never shed another tear (Lester Flatt) | 118L | |
C. Moore-L; Peter Derks-T | |||
[06] | Tragic love (Charlie Moore) | 118L | |
C. Moore-L | |||
[07] | Wolverton Mountain (P.D.) | 118L | |
C. Moore-L | |||
[08] | I wouldn't change you if I could (Jim Eanes) | 118L | |
C. Moore-L; P. Van Eyck-T | |||
[09] | Wooden heart (P.D.) | 118L | |
C. Moore-L | |||
[10] | Wreck of the Old 97 (P.D.) | 118L | |
C. Moore-L | |||
[11] | Lord, I'm coming home (P.D.) | 118L | |
C. Moore-L/BS; Peter Derks-T; P. Van Eyck-B | |||
[12] | My little Georgia rose (Bill Monroe) | 118L | |
C. Moore-L; Peter Derks-T; P. Van Eyck-B | |||
Charles Benjamin 'Charlie' Moore-g; Peter Van Eyck-bj/db; Jan Michielsen-m; Jef Van Gool-sb; Peter Derks-V | |||
Revised: 12 April 2017
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