BILL HARRELL
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell, with help from PragueFrank
19570000 |
1957, Carol session for Bill Harrell & Smiley Hobbs, Producers: Charles R. Freeland & Bill Carroll, Ben Adelman Studio, 323 Cedar Street, N. W., Washington, D.C. | ||
[01] | Reno bound (B. Busby-H. Harlow; Starday Music, BMI) | Carol 102 | SLP-1475 |
B. Harrell-V; S. Hobbs-V | |||
[02] | Rocky Mountain ramble (Bryan-Nelson-Hobbs; Jiffy Publishing Co., BMI) | Carol 102 | |
(Instrumental) | |||
George William 'Bill' Harrell-lead g; Smiley Hobbs-bj; Bernarr Graham 'Buzz Busby' Busbice?-m; other personnel not known | |||
19590000.1 |
1959, Adelman session, leased to Starday, Producer: Ben Adelman, Ben Adelman Studio, 323 Cedar Street, N. W., Washington, D.C. | ||
ST 2935 | Cold & windy night (B. Busby-H. Harlow; Starday Music, BMI) | 45-483 | SLP-169 |
B. Harrell-L; B. Busby-T; R. Self-B | |||
ST 2936 | Reno bound (B. Busby-H. Harlow; Starday Music, BMI) | 45-452 | SLP-115 |
B. Busby-L; B. Harrell-H; R. Self-B | |||
ST 2937 | Where will this end (B. Busby-H. Harlow; Starday Music, BMI) | 45-452 | SLP-136 |
B. Harrell-L; B. Busby-T; R. Self-B | |||
Bernarr Graham 'Buzz Busby' Busbice-m; George William 'Bill' Harrell-g; William Hundley 'Bill' Emerson, Jr.-bj; Calvin Scott 'Scotty' Stoneman-f; Roy Self-sb | |||
19590000.2 |
1959, Adelman session for Bill Harrell, leased to Starday, Producer: Ben Adelman, Ben Adelman Studio, Thomas Circle, Vermont Avenue, N. W., Washington, D. C. | ||
ST 2938 | Top hat ramble (Kay Adelman; Starrite, BMI) | SLP-221 | |
(Instrumental) | |||
ST 2939 | Tragic highway (Harlow-Harrell-Swann; Starrite, BMI) | 45-445 | SLP-136 |
B. Harrell-L; B. Busby-T; R. Self-B | |||
Bernarr Graham 'Buzz Busby' Busbice-lead g; George William 'Bill' Harrell-lead g; William Hundley 'Bill' Emerson, Jr.-bj; Calvin Scott 'Scotty' Stoneman-f; Roy Self-sb | |||
19590420 |
20 April 1959, Starday session, Producer: Ben Adelman, Ben Adelman Studio, Takoma Park, Md. | ||
ST 2959 | I'll cry again tomorrow (Bill Harrell) | SD-0123-2 | |
B. Harrell-L; B. Busby-T | |||
ST 2960 | Love is a stranger (Bill Harrell; Starday, BMI) | 45-445 | SD-0123-2 |
B. Harrell-L; B. Busby-T | |||
George William 'Bill' Harrell-lead g; William Hundley 'Bill' Emerson, Jr.-bj; Bernarr Graham 'Buzz Busby' Busbice-m; Calvin Scott 'Scotty' Stoneman-f; Roy Self-sb | |||
19590813 |
13 August 1959, Starday session, Producer: Ben Adelman, Ben Adelman Studio, Takoma Park, Md. | ||
ST 3045 | A heart never knows | 45-480 | |
B. Harrell-g | |||
ST 3046 | Eating out of your hand | 45-480 | |
B. Harrell-g | |||
George William 'Bill' Harrell-g; William Hundley 'Bill' Emerson, Jr-bj; Smiley Hobbs-m; Carl Nelson-f; Roy Self?-sb | |||
19600300 |
ca. March 1960, Starday session, unknown | ||
ST 3249 | One track mind (Harrell-Self-Harlow) | 45-500 | |
B. Harrell-L | |||
ST 3250 | I'll never see you anymore (Harrell-Self-Harlow) | 45-500 | |
B. Harrell-L | |||
George William 'Bill' Harrell-g; William Hundley 'Bill' Emerson, Jr-bj; Smiley Hobbs-m; Carl Nelson-f; Roy Self?-sb | |||
19630500 |
ca. May 1963, United Artists session, unknown | ||
[01] | The legend of Jesse James (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[02] | Orange Blossom Special (Gordon Terry; Acuff-Rose Publ., BMI) | UAS-6293 | |
(Instrumental) | |||
[03] | Banjo Bill (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[04] | Jimmy Brown the newsboy (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[05] | Polly pretty Polly (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[06] | Eating out of your hand (H. Harlow-B. Harrell; Starday Music, BMI) | UAS-6293 | |
[07] | Black Jack Davey (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[08] | Signal of the banjo (S. Hobbs; Allendale Music Inc., BMI) | UAS-6293 | |
(Instrumental) | |||
[09] | I dipped in the sugar bowl (S. Hobbs; Allendale Music Inc., BMI) | UAS-6293 | |
[10] | Will you be lovin' another man (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
[11] | Don't say goodbye if you love me (L. Flatt-B. Monroe; Peer International, BMI) | UAS-6293 | |
[12] | Flower blooming in the wildwood (Jimmy Davis-Bonnie Dodd; Peer International, BMI) | UAS-6293 | |
[13] | A good woman's love (Bill Harrell; Allendale Music Inc., BMI) | UAS-6293 | |
George William 'Bill' Harrell-g; other personnel not known | |||
19670100 |
Early 1967, Rebel session, unknown | ||
SoN 43681 | Sunset hill | F-268 | |
SoN 43682 | Flat tops a-pickin' | F-268 | |
(Instrumental) | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; other personnel not known | |||
19670116 |
16-17 January 1967, Wango session, Producer: Ray Davis, Johnny's Used Cars, 4801 Harford Rd., Baltimore, MD | ||
[01] | Salty dog blues | LP-113 | |
B. Harrell-L; D. Reno-T | |||
[02] | Grey eagle hornpipe | CD-111 | |
(Instrumental) | |||
[03] | Little Maggie | CD-111 | |
B. Harrell-L; D. Reno-T | |||
[04] | Down yonder | LP-113 | |
(Instrumental) | |||
[05] | Sunnyside of the mountain | CD-111 | |
B. Harrell-L; D. Reno-T | |||
[06] | Don't let your deal go down | CD-111 | |
B. Harrell-L; D. Reno-T | |||
[07] | I'm just here to get my baby out of jail | LP-113 | |
B. Harrell-L; D. Reno-T | |||
[08] | Back up and push | LP-113 | |
(Instrumental) | |||
[09] | Mary of the wild moor | CD-111 | |
B. Harrell-L; D. Reno-T | |||
[10] | Flop eared mule | CD-111 | |
(Instrumental) | |||
[11] | Darlin' little Joe | CD-111 | |
R. Reno-L; D. Reno-T | |||
[12] | Red wing (P. D.) | LP-113 | |
(Instrumental) | |||
[13] | Mom's faded old sunbonnet | CD-111 | |
D. Reno-L | |||
[14] | Old spinning wheel | CD-111 | |
(Instrumental) | |||
[15] | Dreaming of a little cabin | LP-113 | |
B. Harrell-L; D. Reno-T/sp; R. Reno-B | |||
[16] | Silver threads among the gold | CD-111 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; Duck Austin-sb | |||
19670200 |
ca. February 1967, Rural Rhythm session, Producers: Lee Sutton, Mac Wiseman, Akron, Oh. | ||
[01] | Under the double eagle | RRDR-171 | |
(Instrumental) | |||
[02] | I'm a man of constant sorrow | RRDR-171 | |
[03] | Long journey home | RRDR-171 | |
[04] | Red rockin' chair | RRDR-171 | |
[05] | Hot corn, cold corn | RRDR-171 | |
[06] | Footprints in the snow | RRDR-171 | |
[07] | Gotta travel on | RRDR-171 | |
[08] | Little pal | RRDR-171 | |
[09] | Nine pound hammer | RRDR-171 | |
Ronnie Reno-L | |||
[10] | I don't love nobody | RRDR-171 | |
(Instrumental) | |||
[11] | Poor Ellen Smith | RRDR-171 | |
[12] | The great speckled bird | RRDR-171 | |
[13] | Limehouse blues | RRDR-171 | |
(Instrumental) | |||
[14] | Molly and Tenbrooks | RRDR-171 | |
[15] | Whitehouse blues | RRDR-171 | |
B. Harrell-L; D. Reno-T | |||
[16] | When the roses bloom again | RRDR-171 | |
B. Harrell-L; D. Reno-T | |||
[17] | Nobody's business | RRDR-171 | |
[18] | Dill pickle rag | RRDR-171 | |
(Instrumental) | |||
[19] | Keep on the sunny side | RRDR-171 | |
[20] | Worried man blues | RRDR-171 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; George Saunders Shuffler-sb | |||
19670400 |
ca. April 1967, Jalyn session, Engineer: Leon Turner, Commercial Sound | ||
[01] | I know you're married (Reno-Magaha; Lois, BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[02] | Bringing Mary home (Duffy-Kingston-Mank; Starday, BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[03] | Devil's dream (P. D.) | JLP-108 | |
(Instrumental) | |||
[04] | Talk of the town (Reno; Lois, BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[05] | Eating out of your hand (Harrell; Starday, BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[06] | Red Wing (P. D.) | JLP-108 | |
(Instrumental) | |||
[07] | Jesse James (P. D.) | JLP-108 | |
(Instrumental) | |||
[08] | Pretty Polly (P. D.) | JLP-108 | |
(Instrumental) | |||
[09] | White dove (Carter Stanley) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[10] | I'm going back to old Kentucky (Monroe; Peer Int., BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[11] | I'm so lonesome, I could cry (Hank Williams; Rose-Acuff, BMI) | JLP-108 | |
B. Harrell-L; D. Reno-T | |||
[12] | Rosewood casket (P. D.) | JLP-108 | |
(Instrumental) | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; Fred Johnson-sb | |||
19670500 |
May 1967, Derby Town session, Charlestown, Ind. | ||
[01] | Little Becky (Jake Kessinger-Ronnie Reno; Cuzz Pub., BMI) | DTR-103 | |
[02] | Gold digger (Bill Harrell; Cuzz Pub., BMI) | DTR-103 | |
[03] | The mighty dark monster (Kenny Sowder-Carl Dixon; Cuzz Pub., BMI) | DTR-103 | |
[04] | The life of the party (Kenny Sowder-Jimmy Logsdon; Cuzz Pub., BMI) | DTR-103 | |
[05] | Everybody's got a dream (Kenny Sowder; Cuzz Pub., BMI) | DTR-103 | |
ZTSB 125297 | Yellow pages (Jimmy Goodman-Jerry Fender; Cuzz Pub., BMI) | DTR-103 | |
[07] | No one to kiss me goodnight (George Shuffler-Ronnie Reno; Cuzz Pub., BMI) | DTR-103 | |
[08] | A dollar down (George Shuffler-Ronnie Reno; Cuzz Pub., BMI) | DTR-103 | |
[09] | Black snake moan (George Shuffler; Cuzz Pub., BMI) | DTR-103 | |
[10] | Empty arms (George Shuffler-Ronnie Reno; Cuzz Pub., BMI) | DTR-103 | |
ZTSB 125298 | Ex-Missus Jones (Jake Kessinger-Ronnie Reno; Cuzz Pub., BMI) | DTR-103 | |
[12] | The party's almost over (Kenny Sowder; Cuzz Pub., BMI) | DTR-103 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; George Saunders Shuffler-sb | |||
19671101 |
1 November 1967, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12480 | Heaven's treasure (Ronnie Reno) | KLP-1029 | |
Quartet | |||
K 12481 | Let me look at myself (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12482 | Salvation is all I need (Ronnie Reno-George Shuffler) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12483 | Walking in His likeness (Ronnie Reno) | KLP-1029 | |
D. Reno-LV/TC; B. Harrell-LC; G. Shuffler-BS | |||
K 12484 | Mother and daddy are gone (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12485 | God's Bible is your guide (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/lead g [on 12485 only]; Ronald W. 'Ronnie' Reno-m; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; George Saunders Shuffler-sb | |||
19671102 |
2 November 1967, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12486 | Stepping stones to glory (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T; G. Shuffler-BS | |||
K 12487 | Give the world a sunny smile (George Shuffler) | KLP-1029 | |
B. Harrell-L; D. Reno-T; G. Shuffler-BS | |||
K 12488 | Don't judge (George Shuffler) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12489 | Old log cabin (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12490 | I'm just a little old fashioned (Ronnie Reno) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
K 12491 | My mother's child (Bill Harrell) | KLP-1029 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/lead g [on 12491 only]; Ronald W. 'Ronnie' Reno-m; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; George Saunders Shuffler-sb | |||
19671218.1 |
18 December 1967, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12520 | Mr. Bottle (R. Reno-G. Shuffler) | KLP-1033 | |
K 12521 | Just a phone call will do (R. Reno-G. Shuffler) | KLP-1033 | |
B. Harrell-L; D. Reno-T | |||
K 12522 | The Path that leads me home (R. Reno-G. Shuffler) | KLP-1033 | |
B. Harrell-L; D. Reno-T | |||
K 12523 | Welcome home (R. Reno-G. Shuffler) | KLP-1033 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/12-string g [on 12523 only]; Ronald W. 'Ronnie' Reno-m; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; George Saunders Shuffler-sb | |||
19671218.2 |
18 December 1967, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12524 | I told (B. Harrell-G. Shuffler) | KLP-1033 | |
K 12525 | Where is Jones (Bill Harrell) | KLP-1033 | |
B. Harrell-L; D. Reno-T | |||
K 12526 | Twelve string time (R. Reno) | KLP-1033 | |
(Instrumental) | |||
K 12527 | All the way to Reno (R. Reno) | KLP-1033 | |
(Instrumental) | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/12-string g [on 12525-12526]; Ronald W. 'Ronnie' Reno-m; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; George Saunders Shuffler-sb | |||
19680625.1 |
25 June 1968, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12686 | Oak Grove Church (Don Reno; Lois, BMI) | KSD-1068 | |
K 12687 | My redeemer lives again (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12688 | Another daddy gone wrong (Don Reno-J. Buchanan; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T/sp | |||
K 12689 | When they crucified Jesus (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12690 | My god's highway (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12691 | I'm using my Bible for a roadmap (Reno-Shroeder; Lonat, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/lead g [on 12689 only]; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; Norman Keith 'Buddy' Spicher-f; Arnold 'Buck' Ryan-f; George Saunders Shuffler-sb | |||
19680625.2 |
25 June 1968, King session, Producer: Louis Innis, King Recording Studio, 1540 Brewster Ave., Cincinnati, Oh. | ||
K 12692 | I want to be a Christian soldier (Don Reno-George Shuffler; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12693 | If I never wake again (I'll be in Glory Land) (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12694 | Anchored in Jesus (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12695 | A pretty wreath for mother's grave (Don Reno; Lonat, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12696 | For the Bible tells me so (Bill Harrell-George Shuffler; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
K 12697 | The night I got saved (Don Reno; Lois, BMI) | KSD-1068 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-rhythm g; Donald Wesley 'Don' Reno-bj/lead g [on 12695-12697]; James Delbert 'Jimmy' Buchanan-f; Vassar Carlton Clements-f; Norman Keith 'Buddy' Spicher-f; Arnold 'Buck' Ryan-f; George Saunders Shuffler-sb | |||
19680800 |
Summer 1968, Jalyn session, Producer: Jack Lynch, Dayton, Oh. | ||
[01] | Wabash Cannon Ball (A.P. Carter) | JLP-119 | |
[02] | Down in the willow garden (P.D.) | JLP-119 | |
[03] | She's my baby (P.D.) | JLP-119 | |
(Instrumental) | |||
[04] | The wondering boy (P.D.) | JLP-119 | |
(Instrumental) | |||
[05] | Kentucky (C. Davis) | JLP-119 | |
[06] | Black Mountain rag (P.D.) | JLP-119 | |
(Instrumental) | |||
[07] | Philadelphia lawyer (W. Guthrie) | JLP-119 | |
[08] | In memory of Carter Stanley (Jack Lynch) | JLP-119 | |
[09] | Going across the sea (P.D.) | JLP-119 | |
(Instrumental) | |||
[10] | The letter edged in black (P.D.) | JLP-119 | |
[11] | Ruby (Emmy; Acuff, Rose) | JLP-119 | |
[12] | Walk on boy (P.D.) | JLP-119 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Ronald W. 'Ronnie' Reno-m; George Saunders Shuffler-sb | |||
19710000.1 |
1971, Rural Rhythm session for Buck Ryan, Producer: Dick Unteed, Akron, Oh. | ||
[01] | Good bye Liza Jane | RRBR-244 | |
(Instrumental) | |||
[02] | Chicks waltz | RRBR-244 | |
(Instrumental) | |||
[03] | Natural bridge blues | RRBR-244 | |
(Instrumental) | |||
[04] | I saw your face in the moon | RRBR-244 | |
(Instrumental) | |||
[05] | Kansas City railroad blues | RRBR-244 | |
(Instrumental) | |||
[06] | Kingdom coming | RRBR-244 | |
(Instrumental) | |||
[07] | Stomping with Reno | RRBR-244 | |
(Instrumental) | |||
[08] | Whispering | RRBR-244 | |
(Instrumental) | |||
[09] | Fiddling around | RRBR-244 | |
(Instrumental) | |||
[10] | Red's Virginia waltz | RRBR-244 | |
(Instrumental) | |||
[11] | Love somebody | RRBR-244 | |
(Instrumental) | |||
[12] | Lee Highway blues | RRBR-244 | |
(Instrumental) | |||
[13] | Mary's melody | RRBR-244 | |
(Instrumental) | |||
[14] | Ryan's stomp | RRBR-244 | |
(Instrumental) | |||
[15] | South sea sweetheart | RRBR-244 | |
(Instrumental) | |||
[16] | Indian Creek | RRBR-244 | |
(Instrumental) | |||
[17] | In the pines | RRBR-244 | |
(Instrumental) | |||
[18] | Ryan's polka | RRBR-244 | |
(Instrumental) | |||
[19] | Blackberry blossom | RRBR-244 | |
(Instrumental) | |||
[20] | Hog trough reel | RRBR-244 | |
(Instrumental) | |||
Arnold 'Buck' Ryan-f; George William 'Bill' Harrell-g; Arthur Lee 'Red' Smiley-g; Donald Wesley 'Don' Reno-bj/lead g; Jim Ebert-piano; Tom Kiley-steel g; Jerry McCoury-sb; Bob Finkes-drums | |||
19710000.2 |
1971, Wango session, Wango Studios, Baltimore, Md. | ||
[01] | There'll come a time | LP-111 | |
[02] | Rosewood casket | LP-111 | |
[03] | Seven years blues | LP-111 | |
[04] | Silver haired daddy (of mine) | LP-111 | |
[05] | Sweeter than the flowers | LP-111 | |
[06] | Speak to me, little darling | LP-111 | |
[07] | Tell me why my daddy don't come home | LP-111 | |
[08] | Letter edged in black | LP-111 | |
[09] | That little kid sister of mine | LP-111 | |
[10] | Wreck of the old 97 | LP-111 | |
R. Smiley-L; D. Reno-T | |||
[11] | The last letter (Rex Griffin) | LP-111 | |
Don Reno-V; Red Smiley-V | |||
Arthur Lee 'Red' Smiley-g; Donald Wesley 'Don' Reno-bj; George William 'Bill' Harrell-g; Arnold 'Buck' Ryan-f; Jerry McCoury-sb | |||
19710518.1 |
18 May 1971, Rome session, Producers: Dick Unteed, Casey Casebolt, Ray Davis Studio, Glen Burnie, Md. | ||
ARP 1399 | Highway 52 (Dave Evans) | R-1009 | R-1011 |
(Instrumental) | |||
[02] | True or false (Reno-Smiley) | R-1011 | |
[03] | Mule skinner blues (Jimmie Rodgers) | R-1011 | |
[04] | Flowers are like people (Reno-Smiley) | R-1011 | |
[05] | Riverdale flash (Reno-Smiley) | R-1011 | |
(Instrumental) | |||
[06] | Somewhere someday again (Reno-Smiley) | R-1011 | |
Arthur Lee 'Red' Smiley-g; George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Jerry McCoury-sb | |||
19710518.2 |
18-19 May 1971, Wango session, Producers: Dick Unteed, Casey Casebolt, Ray Davis Studio, Glen Burnie, Md. | ||
[01] | I've just got to see you once more | LP-113 | |
R. Smiley-L; D. Reno-T | |||
[02] | Just a message | LP-113 | |
R. Smiley-L; D. Reno-T | |||
[03] | I'm troubled in mind | LP-113 | |
R. Smiley-L; D. Reno-T | |||
[04] | Each minute seems a million years | CD-111 | |
R. Smiley-L; D. Reno-T | |||
[05] | Oh how I miss you | CD-111 | |
R. Smiley-L; D. Reno-T | |||
[06] | Remember me | CD-111 | |
R. Smiley-L; D. Reno-T | |||
[07] | What a friend we have in Jesus | CD-111 | |
R. Smiley-L; D. Reno-T | |||
Arthur Lee 'Red' Smiley-g; George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Jerry McCoury-sb | |||
19710519 |
19 May 1971, Rome session, Producers: Dick Unteed, Casey Casebolt, Ray Davis Studio, Glen Burnie, Md. | ||
[01] | A dime looks like a wagon wheel (Reno-Smiley) | R-1011 | |
[02] | Emotions (Don Reno) | R-1011 | |
[03] | Buck Ryan rag (Buck Ryan) | R-1011 | |
(Instrumental) | |||
ARP 1400 | Soldier's last letter (Stewart Tubb) | R-1011 | |
[05] | Shine hallelujah shine (Monroe) | R-1011 | |
[06] | Could I stop loving you? (Reno-Smiley) | R-1011 | |
Arthur Lee 'Red' Smiley-g; George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Jerry McCoury-sb | |||
19710700 |
July 1971, Atteiram reissue of live concert, Recorded by: Dave Heath, KERA-FM, Dallas, Tex., Lone Star Festival, McKinney, Tex.,
| ||
[01] | Trail of sorrow | API-1556 | |
[02] | Lee hi-way blues | API-1556 | |
(Instrumental) | |||
[03] | Bringing Mary home | API-1556 | |
R. Smiley-L; D. Reno-T | |||
[04] | Charlotte breakdown | API-1556 | |
(Instrumental) | |||
[05] | Cheap love affair | API-1556 | |
[06] | Help me make it through the night | API-1556 | |
[07] | Where did the young years go (Jack Rhodes) | API-1556 | |
[08] | He'll set your fields on fire | API-1556 | |
[09] | Encore: Set your fields on fire | API-1556 | |
[10] | Tally ho | API-1556 | |
[11] | Green mountain hop | API-1556 | |
(Instrumental) | |||
[12] | Applause | API-1556 | |
Arthur Lee 'Red' Smiley-g; George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Jerry McCoury-sb | |||
19720600 |
June 1972, Starday session, Producer: Hal Neely, Starday Studios, Nashville, Tenn. | ||
ST 9346 | Sweet Miss Sarah Jane (Ray Buzzeo; Blackwood Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-H; Wendy Thatcher-H; Gordon Terry-H | |||
ST 9347 | 1500 miles away from home (Smokey Green; Ft. Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-H; Wendy Thatcher-H; Gordon Terry-H | |||
ST 9348 | Bluegrass on my mind (Don Reno; Ft. Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; Wendy Thatcher-H | |||
ST 9349 | A gift of love (Don Reno; Ft. Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-T | |||
ST 9350 | Down yonder (L. Wolfe Gilbert; Peer, BMI) | SLP-481-498 | |
(Instrumental) | |||
ST 9351 | Bye bye blues (Arr. Reno; Ft. Knox Music, BMI) | SLP-481-498 | |
(Instrumental) | |||
ST 9352 | Truck stop boogie (Don Reno-Eddie Adcock) | ST-952 | |
(Instrumental) | |||
ST 9353 | Where there's smoke there's fire (Don Reno; Fort Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-T | |||
ST 9354 | Don't you know I love you Charlie Brown (Don Reno; Fort Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-T | |||
ST 9355 | I couldn't win (Don Reno; Ft. Knox Music, BMI) | SLP-481-498 | |
B. Harrell-L; D. Reno-T | |||
ST 9356 | I'm afraid my darlin's gone (Reno-Monroe; Ft. Knox Music, BMI) | SLP-481-498 | |
D. Reno-LV/TC; B. Harrell-LC | |||
ST 9357 | I'll fly away (Brumley; A. E. Brumley & Sons, SESAC) | SLP-481-498 | |
B. Harrell-L; D. Reno-T; Wendy Thatcher-H; Gordon Terry-H | |||
ST 9358 | Maiden's prayer (Bob Wills; Hill & Range, BMI) | SLP-481-498 | |
(Instrumental) | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Ellis Padgett-sb | |||
19721100 |
November 1972, King session, Producers: Charlie Dick, Tommy Hill, Starday Recording Studio, 3557 Dickerson Road, Nashville,
Tenn. | ||
[01] | Grey eagle | CD-5115 | |
(Instrumental) | |||
[02] | Polka on the guitar | CD-5115 | |
(Instrumental) | |||
[03] | Lady Hamlet | CD-5115 | |
(Instrumental) | |||
[04] | Italian waltz | CD-5115 | |
(Instrumental) | |||
[05] | Guitar medley in G | CD-5115 | |
(Instrumental) | |||
[06] | Old spinning wheel in the parlor | CD-5115 | |
(Instrumental) | |||
[07] | Hot rize flour medley | CD-5115 | |
(Instrumental) | |||
[08] | Turkey in the straw | CD-5115 | |
(Instrumental) | |||
[09] | Rocking alone in an old rocking chair | CD-5115 | |
(Instrumental) | |||
[10] | Dixie medley | CD-5115 | |
(Instrumental) | |||
[11] | Peacock rag | CD-5115 | |
(Instrumental) | |||
[12] | I like mountain music | CD-5115 | |
(Instrumental) | |||
[13] | Ranger's waltz | CD-5115 | |
(Instrumental) | |||
[14] | Train medley | CD-5115 | |
(Instrumental) | |||
[15] | Tarnation | CD-5115 | |
(Instrumental) | |||
Donald Wesley 'Don' Reno-lead g; George William 'Bill' Harrell-g; Buck Ryan-f; [overdubbed in 1999: Ronald W. 'Ronnie' Reno-g; Dale Reno-m; Don Wayne Reno-bs] | |||
19731000 |
October 1973, King Bluegrass session, Producer: Robert Trout, Lemco Studios, Lexington, Ky. | ||
[01] | Eatin' out of your hand (Bill Harrell) | KB-526 | |
B. Harrell-L; D. Reno-T | |||
[02] | I know you're married but I love you still (Don Reno) | KB-526 | |
B. Harrell-L; D. Reno-T | |||
[03] | Katy Hill (arr. Don Reno) | KB-526 | |
(Instrumental) | |||
[04] | Black diamond (Bernie Faulkner) | KB-526 | |
[05] | Cora's gone (arr. Flatt & Scruggs) | KB-526 | |
[06] | Love please come home (Leon Jackson) | KB-526 | |
B. Harrell-L; D. Reno-T | |||
[07] | Will there be sweethearts in heaven (Buck Owens) | KB-526 | |
[08] | Tally ho! (Don Reno) | KB-526 | |
[09] | Today has been a lonesome day (Delmore Brothers) | KB-526 | |
[10] | Alabama bound (arr. Don Stover) | KB-526 | |
[11] | Green Mountain top (Don Reno) | KB-526 | |
(Instrumental) | |||
[12] | He will set your fields on fire (Ballew and Brackett) | KB-526 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Arnold 'Buck' Ryan-f; Ed Ferris-sb | |||
19740200 |
ca. February 1974, King Bluegrass session, Producer: Robert Trout, Lemco Studios, Lexington, Ky. | ||
[01] | Shenandoah River (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[02] | Dixie breakdown (Don Reno) | KB-528 | |
(Instrumental) | |||
[03] | Mountain road (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[04] | The Beech nut tree (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[05] | Talk of the town (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[06] | Let the savior in (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[07] | One track mind (Bill Harrell, R. Self) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[08] | The Whippoorwill song (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[09] | Over the river (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[10] | Cripple Creek (arr. Reno) | KB-528 | |
(Instrumental) | |||
[11] | Love is a stranger (Bill Harrell) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
[12] | My old log cabin (Don Reno) | KB-528 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Ed Ferris-sb; Raymond McLain-bj [on 01-03, 10] | |||
19750000 |
1975, King Bluegrass session, Producer: Robert Trout, Lemco Studios, Lexington, Ky. | ||
[01] | Everybody's something they're not (Bill Harrell, Don Barber) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[02] | Unwanted love (Reno, Leftwich, Smiley) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[03] | Banjo signal (Don Reno) | KB-540 | |
(Instrumental) | |||
[04] | Shackles and chains (Mac Wiseman) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[05] | Blue bird singing | KB-540 | |
B. Harrell-L; D. Reno-T; Dale Reno-V | |||
[06] | Oak Grove church (Don Reno) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[07] | Two bricks short of a load (Don Reno) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[08] | When the saints go marchin' in | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[09] | Gray eagle hornpipe | KB-540 | |
(Instrumental) | |||
[10] | You're no longer a sweetheart of mine (Reno, Smiley, Swift) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[11] | I've lost some battles but I've finally won the war (Jake Kissenger) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
[12] | I wouldn’t change you if I could (Jim Eanes) | KB-540 | |
B. Harrell-L; D. Reno-T | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Ed Ferris-sb | |||
19750300 |
March 1975, Monument session, Producer: Arthur Smith, Arthur Smith Studio, 5407 Monroe Road, Charlotte, N.C. | ||
[01] | The catfish song | PZ-33804 | |
[02] | Choking the strings | PZ-33804 | |
(Instrumental) | |||
[03] | Please remember that I love you | PZ-33804 | |
[04] | Contentment | PZ-33804 | |
[05] | Little fox fire | PZ-33804 | |
[06] | Under the double eagle | PZ-33804 | |
(Instrumental) | |||
[07] | Bi-centennial | PZ-33804 | |
[08] | Three string guitar | PZ-33804 | |
(Instrumental) | |||
[09] | Emotions | PZ-33804 | |
[10] | Little soldier and his band | PZ-33804 | |
[11] | If you don't stand for something (you'll fall for anything) | PZ-33804 | |
[12] | A pretty wreath for mother's grave | PZ-33804 | |
Donald Wesley 'Don' Reno-bj; George William 'Bill' Harrell-g; Dale Reno-m; Arnold 'Buck' Ryan-f; Ed Ferris-sb; Arthur Smith-f [07 only]/db [08 only]/m [09 only] | |||
19750523 |
23 May 1975, Rebel issue of live recordings, Producer: Charles R. Freeland, Bluegrass Festival at the Old Stanley Homeplace,
McClure, Va. | ||
[01] | Eatin' out of your hand (Harrell) | SLP-1554-55 | |
B. Harrell-L | |||
[02] | Record commercial (Harrell) | SLP-1554-55 | |
B. Harrell-L; D. Reno-T | |||
[03] | Mama don't allow | SLP-1554-55 | |
D. Reno-L | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; | |||
19750800 |
August 1975, Wango issue of live recording, Gloryland Park, Bear, Del. | ||
[01] | I'm coming back but I don't know when | LP-113 | |
C. Monroe-L; D. Reno-T | |||
[02] | Beyond the sunset | CD-111 | |
D. Reno-LV/TC; B. Harrell-LC; Dale Reno-H | |||
Charlie Monroe-g; George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Ed Ferris-sb | |||
19760000.1 |
1976, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5407 Old Monroe Road, Charlotte, N.C. | ||
[01] | Dear old Dixie | CMH-6201 | |
(Instrumental) | |||
[02] | One morning in May | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[03] | It's a long, long way from the bottom | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[04] | Hobo's story | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[05] | Please keep remembering | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[06] | At last I'm free | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[07] | Where would our flowers grow? | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[08] | B. G. chase | CMH-6201 | |
(Instrumental) | |||
[09] | The winds blew across the wild moor | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[10] | Make believe (you didn't set me free) | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
[11] | Into these hills | CMH-6201 | |
Bill Harrell-V; Don Reno-V | |||
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Clay Smith-g; Ed Ferris-sb | |||
19760000.2 |
1976, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5407 Old Monroe Road, Charlotte, N.C. | ||
[01] | Charlotte breakdown (D. Reno) | CMH-9003 | |
(Instrumental) | |||
[02] | Just a phone call will do (D. Reno-G. Shuffler) | CMH-9003 | |
[03] | Bringin' in the Georgia mail (F. Rose) | CMH-9003 | |
B. Harrell-L; D. Reno-T | |||
[04] | Little Rock getaway (J. Sullivan) | CMH-9003 | |
(Instrumental) | |||
[05] | The Lord's last supper (D. Reno) | CMH-9003 | |
[06] | I'm using my Bible for a roadmap (Charles Schroeder-Don Reno) | CMH-9003 | |
B. Harrell-L; D. Reno-T | |||
[07] | Reno ride (B. Norman-D. Reno-L. Mann) | CMH-9003 | |
(Instrumental) | |||
[08] | Talk of the town (D. Reno) | CMH-9003 | |
[09] | Long gone (D. Reno) | CMH-9003 | |
[10] | Gold digger (B. Harrell) | CMH-9003 | |
(Instrumental) | |||
[11] | Country boy rock 'n' roll (D. Reno) | CMH-9003 | |
[12] | I know you're married (but I love you still) (D. Reno-M. Magaha) | CMH-9003 | |
B. Harrell-L; D. Reno-T | |||
[13] | Dixie breakdown (D. Reno-J. Lunseford) | CMH-9003 | |
(Instrumental) | |||
[14] | I couldn't win (D. Reno) | CMH-9003 | |
[15] | He's coming back to Earth again (D. Reno) | CMH-9003 | |
[16] | Remington ride (H. Penny-H. Remington) | CMH-9003 | |
(Instrumental) | |||
[17] | Don't let your sweet love die (V. Ness-Manners) | CMH-9003 | |
[18] | Trail of sorrow (D. Reno) | CMH-9003 | |
[19] | Limehouse blues (D. Furber-P. Braham) | CMH-9003 | |
(Instrumental) | |||
[20] | My mother's Bible (D. Reno) | CMH-9003 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Clay Smith-g; Arthur Smith-g/db; Ed Ferris-sb | |||
19770000.1 |
1977, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5407 Old Monroe Road, Charlotte, N.C. | ||
[01] | Home in the mountains | CMH-6216 | |
[02] | Miss Elsie's place | CMH-6216 | |
[03] | Follow the leader | CMH-6216 | |
(Instrumental) | |||
[04] | pretty angel tree | CMH-6216 | |
[05] | If today was tomorrow | CMH-6216 | |
[06] | Banjo Bill | CMH-6216 | |
(Instrumental) | |||
[07] | I want to go back to the mountains | CMH-6216 | |
[08] | A Walking catfish | CMH-6216 | |
[09] | Once in a while | CMH-6216 | |
[10] | Booked in advance | CMH-6216 | |
[11] | Going back to church with mama | CMH-6216 | |
George William 'Bill' Harrell-g; Donald Wesley 'Don' Reno-bj; Dale Reno-m; Arnold 'Buck' Ryan-f; Clay Smith-g; Arthur Smith-g/db; Ed Ferris-sb | |||
19780400 |
April-May 1978, Adelphi session, Producer: Bill Harrell & the Virginians, Track Recorders, 8226 Georgia Avenue, Silver Springs,
MD | ||
[01] | Picture on the wall (Bud Landress; Southern Music, BMI) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B | |||
[02] | Flying high (Darrell Sanders; Zap Publications, BMI) | AD-2013 | |
(Instrumental) | |||
[03] | Mary dear (P.D., arr. B. Harrell) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B | |||
[04] | Letter edged in black (P.D., arr. B. Harrell) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B | |||
[05] | Little home in Tennessee (Teddy Wilburn-Doyle Wilburn; Sure Fire Music Co.) | AD-2013 | |
Bill Harrell-L | |||
[06] | Pass me not oh gentle savior (F. Crosby-W.H. Doane, arr. B. Harrell) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
[07] | I dipped in the sugar bowl (Bill Harrell; Allendale Music, BMI) | AD-2013 | |
Bill Harrell-L | |||
[08] | Rebel soldier (Charlie Moore; Zap Publications, BMI) | AD-2013 | |
Bill Harrell-L | |||
[09] | Tragic highway (B. Harrell-D. Swan-H. Harlow; Starday Music, BMI) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
[10] | I never will marry (P.D., arr. B. Harrell) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
[11] | A Heart never knows (B. Harrell-Roy Self-H. Harlow; Starday Music, BMI) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
[12] | Camping in Canaan's land (E. Barlett-A.E. Brumley; Stamps Baxter Music Co.) | AD-2013 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj; Carl Nelson-f; Ed Ferris-sb; Michael Dennis 'Mike' Auldridge-db | |||
19780800 |
August-November 1978, Rebel session, Track Recorders, 8226 Georgia Avenue, Silver Springs, MD | ||
[01] | Green rolling hills (B. Phillips; On Strike Music, BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[02] | Let me make you smile again (Craft; Black Sheep Music, BMI) | REB-1592 | |
B. Harrell-L | |||
[03] | Amy (Weedman; Black Sheep Music, BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B | |||
[04] | Martinsburg march (D. Sanders; Southern Melody, BMI) | REB-1592 | |
(Instrumental) | |||
[05] | Time clock of life (Charlie Monroe) | REB-1592 | |
B. Harrell-L | |||
[06] | I can hear Virginia calling me (B. Harrell; Southern Melody, BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B | |||
[07] | Lonesome with heartaches (B. Harrell; Southern Melody, BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T | |||
[08] | Something in the wind (P. & B. Rosenthal; Sourwood Music, BMI) | REB-1592 | |
B. Harrell-L; D. Sanders-T; L. Stephenson-HB | |||
[09] | A Visit to mother's grave (B. Harrell; Southern Melody, BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T | |||
[10] | I can get the blues when it rains (Stoddard-Klauber; BMI) | REB-1592 | |
B. Harrell-L; L. Stephenson-T | |||
[11] | When the saints go marching in (P.D.) | REB-1592 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[12] | I want to go back to the mountains (B. Harrell; Silver Hill Music, BMI) | REB-1592 | |
B. Harrell-L; D. Sanders-T; C. Nelson-B; E. Ferris-BS | |||
George William 'Bill' Harrell-rhythm g; Darrell Sanders-bj/f; Larry Jefferson Stevenson-m; Michael Dennis 'Mike' Auldridge-db; Ed Ferris-sb | |||
19791000 |
Fall 1979, Leather session, Threshold Recording, Roanoke, Va. | ||
[01] | Hold fast to the right (Traditional) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[02] | Softly and tenderly (Will C. Thompson; P.D.) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[03] | Love lifted me (Peggy Russell; Glaser Publishing, BMI) | LBG-77677 | |
L. Stephenson-L | |||
[04] | Soon the snowflakes will be falling (John Cosby) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[05] | I'd rather be high than down below (Bill Harrell; Ye Gads Publishing Co., BMI) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[06] | On the Jericho road (G. T. Speer-Wally Fowler; Vogue Music, BMI) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[07] | He keeps me singing as I go (Traditional) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[08] | In the garden (Austin Miles; P.D.) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[09] | Sweet Miss Sarah Jane (Ray Buzzeo; Blackwood Music, BMI) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[10] | How great thou art (Stuart Hine; P.D.) | LBG-77677 | |
L. Stephenson-L | |||
[11] | Hymns my mother sang (Traditional; P.D.) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
[12] | Just a little talk with Jesus (Cheauant Derricks; AME Publishing, BMI) | LBG-77677 | |
B. Harrell-L; L. Stephenson-T; C. Nelson-B; E. Ferris-BS | |||
George William 'Bill' Harrell-rhythm g; Darrell Sanders-bj/f; Larry Jefferson Stevenson-m; Carl Nelson-f; Ed Ferris-sb | |||
19801000 |
Fall 1980, Leather session, Threshold Recording, Roanoke, Va. | ||
[01] | The L and N don't stop here anymore (Bobby Goldsboro; Pan in Hand Music, BMI) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[02] | Misty mountain (Bill Harrell-Bob Bowen; Ye Gads, BMI) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[03] | Love must be free (Gracie Williams; Ye Gads, BMI) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[04] | Little whitewashed chimney (Bill Clifton; Starday, BMI) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[05] | Convicted by my conscience (Gracie Williams; Ye Gads, BMI) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[06] | Kentucky (Carl Davis; Harty Taylor, ASCAP) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[07] | Two little girls in blue (Bill Farrell) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[08] | Little cabin home on the hill (Bill Monroe-Lester Flatt) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[09] | I don't believe you met my baby (Autry Inman) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[10] | Dream train engineer (Bill Harrell) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[11] | Gone lonesome (Pete Kuykendall) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
[12] | All about me (Bill Carroll) | LBG-8101 | |
B. Harrell-L; L. Stephenson-T | |||
George William 'Bill' Harrell-rhythm g; Darrell Sanders-bj/f; Larry Jefferson Stevenson-m; Carl Nelson-f; Ed Ferris-sb | |||
19811000 |
Fall 1981, Leather session, Threshold Recording, Roanoke, Va. | ||
[01] | Hushed and still (Ray Holiday) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[02] | I want to live (Bill Harrell) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[03] | Blue eyes crying in the rain (Fred Rose) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[04] | Virginia special (Bill Harrell) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[05] | Nearer my God to Thee (Sarah H. Adams) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[06] | Goodbye Marie (M. McDaniel-D. Linde) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[07] | No letter from home (P.D.) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[08] | Put it off until tomorrow (Dolly Parton-Bill Owens) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[09] | Love me like you used to do (Bill Harrell) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[10] | Whistle britches (Darrell Sanders) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[11] | I love you the best of all | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[12] | Blue Ridge Mountain boy (Bill Harrell) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
[13] | Record commercial (Bill Harrell) | LBG-8106 | |
B. Harrell-L; L. Stephenson-L/T; C. Nelson-B; E. Ferris-BS | |||
George William 'Bill' Harrell-rhythm g; Darrell Sanders-bj/f; Larry Jefferson Stevenson-m; Carl Nelson-f; Ed Ferris-sb | |||
19820000 |
1982, Webco session for Darrell Sanders, Webco Recording Studio | ||
[01] | Rush hour (Darrell Sanders) | WLPS-108 | |
(Instrumental) | |||
[02] | Snow dear (Traditional) | WLPS-108 | |
(Instrumental) | |||
[03] | Love me tender (Elvis Presley-Vera Matson) | WLPS-108 | |
(Instrumental) | |||
[04] | Whoa mule whoa (Traditional) | WLPS-108 | |
(Instrumental) | |||
[05] | On the road again (Willie Nelson) | WLPS-108 | |
(Instrumental) | |||
[06] | Amtrak Express (Darrell Sanders) | WLPS-108 | |
(Instrumental) | |||
[07] | West Virginia style (Darrell Sanders) | WLPS-108 | |
(Instrumental) | |||
[08] | The Unclouded day (Traditional) | WLPS-108 | |
(Instrumental) | |||
[09] | Red haired boy (Traditional) | WLPS-108 | |
(Instrumental) | |||
[10] | When you're smiling (Shay-Fisher, Goodwin) | WLPS-108 | |
(Instrumental) | |||
[11] | Double banjo blues (Don Reno) | WLPS-108 | |
(Instrumental) | |||
[12] | Wild and wonderful (Pudge Warfield) | WLPS-108 | |
(Instrumental) | |||
George William 'Bill' Harrell-rhythm g; Darrell Sanders-bj/f; Larry Jefferson Stevenson-m; Carl Nelson-f; Michael Dennis 'Mike' Auldridge-db/steel g; Ed Ferris-sb | |||
19830000 |
1983, Rebel session, Omega Studio, Kensington, Md. | ||
[01] | Walking in the early morning dew (P. Goble-L. Drumm; Brandy Keg Music, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[02] | Cold November rain (Constable; Attoway Music, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[03] | I'm working on a road (Lester Flatt) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[04] | As long as I live (Roy Acuff; Acuff-Rose, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[05] | The last letter (Rex Griffin) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[06] | Oklahoma hills (Jack Guthrie-Woody Guthrie) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[07] | Reno bound (Harrell-Harlow; Ft. Knox, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[08] | Sweetheart, you done my wrong (Flatt-Monroe; Peer, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[09] | He's coming back to Earth again (Nesbitt; Chappell, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[10] | You pass me by (Reno; Ft. Knox, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[11] | All my roads lead back to you (Bob Morrison) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
[12] | The angels will be taking care of you (Harrell; Attoway, BMI) | REB-1620 | |
B. Harrell-L; L. Stephenson-T/B; C. Nelson-B/T/BS; E. Ferris-BS | |||
George William 'Bill' Harrell-g/lead g; Darrell Sanders-bj/resonator g/lead g; Eddie King-m; Carl Nelson-f; Ed Ferris-sb | |||
19840421 |
21 April 1984, Rebel session, Bias Recording Studio, 5400 Carolina Place, Springfield, Va. | ||
[01] | Do you remember? (Bill Harrell) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[02] | Sprint time (Bill Harrell) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[03] | Come back little pal (Public Domain) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Ed Ferris-sb | |||
19840628 |
28 June 1984, Rebel session, Vassar Recording Studio, Nashville, Tenn. | ||
[01] | Ring of fire (J. Cash) | REB-1640 | |
E. King-L | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Ed Ferris-sb | |||
19841202 |
2 December 1984, Rebel session, Bias Recording Studio, 5400 Carolina Place, Springfield, Va. | ||
[01] | The story of Virgil Carter (Bill Harrell) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[02] | Are there tears behind your smile? (L. Jones) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[03] | For the Bible tells me so (Bill Harrell-George Shuffler) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[04] | Let the Savior in (Public Domain) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Ed Ferris-sb | |||
19850106 |
6 January 1985, Rebel session, Bias Recording Studio, 5400 Carolina Place, Springfield, Va. | ||
[01] | Alabama bound (Public Domain) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[02] | They'll never take her love from me (L. Payne) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[03] | On Whiskey Mountain (Bill Harrell) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
[04] | Reflections of Virginia (Bill Harrell) | REB-1640 | |
B. Harrell-L; E. King-T/B; C. Nelson-B/T; D. Sanders-B | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Ed Ferris-sb | |||
19860400 |
Spring 1986, Rebel session, Bias Recording Studio, 5400 Carolina Place, Springfield, Va. | ||
[01] | Blue Virginia blues (L. Drumm-P. Goble) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[02] | Sonny boy (Damon Black) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[03] | Fire on the north ridge (Damon Black) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[04] | Mary of the wild moor (Public domain) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[05] | God must be a cowboy at heart (Dan Seals) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[06] | God put a rainbow in the clouds (A. Jenkins) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[07] | Letter to home (C. Jackson) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[08] | Kentucky is just a smile away (Damon Black) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[09] | Bare foot Nellie (Reno-Davis) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[10] | I haven't seen Mama in years | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[11] | Wreck of the old 97 (Public domain) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
[12] | Muddy little shoes (Virginia Whitesell) | REB-1650 | |
Bill Harrell-L; Paul Adkins-B/T/BS; Carl Nelson-B/BS/T; Darrell Sanders-B | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Ed Ferris-sb | |||
19870000 |
1987, Rebel session, Producer: Bill Harrell, Threshold Recordings, Roanoke, Va. | ||
[01] | Hello lonesome, good morning blue (Bill Harrell) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[02] | Arkansas, you set my heart aglow (Roger King) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[03] | Bleeding heart (Frank Radcliffe) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[04] | You're a flower blooming in the wildwood (Traditional) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[05] | The old crossroads (Bill Monroe) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[06] | I saw the master this morning (Sharon Higgens-David Gillon) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[07] | That's why I'm happy to be home (Bill Harrell) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[08] | Have you ever been lonely (G. Brown-P. De Rose) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[09] | Freight train boogie (Jim Scott-Bob Nabor) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[10] | You'll have to be the one to say goodbye (Bill Harrell) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[11] | Someone is calling me (Bill Harrell) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
[12] | God's coloring book (Dolly Parton) | REB-1655 | |
Bill Harrell-L; Ward Stout-H; Paul Adkins-H | |||
George William 'Bill' Harrell-g; Darrell Sanders-bj/resonator g/lead g; Paul Adkins-m; Carl Nelson-f; Travis Whetzel-f; Ward Stour-f; Ed Ferris-sb | |||
19900400 |
Spring 1990, Rebel session, unknown | ||
[01] | After the sunrise | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[01] | Are you coming back to me (Mac Wiseman) | REB-CD-1725 | |
M. Wiseman-V; B. Harrell-V | |||
[02] | The old rugged cross | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[09] | We'll meet again sweetheart (Lester Flatt-Earl Scruggs) | REB-CD-1725 | |
M. Wiseman-V; B. Harrell-V | |||
[03] | He took your place | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[04] | A little old fashioned | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[05] | I'll have a new life | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[06] | I saw the Master this morning | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[07] | I'll be no stranger there | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[08] | Stairway of gold | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[09] | The angels will be taking care of you | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[10] | In the garden | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[11] | The unclouded day | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
[12] | The drunkard's child | REB-CD-1685 | |
B. Harrell-V; M. Harrell-V; B. Lundy-V | |||
George William 'Bill' Harrell-g; Mitch Harrell-g; Robert 'Bob' Lundy-m/bj; David Giegrich-db; Carl Nelson-f | |||
19950400 |
Spring 1995, Rebel session, Producer: Bill Harrell, Top of the Hill Studios, Nashville, Tenn. | ||
[01] | Are you coming back to me (Mac Wiseman) | REB-CD-1725 | |
Mac Wiseman-V; B. Harrell-V | |||
[02] | I could cry (Don Reno) | REB-CD-1725 | |
[03] | Are you waiting just for me (Ernest Tubb) | REB-CD-1725 | |
[04] | Sweetheart you done me wrong (Lester Flatt) | REB-CD-1725 | |
[05] | Don't say goodbye if you love me (Jimmie Davis) | REB-CD-1725 | |
[06] | Fireball (Lester Flatt-Josh Graves-Earl Scruggs) | REB-CD-1725 | |
[07] | Steal away somewhere and die | REB-CD-1725 | |
[08] | I want to be loved (John Bailes-Walter Bailes) | REB-CD-1725 | |
[09] | We'll meet again sweetheart (Lester Flatt-Earl Scruggs) | REB-CD-1725 | |
Mac Wiseman-V; B. Harrell-V | |||
[10] | Flower blooming in the wildwood (Traditional) | REB-CD-1725 | |
[11] | Willie Roy the cripple boy (Doc Williams) | REB-CD-1725 | |
[12] | Love please come home (Leon Jackson) | REB-CD-1725 | |
Bill Harrell-rhythm g; Ronnie Reno-g; Don Wayne Reno-g/bj; Dale Reno-m; Josh Graves-db; Buddy Spicher-m/f; Jim Buchanan-f; Del McCoury, Jim McReynolds, Mitch Harrell-V | |||
Revised: 12 May 2017
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