JIM EANES
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell, with help from Richard Weize for Bear Family Records, Gary B. Reid for King Records, and Dick Grant.
19411001 |
1 October 1941, Bluebird session with Roy Hall, Atlanta, Ga. | ||
BB 071049-1 | Natural bridge blues (Roy Hall-Tommy Magness) | Bluebird 3-8863 | County 406 |
J. Eanes-L | |||
BB 071051-1 | I wonder where you are tonight (Johnny Bond) | Bluebird 3-8863 | County 406 |
J. Eanes-V; R. Hall-V; C. Hall-V | |||
Roy Hall-g; Clayton Hall-bj; Thomas 'Tommy' Magness-f; William 'Billy' Brown-steel g; Wayne Watson-sb; Homer Robert 'Jim' Eanes-V | |||
19460500 |
May? 1946, National session for the Blue Mountain Boys, Majestic Studio, New York, N.Y. | ||
N 241 | Scars upon my heart (C. Carlisle-S. Prosen) | National 5015 | |
J. Eanes-L | |||
N 242 | [unreleased] | unissued | |
N 243 | [unreleased] | unissued | |
N 244 | [unreleased] | unissued | |
N 245 | Sundown and sorrow (J. L. Frank-Pee Wee King) | National 5015 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; Happy Bobbitt-electric g; Wallace Tuttle-electric steel g; Burke Barbour-f; Joseph 'Uncle Joe' Johnson-sb | |||
19490221 |
21 February 1949, Capitol session, Radio Station WBT, Charlotte, N.C. | ||
CA 4044 | Baby blue eyes (Eanes) | 57-40174 | |
J. Eanes-L | |||
CA 4232 | You better wake up (Eanes) | 57-40174 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; Marion Kyzer-electric g; Snuffy Jenkins-bj; Thomas 'Tommy' Faile; Homer 'Pappy' Sherrill-f; Frederick 'Fred' Rose-piano; Ira Dimmery-electric steel g/sb | |||
19490900 |
September 1949, Capitol session, Hollywood, Calif. | ||
CA 4836 | Forever is a long, long time | unissued | |
J. Eanes-L | |||
CA 4837 | I don't care what happens to me | 57-40245 | |
J. Eanes-L | |||
CA 4926 | This letter won't be mailed | unissued | |
J. Eanes-L | |||
CA 4927 | After tonight | 57-40245 | |
J. Eanes-L | |||
unknown-electric g; unknown-steel g; unknown-sb; Homer Robert 'Jim' Eanes-V | |||
19510900 |
September 1951, Blue Ridge session, Radio Station WPAQ, Mount Airy, N.C. | ||
BR 1291 | Missing in action (Smith-Shersky) | BR 601 | Rounder 1016 |
J. Eanes-L; Joseph Johnson-B | |||
BR 1709 | Heartless woman (Smith-Shersky) | BR 601 | WLP-2821 |
J. Eanes-L | |||
BR 1806 | Blue I'll be found (Eanes-Shersky) | BR 6019 | |
J. Eanes-L | |||
BR 3107 | Ole' Virginia waltz (Jim Eanes) | BR 6019 | |
J. Eanes-L | |||
BR 4402 | Drunkard's highway (Lester Hudler) | BR 301 | JSP-7711 |
J. Eanes-L | |||
BR 5230 | A sweeter love than yours I'll never know (Drusila Adams-Bill Church) | BR 301 | Rounder 1016 |
J. Eanes-L; N. Gilfellen-T; R. Russell-B | |||
BR 7007 | Long journey home (Dixon Stewart; Lonesome Pine Music, BMI) | BR 201 | TL 19493 |
J. Eanes-L | |||
BR 1002 | Returned from missing in action (Drusilla Adams-Jim Eanes) | BRR-201 | JSP-7711 |
J. Eanes-L; N. Gilfellen-T; R. Russell-B; J. Johnson-B | |||
Tomorrow may be different | unissued | Rounder 1016 | |
J. Eanes-L | |||
Down among the budded roses (Jim Eanes) | unissued | Rounder 1016 | |
J. Eanes-L | |||
Beaver Creek breakdown | unissued | ||
(Instrumental) | |||
Homer Robert 'Jim' Eanes-g; Neely Gilfillian-g; Hubert Davis-bj; Pee Wee Davis-f; Roy Russell-f; John 'Johnny' Williams-electric steel g; Benjamin 'Benny' Jarrell-sb; Homer Robert 'Jim' Eanes-V; Joe Johnson-V | |||
19511100 |
Autumn 1951, Blue Ridge/Rich-R-Tone session, Producer: James Hobart Stanton, Radio Station WPAQ, Mount Airy, N.C. | ||
RRT 1338 | I took her by her little brown hand (Arthur Smith) | RRT-1046 | Rounder 1016 |
J. Eanes-L | |||
RRT 1437 | I'll never ever love you anymore (Eanes) | RRT-1046 | |
J. Eanes-L | |||
RRT 1351 | Blue yodel #1 (Jimmie Rodgers) | RRT-1058 | Rounder 1016 |
J. Eanes-L; N. Gilfellen-T; R. Russell-B; J. Johnson-B | |||
RRT 1450 | Florida blues (Arthur Smith) | RRT-1058 | Rounder 1016 |
(Instrumental) | |||
Homer Robert 'Jim' Eanes-g; Neely Gilfillian-g; Hubert Davis-bj; Pee Wee Davis-f; Roy Russell-f; John 'Johnny' Williams-electric steel g; Benjamin 'Benny' Jarrell-sb; Homer Robert 'Jim' Eanes-V; Joe Johnson-V | |||
19520121 |
21 January 1952, Decca session, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 2617 / 82189 | They locked God outside the iron curtain (Brad Crandall-Elmo Ellis) | 9-46403 | BCD-15934 |
J. Eanes-L | |||
NA 2618 / 82190 | I'd love to be your darling (Arthur Q. Smith-Kaye) | 9-28825 | BS-2 |
J. Eanes-L | |||
NA 2619 / 82191 | I cried again (Autry Inman) | 9-46403 | BS-2 |
J. Eanes-L | |||
NA 2620 / 82192 | Between the lines (Jim Eanes) | 9-28140 | BS-2 |
J. Eanes-L | |||
Autry Inman-g; Hubert Davis-bj; Benny Jarrell-f; Roy Russell-f; Robert 'Bob' Foster-electric steel g; William D. 'Buddy' Killen-sb; Homer Robert 'Jim' Eanes-V | |||
19520619 |
19 June 1952, Decca session, Leader: Jim Eanes, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 2738 / 83001 | I'm no communist (Scott Wiseman) | unissued | BCD-15934 |
J. Eanes-L | |||
NA 2739 / 83002 | A prisoner of war (Paul Cotton-Paul Roberts-Bob Miller) | 9-28387 | BCD-15934 |
J. Eanes-L | |||
NA 2740 / 83003 | Tomorrow may be different (Jim Eanes) | 9-28387 | BCD-15934 |
J. Eanes-L | |||
NA 2741 / 83004 | The beginning of the end (Autry Inman) | 9-28825 | BCD-15934 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Autry Inman-g; Thomas Grady Martin-g; Robert Lee 'Bob' Foster-steel g; Jerry Rivers-f; Ernest 'Ernie' Newton-sb; Owen Bradley-contractor | |||
19521117 |
17 November 1952, Decca session, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 2890 / 83661 | Kiss me! Kiss me! (Cy Coben) | 9-28522 | BS-2 |
J. Eanes-L | |||
NA 2891 / 83662 | Little brown hand (Dickie Morris) | 9-28522 | BS-2 |
J. Eanes-L | |||
NA 2892 / 83663 | When the one that you love is in love with (Dickie Morris-Lewis Compton) | 9-28609 | BS-2 |
J. Eanes-L | |||
NA 2893 / 83664 | Gloomy tomorrow (L. A. Jones-William R. Smith-Arthur Q. Smith) | 9-28609 | BS-2 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Autry Inman-g; Thomas Grady Martin-g; Robert Lee 'Bob' Foster-steel g; Jerry Rivers-f; Ernest 'Ernie' Newton-sb; Owen Bradley-contractor | |||
19531019 |
19 October 1953, Decca session, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 3151 / 85408 | Rose garden waltz (Dickie Morris-Ruth Keener) | 9-28938 | BS-2 |
J. Eanes-L | |||
NA 3152 / 85409 | It takes a heap of livin' (Dickie Morris-Lewis Compton) | unissued | BCD-15934 |
J. Eanes-L | |||
NA 3153 / 85410 | Ridin' the waves (Dickie Morris) | 9-28949 | BS-2 |
(Instrumental) | |||
NA 3154 / 85411 | Plunkin' rag (Dickie Morris-Hubert Davis-Arnell Terry-Ben Jarrell) | 9-28949 | BS-2 |
(Instrumental) | |||
NA 3155 / 85412 | Take this broken heart (Dickie Morris-Ruth Keener) | 9-28938 | BS-2 |
J. Eanes-L | |||
NA 3156 / 85413 | The things I love about you (Dickie Morris-Ruth Keener) | 9-29446 | BCD-15934 |
J. Eanes-L | |||
NA 3157 / 85414 | Don't hand me that stuff (Dickie Morris) | unissued | BCD-15934 |
J. Eanes-L | |||
Chester B. 'Chet' Atkins-electric g; Loren Otis 'Jack' Shook-electric g; Donald 'Don' Davis-electric steel g; Roy Russell-f; Donald 'Don' Stayman-f; Ernest 'Ernie' Newton-sb; Homer Robert 'Jim' Eanes- V | |||
19540302 |
2 March 1954, Decca session, Contractor: Owen Bradley, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 3260 / 86103 | Just suppose (Art Hiller) | 9-29201 | BCD-15934 |
J. Eanes-L | |||
NA 3261 / 86104 | Shopworn heart (Jim Eanes) | 9-29201 | BCD-15934 |
J. Eanes-L | |||
NA 3262 / 86105 | Cedric special (Jim Eanes-Allen Shelton) | unissued | BCD-15934 |
(Instrumental) | |||
NA 3263 / 86106 | There's no place like home (Jim Eanes-Wilbur Jones) | 9-29536 | BCD-15934 |
(Instrumental) | |||
NA 3264 / 86099 | Cotton picker's stomp (Jim Eanes-Hubert Davis-Bobby Hicks) | 9-29536 | BCD-15934 |
(Instrumental) | |||
NA 3265 / 86100 | In a little Spanish restaurant (Pat Fonville) | 9-29112 | BS-2 |
J. Eanes-L | |||
NA 3266 / 86101 | Wiggle worm wiggle (Jim Eanes) | 9-29112 | BS-2 |
J. Eanes-L | |||
NA 3267 / 86102 | Possum Hollow (Jim Eanes-Wilbur Jones) | 9-29446 | BCD-15934 |
(Instrumental) | |||
Homer Robert 'Jim' Eanes-g; Chester B. 'Chet' Atkins-g; Loren Otis 'Jack' Shook-g; Hubert Davis-bj; Robert Lee 'Bob' Foster-steel g; Robert Caldwell 'Bobby' Hicks-f; Ernest 'Ernie' Newton-sb | |||
19551025 |
25 October 1955, Decca session, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
NA 9192 / 88840 | It's a shame (Jim Eanes) | 9-29841 | BS-2 |
J. Eanes-L | |||
NA 9193 / 88841 | Sweet lovin' baby (Jim Eanes) | unissued | BCD-15934 |
J. Eanes-L | |||
NA 9194 / 88842 | Don't go lookin' for trouble (Jim Eanes; Cedarwood Music, BMI) | 9-29841 | BS-2 |
J. Eanes-L | |||
NA 9195 / 88843 | Baby blue eyes (Jim Eanes) | unissued | BCD-15934 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Harold Ray Bradley-electric g; William Louis 'Hank' Garland-electric g; Robert Lee 'Bob' Foster-steel g; Thomas Lee 'Tommy' Jackson-f; Robert L. 'Bob' Moore-sb | |||
19561200 |
December 1956, Starday session, Radio Station WPTF, Raleigh, N.C. | ||
ST 2561 | Your old standby (Wade Perry-Jim Eanes; Starrite, BMI) | 45-297 | HLP-388 |
J. Eanes-L; C. Howard-H; A. Terry-H | |||
ST 2562 | No need to be so lonely (Jim Eanes; Starrite, BMI) | 45-312 | WLPS-0110 |
J. Eanes-L | |||
ST 2563 | Walk slowly (Jim Eanes; Starrite, BMI) | 45-312 | WLPS-0110 |
J. Eanes-L | |||
ST 2564 | Don't stop now (Jim Eanes; Starrite, BMI) | 45-297 | 3507-2 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Curly Howard-rhythm g; Allen Shelton-bj; Roy Russell-f; Arnold Terry-sb | |||
19570000 |
ca. 1957, Outlet Records session for Roy Russell, Producer: Rod Shively, Radio Station WHEE, Setback Building, Bridge & Church
Streets, Martinsville, Va. | ||
[01] | Whistling Rufus (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[02] | Grey eagle (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[03] | Bill Cheatham (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[04] | Dance around Molly (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[05] | Florida blues (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[06] | Liberty (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[07] | Tennessee wagnor (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[08] | Sugar in the gourd (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[09] | Hop lite ladies (Arr. Roy Russell) | STLP-402 | |
(Instrumental) | |||
[10] | Monroe's hornpipe (Bill Monroe) | STLP-402 | |
(Instrumental) | |||
[11] | Fiddle on the hill (Roy Russell-Jim Eanes; Starday Pub. Co., BMI) | STLP-402 | |
(Instrumental) | |||
[12] | Round town girls (Jim Eanes-Roy Russell; Starday Pub. Co., BMI) | STLP-402 | |
(Instrumental) | |||
Roy Russell-f; Homer Robert 'Jim' Eanes-rhythm g; Allen Shelton-bj; Cub McGee-f; Arnold Terry-sb | |||
19570600 |
June 1957, Mercury session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
YW 15025 | Two hearts are better than one (Jim Eanes; Starrite, BMI) | 71229X45 | 3507-2 |
J. Eanes-L; C. Howard-H; A. Terry-H | |||
YW 15026 | Settle down (George Jones-L. Henderson, Jr.; Starrite, BMI) | 71229X45 | 3507-2 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-sb | |||
19571100 |
November 1957, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
Louise | unissued | 3507-2 | |
J. Eanes-L | |||
ST 2617 | Fiddle on the hill (Jim Eanes; Starrite, BMI) | SEP-346 | 3507-2 |
(Instrumental) | |||
ST 2617A | Green Mountain polka (Paul Johnson) | unissued | |
(Instrumental) | |||
ST 2618 | Bending the strings (Shelton; Starrite, BMI) | SLP-136 | |
(Instrumental) | |||
Homer Robert 'Jim' Eanes-g; Allen Shelton-bj; Roy Russell-f; Arnold Terry-sb | |||
19580800 |
Summer 1958, Blue Ridge session, Producer: Don Owens, Rodel Studio, 1028 33rd Street N.W., Washington, D.C. | ||
[01] | Heart full of sorrow | unissued | |
J. Eanes-L | |||
[02] | I cry myself to sleep | unissued | |
J. Eanes-L | |||
[03] | Down among the budded roses | unissued | |
J. Eanes-L | |||
[04] | I'll never love you anymore (Jim Eanes) | unissued | Rounder 1016 |
J. Eanes-L; A. Shelton-T; R. Russell-B | |||
BR 6011 | Long journey home (Dixon Stewart; Lonesome Pine Music, BMI) | BRR-510 | Rounder 1016 |
J. Eanes-L; A. Shelton-T; R. Russell-B | |||
BR 6012 | Lady of Spain (Tilsley-Evans-Damerell-Hargreaves; Sam Fox Music) | BRR-510 | Rounder 1016 |
(Instrumental) | |||
[07] | Don't let your sweet love die (Paul Johnson) | unissued | Rounder 1016 |
J. Eanes-L; A. Shelton-T; R. Russell-B | |||
[08] | Curtains of sorrow (Riley Shepard) | unissued | Rounder 1016 |
J. Eanes-L | |||
[09] | Whispering | unissued | Rounder 1016 |
J. Eanes-L | |||
[10] | I took her by the little brown hand | unissued | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Calvin Scott 'Scotty' Stoneman-f; Arnold Terry-sb | |||
19580809 |
9 September 1958, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 2824 | Don't make me ashamed (Jim Eanes; Starday Music, BMI) | 45-407 | 3507-2 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 2825 | Blue Sunday (Jim Eanes; Starday Music, BMI) | 45-407 | SD-104 |
J. Eanes-L | |||
ST 2826 | Orchids of love (Jim Eanes; Starday Music, BMI) | 45-426 | 3507-2 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 2827 | I wouldn't change you if I could (Jim Eanes; Starday Music, BMI) | SEP-108 | SLP-136 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-sb | |||
19581000 |
October 1958, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 2854 | It won't seem like Christmas (Jim Eanes-Glen Parks; Starday Music, BMI) | 45-414 | SLP-123 |
J. Eanes-L | |||
ST 2855 | Christmas doll (Jim Eanes; Starday Music, BMI) | 45-414 | SLP-123 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-sb | |||
19590000.1 |
19590000, Outlet session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
[01] | I don't want a lonely heart to love (Jim Eanes; Old Standby Music Co., BMI) | WLPS-0110 | |
J. Eanes-L; R. Russell-T; A. Terry-B | |||
[02] | Slow walk to nowhere (Glen Parks; Hoedown Music, BMI) | WLPS-0110 | |
J. Eanes-L; R. Russell-T; A. Terry-B | |||
[03] | Talk to your conscience (Glen Parks-George Sherry; Peer International Corp., BMI) | WLPS-0110 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Allen Shelton-bj; Roy Russell-f; Arnold Terry-sb | |||
19590000.2 |
19590000, Outlet session for Allen Shelton, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church
Streets, Martinsville, Va. | ||
[01] | Little ole country church (Johnny Masters) | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[02] | A beautiful life | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[03] | The new Jerusalem (Minnie Cooper-Jim Eanes) | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[04] | Hallelujah we shall rise | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[05] | Won't it be wonderful there | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[06] | He will set your fields on fire (Ballew-Brackett) | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[07] | Gone home (Bill Carlisle) | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[08] | Everybody will be happy over there | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[09] | I'm working on the road to Gloryland | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[10] | Rocking on the waves | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[11] | Angel band | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[12] | Just a little talk with Jesus | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
[13] | Oh why not tonight | STLP-400 | |
J. Eanes-L/BS; A. Terry-L/BS; A. Shelton-T; R. Russell-B | |||
Homer Robert 'Jim' Eanes-g; Allen Shelton-bj; Arnold Terry-rhythm g/sb; Roy Russell-f; Clifford 'Cliff' Ragsdale-sb | |||
19590000.3 |
19590000, Outlet session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
[01] | Under the double eagle (Arr. Allen Shelton) | CS-401 | |
(Instrumental) | |||
[02] | Hard times (Arr. Allen Shelton) | CS-401 | |
(Instrumental) | |||
[03] | Lonesome road blues (Scruggs; Peer International, BMI) | CS-401 | |
(Instrumental) | |||
[04] | Chigger in the woodpile (Jim Eanes; House of Eanes, BMI) | CS-401 | |
(Instrumental) | |||
[05] | Sally is the gal for me (Jim Eanes; House of Eanes, BMI) | CS-401 | |
(Instrumental) | |||
[06] | Six white horses (Clyde Moody; Southern Pub.) | CS-401 | |
J. Eanes-V | |||
[07] | Foggy Mountain breakdown (Scruggs; Peer International, BMI) | CS-401 | |
(Instrumental) | |||
[08] | Beer barrel polka (Arr. Allen Shelton; Fairystone Pub. Co., BMI) | CS-401 | |
(Instrumental) | |||
[09] | Banjo signal (Arr. Allen Shelton; Fairystone Pub. Co., BMI) | CS-401 | |
(Instrumental) | |||
[10] | Silver bells (Arr. Allen Shelton; Fairystone Pub. Co., BMI) | CS-401 | |
(Instrumental) | |||
[11] | I don't care anymore (T. Glaser; Ensign Music Corp., BMI) | CS-401 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-g; Allen Shelton-bj; Roy Russell-f; Arnold Terry or Clifford 'Cliff' Ragsdale-sb | |||
19590100 |
January 1959, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 2865 | I'll pretend it's raining (Jim Eanes; Starday Music, BMI) | unissued | 3507-2 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 2866 | Road walked by fools (Jim Eanes; Starday Music, BMI) | 45-426 | SD-104 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Cub McGee-f; Frank Burroughs-electric g; Clifford 'Cliff' Ragsdale-sb | |||
19590400 |
April 1959, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 2949 | Your troubles are mine (Jim Eanes; Starday Music, BMI) | unissued | 3507-2 |
J. Eanes-L | |||
ST 2950 | I'm living once again (Jim Eanes-Cub McGee; Starday Music, BMI) | SEP-108 | HLP-388 |
J. Eanes-L | |||
ST 2951 | Hand on the glass (Glenn Parks; Starday Music, BMI) | SEP-108 | SLP-136 |
J. Eanes-L | |||
ST 2952 | A heart that's satisfied (Jim Eanes-Glenn Parks; Starday Music, BMI) | SEP-108 | HLP-388 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Cub McGee-f; Frank Burroughs-electric g; Clifford 'Cliff' Ragsdale-sb | |||
19590700 |
July 1959, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 3021 | Budded roses (Jim Eanes; Starday Music, BMI) | 45-456 | SLP-136 |
J. Eanes-L | |||
ST 3022 | Log cabin in the lane (Jim Eanes; Starday Music, BMI) | 45-456 | SLP 115 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-sb | |||
19590828 |
28 August 1959, Transcription of radio broadcast, Radio Station WHEE, Setback Building, Bridge & Church Streets, Martinsville,
Va. | ||
[01] | The wiggle worm wiggle | ||
J. Eanes-L | |||
[02] | The sugar in the gourd | ||
J. Eanes-L | |||
[03] | Thinking about you | ||
J. Eanes-L; R. Russell-H | |||
[04] | The limehouse blues | ||
(Instrumental) | |||
[05] | Waterloo | ||
A. Terry-V | |||
[06] | I'm working on a road to Gloryland | ||
J. Eanes-L; R. Russell-H | |||
[07] | Dance around Molly | ||
(Instrumental) | |||
[08] | Heartbreak Avenue | ||
A. Terry-V | |||
[09] | The road that's walked by fools | ||
J. Eanes-L | |||
[10] | Don't stop now | WLPS-0110 | |
J. Eanes-L | |||
[11] | The wheel hoss | ||
(Instrumental) | |||
[12] | Don't let your sweet love die | ||
J. Eanes-L | |||
[13] | Lady of Spain (Tilsley-Evans-Damerell-Hargreaves; Sam Fox Music) | ||
(Instrumental) | |||
[14] | Rocking on the waves | ||
J. Eanes-L; R. Russell-H | |||
[15] | The East Tennessee blues | ||
(Instrumental) | |||
[16] | Bending the strings | ||
(Instrumental) | |||
[17] | Begging like a fool | ||
A. Terry-V | |||
[18] | I cried again | ||
J. Eanes-L | |||
[19] | The girl I left behind me | ||
R. Russell-V | |||
Homer Robert 'Jim' Eanes-g; Allen Shelton-bj; Roy Russell-f; Arnold Terry-sb | |||
19591200 |
December 1959, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 3125 | Celebration (Jim Eanes; Starday Music, BMI) | 45-482 | SLP-115 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 3126 | Road of no return (Jim Eanes; Starday Music, BMI) | 45-482 | HLP-388 |
J. Eanes-L | |||
ST 3127 | Dine-e-o (Jim Eanes-Allen Shelton; Starday Music, BMI) | SEP-130 | SD-130 |
(Instrumental) | |||
ST 3128 | Round town gals (Jim Eanes-Roy Russell; Starday Music, BMI) | SEP-130 | SD-130 |
(Instrumental) | |||
Homer Robert 'Jim' Eanes-g; Curly Howard-rhythm g; Allen Shelton-bj; Frank Burroughs-electric g; Roy Russell-f; Cub McGee-f; Arnold Terry-sb | |||
19600100 |
January 1960, Starday session for Lonnie Irving, Producers: Lewis Crompton & Jim Eanes, Radio Station WHEE, Setback Building,
Bridge & Church Streets, Martinsville, Va. | ||
ST 3135 | Pinball machine (Irving; Starday Music, BMI/Hoedown, BMI) | 45-486 | |
L. Irving-V | |||
ST 3136 | I got blues on my mind (Irving; Starday Music, BMI/Hoedown, BMI) | 45-486 | |
L. Irving-V | |||
Homer Robert 'Jim' Eanes-rhythm g; Arnold Terry-rhythm g; Frank Burroughs-electric g; Allen Shelton-bj; Roy Russell-f; Cliff Ragsdale-sb | |||
19600500 |
May 1960, Starday session, Producers: Lewis Crompton & Jim Eanes, Radio Station WHEE, Setback Building, Bridge & Church
Streets, Martinsville, Va. | ||
ST 3255 | I gotta know (Wade Perry; Hoedown/Starday, BMI) | 45-504 | 3507-2 |
J. Eanes-L | |||
ST 3256 | There'll come a time (Jim Eanes; Starday Music, BMI) | 45-504 | 3507-2 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Frank Burroughs-electric g; Roy Russell-f; Clifford 'Cliff' Ragsdale-bs | |||
19600600 |
June 1960, Starday session for Lonnie Irving, Producer: Jim Eanes, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 3325 | I wish I had my heart back (Irving; Starday Music/Hoedown Music, BMI) | 45-520 | |
L. Irving-L | |||
ST 3326 | Trucker's vitus (Irving; Starday Music/Hoedown Music, BMI) | 45-520 | |
L. Irving-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Frank Burroughs-electric g; Roy Russell-f; Clifford 'Cliff' Ragsdale-bs; Lonnie Irving-V | |||
19610100 |
January 1961, Starday session, Producer: Lewis Crompton, Radio Station WHEE, Setback Building, Bridge & Church Streets,
Martinsville, Va. | ||
ST 4647 | Mark of Cain (Jim Eanes-Glen Parks; Starday Music, BMI) | 45-535 | 3507-2 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 4648 | Border line | 45-535 | 3507-2 |
J. Eanes-L | |||
ST 4649 | Rainy day feeling | 45-530 | 3507-2 |
J. Eanes-L | |||
ST 4650 | I've had enough | 45-530 | HLP-388 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Allen Shelton-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-bs | |||
19610600 |
June 1961, Starday session, Producer: Jim Eanes, Don McGraw Studio, Salem, Va. | ||
ST 4910 | You made me what I am (Jim Eanes; Starday Music, BMI) | 45-554 | HLP-388 |
J. Eanes-L; R. Russell-H; A. Terry-H | |||
ST 4911 | Mary was a little lamb (Jim Eanes; Starday Music, BMI) | 45-554 | SLP-169 |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-g; Arnold Terry-rhythm g; Gene Parker-bj; Roy Russell-f; Clifford 'Cliff' Ragsdale-bs | |||
19620100 |
January 1962?, D Records session, Purcell Studio, Roanoke, Va. | ||
1570 | Crazy dreams (Glen Peaks; Glad Music, BMI) | D-1232 | |
J. Eanes-V | |||
1571 | Your troubles are mine (Jim Eanes; Glad Music, BMI) | D-1232 | |
J. Eanes-V | |||
[03] | Across the table | unissued | BCD-15836 |
J. Eanes-V | |||
Clancy Lyons-electric g; Marvin Hudson-electric steel g; Roy Russell-f; Arnold Terry-sb | |||
19620700 |
Summer 1962?, Salem Records session, Producer: Don McGraw, Don McGraw Studio, Salem, Va. | ||
ZTSB 85537 | Riding the roads (Jim Eanes-Rodney Shively; Hoedown Music, BMI) | M-503 | |
J. Eanes-V | |||
ZTSB 85536 | Tears the world can't see | M-503 | |
J. Eanes-V | |||
ZTSB 89145 | Some kind of fool (Peggy McGraw; Acuff-Rose, BMI) | M-508 | |
J. Eanes-V | |||
ZTSB 89146 | Heart full of Heaven (Jim Eanes-Vernon Mize; Old Standby Music, BMI) | M-508 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-g; Buddy Pennington-electric g; other personnel not known | |||
19640600 |
June 1964?, Salem Records session, Producer: Don McGraw, Don McGraw Studio, Salem, Va. | ||
[01] | Throw me together (George Donald McGraw) | M-512 | |
J. Eanes-V | |||
[02] | Wide wide road (Thomason-Eanes; Hoedown Pub. Co., BMI) | M-512 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19650316 |
16 March 1965, Salem Records session, Producer: Don McGraw, Don McGraw Studio, Salem, Va. | ||
SoN 16052 | These memories (J. Eanes-R. Shively; Old Standby Music, BMI) | Tower 129 | |
J. Eanes-V | |||
SoN 60105 | She took the bus (and left the crying to me) (Don McGraw; Cedarwood Publishing Company, BMI) | Tower 129 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19650600 |
June 1965, Dominion session, Roanoke, Va. | ||
[01] | Room full of blues (June Burd; Old Standby Music, BMI) | Dom 1787 | |
J. Eanes-V | |||
[02] | Handsome man (Jim Eanes; Old Standby Music, BMI) | Dom 1787 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; Smitty Smith-electric g; Marvin Hudson-electric steel g; Joseph 'Joe' Vernon-sb; unknown-drums | |||
19660109 |
9 January 1966, Old Standby session, Purcell Studio, Roanoke, Va. | ||
[01] | Love on wheels (the mobile homes song) (Tom T. Hall; New Keys Music, Inc., BMI) | RI 2097 | |
J. Eanes-V | |||
[02] | Your wish is my command (Jim Eanes; Old Standby Music, BMI) | RI 2097 | |
J. Eanes-V | |||
Clancy Lyons-electric g; Marvin Hudson-electric steel g; Joseph 'Joe' Vernon-sb; Marshall Hunnicutt-drums | |||
19670205 |
5 February 1967, Zap Records session, Baltimore, Md. | ||
[01] | Your old standby (Jim Eanes-Wade Perry; Starday, BMI) | MLP-102 | |
J. Eanes-V | |||
[02] | Lady of Spain (Reaves-Evans; Sam Fox Music, ASCAP) | MLP-102 | |
(Instrumental) | |||
[03] | Precious memories | MLP-102 | |
J. Eanes-V | |||
[04] | No one to love me now (Milly Hypes; Old Standby Music, BMI) | MLP-102 | |
J. Eanes-V | |||
[05] | Nobody's darling | MLP-102 | |
J. Eanes-V | |||
[06] | Donna Lynn (Ray Benedict; Zap Music, BMI) | MLP-102 | |
J. Eanes-V | |||
[07] | It's a weary, weary world (Jim Eanes; Old Standby Music, BMI) | MLP-102 | |
J. Eanes-V | |||
[08] | Step it up and go (Ronnie Bucke; Zap Music, BMI) | MLP-102 | |
J. Eanes-V | |||
[09] | Somebody touched me | MLP-102 | |
J. Eanes-V | |||
[10] | Jimmie Brown | MLP-102 | |
J. Eanes-V | |||
Charles Otis 'Charlie' Waller-g; Walter 'Rufus' Hensley-bj; John Humbird Duffey-m; Russell 'Russ' Hooper-db; Edward 'Ed' Ferris-sb | |||
19680200 |
Early 1968, Rural Rhythm session with Red Smiley, Producer: Lee Sutton, Canton, Ohio | ||
[01] | Sparkling blue eyes | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[02] | Molly darling | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[03] | Yum yum blues | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[04] | Everybody does it in Hawaii | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[05] | I ain't got nobody | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[06] | Keep a light in your window | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[07] | Gambling polka dot blues (R. Hall-J. Rodgers) | RRJE-197 | |
(Instrumental) | |||
[08] | Tuck away my lonesome blues | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[09] | Do you ever think of me | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[10] | She's still that old sweetheart of mine | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[11] | Whistling Rufus (Chubby Wise-Wm. York) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[12] | Carolina sunshine girl (Margaret Singleton) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[13] | Love me now | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[14] | Time changes everything | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[15] | Lover's Lane | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[16] | Broken engagement (Charlie Moore; Jaymore, BMI) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[17] | My mother was a lady (Wm. York; Starday, BMI) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[18] | There'll come a time (Jim Eanes; Starday, BMI) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[19] | Budded roses (Jim Eanes; Starday, BMI) | RRJE-197 | |
J. Eanes-L; A. Smiley-T | |||
[20] | Sally Goodin | RRJE-197 | |
(Instrumental) | |||
Arthur Lee 'Red' Smiley-g; William Eugene 'Billy' Edwards-bj; Eugene 'Gene' Burrows-g/m; Clarence 'Tater' Tate-f; Peggy Peterson-db; John David Palmer-sb | |||
19680531 |
31 May 1968, K-Ark session, Bradley Studio, Nashville, Tenn. | ||
[01] | Nobody's heart (Jim Eanes; Home of Eanes Music Co., BMI) | K-Ark 761 | |
J. Eanes-V | |||
[02] | My paper sack | K-Ark 761 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19690000 |
1969, Rural Rhythm session, Producer: Lee Sutton, Canton, Ohio | ||
[01] | Back in your own backyard | RRJ-221 | |
J. Eanes-V | |||
[02] | I'll keep on loving you | RRJ-221 | |
J. Eanes-V | |||
[03] | Someday | RRJ-221 | |
J. Eanes-V | |||
[04] | I can't give you anything but love (Blackie Crawford; Starday, BMI) | RRJ-221 | |
J. Eanes-V | |||
[05] | Have you ever been lonely | RRJ-221 | |
J. Eanes-V | |||
[06] | What's the matter with the mill | RRJ-221 | |
J. Eanes-V | |||
[07] | I wonder who's kissing her now (Jimmie O'Neal; Sage Brush Music Pub. Co., BMI) | RRJ-221 | |
J. Eanes-V | |||
[08] | Lonely prison blues | RRJ-221 | |
J. Eanes-V | |||
[09] | Right or wrong | RRJ-221 | |
J. Eanes-V | |||
[10] | What is life lived alone | RRJ-221 | |
J. Eanes-V | |||
[11] | Little brown hand (Jim Eanes) | RRJ-221 | |
J. Eanes-V | |||
[12] | Just a standby (Benny Davenport-Jesse Rayburn) | RRJ-221 | |
J. Eanes-V | |||
[13] | Handsome man (Jim Eanes; Old Standby Music Co., BMI) | RRJ-221 | |
J. Eanes-V | |||
[14] | I sure need a friend (Walt Rayburn-Benny Davenport) | RRJ-221 | |
J. Eanes-V | |||
[15] | I'm confessin' that I love you | RRJ-221 | |
J. Eanes-V | |||
[16] | M-o-t-h-e-r | RRJ-221 | |
J. Eanes-V | |||
[17] | Red wagon | RRJ-221 | |
J. Eanes-V | |||
[18] | Tie me to your apron strings | RRJ-221 | |
J. Eanes-V | |||
[19] | Honey I'm in love with you | RRJ-221 | |
J. Eanes-V | |||
[20] | Mean old 65 blues (Jimmie Davis-Buddy Jones) | RRJ-221 | |
J. Eanes-V | |||
William Eugene 'Billy' Edwards-rhythm g/bj; Eugene 'Gene' Burrows or Herschel Lee Sizemore-m; Clarence 'Tater' Tate-f/electric g; Carroll 'Buddy' Durham-piano; John David Palmer-sb | |||
19700304 |
4 March 1970, County session with the Shenandoah Valley Quartet, New York, N.Y. | ||
1034 | Light at the river (Story-Brewster) | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1035 | Boat of love (James Smith) | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1036 | I'll be no stranger there | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1037 | Thank the Lord for everything (Story-Moody) | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1038 | When our Lord shall come again | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1039 | Are you washed in the blood | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
Clarence 'Tater' Tate-g; William Eugene 'Billy' Edwards-bj; Herschel Lee Sizemore-m; John David Palmer-sb | |||
19700305 |
5 March 1970, County session with the Shenandoah Valley Quartet, New York, N.Y. | ||
1040 | Home on high | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1041 | How can you refuse Him now (Williams) | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1042 | unknown | unissued | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1043 | Where no cabins fall (A.E. Brumley) | CO 726 | |
J. Eanes-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1044 | In his arms I'm not afraid (Eanes-Carrick) | CO 726 | |
J. Eanes-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1045 | Let Him lead you (Eanes-Carrick) | CO 726 | |
J. Eanes-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1046 | I'll fly away (A.E. Brumley) | CO 726 | |
J. Eanes-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1047 | God isn't dead (Russell Easter) | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1048 | When He reached down His hand for me | CO 726 | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
1049 | Won't it be wonderful there | unissued | |
B. Edwards-L; H. Sizemore-T; T. Tate-B; J. Palmer-BS | |||
Clarence 'Tater' Tate-g; William Eugene 'Billy' Edwards-bj; Herschel Lee Sizemore-m; John David Palmer-sb | |||
19710100 |
January 1971, Princess session, Producer: Jim Richards, Major Studio, Waynesboro, Va. | ||
27105 | Loves been good to me | PR-1003 | |
J. Eanes-V | |||
27106 | San Diego | PR-1003 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19711000 |
October 1971, Folly session, Richmond, Va. | ||
32831 | Old Gus gases them up (Marvin Myrtle; Juicy Tunes, BMI) | Folly 003 | |
J. Eanes-V | |||
32832 | Across the table (Jim Eanes; Home of Eanes Music, BMI) | Folly 003 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19711027 |
27 October 1971, Jessup session, Jessup Recording Studio, Jackson, Mich. | ||
[01] | Greasy Creek (Glen Branham) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[02] | Bridge of sighs (Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[03] | I've had enough (Jim Eanes; Fort Knox Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[04] | Don't let your sweet love die (Paul Johnson; Tompaul Music Co., BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[05] | Practice what you preach (Margie Cuthbertson-Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[06] | Cotton eye Joe | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[07] | A family called the blues | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[08] | Sleepin' where the roses grow (Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[09] | Good times are here (Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[10] | What is home without love (Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[11] | I won't be around (Beulah Carrick-Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
[12] | Goodbye booze (Jim Eanes; Home of Eanes Music, BMI) | MB-152 | |
J. Eanes-L; R. McGinnis-T | |||
Homer Robert 'Jim' Eanes-rhythm g; V. E. Edney-g/f; Dennis Cyporyn-bj; James 'Jim' Morgan-bj; William 'Bill' Carpenter-db; Edward 'Ted' Hall-sb; Roy McGinnis-V | |||
19720000 |
1972, Folly session, Baltimore, Md. | ||
[01] | Moon River (ASCAP) | SF-001 | |
J. Eanes-V | |||
[02] | Who's gonna feed them hogs (BMI) | SF-001 | |
J. Eanes-V | |||
[03] | Wayne County breakdown (BMI) | SF-001 | |
(Instrumental) | |||
[04] | Unwanted and alone (Jim Eanes-Wade Perry; Home of Eanes Music/Juicy Tunes Music Pub., BMI) | SF-001 | |
J. Eanes-V | |||
[05] | It's the good times (BMI) | SF-001 | |
J. Eanes-V | |||
[06] | Ole Virginia waltz (Jim Eanes; Home of Eanes Music, BMI) | SF-001 | |
J. Eanes-V | |||
[07] | Take me home country roads (Andy Brasfield; ASCAP) | SF-001 | |
J. Eanes-V | |||
[08] | Rollin' in my sweet baby's arms (BMI) | SF-001 | |
J. Eanes-V | |||
[09] | Hard rock (BMI) | SF-001 | |
J. Eanes-V | |||
[10] | Rosemary's cabin (Maryvin Myrtle; Juicy Tunes Music Pub. Co., BMI) | SF-001 | |
J. Eanes-V | |||
[11] | Baby blue eyes (Jim Eanes; BMI) | SF-001 | |
J. Eanes-V | |||
[12] | You better wake up (Jim Eanes; BMI) | SF-001 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; James 'Jim' Hensley-g; Carl Hunt-bj; Carl Nelson-f; Michael Dennis 'Mike' Auldridge-db; Thomas 'Tom' Gray-sb | |||
19720200 |
February 1972, Folly session, Baltimore, Md. | ||
[01] | Who's gonna feed them hogs | Folly 001 | |
J. Eanes-L | |||
[02] | It's the good times (Charles Ohler; Juicy Tunes Music Pub. Co., BMI) | Folly 001 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19720726 |
26 July 1972, Folly session, Baltimore, Md. | ||
[01] | Heavyfoot Harry Curtis | Folly 004 | |
J. Eanes-V | |||
[02] | Unwanted and alone (Jim Eanes-Wade Perry; Home of Eanes Music/Juicy Tunes, BMI) | Folly 004 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19750928 |
29 September 1975, Leather Records session, Producer: Gene Elders, KA Recording Studio, Roanoke, Va. | ||
[01] | I don't blame you for being a honky tonk angel | unissued | |
J. Eanes-V | |||
[02] | Burning the candle at both ends | unissued | |
J. Eanes-V | |||
[03] | Clickity clack | unissued | |
J. Eanes-V | |||
[04] | Stop, think, start all over again | unissued | |
J. Eanes-V | |||
[05] | Cryin' wine (June Burd-Jim Eanes; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19760300 |
March 1976, Leather Records session, Producer: Gene Elders, KA Recording Studio, Roanoke, Va. | ||
[01] | Where the cool waters flow | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[02] | All the good times are past and gone | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
Homer Robert 'Jim' Eanes-rhythm g; William 'Bill' Gurley-bj; Taylor Armerding-g/m; Eugene 'Gene' Elders-f; David Wessner-db; Rex Waters-sb; Leroy Smith-V; Gigi Thompson-V; Robert 'Bobby' Maiden- V | |||
19760323 |
23 March 1976, Leather Records session, Producer: Gene Elders, KA Recording Studio, Roanoke, Va. | ||
[01] | Mary's gone to cry | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[02] | Baby blue eyes (Jim Eanes) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[03] | Lady Jane (Jim Eanes-Lora Lowry; Home of Eanes Music Co., BMI) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[04] | I'll leave it up to you (Jim Eanes; Home of Eanes Music Co., BMI) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[05] | Just for you (Jim Eanes; Home of Eanes Music Co., BMI) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[06] | Tomorrow I'll be gone (Beulah Carrick-Jim Eanes; Home of Eanes Music Co., BMI) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[07] | Highway 115 | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[08] | Walking with you | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
Homer Robert 'Jim' Eanes-rhythm g; William 'Bill' Gurley-bj; Taylor Armerding-g/m; Eugene 'Gene' Elders-f; David Wessner-db; Rex Waters-sb; Leroy Smith-V; Gigi Thompson-V; Robert 'Bobby' Maiden- V | |||
19760324 |
24 March 1976, Leather Records session, Producer: Gene Elders, KA Recording Studio, Roanoke, Va. | ||
[01] | Clickity clack | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[02] | Highway 115 | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[03] | Past and future (Ray Bowers Cline; Home of Eanes Music Co., BMI) | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[04] | Innocent game (Ray Bowers Cline; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
Homer Robert 'Jim' Eanes-rhythm g; William 'Bill' Gurley-bj; Taylor Armerding-g/m; Eugene 'Gene' Elders-f; David Wessner-db; Rex Waters-sb; Leroy Smith-V; Gigi Thompson-V; Robert 'Bobby' Maiden- V | |||
19760325 |
25 March 1976, Leather Records session, Producer: Gene Elders, KA Recording Studio, Roanoke, Va. | ||
[01] | Wrong conclusion | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[02] | I want to be loved | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[03] | Tossin' and turnin' | unissued | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
[04] | June apple | LBG-7703 | |
J. Eanes-V; Leroy Smith-V; Gigi Thompson-V; Bobby Maiden-V | |||
Homer Robert 'Jim' Eanes-rhythm g; William 'Bill' Gurley-bj; Taylor Armerding-g/m; Eugene 'Gene' Elders-f; David Wessner-db; Rex Waters-sb; Leroy Smith-V; Gigi Thompson-V; Robert 'Bobby' Maiden- V | |||
19780000 |
1978, Clover Records session for Timmie Martin, Producer: Jim Eanes, unknown | ||
[01] | T & M special (Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[02] | Lonesome road blues | SLP-C-300 | |
(Instrumental) | |||
[03] | Patrick Henry reel (Jim Eanes-Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[04] | Train 45 | SLP-C-300 | |
(Instrumental) | |||
[05] | Puddin' Creek (Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[06] | Pike County breakdown | SLP-C-300 | |
(Instrumental) | |||
[07] | Grassy five breakdown (Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[08] | Bugle on the five (Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[09] | Mountain Valley breakdown (Jim Eanes-Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[10] | John Hardy | SLP-C-300 | |
(Instrumental) | |||
[11] | Martin blues (Timmie Martin) | SLP-C-300 | |
(Instrumental) | |||
[12] | Cumberland Gap | SLP-C-300 | |
(Instrumental) | |||
Homer Robert 'Jim' Eanes-rhythm g; Timmie Martin-bj; Herschel Lee Sizemore-m; Ray Cline-lead g; Willie Gregory-f; John David Palmer-sb | |||
19780100 |
January-February 1978, Dominion session, Producer: Jack Mullins, JRM Studio, Salem, Va. | ||
39311 | I get high on bluegrass | 39311 | |
J. Eanes-V | |||
[02] | Sleeping where the roses grow (Jim Eanes) | unissued | REB-1643 |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[03] | Your heart is cold as ice | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[04] | I told you so | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[05] | If I had my life to live over (C. Moody-W. Fowler) | unissued | REB-1643 |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[06] | Stay a little longer | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[07] | I'll pretend that it's raining (Jim Eanes) | 39312 | REB-1643 |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[08] | The legend of the girl on the cliff (Jim Eanes-L. Lowry) | unissued | REB-1643 |
J. Eanes-L; Mike Atkins-T; Matt Levine-B | |||
[09] | Sally's the gal for me (Jim Eanes) | unissued | REB-1643 |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[10] | Oh lonesome me (Don Gibson; Acuff-Rose, BMI) | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[11] | It rains just the same in Missouri | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[12] | Remember you broke this heart of mine | unissued | |
J. Eanes-L; H. Sizemore-T; R. C. Hardy-B | |||
[13] | Handsome man | 1787 | |
J. Eanes-V | |||
[14] | Room full of blues | 1787 | |
J. Eanes-V | |||
Homer Robert 'Jim' Eanes-rhythm g; Greg Reed-lead g; Ray Cline-lead g; Timothy 'Timmy' Martin-bj; R. C. Harris-bj; Herschel Sizemore-m; William 'Willie' Gregory-f; John David Palmer-sb | |||
19791130 |
30 November 1979, Leather Records session, Producer: Jim Eanes, KA Recording Studio, Roanoke, Va. | ||
[01] | Kentucky bluegrass angel | REB-1643 | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[02] | A memory | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[03] | Orchids of love (Jim Eanes; Fort Knox Music, BMI) | REB-1643 | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[04] | Mommy, will my doggie understand (Jim Eanes; Fort Knox Music, BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[05] | Rose garden waltz (Ruth Keener-Dickie Morris) | REB-1643 | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
Homer Robert 'Jim' Eanes-rhythm g; Curly Ray Cline-lead g; Richard 'Rickie' Simpkins-m/f; John Palmer-sb; Matt Levine-V; Mark Atkins-V | |||
19791201 |
1 December 1979, Leather Records session, Producer: Jim Eanes, KA Recording Studio, Roanoke, Va. | ||
[01] | That's the way of life | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[02] | Nashville don't need me (Ray Bowers Cline; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[03] | Candle song (Margie Cuthbertson-Jim Eanes; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[04] | Crying wine (June Burd-Jim Eanes; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[05] | Two hearts are better than one (Jim Eanes) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[06] | Jim Freenin | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[07] | Mythical dreamer (Ray Bowers Cline; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[08] | Wide, wide road (Jim Eanes-Nadi Thomasson; Old Standby Music, BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[09] | The legend of the girl on the cliff (Jean Eanes-Lora Lowry; Home of Eanes Music Co., BMI) | REB-1643 | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
[10] | Bridge of sighs (Jean Eanes; Home of Eanes Music Co., BMI) | unissued | |
J. Eanes-L; Mark Atkins-T; Matt Levine-B | |||
Homer Robert 'Jim' Eanes-rhythm g; Curly Ray Cline-lead g; Richard 'Rickie' Simpkins-m/f; John Palmer-sb | |||
19800921 |
21 September 1980, Racoon Records session, Tamara King Studio, Belgium | ||
[01] | Ridin' the roads (Jim Eanes-Rodney Shively; Hoedown Music, BMI) | 500-137 | |
J. Eanes-L | |||
[02] | I ain't gonna work tomorrow | 500-137 | |
J. Eanes-L; J. Gaudreau-T | |||
[03] | The coming of our Lord (Jim Eanes-Lora Lowry) | 500-137 | |
J. Eanes-L; J. Gaudreau-T/B | |||
[04] | Your old standby | 500-137 | |
J. Eanes-L; J. Gaudreau-T | |||
[05] | Pig in the pen | 500-137 | |
J. Eanes-L; J. Gaudreau-T | |||
[06] | Inside the gates (Beulah Carrick-Jim Eanes; Home of Eanes Music Co., BMI) | 500-137 | |
J. Eanes-L | |||
[07] | I know what it means to be lonesome | 500-137 | |
J. Eanes-L | |||
[08] | Wiggle worm wiggle (Eanes; Home of Eanes Music Co., BMI) | 500-137 | |
J. Eanes-L | |||
[09] | Across the table (Eanes; Home of Eanes Music Co., BMI) | 500-137 | |
J. Eanes-L | |||
[10] | Lady of Spain (Reaves-Evans; Sam Fox Music, ASCAP) | 500-137 | |
(Instrumental) | |||
[11] | Paper sack | 500-137 | |
J. Eanes-L; J. Gaudreau-T | |||
[12] | A good woman's love (Cy Cobin) | 500-137 | |
J. Eanes-L; J. Gaudreau-T | |||
[13] | Old Satan (Jim Eanes-Lora Lowry; Home of Eanes Music Co., BMI) | 500-137 | |
J. Eanes-L; J. Gaudreau-T/HB | |||
Homer Robert 'Jim' Eanes-rhythm g; Jan Michielson-lead g; Peter Van Eyck-bj/db; James 'Jimmy' Gaudreau-m; Walter Pelcklmans-m; Lody Van Vlodrop-f; Jef Van Gool-sb | |||
19801200 |
December 1980, Marjorie Cogar recording session, W. Va. | ||
[01] | Always remember me (Marjorie Cogar) | ||
M. Cogar-V | |||
[02] | Loving you in paradise (Marjorie Cogar) | ||
M. Cogar-V | |||
Homer Robert 'Jim' Eanes-rhythm g; Timmie Martin-bj; Hershel Sizemore-m; Rickie Simpkins-f; John David Palmer-sb | |||
19830900 |
September 1983, Webco session, Producer: John Busbice, Webco Studio, 8705 Deanna Drive, Gaithersburg, MD | ||
[01] | I wish I was a bird (Jim Eanes-Lora Lowry) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
[02] | I don't need no little pills (Jim Eanes-Lora Lowry) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
[03] | Pretty blue eyes (Jim Eanes-Calvin Cassada) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
[04] | Don't make me be ashamed (Jim Eanes; Starday Music, BMI) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
[05] | Broken promise (Jim Eanes-Lora Lowry) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
[06] | Call out to Jesus (Jim Eanes-Lora Lowry) | WLPS-0110 | |
J. Eanes-L; B. Emerson-T; C. Nelson-B | |||
Homer Robert 'Jim' Eanes-rhythm g; William Hundley 'Bill' Emerson-bj; Bernarr Graham 'Buzz Busby' Busbice-m; Carl Nelson-f; Russell Hooper-db; Douglas 'Doug' Ward-sb | |||
19840900 |
September 1984, Clover Records session, Producer: Jim Eanes, Granite City Recording, Mt. Airy, N.C. | ||
[01] | The national debt | CL-45-101 | |
J. Eanes-L | |||
[02] | Come into my loving arms | CL-45-101 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; other personnel not known | |||
19860000 |
1986, Old Homestead session with Bobby Atkins & the Countrymen, Music Shoppe Studio, Greensboro, N.C. | ||
[01] | I cried again (Autry Inman) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[02] | Tears and roses (Bobby Atkins-David Osborne; Weldee Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[03] | Lord, I want to go home (Frank L. Webb; Home of Eanes Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[04] | Just your old stand by (Jim Eanes-Wade Perry; Home of Eanes Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[05] | Five hundred miles away from home (Bobby Bare-Charlie Williams; Central Songs, BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[06] | In His arms I'm not afraid (Beulah Carrick-Jim Eanes; Home of Eanes Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[07] | Wiggle worm wiggle (Jim Eanes; Home of Eanes Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[08] | Wrong conclusion (Jim Eanes-Lora Lowry; Home of Eanes Music Co., BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[09] | The good ole days (Bobby Lee Atkins; Bob's Special Music, BMI) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[10] | Little brown hand (Jim Eanes) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[11] | Down deep in my heart (Vern Gosdin) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[12] | I'll be a friend to Jesus (Arr. Bobby Atkins) | OHS-90176 | |
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[13] | It's a sin | ||
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
[14] | Ghost riders | ||
J. Eanes-L; M. Atkins-T; M. Levine-T; B. Atkins-B/BS; T. Atkins-B | |||
Matt Atkins-rhythm g; Kenneth 'Kenny' Duncan-lead g; Robert 'Bobby' Lee Atkins-bj; Mark Atkins-m; Matt Levine-db; Timothy 'Tim' Atkins-sb | |||
19870808 |
8 August 1987, Rebel session, Producers: Jim Eanes & Ray Cline, Trinity Recording, Mt. Airy, N.C. | ||
[01] | Don't sweetheart me (C. Friend-C. Tobias) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[02] | Take it or leave it (Jim Eanes) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[03] | The first rose (Sweet-Kinsey) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[04] | Reminiscing (Ray Cline) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[05] | Don't say goodbye, just say so long (Jim Eanes) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[06] | I'll never let you go, little darling (Jimmy Wakely) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[07] | Your wish is my command (Jim Eanes) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
Homer Robert 'Jim' Eanes-rhythm g; Ray Cline-lead g/m; Craig Smith-bj/lead g; Timothy 'Tim' Smith-f; Darrell Wiles-db; John David Palmer-sb | |||
19870809 |
9 August 1987, Rebel session, Producers: Jim Eanes & Ray Cline, Trinity Recording, Mt. Airy, N.C. | ||
[01] | Too old to die young (J. Hadley-K. Weich-S. Dooley) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[02] | Across the table (Jim Eanes-Glen Parks) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[03] | Tomorrow may be different (Jim Eanes) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[04] | Would it help me when I die (Ray Cline) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
[05] | Chained to the memories (Lora Lowry-Jim Eanes) | REB-1653 | |
J. Eanes-L; C. Smith-H; R. Cline-H | |||
Homer Robert 'Jim' Eanes-rhythm g; Ray Cline-lead g/m; Craig Smith-bj/lead g; Timothy 'Tim' Smith-f; Darrell Wiles-db; John David Palmer-sb | |||
19880731 |
31 July 1988, Rebel session, Producers: Jim Eanes & Craig Smith, Innovative Sound Studio, Winston-Salem. N.C. | ||
[01] | Welcome in | REB-1673 | |
J. Eanes-L; Mark Wingate-T | |||
[02] | Crown of thorns | REB-1673 | |
J. Eanes-L; Danny Bowers-T | |||
[03] | Jesus is my guiding light | REB-1673 | |
J. Eanes-L; Danny Bowers-T | |||
[04] | Mother taught me how to pray | REB-1673 | |
J. Eanes-L; Danny Bowers-T/B | |||
[05] | The coming of our Lord (Jim Eanes-Lora Lowry) | REB-1673 | |
J. Eanes-L; Danny Bowers-T | |||
[06] | Little house of prayer | REB-1673 | |
J. Eanes-L | |||
[07] | Old Satan | REB-1673 | |
J. Eanes-L; Mark Wingate-T | |||
[08] | Let Him lead you | REB-1673 | |
J. Eanes-L; Danny Bowers-T | |||
[09] | Candle song (Margie Cuthbertson-Jim Eanes; Home of Eanes Music Co., BMI) | REB-1673 | |
J. Eanes-L | |||
[10] | Take me home blessed Jesus | REB-1673 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; Ray Cline-lead g; Craig Smith-bj/lead g; Anthony 'Tony' Williamson-m; John David Palmer-sb; Robert Sprye-sb; Mark Wingate-V; Daniel 'Danny' Bowers-V | |||
19880805 |
5 August 1988, Rebel session, Producers: Jim Eanes & Craig Smith, Innovative Sound Studio, Winston-Salem. N.C. | ||
[01] | In His arms I'm not afraid | REB-1673 | |
[02] | When they ring those golden bells | REB-1673 | |
J. Eanes-L | |||
Homer Robert 'Jim' Eanes-rhythm g; Ray Cline-lead g; Craig Smith-bj/lead g; Anthony 'Tony' Williamson-m; James 'Jimmy' Edmond-f; John David Palmer-sb; Robert Sprye-sb; Mark Wingate-V; Daniel 'Danny' Bowers-V | |||
19891100 |
November 1991, Rebel session, Innovative Sound Studio, Winston-Salem. N.C. | ||
[01] | Old Mose (Earl Montgomery) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[02] | Inventory time (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[03] | Handsome man (Jim Eanes) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[04] | Cryin' wine (Jim Eanes-June Burd) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[05] | Freight train (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[06] | Hi ho diddle dum (Wade Perry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[07] | Rigamarole (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[08] | Why tell me why (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[09] | Let me be your friend (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[10] | I'll be losing my mind (Ray Cline) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
[11] | Heads don't turn (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; S. Huffman-T; S. Wilson-B | |||
[12] | My old mule and me (Jim Eanes-Lora Lowry) | REB-1683 | |
J. Eanes-L; V. Allred-T; S. Huffman-B | |||
Homer Robert 'Jim' Eanes-rhythm g; Scott Huffman-lead g; Craig Smith-bj; Tony Williamson-m; Jimmy Edmonds-f; Steve Wilson-resonator g; Vernon Allred-sb | |||
19910720 |
20 July 1991, Rural Rhythm session, Warehouse Recording, Galax, VA | ||
[01] | Old man Joe (Jim Eanes-Lora Lowry) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-B | |||
[02] | Hide and seek (Mike Swinson) | RHY-CD-1012 | |
B. Atkins-L; C. Jones-B | |||
[03] | Shop worn heart (Jim Eanes) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-L/B | |||
[04] | Crimes of the heart (Richard Madison-Bobby Atkins) | RHY-CD-1012 | |
B. Atkins-L; C. Jones-B | |||
[05] | DJ's theme (Bobby Atkins) | RHY-CD-1012 | |
(Instrumental) | |||
[06] | Jesus loves me (Traditional) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-B | |||
Homer Robert 'Jim' Eanes-rhythm g; Matt Atkins-rhythm g; Clay Jones-g; Bobby Atkins-bj; Mark Atkins-m; Frank Poindexter-db; Vassar Carlton Clements-f; Peter 'Pete' Lortz-sb | |||
19910721 |
21 July 1991, Rural Rhythm session, Warehouse Recording, Galax, VA | ||
[01] | Don't sell the land (Harold Macober-John Morris; Jaymore Music, BMI) | RHY-CD-1012 | |
B. Atkins-L; C. Jones-B | |||
[02] | Home in the Southland (Jim Eanes-Lora Lowry) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-B | |||
[03] | Mr. Bell (Mike Swinson) | RHY-CD-1012 | |
B. Atkins-L; C. Jones-B | |||
[04] | Pike County breakdown (Ray Cline; Zap Publishing Co., BMI) | RHY-CD-1012 | |
(Instrumental) | |||
[05] | Wide wide road (Jim Eanes-Nadi Thomasson; Old Standby Music Co., BMI) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-B | |||
[06] | Poison love (Jack Anglin-Johnnie Wright) | RHY-CD-1012 | |
J. Eanes-L; B. Atkins-L/H | |||
Homer Robert 'Jim' Eanes-rhythm g; Matt Atkins-rhythm g/m; Clay Jones-lead g; Bobby Atkins-bj; Frank Poindexter-db; Vassar Clements-f; Pete Lortz-bs | |||
Revised: 18 March 2017
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