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Ogun and John Henry

Read Victoria Hippard's dissertation on Ogun, a Possible Ancestor of John Henry, the Steel-driving Man? (PDF, 18 KB)

Although exact dates for the beginnings of worship of Ogun are unavailable, Sandra Barnes believes that [...] many of the themes surrounding Ogun are rooted in a set of Pan-African ideas that probably accompanies the spread of iron-making technology throughout sub-Saharan Africa as far back as 2,000 years. (The Many Faces of Ogun 4). She tells us: "Clearly the god Ogun existed, [...] before the 1700s in the West African societies whose peoples contributed to the slave diaspora, or he could not have as emerged as strongly as he did in Haiti and elsewhere in the new world." (5) She further states that: "Ogun was one of many deities carried to the New World by Africans during the slave diaspora which took place between the sixteenth and mid-nineteenth centuries" (1). It is my impression that the worship of Ogun was an integral part of the culture in West Africa and that some significant memories and aspects of Ogun worship survived in the New World.


Max Hunter Folksong Collection John Henry - Words and Music from the Max Hunter Folksong Collection
This link was submitted by Dr. John Garst and this is what he has to say about the Max Hunter Collection's version of John Henry:

"[This version] strikes me as stylistically unique. It is rather slow, and the tune used by Wise Jones is a variant of the usual one. It is sung in a tender, lamenting style, which is quite a contrast to the styles of blues singers, hillbilly bands, and especially to bluegrass renditions such as Bill Monroe's. The only other stylistic approximation to this that I know of is the recording by Fiddlin' John Carson (believed to be the first recording of this ballad), but Fiddlin' John's singing, while moderately slow, is not at all tender like Jones'."


 
 

 


John Henry Days book coverJohn Henry Days By Colson Whitehead
This is a fantastic book that was named one of the best books of the year by Salon Magazine
Here is Salon's review:
John Henry was a late 19th-century folk hero, a hammer-wielding railroad worker of towering strength who challenged a steam drill to a steel-driving race and won. J. Sutter is a hack journalist halfheartedly going for the "junketeering" record by racking up the most consecutive days of scamming free food, drink and other perks. John Henry inspired a legendary ballad. J. gets hired by travel Web sites to write up festivals celebrating commemorative stamps -- in this case, one honoring John Henry. Colson Whitehead's brilliant, restless novel is about what happens when a cynical, opportunistic, media-steeped product of the Information Age gets rubbed up against the mythic dignity of America's past. What does it mean to strive for something bigger than yourself in a world where one of your friends loses his eye to another writer's finger in "a tragic ironic quotes accident"? The fact that both the old-time hero and the present-day freelancer are black only complicates and enriches the novel's wit. Yes, Whitehead writes about race in a way that feels entirely fresh, but then, he writes about everything else that way, too.

Read Salon's full review of John Henry Days

 
     
     
     
     
  John Henry Stamp John Henry Stamp
United States of America Scott 3085 : "John Henry ", 1996 Stamp design 1995, United States Postal Service
It was Henry's indomitable courage and passion that lived on in song. The determination of the working man and woman who defied dehumanization, even death, in the tunnels, the mines, the factories, the sweatshops, the railroads, the sharecropper fields, those who fought for the union and inspired ensuing generations to stand their ground and in so doing would never have to face such grinding, hazardous toil as those like John Henry before them. As long as the struggle of workers endures, the shadow of John Henry will remain. Perhaps, that is why the U.S. Postal Service has decided to issue a stamp this summer commemorating the legacy of John Henry in American life. The dignity and honor of working men and women is what the old gandy dancer represents, why John Henry is more than a postage stamp. He is the living embodiment of any who strive to secure a useable future for themselves and their children. (St. Louis Post-Dispatch) Robert Tabscott Read more...
 
     
     
     
     
 
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