THE OSBORNE BROTHERS (SONNY & BOBBY)
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell, based on data compiled by Neil V. Rosenberg, Eddie Stubbs & Bobby Osborne for Bear Family Records and PragueFrank.
19480000 | 1948, Kitty Records session, Osborne Family Farm House, Ott Road, Dayton, Oh. | ||
[01] | Let me be your darling in Heaven | Kitty 502 | |
B. Osborne-V; S. Osborne-V; Louise Osborne-V | |||
[02] | New freedom bell | Kitty 502 | |
B. Osborne-V; S. Osborne-V; Louise Osborne-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-g | |||
19500300 | March 1950, Cozy session, Radio Station WHIS, Bluefield, W. Va. | ||
232 | Pain in my heart (Bob Osborne-Larry Richardson) | Cozy 232/233 | |
B. Osborne-V; L. Richardson-V | |||
233 | Lonesome, sad and blue (Bob Osborne-Larry Richardson) | Cozy 232/233 | |
B. Osborne-V; L. Richardson-V | |||
272 | Don't forget me (Bob Osborne-Larry Richardson) | Cozy 272/273 | |
B. Osborne-V; L. Richardson-V | |||
273 | Will I meet mother in Heaven (Bob Osborne-Larry Richardson) | Cozy 272/273 | |
B. Osborne-V; L. Richardson-V | |||
Robert Van 'Bobby' Osborne-g; Larry Richardson-bj; Ray Morgan-f; Ezra Cline-sb | |||
19510700 | July 1951, Kitty Records session, Recorded by: Ott Ginter, Osborne Family farm, Dayton, Ohio | ||
[01] | Now you have my name | Kitty 501 | |
B. Osborne-V; S. Osborne-V | |||
[02] | Television Saturday night | Kitty 501 | |
B. Osborne-V; S. Osborne-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Jimmy Martin-g; Louise Osborne-V | |||
19510827 | 27 August 1951, King session, King Recording Studio, 1540 Brewster Ave., Cincinnati, OH | ||
K 3236-1 | My lonely heart (J. Martin-B. Osborne; Lois, BMI) | ||
B. Osborne-L; C. Cline-B | |||
K 3237-1 | She's just a cute thing (J. Martin-B. Osborne; Lois, BMI) | GT4-2027 | |
J. Martin-L; B. Osborne-T; C. Cline-B | |||
K 3238-1 | Blue eyed darlin' (J. Martin-B. Osborne; Lois, BMI) | 1037 | |
J. Martin-L; B. Osborne-T | |||
K 3239-1 | You'll never be the same (J. Martin-B. Osborne; Lois, BMI) | 1037 | |
J. Martin-L; B. Osborne-T; C. Cline-B | |||
James Henry 'Jimmy' Martin-g; Robert Van 'Bobby' Osborne-m; Charlie Cline-bj; Curly Ray Cline-f; Ralph 'Little Robert' Guenther-sb | |||
19520718.1 | 18 July 1952, Decca session, Producer: Paul Cohen, Castle Studio, Tulane Hotel, 206 8th Ave. North, Nashville, Tenn., 14:15-
17:15 | ||
NA 2781 / 83130 | In the pines (Jimmie Davis-Bill Monore) | 28416 | DL-5010 |
J. Martin-L; B. Monroe-T | |||
NA 2782 / 83131 | Footprints in the snow (Rupert Jones) | 28416 | DL-4327 |
B. Monroe-L | |||
William Smith 'Bill' Monroe-m; James Henry 'Jimmy' Martin-g; Sonny Roland Osborne-bj; Charlie Cline-f; Ernest 'Ernie' Newton-sb | |||
19520718.2 | 18 July 1952, Decca session, Producer: Paul Cohen, Castle Studio, Tulane Hotel, 206 8th Ave. North, Nashville, Tenn., 20:30-
00:30 | ||
NA 2784 / 83133 | Memories of mother and dad (Albert Price) | 28878 | DL-4780 |
J. Martin-L; B. Monroe-T | |||
NA 2785 / 83134 | The little girl and the dreadful snake (Albert Price) | 28878 | VL-3702 |
J. Martin-L; B. Monroe-T | |||
NA 2786 / 83135 | Country waltz (Bill Monroe-Claude V. Breeland) | 28749 | MCA-9224-27 |
B. Monroe-L | |||
NA 2787 / 83136 | Don't put it off til tomorrow (Bill Monroe-Pete Pyle) | DL-75135 | |
B. Monroe-L | |||
NA 2788 / 83137 | My dying bed (Albert Price) | DL-4780 | |
J. Martin-L; B. Monroe-T | |||
William Smith 'Bill' Monroe-m; James Henry 'Jimmy' Martin-g; Sonny Roland Osborne-bj; Charlie Cline-f; Ernest 'Ernie' Newton-sb | |||
19520726 | 26 July 1952, Decca session, Producer: Paul Cohen, Castle Studio, Tulane Hotel, 206 8th Ave. North, Nashville, Tenn., 08:00-
11:00 | ||
NA 2801 / 83171 | A mighty pretty waltz (Al Hoffman-Norman Gimbel) | 28356 | MCA-9224-27 |
B. Monroe-L | |||
NA 2802 / 83172 | Pike County breakdown (Rupert Jones) | 28356 | BS 1 |
(Instrumental) | |||
William Smith 'Bill' Monroe-m; James Henry 'Jimmy' Martin-g; Sonny Roland Osborne-bj; Charlie Cline-f; Ernest 'Ernie' Newton-sb | |||
19521000 | ca. October 1952, Gateway session for Sonny Osborne, Engineered by: Chuck Seitz, Cincinnati, OH | ||
GW 8050 | Letter from my darling | 563 | PST-756 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8051 | I'll stay around | 563 | PST-756 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8052 | The old home town | 564 | PST-756 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8053 | Down the road | 564 | PST-756 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8054 | We'll meet again sweetheart | 606 | PST-743 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8055 | Uncle Pen (Bill Monroe) | 606 | PST-743 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8056 | Rose of old Kentucky (Bill Monroe) | 607 | PST-743 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8057 | I cried again | 607 | PST-743 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8058 | Get in line brother | 565 | 31389/90 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8059 | The old cross road | 565 | 31389/90 |
C. Brock-V; S. Osborne-V; E. Johnson-V | |||
GW 8060 | Raw hide | Big-4 24 | Gateway 19 |
(Instrumental) | |||
GW 8061 | Cumberland Gap | Big-4 24 | Gateway 19 |
(Instrumental) | |||
GW 8062 | Train forty-five | Big-4 24 | Gateway 19 |
(Instrumental) | |||
GW 8063 | Whitehouse blues | Big-4 24 | Gateway 19 |
Sonny Roland Osborne-bj; Carlos Brock-g; Enos Johnson-m; Billy Thomas-f; Smokey Ward-sb | |||
19521100 | ca. November 1952, Gateway session for Sonny Osborne, Engineered by: Chuck Seitz, Cincinnati, OH | ||
GW 8074 | Sunny mountain chimes (Sunny Osborn [sic]; Gateway, BMI) | 3005 | Gateway 19 |
(Instrumental) | |||
GW 8075 | A brother in Korea (Lou Osborn; Gateway, BMI) | 3005 | 31389/90 |
S. Osborne-V | |||
GW 8076 | I'm gonna leave you | 3007 | 31389/90 |
S. Osborne-V; E. Johnson-V | |||
GW 8077 | Mend this heart of mine | 3007 | 31389/90 |
S. Osborne-V; E. Johnson-V | |||
GW 8078 | Cabin home on the hill | 608 | PST-743 |
S. Osborne-V; E. Johnson-V | |||
GW 8079 | Pain in my heart | 608 | PST-743 |
GW 8080 [07] | So happy I'll be | Big-4 27 | |
S. Osborne-V; E. Johnson-V | |||
GW 8080 [08] | I'm going to make Heaven my home | Big-4 27 | |
S. Osborne-V; E. Johnson-V | |||
GW 8181 [09] | I'm using my Bible for a roadmap | Big-4 28 | |
S. Osborne-V; E. Johnson-V | |||
GW 8181 [10] | Lonely tombs | Big-4 28 | |
S. Osborne-V; E. Johnson-V | |||
[11] | Cotton eyed Joe | 31389/90 | |
(Instrumental) | |||
[12] | Ragged Bill | 31389/90 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Carlos Brock-g; Enos Johnson-m; Billy Thomas-f; Smokey Ward-sb | |||
19530100 | ca. January-February 1953, Gateway session for Sonny Osborne, Engineered by: Chuck Seitz, Cincinnati, OH | ||
[01] | That fatal day | 31389/90 | |
S. Osborne-V; E. Johnson-V | |||
[02] | Blue eyed angel | 31389/90 | |
S. Osborne-V; E. Johnson-V | |||
[03] | I'll never forget | 31389/90 | |
S. Osborne-V; E. Johnson-V | |||
[04] | Letter from my darling | 31389/90 | |
S. Osborne-V; E. Johnson-V | |||
Sonny Roland Osborne-bj; Junior Huskey-g; Enos Johnson-m; Billy Thomas-f; Smokey Ward-sb | |||
19530800 | August 1953, Gateway session for Sonny Osborne, Engineered by: Chuck Seitz, Gateway Studio, 3930 Spring Grove Ave.,
Cincinnati, OH | ||
GW 8314 | Baby blue eyes | 603 | PST-743 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8315 | When the golden leaves begin to fall | 603 | PST-743 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8316 | I'm on my way to the old home | 604 | PST-756 |
B. Osborne-LV/TC; S. Osborne-LC | |||
GW 8317 | Sugar coated love | 604 | PST-743 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8318 | I'll meet you in church Sunday morning | 596 | 31389/90 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8319 | River of death | 596 | 31389/90 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8320 | Molly and Ten Brook | 605 | PST-743 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
GW 8321 | Mule skinner blues | 605 | PST-756 |
B. Osborne-V; S. Osborne-V; E. Johnson-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Enos Johnson-m; Billy Thomas-f; Smokey Ward-sb | |||
19540200 | February 1954, Gateway session for Sonny Osborne, Engineered by: Chuck Seitz, Gateway Studio, 3930 Spring Grove Ave.,
Cincinnati, OH | ||
GW 8366 | Gun powder | 3008 | Gateway 19 |
(Instrumental) | |||
GW 8372 | Life won't be the same | 3008 | 31387/8 |
S. Osborne-V; B. Osborne-V | |||
GW 8623 [03] | Blue waves | 3009 | Gateway 19 |
(Instrumental) | |||
GW 8623 [04] | Cripple Creek | 3009 | Gateway 19 |
S. Osborne-V; B. Osborne-V | |||
GW 8624 [05] | Sunny Mountain breakdown | 3009 | 31387/8 |
(Instrumental) | |||
GW 8624 [06] | Big Lee | 3009 | |
(Instrumental) | |||
Robert Van 'Bobby' Osborne-m; Sonny Roland Osborne-bj; Enos Johnson-m; L. E. White-f; Charles 'Kentucky Slim' Eza-sb | |||
19541116 | 16 November 1954, RCA Victor session, RCA Victor Studio, Methodist Television Radio & Film Commission, 1525 McGavock
Street, Nashville, Tenn., 14:00-17:30 | ||
E4VB 6007 | Save it! Save it! (Rufus Shoffner) | 5958 | LPV-569 |
J. Martin-L; B. Osborne-T | |||
E4VB 6008 | Chalk up another one (H. Winston-Wilmer Neal) | 6037 | LPV-569 |
J. Martin-L; B. Osborne-T; S. Osborne-B | |||
E4VB 6009 | I pulled a boo boo (Gene Davis-Chuck Mills) | 6037 | BCD-15705 |
J. Martin-L; B. Osborne-T | |||
E4VB 6010 | They didn't know the difference (J. Ross-Sackey Allen) | 6111 | BCD-15705 |
J. Martin-L | |||
E4VB 6011 | 20/20 vision (Joe Allison-Milton Estes) | 5958 | LPV-569 |
J. Martin-L; B. Osborne-HB; S. Osborne-T | |||
E4VB 6012 | That's how I can count on you (Shorty Long-Bob Newman) | 6111 | BCD-15705 |
J. Martin-L; B. Osborne-T | |||
James Henry 'Jimmy' Martin-g; Robert Van 'Bobby' Osborne-m; Sonny Roland Osborne-bj; Red Taylor-f; Howard Staton Watts 'Cedric Rainwater'-sb | |||
19550000 | 1955, Radio mail-order gospel session with Charlie Bailey & the Happy Valley Boys, Wheeling, W.Va. | ||
[01] | Everlasting joy | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[02] | The blood that stained the old rugged cross (Brumley) | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[03] | I'm building a mansion | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[04] | If we forget God (Louvin) | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[05] | Ashamed to own the Saviour (Bailes) | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[06] | Where the soul never dies | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[07] | After the sunrise | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[08] | Somewhere in the shadows (Ford) | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[09] | I'm gonna serve Him till I die | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[10] | When He reached down for me | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[11] | Tramp on the street (Cole) | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
[12] | That old time religion in my heart | OHCS-102 | |
C. Bailey-L; B. Osborne-T; S. Osborne-B | |||
Charlie Bailey-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Norman Keith 'Buddy' Spicher-f; Phyllis McCumby-accordion; Bill Napier-sb | |||
19560200 | February 1956, Gateway session, Engineered by: Chuck Seitz, Gateway Studio, 3930 Spring Grove Ave., Cincinnati, OH | ||
GW 8934 [01] | Hand me down my walking cane | 3010 | 31385/6 |
(Instrumental) | |||
GW 8934 [02] | Jesse James | 3010 | Gateway 19 |
(Instrumental) | |||
GW 8935 [03] | Swanee River | 3010 | Gateway 19 |
(Instrumental) | |||
GW 8935 [04] | Silver rainbow | 3010 | Gateway 19 |
(Instrumental) | |||
GW 8936 [05] | Wildwood flower | 3011 | Gateway 19 |
(Instrumental) | |||
GW 8936 [06] | Auld lang syne | 3011 | Gateway 19 |
(Instrumental) | |||
GW 8937 [07] | Sunny Mountain rock and roll | 3011 | |
(Instrumental) | |||
GW 8937 [08] | Banjo boy chimes | 3011 | Gateway 19 |
(Instrumental) | |||
Sonny Roland Osborne-bj; Harley L. 'Red' Allen-rhythm g; Robert Van 'Bobby' Osborne-m/f (8934 [2], 8935 [03], 8936 [5] only); Arthur Sturgl 'Art' Stamper-f; Les Bodine-sb | |||
19560701 | 1 July 1956, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, RCA Victor Studio, Methodist Television Radio & Film
Commission, 1525 McGavock Street, Nashville, Tenn., 14:00-17:00 | ||
56-XY 336-2 / 56-S-2 | Who done it? (Arthur Q. Smith) | K-12383 | MGM 9951-54 |
R. Allen-L; B. Osborne-T; S. Osborne-B | |||
56-XY 337-1 / 56-S-2 | Ruby, are you mad (Cousin Emmy) | K-12308 | MGM 9951-54 |
R. Allen-L; B. Osborne-T | |||
56-XY 338-3 / 56-S-2 | My aching heart (Dorothy Sloan-Earl Sloan) | K-12308 | MGM 9951-54 |
R. Allen-L | |||
56-XY 339-2 / 56-S-2 | Teardrops in my eyes (Red Allen-Tommy Sutton) | K-12383 | MGM 9951-54 |
R. Allen-L; B. Osborne-T | |||
Harley L. 'Red' Allen-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Lee 'Tommy' Jackson-f; Arthur Sturgl 'Art' Stamper-f; Ernest 'Ernie' Newton-sb | |||
19561229 | 29 December 1956, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, RCA Victor Studio, Methodist Television Radio &
Film Commission, 1525 McGavock Street, Nashville, Tenn., 13:00-16:00 | ||
56-XY 584-3 / 56-S-7 | Wild mountain honey (Arthur Q. Smith) | K-12527 | MGM 9951-54 |
R. Allen-L; B. Osborne-T; S. Osborne-B | |||
56-XY 585-2 / 56-S-7 | Down in the willow garden (Charlie Monroe) | K-12420 | E-3734 |
R. Allen-L; B. Osborne-HB | |||
56-XY 586-1 / 56-S-7 | Ho, honey, ho (Bob Osborne-Tommy Sutton) | K-12420 | E-3734 |
R. Allen-L; B. Osborne-B | |||
56-XY 587-2 / 56-S-7 | Della Mae (Tommy Sutton-Dorothy & Earl Sloan) | K-12527 | E-3734 |
B. Osborne-L; R. Allen-B | |||
Harley L. 'Red' Allen-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m/bj; Gordon H. Terry-f; Ernest 'Ernie' Newton-sb | |||
19570200 | Winter 1957, Pinecastle reissue of live radio show, Radio Station WWVA, Wheeling, W. Va. | ||
[01] | Eddie Stubbs introduces Sonny & Bobby | PRC-1124 | |
Eddie Stubbs-sp | |||
[02] | Shuckin' the corn | PRC-1124 | |
(Instrumental) | |||
[03] | The hills of Roan County (Traditional; arr. Sonny Osborne; Rocky Top Music, BMI) | PRC-1124 | |
B. Osborne-V | |||
[04] | Here today and gone tomorrow (Maxine Brown-Jim Ed Brown; Jamie Music Publishing Co., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; R. Allen-V | |||
[05] | They sleep together now at rest (Callahan-Callahan) | PRC-1124 | |
B. Osborne-V; R. Allen-V | |||
[06] | Highway of sorrow (Bill Monroe-Pete Pyle; Hill and Range Songs, BMI) | PRC-1124 | |
B. Osborne-V; R. Allen-V | |||
[07] | Who done it? (Arthur Q. Smith; Fort Knox Music Co./Trio Music Co., Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; R. Allen-V | |||
[08] | Red wing (Arr. Sonny Osborne; Rocky Top Music, BMI) | PRC-1124 | |
(Instrumental) | |||
Harley L. 'Red' Allen-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Johnny Dacus-f; Ricky Russell-db; Ray Anderson-sb | |||
19571017 | 17 October 1957, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, RCA Victor Studio, Methodist Television Radio &
Film Commission, 1525 McGavock Street, Nashville, Tenn., 19:00-22:00 | ||
57-XY 552-3 / 57-S-5 | She's no angel (Wanda Ballman-J.W. Arnold) | K-12583 | E-3734 |
R. Allen-L; B. Osborne-HB | |||
57-XY 553-7 / 57-S-5 | Is this my destiny? (Helen Carter) | K-12633 | E-3734 |
R. Allen-L; B. Osborne-TV/LC | |||
57-XY 554-4 / 57-S-5 | Once more (Dusty Owens) | K-12583 | E-3734 |
B. Osborne-HL; S. Osborne-H; R. Allen-H | |||
57-XY 555-7 / 57-S-5 | Two lonely hearts (Tommy Sutton-Dorothy & Earl Sloan) | X-1646 | E-3734 |
R. Allen-L; B. Osborne-T; S. Osborne-B | |||
Harley L. 'Red' Allen-rhythm g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Harold B. 'Shot' Jackson-db; Ernest 'Ernie' Newton-sb; Murrey M. 'Buddy' Harman-drums | |||
19580213 | 13 February 1958, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Bradley Film & Recording Studio, 804 16th
Avenue South, Nashville, Tenn., 11:00-14:30 | ||
58-XY 271-6 | Lost highway (Leon Payne) | K-12805 | E-3734 |
R. Allen-V; B. Osborne-V; S. Osborne-V | |||
58-XY 272-6 | Love pains (Bob Gallion) | K-12689 | E-3734 |
R. Allen-LV; B. Osborne-V; S. Osborne-V | |||
58-XY 273-7 | It hurts to know (Red Allen-Tommy Sutton) | K-12689 | E-3734 |
R. Allen-V; B. Osborne-V; S. Osborne-V | |||
58-XY 274-8 | If you don't, somebody else will (Johnny Mathis-Jimmy Fautheree-Geraldine Hamilton) | K-12633 | E-3734 |
R. Allen-LV; B. Osborne-V; S. Osborne-V | |||
Harley L. 'Red' Allen-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Jimmy Crawford-db; Ernest 'Ernie' Newton-sb; Murrey M. 'Buddy' Harman-drums | |||
19590109 | 9 January 1959, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Bradley Film & Recording Studio, 804 16th Avenue
South, Nashville, Tenn., 19:00-22:30 | ||
59-XY 300-12 | Give this message to your heart (Ira & Charles Louvin) | K-12762 | E-4018 |
B. Osborne-LV/V; S. Osborne-V; I. Louvin-V | |||
59-XY 301-3 | You'll never know (how much it hurts) (Don Gibson; Acuff-Rose, BMI) | K-12805 | E-4018 |
B. Osborne-LV/TC; S. Osborne-LC | |||
59-XY 302-12 | I love you only (Dusty Owens) | K-12762 | E-4018 |
S. Osborne-V; B. Osborne-V | |||
59-XY 303 | It's just the idea (John D. Loudermilk) | E-4018 | |
S. Osborne-L; B. Osborne-HB | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m/g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; Murrey M. 'Buddy' Harman-drums | |||
19590910 | 10 September 1959, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, RCA Victor Studio, 1610 Hawkins Street,
Nashville, Tenn., 19:00-22:30 | ||
59-XY 895 | Lonely, lonely me (Bob Osborne) | K-12930 | E-4018 |
B. Osborne-LV/HBC; J. Brown, Jr.-LC | |||
59-XY 896-5&7 | Sweethearts again (Bob Gallion; Acuff-Rose, BMI) | K-12839 | E-4018 |
B. Osborne-L; J. Brown, Jr.-B | |||
59-XY 897 | Blame me (Donny Young-Darrell McCall) | K-12930 | E-4018 |
J. Brown, Jr.-L; B. Osborne-HB | |||
59-XY 898-8 | There's a woman behind every man (Wayne Walker-Marijohn Wilkin) | K-12839 | E-4018 |
B. Osborne-LV/HBC; J. Brown, Jr.-LC | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Russell 'Rusty' Kershaw-electric g; Roy M. 'Junior' Huskey-sb; Morris Palmer-drums | |||
19601115 | 15 November 1960, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Bradley Film & Recording Studio, 804 16th
Avenue South, Nashville, Tenn. | ||
60-XY 1001 | Fair and tender ladies (Maybelle Carter) | K-12970 | E-4018 |
B. Osborne-L; J. Brown, Jr.-V; S. Osborne-V | |||
60-XY 1004 | Each season changes you (Albert Goree-Ruth Talley) | K-13045 | E-4018 |
B. Osborne-L; J. Brown, Jr.-V; S. Osborne-V | |||
60-XY 1050 | The black sheep returned to the fold (Fred Rose) | K-13045 | E-4018 |
J. Brown, Jr.-L; B. Osborne-V; S. Osborne-V | |||
60-XY 1051 | At the first fall of snow (Lorene Rose) | K-12970 | E-4018 |
B. Osborne-LV/HBC; S. Osborne-LC | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Hank 'Sugarfoot' Garland-electric g; Pete Drake-steel g; Floyd Taylor 'Lightnin' Chance-sb; Murrey M. 'Buddy' Harman-drums | |||
19610621 | 21 June 1961, Pinecastle reissue of live concert, Watermelon Park, Berryville, Va. | ||
[01] | We'll meet again sweetheart (Lester Flatt-Earl Scruggs; Peer International Corporation, BMI) | PRC-1124 | |
B. Osborne-V; L. Flatt-V | |||
Robert Van 'Bobby' Osborne-m; Sonny Roland Osborne-bj; Lester Raymond Flatt-g; Paul Warren-f; Josh Graves-db; Jake Tullock-sb | |||
19620214.1 | 14 February 1962, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave.
South, Nashville, Tenn. | ||
62-XY 390 | Old Hickory (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 391 | Old Joe Clark (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 392 | Big Ben (Benny Birchfield) | E-4090 | |
(Instrumental) | |||
62-XY 393 | Billy in the lowground (Bob Osborne) | E-4090 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Benny Howard Birchfield-bj; Floyd Taylor 'Lightnin' Chance-sb; Murray M. 'Buddy' Harmon- drums | |||
19620214.2 | 14 February 1962, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave.
South, Nashville, Tenn. | ||
62-XY 394 | John Henry blues (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 395 | Banjo boy chimes (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 396 | Walking cane (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 397 | Red Wing (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Benny Howard Birchfield-bj; Floyd Taylor 'Lightnin' Chance-sb; Murray M. 'Buddy' Harmon- drums | |||
19620214.3 | 14 February 1962, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave.
South, Nashville, Tenn. | ||
62-XY 398 | Seeing Nellie home (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 399 | Jesse James (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 400 | Cumberland Gap (Sonny Osborne) | E-4090 | |
(Instrumental) | |||
62-XY 401 | Lost Indian (Bob Osborne) | E-4090 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Benny Howard Birchfield-bj; Floyd Taylor 'Lightnin' Chance-sb; Murray M. 'Buddy' Harmon- drums | |||
19620215 | 15 February 1962, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio, 804 16th Ave. South,
Nashville, Tenn. | ||
62-XY 402 | Poor old Cora (Boudleaux & Felice Bryant) | K-13098 | MGM 9951-54 |
B. Birchfield-LV/BC; B. Osborne-HLC; B. Osborne-H | |||
62-XY 403 | Five days of Heaven (Ira Louvin-Doug Kershaw) | K-13073 | GAS-140 |
B. Osborne-L; S. Osborne-H; B. Birchfield-H | |||
62-XY 404 | Ain't gonna rain no mo' (Wendell W. Hall) | K-13073 | MGM 9951-54 |
B. Birchfield-L; B. Osborne-T; S. Osborne-B | |||
62-XY 405 | The banjo boys (Bobby Osborne) | K-13098 | MGM 9951-54 |
B. Osborne-L; S. Osborne-V; B. Birchfield-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; John Slagle, Jr. 'Jimmy Brown, Jr.'-g; Benny Howard Birchfield-bj; Doug Kershaw-electric g; Floyd Taylor 'Lightnin' Chance-sb; Murray M. 'Buddy' Harmon-drums | |||
19630108 | 8 January 1963, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave. South,
Nashville, Tenn., 10:00-13:00 | ||
63-XY 300 | Send me the pillow that you dream on (Hank Locklin) | E-4149 | |
B. Osborne-LV; S. Osborne-LV/TC; B. Birchfield-V | |||
63-XY 301 | Worried man blues (A.P. Carter) | E-4149 | |
S. Osborne-L; B. Osborne-T; B. Birchfield-B | |||
63-XY 302 | May you never be alone (Hank Williams) | E-4149 | |
B. Osborne-HL; S. Osborne-H; B. Birchfield-H | |||
63-XY 303 | New partner waltz (Ira & Charles Louvin) | E-4149 | |
S. Osborne-L; B. Osborne-T; B. Birchfield-B | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Raymond Q. 'Ray' Edenton-g; Jerry Byrd-sb; Murray M. 'Buddy' Harmon-drums | |||
19630109 | 9 January 1963, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave. South,
Nashville, Tenn., 10:00-13:00 | ||
63-XY 304 | How's the world treating you (Boudleaux Bryant-Chet Atkins) | MGM 9951-54 | |
B. Osborne-HL; S. Osborne-H; B. Birchfield-H | |||
63-XY 305 | Night train to Memphis (Marvin Hughes-Beasley Smith-Owen Bradley) | E-4149 | |
B. Osborne-L; S. Osborne-H; B. Birchfield-H | |||
63-XY 306 | Mule skinner blues (Jimmie Rodgers-George Vaughn) | K-13126 | GAS-140 |
B. Osborne-H | |||
63-XY 307 | White lightnin' (J.P. Richardson) | E-4149 | |
B. Osborne-L; S. Osborne-V; B. Birchfield-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Thomas Grady Martin-sb; William Paul 'Willie' Ackerman-drums | |||
19630110 | 10 January 1963, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio B, 804 16th Ave.
South, Nashville, Tenn., 10:00-13:00 | ||
63-XY 308 | Bluegrass music's really gone to town (Justin Tubb) | E-4149 | |
B. Osborne-LV/TC; S. Osborne-LC; B. Birchfield-B | |||
63-XY 309 | Lovey told me goodbye (Boudleaux & Felice Bryant) | K-13126 | MGM 9951-54 |
B. Birchfield-L; B. Osborne-HB; S. Osborne-V; F. Bryant-V; S. Denning-V | |||
63-XY 310 | Ballad of Jed Clampett (Paul Henning) | E-4149 | |
B. Osborne-L | |||
63-XY 311 | Memories never die (Boudleaux & Felice Bryant) | E-4149 | |
S. Osborne-V; B. Osborne-V; B. Birchfield-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Benny Howard Birchfield-g/bj; Thomas Grady Martin-sb; William Paul 'Willie' Ackerman-drums; Felice Bryant, Sue Denning-V chorus | |||
19630111 | 11 January 1963, MGM session, Producers: Wesley Rose, James 'Jim' Vienneau, Columbia Recording Studio A, 804 16th Ave.
South, Nashville, Tenn., 19:00-22:00 | ||
63-XY 312 | Mule train (Glickman-Lange-Heath) | MGM 9951-54 | |
B. Osborne-LV/HBC; S. Osborne-H; B. Birchfield-H | |||
63-XY 313 | Ruby, are you mad? (Cousin Emmy) | E-4149 | |
B. Osborne-L; S. Osborne-H; B. Birchfield-B | |||
63-XY 314 | Sourwood Mountain (Sonny & Bobby Osborne-Benny Birchfield) | E-4149 | |
B. Osborne-L/T; S. Osborne-H; B. Birchfield-H | |||
63-XY 315 | Sweet thing (Rufus Bridley) | E-4149 | |
B. Osborne-HL; S. Osborne-LT; B. Birchfield-B | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Grady Martin-g; Benny Howard Birchfield-g/bj; Jerry Byrd-sb; William Paul 'Willie' Ackerman-drums; Boudleaux Bryant- whip/board | |||
19630821 | 21 August 1963, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Columbia Recording Studio, 804 16th
Ave. South, Nashville, Tenn., 14:00-17:00 | ||
NA 12614 / 113979 | Take this hammer (arr. Sonny & Bob Osborne-Benny Birchfield) | 31546 | DL-74602 |
B. Osborne-L; S. Osborne-LT; B. Birchfield-B | |||
NA 12615 / 113980 | Don't even look at me (Bill Sky) | 31546 | DL-74602 |
S. Osborne-V; B. Osborne-V; B. Birchfield-V | |||
NA 12616 / 113981 | The cuckoo bird (C. Albert Scholin-Ruth B. Scholin) | 31595 | DL-74602 |
B. Osborne-LV/HBC; S. Osborne-LC; B. Birchfield-B | |||
NA 12617 / 113982 | Bluegrass express (Bob Osborne) | 31595 | DL-74602 |
B. Osborne-L; S. Osborne-LT; B. Birchfield-B | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Thomas Grady Martin-g/12 string g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; Murray M. 'Buddy' Harmon-drums | |||
19640623 | 23 June 1964, Decca session, Producer: Harry Silverstein; Leader: Lightnin' Chance, Columbia Recording Studio, 804 16th Ave.
South, Nashville, Tenn., 09:30-13:30 | ||
NA 12972 / 114996 | Me and my old banjo (Sonny Osborne) | 31751 | DL-74602 |
S. Osborne-V; B. Osborne-V; B. Birchfield-V | |||
NA 12973 / 114997 | Pathway of teardrops (Wayne P. Walker-Webb Pierce) | DL-74602 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
NA 12974 / 114998 | Gotta travel on (Paul Clayton) | CB-20003 | |
B. Birchfield-L; B. Osborne-T; S. Osborne-B | |||
NA 12975 / 114999 | Salty dog blues (Wiley & Zeke Morris) | DL-74602 | |
B. Birchfield-L; B. Osborne-T; B. Osborne-B | |||
NA 12976 / 115020 | Kentucky (Karl Davis) | DL-74602 | |
S. Osborne-L; B. Osborne-HB; B. Birchfield-B | |||
NA 12977 / 115021 | Bugle on the banjo (Bugle call rag) (Sonny Osborne) | DL-74602 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman- drums | |||
19640624 | 24 June 1964, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Columbia Recording Studio, 804 16th
Ave. South, Nashville, Tenn., 09:30-12:30 | ||
NA 12981 / 115022 | Cotton fields (Huddie Ledbetter) | DL-74602 | |
B. Osborne-L; S. Osborne-LT; B. Birchfield-B | |||
NA 12982 / 115023 | Faded love (John Wills-Bob Wills) | DL-74767 | |
B. Birchfield-L; B. Osborne-T; S. Osborne-B | |||
NA 12983 / 115024 | This heart of mine (can never say goodbye) (Bobby Osborne-Pete Goble) | 31655 | DL-74602 |
B. Osborne-LV/HBC; S. Osborne-LC; B. Birchfield-B | |||
NA 12984 / 115025 | Charlie Cotton (Sonny Osborne-Benny Birchfield-Pete Goble) | 31655 | DL-74602 |
S. Osborne-L; B. Osborne-HB; B. Birchfield-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman- drums | |||
19650115 | 15 January 1965, Decca session, Producer: Harry Silverstein; Leader: Lightnin' Chance, Columbia Recording Studio, 804 16th Ave.
South, Nashville, Tenn., 10:00-13:00 | ||
NA 13226 / 115592 | I'll be alright tomorrow (Bobby Osborne-Pete Goble) | 31823 | DL-74767 |
B. Osborne-LV/HBC; S. Osborne-LC; G. Cash-V | |||
NA 13227 / 115593 | Cut the cornbread (Dana Ferris) | CB-20003 | |
S. Osborne-V; B. Osborne-V; G. Cash-V | |||
NA 13228 / 115594 | Hey, hey, bartender (Betty Sue Perry) | 31751 | DL-74767 |
B. Osborne-L | |||
NA 13229 / 115595 | Lonesome day (Bobby & Sonny Osborne) | 31823 | DL-74767 |
B. Osborne-L | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Gordon Cash-g; Raymond Q. 'Ray' Edenton-g; Benjamin Edward 'Benny' Martin-f; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums | |||
19651007 | 7 October 1965, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Columbia Recording Studio, 804 16th Ave.
South, Nashville, Tenn., 10:00-13:00 | ||
NA 13746 / 116646 | Big spike hammer (Bobby Osborne-Pete Goble) | DL-74767 | |
B. Osborne-LV/HBC; S. Osborne-LC; D. Sledd-H | |||
NA 13747 / 116647 | Memories (Bobby Osborne) | 31886 | DL-74903 |
B. Osborne-HL; S. Osborne-B | |||
NA 13748 / 116648 | I know what it means to be lonesome (James Brockman-James Kendis-Nat Vincent) | DL-74767 | |
B. Osborne-L | |||
NA 13749 / 116649 | Up this hill and down (Richard D. Staedtler) | 31886 | DL-74767 |
B. Osborne-LV/HBC; S. Osborne-LC; D. Sledd-B | |||
NA 13750 / 116650 | In the pines (Jimmie Davis-Clayton McMichen-Slim Bryant) | DL-74767 | |
B. Osborne-HL; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19651122 | 22 November 1965, Decca session, Producer: Harry Silverstein; Leader: Lightnin' Chance, Columbia Recording Studio, 804 16th
Ave. South, Nashville, Tenn., 14:00-17:30 | ||
NA 13798 / 116770 | One tear (Judy Osborne; Sure-Fire Music, BMI) | 32052 | DL-74903 |
B. Osborne-LV/HBC; S. Osborne-LC; D. Sledd-H | |||
NA 13799 / 116771 | Making plans (Johnny Russell-Voni Morrison) | 32137 | DL-74767 |
B. Osborne-HL; S. Osborne-LT; D. Sledd-B | |||
NA 13800 / 116772 | Yesterday's gone (B. Stuart-W. Kidd) | DL-74767 | |
S. Osborne-V; B. Osborne-V; D. Sledd-V | |||
NA 13801 / 116773 | Footprints in the snow (Rupert Jones) | DL-74767 | |
B. Osborne-L | |||
NA 13802 / 116774 | Sure-fire (Bobby Osborne) | DL-74767 | |
(Instrumental) | |||
Sonny Roland Osborne-bj/5-string db (13799); Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Wayne Moss-g/12 string g; Norman Keith 'Buddy' Spicher-f; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums | |||
19660425 | 25 April 1966, Dot sesssion for Mac Wiseman, Columbia Recording Studio, 804 16th Ave. South, Nashville, Tenn. | ||
[01] | We live in two different worlds (Fred Rose; Milene Music, ASCAP) | ABC-30033 | |
M. Wiseman-L | |||
[02] | Tragic romance (G. Jones; Lois Pub. Co., BMI) | ABC-30033 | |
M. Wiseman-L | |||
[03] | I'll be all smiles tonight (Adapt. & arr. Mac Wiseman; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
[04] | This is where I came in (Smilie Sutter; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
[05] | You're the best of all the leading brands (Smilie Sutter; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
[06] | Don't make me go to bed and I'll be good (Adapt. & arr. Mac Wiseman; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Lee 'Tommy' Jackson-f; Joseph S. 'Joe' Zinkan-sb; William Paul 'Willie' Ackerman-drums | |||
19660426 | 26 April 1966, Dot sesssion for Mac Wiseman, Columbia Recording Studio, 804 16th Ave. South, Nashville, Tenn. | ||
[01] | The bluebirds are singing for me (Mac Wiseman; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L; B. Osborne-H | |||
[02] | New black suit (Mike Paxton; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L; B. Osborne-H | |||
[03] | How lonely can you get (Rusty Nail; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L; B. Osborne-H | |||
[04] | Since the day you went away (Mac Wiseman; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
[05] | Darling little Joe (Mac Wiseman; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
[06] | A million, million girls (Smokey Smith-Joe L. Parish; Wise-O-Man Music, BMI) | ABC-30033 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Lee 'Tommy' Jackson-f; Joseph S. 'Joe' Zinkan-sb; William Paul 'Willie' Ackerman-drums | |||
19660504 | 4 May 1966, Decca session, Producer: Harry Silverstein, Bradley's Barn, Bender's Ferry Road, Mount Juliet, Tenn., 18:00-
21:00 | ||
NA 14057 / 117351 | Lonesome feelin' (Billy Henson) | DL-74903 | |
B. Osborne-LV/HBC; S. Osborne-H; D. Sledd-H | |||
NA 14058 / 117352 | World of unwanted (Bobby & Patsy Osborne) | 31977 | DL-74903 |
S. Osborne-L; B. Osborne-HB; D. Sledd-B | |||
NA 14059 / 117353 | Hard times (Aaron Allan; Sure-Fire Music, BMI) | 31977 | DL-74903 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Herman Bland 'Pete' Wade-db; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums; Jerry Whitehurst- piano | |||
19660600.2 | June? 1966, RCA session for Gary Burton's "Tennessee Firebird", RCA Victor Studio, 1610 Hawkins St., Nashville, Tenn.,
| ||
[01] | Gone | LSP-3719 | |
(Instrumental) | |||
[02] | Tennessee firebird | LSP-3719 | |
(Instrumental) | |||
[03] | Just like a woman | LSP-3719 | |
(Instrumental) | |||
[04] | Black is the color of my true love's hair | LSP-3719 | |
(Instrumental) | |||
[05] | Faded love | LSP-3719 | |
(Instrumental) | |||
[06] | I can't help it (if I'm still in love with you) | LSP-3719 | |
(Instrumental) | |||
[07] | I want you | LSP-3719 | |
(Instrumental) | |||
[08] | Alone and forsaken | LSP-3719 | |
(Instrumental) | |||
[09] | Walter L. | LSP-3719 | |
(Instrumental) | |||
[10] | Born to lose | LSP-3719 | |
(Instrumental) | |||
[11] | Beauty contest | LSP-3719 | |
(Instrumental) | |||
[12] | Epilogue | LSP-3719 | |
(Instrumental) | |||
Gary Burton-vibraphone/piano/organ; Steve Marcus-tenor sax/soprano sax; Chester B. 'Chet' Atkins-g; Raymond Q. 'Ray' Edenton-g; Jimmy Colvard-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Norman Keith 'Buddy' Spicher-f; Charles Ray 'Charlie' McCoy-harmonica; Buddy Emmons-pedal steel g; Henry Strzelecki-bs; Steve Swallow-bs; Roy Haynes-drums; Kenneth Buttrey-drums | |||
19660930 | 30 September 1966, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 14264 / 117972 | I'm leavin' (Johnny Russell-Vince Finneran) | DL-74903 | |
B. Osborne-HL/sp; S. Osborne-H; B. Birchfield-H | |||
NA 14265 / 117973 | The kind of woman I got (Danny Walls; Sure-Fire Music, BMI) | 32052 | DL-74903 |
B. Osborne-LV/TC; S. Osborne-V; B. Birchfield-V | |||
NA 14266 / 117974 | One kiss away from loneliness (Paul Williams-Sam Humphrey) | DL-74903 | |
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Raymond Q. 'Ray' Edenton-g; Floyd Taylor 'Lightnin' Chance-sb; Jerry K. Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19670328 | 28 March 1967, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 18:00-21:30 | ||
NA 14567 / 118781 | Let's say goodbye like we said hello (Ernest Tubb-Jimmie Skinner) | DL-74903 | |
B. Osborne-HL; S. Osborne-H; B. Birchfield-H | |||
NA 14568 / 118782 | Someone before me (Bob Hicks) | DL-74903 | |
B. Osborne-HL; S. Osborne-H; B. Birchfield-H | |||
NA 14569 / 118783 | Walking the floor over you (Ernest Tubb) | DL-74903 | |
B. Osborne-L | |||
NA 14570 / 118784 | Roll, muddy river (Betty Sue Perry) | 32137 | DL-74903 |
B. Osborne-L; S. Osborne-H; B. Birchfield-H | |||
Sonny Roland Osborne-5-string db; Robert Van 'Bobby' Osborne-m; Benny Howard Birchfield-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g/db; Lawrence Ronald 'Ronnie' Blackwell-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19670502 | 2 May 1967, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 14:00-17:00 | ||
NA 14646 / 118923 | My favorite memory (Darrell Statler) | unissued | BCD-15598 |
S. Osborne-V; B. Osborne-V; H. Gabbard-V | |||
NA 14647 / 118924 | Gal, you got a job to do (Glenn Johnson) | DL-74993 | |
S. Osborne-V; B. Osborne-V; H. Gabbard-V | |||
NA 14648 / 118925 | Ruby, are you mad? (Cousin Emmy) | unissued | BCD-15598 |
B. Osborne-HL | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Lawrence Ronald 'Ronnie' Blackwell-bs; Glen Davis-drums; Hargus M. 'Pig' Robbins- piano | |||
19671116 | 16 November 1967, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry
Road, Mount Juliet, Tenn., 14:00-17:00 | ||
NA 14848 / 119603 | My favorite memory (Darrell Statler) | 32242 | DL-74993 |
D. Sledd-L; S. Osborne-LT; B. Osborne-HB | |||
NA 14849 / 119604 | Rocky Top (Boudleaux Bryant-Felice Bryant) | 32242 | DL-74993 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 14850 / 119605 | When you wind down (Richard D. Staedtler) | DL-75128 | |
B. Osborne-L/HB; S. Osborne-L; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Hal Rugg-steel g; Lawrence Ronald 'Ronnie' Blackwell-electric bs; Jerry K. Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19671216 | 16 December 1967, RCA session, Producers: Ethel Gabriel, Felton Jarvis, RCA Victor Studio, 1610 Hawkins St., Nashville, Tenn.,
11:00-14:00 | ||
WCA 1837 | Foggy mountain breakdown (Scruggs) | CAS-2243 | |
(Instrumental) | |||
WCA 1838 | Foggy mountain breakdown (reprise) (Scruggs) | CAS-2243 | |
(Instrumental) | |||
WCA 1839 | The sisters (Billy Jean and Bonnie) (P.D.) | CAS-2243 | |
(Instrumental) | |||
WCA 1840 | A-model (P.D.) | CAS-2243 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Dale F. Sledd-g; Norman Keith 'Buddy' Spicher-f; Roy M. 'Junior' Huskey-sb | |||
19680119 | 19 January 1968, RCA session, Producers: Ethel Gabriel, Felton Jarvis, RCA Victor Studio, 1610 Hawkins St., Nashville, Tenn.,
22:00-01:00 | ||
WCA 1821 | Lonesome road blues (Scruggs) | CAS-2243 | |
(Instrumental) | |||
WCA 1822 | Jesse James (Trad.) | CAS-2243 | |
(Instrumental) | |||
WCA 1823 | Maiden's prayer (Bob Wills) | CAS-2243 | |
(Instrumental) | |||
WCA 1824 | John Hardy (Trad.) | CAS-2243 | |
(Instrumental) | |||
WCA 1825 | Little Willie (Trad.) | CAS-2243 | |
(Instrumental) | |||
WCA 1826 | Hand me down my walkin' cane (Trad.) | CAS-2243 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Norman Keith 'Buddy' Spicher-f; Harald 'Hal' Rugg-electric db; Roy M. 'Junior' Huskey-electric bs | |||
19680208.1 | 8 February 1968, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 14985 / 119873 | I'll never love another (Lester Flatt) | DL-74993 | |
B. Osborne-L | |||
NA 14986 / 119874 | I'll go steppin' too (Tom James-Jerry Organ) | DL-74993 | |
B. Osborne-LV/TC; D. Sledd-LC | |||
NA 14987 / 119875 | Will you be lovin' another man (Bill Monroe-Lester Flatt) | DL-74993 | |
B. Osborne-LV/TC; D. Sledd-LC | |||
NA 14988 / 119876 | I'll never shed another tear (Lester Flatt) | DL-74993 | |
B. Osborne-LV/TC; D. Sledd-LC | |||
NA 14989 / 119877 | My little girl in Tennessee (Lester Flatt) | DL-74993 | |
B. Osborne-LV/TC; D. Sledd-LC | |||
NA 14990 / 119878 | Molly and Tenbrooks (Bill Monroe) | DL-74993 | |
B. Osborne-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; James 'Jimmy' Buchanan-f; Lawrence Ronald 'Ronnie' Blackwell-electric bs | |||
19680208.2 | 8 February 1968, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry
Road, Mount Juliet, Tenn., 18:00-21:00 | ||
NA 14995 / 119936 | Drivin' nails in my coffin (Jerry Irby) | DL-74993 | |
B. Osborne-L | |||
NA 14996 / 119937 | World of forgotten people (Loretta Lynn) | 32451 | DL-75204 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 14997 / 119938 | Cut the cornbread, mama (Dana Ferris) | 32325 | CB-20003 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 14998 / 119939 | If I could count on you (Darrell Statler) | 32325 | DL-74993 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Harald 'Hal' Rugg-steel g; Lawrence Ronald 'Ronnie' Blackwell-electric bs; Hargus M. 'Pig' Robbins-piano; William Paul 'Willie' Ackerman-drums | |||
19680214 | 14 February 1968, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 10:00-13:00 | ||
NA 15008 / 119957 | I bowed on my knees and cried holy (Trad.) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15009 / 119958 | Steal away and pray (Trad.) | DL-75079 | |
S. Osborne-L/H; B. Osborne-L/T; D. Sledd-H | |||
NA 15010 / 119959 | Will you meet me over yonder (Trad.) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15011 / 119960 | Where we'll never grow old (Jas C. Moore) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj/5-string db (on 15010, 15011 only); Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; James 'Jimmy' Buchanan-f; Lawrence Ronald 'Ronnie' Blackwell-electric bs; Hargus M. 'Pig' Robbins-piano; William Paul 'Willie' Ackerman-drums | |||
19680219 | 19 February 1968, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 15015 / 119983 | Medals for mother (Betty Sue Perry) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15016 / 119984 | Hide me o blest rock of ages (Trad.) | BCD-15598 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15017 / 119985 | I pray my way out of trouble (Loretta Lynn-Teddy Wilburn) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15018 / 119986 | How great thou art (Stuart Hine) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-5-string db; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; James 'Jimmy' Buchanan-f; Lawrence Ronald 'Ronnie' Blackwell-electric bs; Hargus M. 'Pig' Robbins-piano; William Paul 'Willie' Ackerman-drums | |||
19680220 | 20 February 1968, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 15019 / 119987 | What a friend we have in Jesus (Trad.) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15020 / 119988 | Jesus sure changed me (Patsy Osborne) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15021 / 119989 | Light at the river (Carl Story-Bud Brewster) | DL-75079 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; James 'Jimmy' Buchanan-f; Ronnie Blackwell-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19680619 | 19 June 1968, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 22:00-01:00 | ||
NA 15168 / 120521 | That was yesterday (Bobby Osborne-Patsy Osborne) | 32382 | DL-75128 |
B. Osborne-L; S. Osborne-H; Dale F. Sledd-H | |||
NA 15169 / 120522 | A working man (Bobby Osborne-Patsy Osborne) | 32451 | DL-75128 |
B. Osborne-L/T; S. Osborne-L; D. Sledd-H | |||
NA 15170 / 120523 | Banjo ringing Saturday night (Bobby Osborne) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj/5-string db (on 15168 only); Robert Van 'Bobby' Osborne-m; Ronald Wesley 'Ronnie' Reno-m (on 15168 only); Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-electric g/db (on 15169 only); Harald 'Hal' Rugg-steel g; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano; Dale F. Sledd-V | |||
19680620 | 20 June 1968, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 22:00-01:00 | ||
NA 15173 / 120544 | Thanks for all the yesterdays (Bobby Osborne) | 32516 | DL-75204 |
NA 15174 / 120545 | Midnight angel (Bobby Osborne-Pete Goble-Teddy Wilburn) | 32680 | DL-75204 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15175 / 120546 | Son of a sawmill man (Bobby Osborne-Pete Goble) | 32382 | DL-75128 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15176 / 120547 | No good son of a gun (Bobby Osborne-Pete Goble) | 32746 | DL-75271 |
B. Osborne-L | |||
Sonny Roland Osborne-bj/5-string db (on 15173 only); Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Thomas Grady Martin-electric g; Harald 'Hal' Rugg-steel g; Floyd Taylor 'Lightnin' Chance-sb; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19690421 | 21 April 1969, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 18:00-21:30 | ||
NA 15566 / 121530 | There'll be no teardrops tonight (Hank Williams) | DL-75128 | |
NA 15567 / 121531 | You win again (Hank Williams) | DL-75128 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15568 / 121532 | Blue moon of Kentucky (Bill Monroe) | DL-75128 | |
B. Osborne-L | |||
NA 15569 / 121533 | Where does the good times go (Buck Owens) | DL-75128 | |
R. Reno-L; B. Osborne-T; B. Osborne-B; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno- electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19690423 | 23 April 1969, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 18:00-21:00 | ||
NA 15577 / 121543 | Put if off until tomorrow (Dolly Parton-Bill Owens) | DL-75204 | |
NA 15578 / 121544 | Flyin' south (Cindy Walker) | DL-75128 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15579 / 121545 | Will you visit me on Sunday (Dallas Frazier) | DL-75128 | |
D. Sledd-L; S. Osborne-H; B. Osborne-h | |||
NA 15580 / 121546 | Nine pound hammer (Merle Travis) | DL-75128 | |
B. Osborne-L | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19690424 | 24 April 1969, Decca session, Producer: Harry Silverstein; Leader: Thomas Grady Martin, Bradley's Barn, Bender's Ferry Road,
Mount Juliet, Tenn., 18:00-21:00 | ||
NA 15581 / 121565 | When the grass grows over me (Don Chapel) | DL-75271 | |
NA 15582 / 121566 | Tennessee hound dog (Boudleaux & Felice Bryant) | 32516 | DL-75204 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19691008 | 8 October 1969, Decca session, Producer: Harry Silverstein; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 15796 / 122148 | Somebody's back in town (Don Helms-Teddy Wilburn-Doyle Wilburn) | DL-75204 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15797 / 122149 | Beneath still waters (Dallas Frazier) | 32864 | DL-75321 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15798 / 122150 | Ruby, are you mad? (Cousin Emmy) | 32598 | DL-75204 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15799 / 122151 | Siempre (Sonny Osborne) | 32598 | DL-75204 |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19700305 | 5 March 1970, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 14:00-17:30 | ||
NA 15926 / 122522 | Searching for yesterday (Jimmie Helms) | 32794 | DL-75271 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15927 / 122523 | Listening to the rain (Don Devaney) | 32680 | DL-75204 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15928 / 122524 | Georgia piney woods (Boudleaux & Felice Bryant) | 32794 | DL-75271 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15929 / 122525 | The fightin' side of me (Merle Haggard) | DL-75204 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19700312 | 12 March 1970, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 14:00-17:00 | ||
NA 15949 / 122557 | Let me be the first to know (Doyle Wilburn-Teddy Wilburn) | DL-75204 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15950 / 122558 | Windy city (Bobby Osborne-Pete Goble) | 32942 | DL-75356 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 15951 / 122559 | Kawliga (Hank Williams-Fred Rose) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; David Paul Briggs-piano | |||
19700526 | 26 May 1970, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 16092 / 122888 | My sweet love ain't around (Hank Williams) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 16093 / 122889 | You're running wild (Ray Edenton-Don Winters) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 16094 / 122890 | My old Kentucky home (turpentine and dandelion wine) (Randy Newman) | 32746 | DL-75271 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19700528 | 28 May 1970, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 14:00-17:00 | ||
NA 16095 / 122891 | Tennessee stud (Jimmie Driftwood) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 16096 / 122892 | My heart would know (Hank Williams) | DL-75271 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 16097 / 122893 | Muddy bottom (Boudleaux & Felice Bryant) | 32864 | DL-75321 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale F. Sledd-g; Raymond Q. 'Ray' Edenton-g; Thomas Grady Martin-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ronald Wesley 'Ronnie' Reno-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19710810 | 10 August 1971, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:30 | ||
NA 16522 / 123626 | Color me lonely (Bobby Osborne-Jimmie Helms) | DL-75321 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16523 / 123627 | Take me home country roads (John Denver-Bill Danoff-Taffy Nivert) | 32908 | DL-75321 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16524 / 123628 | Tears are no strangers (Bobby Osborne-Pete Goble) | 32908 | DL-75321 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Weldon Myrick-steel g; Harald 'Hal' Rugg-steel g; Ray Kirkland-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19710813 | 13 August 1971, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 16525 / 123629 | Oh, the pain of loving you (Porter Wagoner-Dolly Parton) | DL-75321 | |
NA 16526 / 123630 | Unfaithful one (A. Lyles-Cliff Bruner) | DL-75321 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16527 / 123631 | Ballad of forty dollars (Tom T. Hall) | DL-75356 | |
B. Osborne-L | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Ronald Wesley 'Ronnie' Reno-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Ray Kirkland-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano | |||
19710928 | 28 September 1971, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 16578 / 123689 | Tomorrow never comes (Ernest Tubb-Johnny Bond) | DL-75321 | |
B. Osborne-L | |||
NA 16579 / 123690 | Sometimes you just can't win (Smokey Stover) | DL-75321 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16580 / 123691 | Shelly's Winter love (Merle Haggard) | 32942 | DL-75321 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Weldon Myrick-steel g; Bob L. Moore-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19711008 | 8 October 1971, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 16587 / 123695 | I wonder why you said goodbye (Ernest Tubb) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16588 / 123696 | Tunnel of your mind (Bobby Osborne) | DL-75321 | |
R. Reno-L; B. Osborne-H; S. Osborne-H | |||
NA 16589 / 123697 | Eight more miles to Louisville (Grandpa Jones) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Weldon Myrick-steel g; Bob L. Moore-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19720209 | 9 February 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 16702 / 123882 | Love lifted me (Peggy Russell) | MCA 311 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16703 / 123883 | Stand beside me, behind me (Paul Craft) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16704 / 123884 | Miss you Mississippi (Wendy Thatcher) | 32979 | MCA 311 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Weldon Myrick-steel g; Dennis B. Digby-electric bs; William Paul 'Willie' Ackerman-drums; Jerry D. Smith-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19720223 | 23 February 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 22:00-01:00 | ||
NA 16723 / 123900 | Teardrops will kiss the morning dew (Paul Craft; Rocky Top Music, BMI) | 33028 | MCA 311 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16724 / 123901 | Long lanky woman (Dallas Frazier-Sanger D. Shafer) | MCA 311 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16725 / 123902 | Knoxville girl (P.D.) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16726 / 123903 | Wash my face in the morning dew (Tom T. Hall) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Weldon Myrick-steel g; Dennis B. Digby-electric bs; William Paul 'Willie' Ackerman-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19720411 | 11 April 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 22:00-01:00 | ||
NA 16753 / 123933 | Love's gonna live here (Buck Owens) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16754 / 123934 | Today I started loving you again (Merle Haggard-Bonnie Owens) | 32979 | DL-75356 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16755 / 123935 | Arkansas (Damon Black) | DL-75356 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16756 / 123936 | Fireball mail (Floyd Jenkins) | DL-75356 | |
B. Osborne-L | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; William Paul 'Willie' Ackerman- drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19720510 | 10 May 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 22:00-01:00 | ||
NA 16781 / 123961 | Midnight flyer (Paul Craft; Rocky Top Music, BMI) | 33028 | MCA 311 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16782 / 123962 | How long does it take (to be a stranger) (Dallas Frazier-Sanger D. Shafer) | MCA 311 | |
B. Osborne-L | |||
NA 16783 / 123963 | Blue heartache (Paul Craft) | 40113 | MCA 374 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; William Paul 'Willie' Ackerman- drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19721127 | 27 November 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 16958 / 124139 | Wabash Cannonball (P.D.) | MCA 311 | |
B. Osborne-L | |||
NA 16959 / 124140 | Try me one more time (Ernest Tubb) | MCA 311 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16960 / 124141 | It's gonna be raining 'til I die | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; R. Reno-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Mark A. Jones-bj (on 16958 only); Harald 'Hal' Rugg-steel g; Charles R. 'Charlie' McCoy-harmonica; Dennis B. Digby-electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19721204 | 4 December 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:00 | ||
NA 16966 / 124142 | Back to the country roads (Richard Jarvis) | MCA 311 | |
NA 16967 / 124143 | The condition of Samuel Wilder's will (Damon Black) | MCA 311 | |
B. Osborne-L | |||
NA 16968 / 124144 | Tears (Boudleaux & Felice Bryant) | 40028 | MCA 311 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Mark A. Jones-bj (on 16966, 19967 only); Harald 'Hal' Rugg-steel g/db (on 16967 only); Charles R. 'Charlie' McCoy-harmonica; Dennis B. Digby-electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19721205 | 5 December 1972, Decca session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 18:00-21:30 | ||
NA 16969 / 124150 | You're heavy on my mind (Hank Cochran) | 40113 | MCA 374 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16970 / 124151 | Checkin' her over (Boudleaux & Felice Bryant) | MCA 468 | |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
NA 16971 / 124152 | Lizzie Lou (Boudleaux & Felice Bryant) | 40028 | MCA 374 |
B. Osborne-L; S. Osborne-H; R. Reno-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Charles R. 'Charlie' McCoy-harmonica; Dennis B. Digby- electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano; Ronald Wesley 'Ronnie' Reno-V | |||
19730808 | 8 August 1973, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17248 / MC 1995 | Side saddle (Sonny Osborne-Dale F. Sledd) | MCA 374 | |
(Instrumental) | |||
NA 17249 / MC 1996 | High on a hilltop (Tommy Collins) | MCA 374 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17250 / MC 1997 | Sledd ridin' (Sonny Osborne-Dale F. Sledd) | 40169 | MCA 374 |
(Instrumental) | |||
NA 17251 / MC 1998 | Walk softly on the bridges (Dallas Frazier-Doodle Owens) | MCA 374 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Vassar Carlton Clements-f; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby- electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano | |||
19731024 | 24 October 1973, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:30 | ||
NA 17278 / MC 2370 | The 7th of December (Bobby Osborne) | 40226 | MCA 374 |
(Instrumental) | |||
NA 17279 / MC 2371 | Fastest grass alive (Paul Craft) | 40169 | MCA 374 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17280 / MC 2372 | Bluegrass melodies (Darrell Statler) | 40226 | MCA 468 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Vassar Carlton Clements-f; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby- electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano | |||
19731105 | 5 November 1973, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount
Juliet, Tenn., 14:00-17:00 | ||
NA 17292 / MC 2416 | We're holding on (to what we used to be) (Paul Craft) | MCA 374 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17293 / MC 2417 | Heartache looking for a home (Paul Craft) | 40346 | MCA 468 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17294 / MC 2418 | M. A. special (Bobby Osborne) | MCA 374 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano | |||
19740507 | 7 May 1974, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17429 / MC 3006 | I'm not that good at goodbye (Don Williams-Bob McDill) | MCA 468 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17430 / MC 3007 | Grandpa John (Jake Landers) | MCA 468 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17431 / MC 3008 | Muddy waters | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Vassar Carlton Clements-f; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby- electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano | |||
19740508 | 8 May 1974, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17432 / MC 3009 | Little trouble (Jimmie Skinner) | MCA 468 | |
B. Osborne-L | |||
NA 17433 / MC 3010 | A born ramblin' man (Jimmie Skinner) | 40509 | BCD-15748 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17434 / MC 3011 | I'm goin' back to the mountain | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
NA 17435 / MC 3012 | The oak tree | unissued | PRC-1184 |
B. Osborne-L; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Vassar Carlton Clements-f; Leon Rhodes-electric g; Harald 'Hal' Rugg-steel g; Dennis B. Digby- electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano | |||
19741001 | 1 October 1974, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17534 / MC 3536 | Here today and gone tomorrow (Jim Ed & Maxine Brown) | MCA 468 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17535 / MC 3537 | El randa (Sonny Osborne) | 40346 | MCA 468 |
(Instrumental) | |||
NA 17536 / MC 3538 | The hard times | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; Robby V. Osborne-drums | |||
19741007 | 7 October 1974, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17537 / MC 3560 | In case you ever change your mind (Bill Anderson) | MCA 468 | |
NA 17538 / MC 3561 | Don't let the Smokey Mountains smoke get in (Cecil Null) | 40509 | MCA 20976 |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano (dub session 19741108) | |||
19741009 | 9 October 1974, MCA session, Producer: Owen Bradley; Leader: Ray Edenton, Bradley's Barn, Bender's Ferry Road, Mount Juliet,
Tenn., 18:00-21:00 | ||
NA 17543 / MC 3578 | Summertime is past and gone (Bill Monroe) | MCA 468 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17544 / MC 3579 | My baby's gone | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
NA 17545 / MC 3580 | Highway headin' south (Porter Wagoner) | MCA 468 | |
B. Osborne-L; S. Osborne-H; D. Sledd-H | |||
NA 17546 / MC 3581 | When I stop dreaming | unissued | PRC-1184 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Dale F. Sledd-g; Harald 'Hal' Rugg-steel g; Dennis B. Digby-electric bs; Robby V. Osborne-drums; Hargus M. 'Pig' Robbins-piano (dub session 19741108) | |||
19760721 | 21 July 1976, CMH session, Producer: Arthur Smith, Arthur Smith Studios, Charlotte, N.C. | ||
[01] | Say old man (can you play the mandolin) (Arr. B. Osborne; Rocky Top Music, BMI) | CMH 6206 | |
(Instrumental) | |||
[02] | Guide me home my Georgia moon (J. Babcock; Tonawanda Music, BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[03] | Memories never die (B. Bryant-F. Bryant; Acuff-Rose Pub., BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[04] | Each season changes you (A. Gore-B. Tally; Acuff-Rose, BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[05] | Reuben (Traditional; arr. S. Osborne; Rocky Top Music, BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
5321 [06] | The last time (J. House; Sawgrass Music Pub., BMI) | CMH 1505 | CMH 6206 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[07] | Bent, broken and blue (P. Craft; Rocky Top Music, BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[08] | Fair and tender ladies (M. Carter; Acuff-Rose Pub., BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[09] | Hobo on a freight train to Heaven (S. Weldman; Black Sheep Music, BMI) | CMH 6206 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[10] | Rutland's reel (Arr. B. Osborne; Rocky Top Music, BMI) | CMH 6206 | |
(Instrumental) | |||
5326-S [11] | Leavin's heavy on my mind (J. Rister-S. Rister; Sawgrass Music Pub., BMI) | CMH 1505 | CMH 6206 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale Sledd-rhythm g; Robby Osborne-drums; Dennis Digby-bs; Raymond Q. 'Ray' Edenton-g; Hargus M. 'Pig' Robbins-piano; Vassar Carlton Clements-f; Leon Rhodes-electric g; Harald 'Hal' Rugg-db/steel g | |||
19770000 | 1977, CMH session, Producer: Arthur Smith, Studio One, Nashville, Tenn. | ||
[01] | Rocky Top | 101045 | CMH 9008 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[02] | We could | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[03] | Georgia mules and country boys | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[04] | Don't ever tell me you love me (unless you mean it | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[05] | Hey Joe | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
5419 [06] | All I have to do is dream | CMH 1514 | CMH 9008 |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[07] | Packing up your heart (to say goodbye) | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[08] | Tell it to your old grandma | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[09] | Little boy | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[10] | Banjo's goin' home | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[11] | Georgia piney woods | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[12] | Just another dream (I'll have to learn to live w/o | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[13] | I can't see the rainbow | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[14] | Take me as I am (or let me go) | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[15] | Tennessee hound dog | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[16] | Where did the sunshine go? | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[17] | Country boy | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[18] | Love hurts | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[19] | Fortune, fortune | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
[20] | Muddy Bottom | CMH 9008 | |
B. Osborne-V; S. Osborne-V; D. Sledd-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dale Sledd-g; Robby Osborne-bs/drums; Raymond Q. 'Ray' Edenton-g; Hargus M. 'Pig' Robbins-piano; Buddy Emmons-steel g; William Paul 'Willie' Ackerman-drums; Bob Moore-bs | |||
19780000 | 1978, CMH session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Kentucky waltz (B. Monroe; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | Pain in my heart (B. Osborne-L. Richardson; John Bara's Music, SESAC) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[03] | Blue Ridge cabin home (L. Certain-G. Stacey; Golden West Melodies, Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[04] | When you are lonely (L. Flatt-B. Monroe; Unichappell Music, Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[05] | Some old day (L. Certain-G. Stacey; Golden West Melodies, Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[06] | I hear a sweet voice calling (B. Monroe; Unichappell Music, Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[07] | My cabin in Caroline (L. Flatt-E. Scruggs; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[08] | To the top of the world (It's a long, long way) (D. Wayne; Tree Pub. Co., Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[09] | Sunny side of the mountain (B. Gregory-H. McAuliffe; American Music Pub. Co., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[10] | Head over heels (L. Flatt; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[11] | Don't that road look rough and rocky (M. Christian; Silverhill Music, BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[12] | I'm going back to old Kentucky (B. Monroe; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[13] | Your love is like a flower (E. Scruggs-L. Flatt-E. Lilly; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[14] | Sweethearts again (B. Gallion; Acuff-Rose Pub., Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[15] | Little cabin home on the hill (L. Flatt-B. Monroe; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[16] | No mother or dad (L. Flatt-C. Sechler; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[17] | Toy heart (B. Monroe; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[18] | Rank strangers (A.E. Brumley; Affiliated Music Ent., Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[19] | A vision of mother (R. Stanley-C. Stanley; Ft. Knox Music Co., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[20] | Lonesome day (S. Osborne-B. Osborne; Sure-Fire Music Co., Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[21] | My rose of old Kentucky (B. Monroe; Unichappell Music, Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[22] | This heart of mine (can never say goodbye) (B. Osborne-P. Goble; Sure-Fire Music Co., Inc., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[23] | Thinking about you (L. Flatt-E. Scruggs; Peer International Corp., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[24] | White dove (C. Stanley; Ft. Knox Music Co., BMI) | CMH 9011 | |
B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-g; Benny Howard Birchfield-high string g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Kenny Baker-f; Blaine Sprouse-f; Bob Moore-sb; Robby Osborne-drums | |||
19781100 | November 1978, CMH session, Producer: Arthur Smith, Arthur Smith Studios, Charlotte, N.C. | ||
[01] | Bluegrass concerto (S. Osborne) | CMH 1518 | CMH 6231 |
(Instrumental) | |||
[02] | Tina Rene waltz (B. Osborne) | CMH 6231 | |
(Instrumental) | |||
[03] | Bandy's 109 (B. Osborne) | CMH 6231 | |
5705 [04] | Shawnee (B. Osborne) | CMH 1524 | CMH 6231 |
[05] | I'll fly away (A.E. Brumley) | CMH 6231 | |
[06] | The homecoming (H. Hardy) | CMH 6231 | |
[07] | Jesse James (M. Christian) | CMH 6231 | |
(Instrumental) | |||
[08] | Bobby Van waltz (B. Osborne) | CMH 6231 | |
(Instrumental) | |||
[09] | Black Mountain Drive (M. Christian) | CMH 6231 | |
(Instrumental) | |||
[10] | Sure-fire (B. Osborne) | CMH 6231 | |
(Instrumental) | |||
[11] | The unclouded day (M. Christian) | CMH 6231 | |
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m/f; Raymond Q. 'Ray' Edenton-g; Jimmy Brock-bs; Robby Osborne-drums; [Norman Keith 'Buddy' Spicher-violin/viola/cello/m] | |||
19790130 | 20 January 1979, CMH session, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Keep on the sunny side | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | Old brush arbors | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
Sonny Roland Osborne-bj/m; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Raymond Q. 'Ray' Edenton-g; Benny Birchfield-high strung g; Norman Keith 'Buddy' Spicher-f; Blaine Sprouse-f; Josh Graves-db; Gerald Calvin 'Jerry' Douglas-db; Jimmy D. Brock-bs; Robby Osborne-drums | |||
19790201 | 1 February 1979, CMH session with Mac Wiseman, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville,
Tenn. | ||
[01] | Mountain fever (R. Hylton) | CMH 9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | 'Tis sweet to be remembered (M. Wiseman) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[03] | I've always wanted to sing in Renfro Valley (R. W. Gabbard-J. Ireson) | CMH 9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-rhythm g; Jimmy Brock-bs; Robby Osborne-drums; [Blaine Sprouse-f; Benny Howard Birchfield-high strung g] | |||
19790315 | 15 March 1979, CMH session with Mac Wiseman, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville,
Tenn. | ||
[01] | Family Bible (C. Gray-W. Breeland-P. Buskirk) | CMH 9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | Poison love (E. Laird) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
[03] | Take me back to Renfro Valley (J. Lair) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
[04] | Shenandoah waltz (C. Moody-C. Wise) | CMH 9016 | |
M. Wiseman-L/V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[05] | Pins and needles (in my heart) (F. Jenkins) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
5820 [06] | The bluebirds are singing for me (M. Wiseman) | CMH 1528 | CMH 9016 |
M. Wiseman-V; B. Osborne-V | |||
[07] | Don't let your sweet love die (C. Van Ness) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
[08] | Travelin' this lonesome road (B. Monroe) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-rhythm g; Jimmy Brock-bs; Robby Osborne-drums; [Blaine Sprouse-f; Benny Howard Birchfield-high strung g] | |||
19790419 | 19 April 1979, CMH session with Mac Wiseman, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn.,
| ||
[01] | You're the girl of my dreams (M. Wiseman) | CMH 9016 | |
[02] | It's goodbye and so long to you (R. Coutere-H.J. Breau) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
[03] | I'll still write your name in the sand (B. Starcher) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
[04] | Are you coming back to me (M. Wiseman) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
[05] | I wonder how the old folks are at home (M. Christian) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-rhythm g; Jimmy Brock-bs; Robby Osborne-drums; [Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f] | |||
19790425 | 25 April 1979, CMH session with Mac Wiseman, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn.,
| ||
5878 [01] | Midnight flyer (P. Craft) | CMH 1522 | CMH 9016 |
M. Wiseman-L; B. Osborne-V; S. Osborne-V | |||
5879 [02] | Shackles and chains (J. Davis) | CMH 1522 | CMH 9016 |
M. Wiseman-V; B. Osborne-V | |||
[03] | I'm a stranger here (M. Wiseman) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g [except 02]; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Ray Edenton-rhythm g; Jimmy Brock-bs; Robby Osborne-drums; [Blaine Sprouse- f] | |||
19790508 | 8 May 1979, CMH session with Mac Wiseman, Producer: Sonny Osborne, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn.,
| ||
[01] | Four walls around me (B. Stallard) | CMH 9016 | |
5902 [02] | Mother Maybelle (J. Maphis-R.L. Maphis) | CMH 1528 | CMH 9016 |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
[03] | Little white church (M. Christian) | CMH 9016 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Sonny Roland Osborne-bj [on 01, 02]/lead g [on 03 only]; Robert Van 'Bobby' Osborne-m; Raymond Q. 'Ray' Edenton-rhythm g; Jimmy Brock-bs; Robby Osborne- drums; [Jerry Douglas-db; Wynn Osborne-bj [on 03 only]] | |||
19800000 | 1980, CMH session, Producer: Sonny Osborne, Cumberland Sound Studios, Nashville, Tenn. | ||
6275 [01] | Keep me from blowing away (P. Craft) | CMH 1535 | CMH 6244 |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[02] | Don't let Smoky Mountain smoke get in your eyes (C. Null) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[03] | Dandylion (S. Osborne) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
6279 [04] | Bogalusa (B. Bryant-F. Bryant) | CMH 1535 | CMH 6244 |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[05] | Take me home country roads (M. C. Danoff-W. T. Danoff-H. J. Deutschendorf) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[06] | Shelly's winter love (M. Haggard) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[07] | River's goin' down (B. Bryant-F. Bryant) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[08] | Souvenirs (T. T. Hall) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[09] | Back to the country roads (R. Jarvis) | CMH 6244 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
Sonny Roland Osborne-bj/m; Robert Van 'Bobby' Osborne-m; Leon Rhodes-g; Raymond Q. 'Ray' Edenton-g; Hargus M. 'Pig' Robbins-piano; Norman Keith 'Buddy' Spicher-violin/viola/cello; Harald 'Hal' Rugg-steel g; Jimmy D. Brock-bs; Bob Mater-drums; Robby Osborne-drums | |||
19810000 | 1981, CMH session, Producer: Sonny Osborne, Cumberland Sound Studios, Nashville, Tenn. | ||
[01] | Sally Ann (M. Christian) | CMH 6256 | |
(Instrumental) | |||
[02] | Cherokee lady (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[03] | High level hornpipe (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[04] | Rosebud (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[05] | Old Sledge (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[06] | Topeka (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[07] | Rye straw (M. Christian) | CMH 6256 | |
(Instrumental) | |||
[08] | Springtime (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[09] | Dusty miller (M. Christian) | CMH 6256 | |
(Instrumental) | |||
[10] | Forked deer (M. Christian) | CMH 6256 | |
(Instrumental) | |||
[11] | Lime rock (M. Christian) | CMH 6256 | |
(Instrumental) | |||
[12] | Miss MacLeod's reel (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[13] | Sandy Ridge (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
[14] | Gatlinburg (B. Osborne) | CMH 6256 | |
(Instrumental) | |||
Robert Van 'Bobby' Osborne-m; Robby Osborne-g; Wynn Osborne-bj; Kenneth Clayton 'Kenny' Baker-f; Jimmy D. Brock-bs | |||
19811011 | 11 October 1981, RCA session, Theater By the Lake, Opryland, Nashville, Tenn. | ||
[01] | Midnight flyer (Craft) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[02] | Love gone cold (Bond) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[03] | Memories of yesterday (Osborne) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[04] | Grey eagle hornpipe | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[05] | Old flames can't hold a candle to you (Moffat-Sebert) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[06] | Fastest grass alive (Graft) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[07] | Remembering (Wiseman-Martin) | AHL-1 4324 | |
M. Wiseman-L; Sonny Osborne-H; Paul Brewster-H | |||
[08] | I'd rather live by the side of the road (Burney) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[09] | Bluegrass memories (Statler) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[10] | Rocky Top (B & F Bryant) | AHL-1 4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
Mac Wiseman-g ([07] only); Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Paul Brewster-rhythm g; Raymond Q. 'Ray' Edenton-g; Leon Rhodes-lead g; Norman Keith 'Buddy' Spicher-f; Harald 'Hal' Rugg-steel g/db; Jimmy D. Brock-bs | |||
19840000 | 1984, Sugar Hill session, Studio by the Pond, Hendersonville, Tenn. | ||
[01] | How much does it cost to ride this train (D. Singleton) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[02] | February in my heart (B. Caswell-R. Strandlund) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V; Paul Craft-H | |||
[03] | Always you (R. Murrah-J. McBride) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[04] | So doggone lonesome (J. Cash) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[05] | Somehow tonight (E. Scruggs) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[06] | Rosie Bokay (D. Frazier-S.D. Shafer) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[07] | Wreck of the old 97 | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[08] | If you're gonna do me wrong, do it right (V. Gosdin-M.D. Barnes) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[09] | Some things I want to sing about (R. Murrah) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[10] | Harvest of my heart (J. Rushing-J. Turley) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[11] | Too long (E. Penney-J. Gillespie) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[12] | Can't you hear that whistle blow (S. Throckmorton-C. Dodson) | SH-3740 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
Robert Van 'Bobby' Osborne-m; Sonny Roland Osborne-bj; Blaine Sprouse-f; Paul Brewster-g; Jimmy D. Brock-bs; [Donnie Collins-g; Ray Edenton-rhythm g; Hargus "Pig" Robbins-piano; Kenny Malone- drums; Hal Rugg-steel g] | |||
19850502 | 2 May 1985, MCA session with Bill Monroe & His Bluegrass Boys, Sound Stage Studio, Nashville, Tenn. | ||
MC 18233 | I hear a sweet voice calling (Bill Monroe) | MCA-5625 | |
B. Osborne-L; B. Monroe-T; S. Osborne-B | |||
William Smith 'Bill' Monroe-m; Wayne Lewis-g; Blake Williams-bj; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Glen Duncan-f; Clarence 'Tater' Tate-sb | |||
19860000 | 1986, Sugar Hill session, Studio 19, Nashville, Tenn. | ||
[01] | The cuckoo bird (Benny Birchfield-Bobby & Sonny Osborne) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[02] | Beneath still waters (D. Frazier) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[03] | Arkansas (Damon Black) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[04] | Pain in my heart (Bobby Osborne-Larry Richardson) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[05] | Blue moon of Kentucky (Bill Monroe) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[06] | Once more (Dusty Owens) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[07] | Listening to the rain (Donald Devaney) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[08] | High on a hilltop (Tommy Collins) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[09] | Each season changes you (Albert Goree-Ruth Talley) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[10] | Kentucky (C. Davis) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[11] | Nobody's darling but mine (J. Pruett-Jimmie Davis) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[12] | Bluegrass express (Bob Osborne) | SH-3754 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
Sonny Roland Osborne-bj/g; Robert Van 'Bobby' Osborne-m; Paul Brewster-g; Blaine Sprouse-f; Jimmy D. Brock-bs | |||
19870000 | 1987, Sugar Hill session, Producer: Sonny Osborne, Studio 19, Nashville, Tenn. | ||
[01] | Big spike hammer (B. Osborne-P. Goble) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[02] | My favorite memory (D. Statler) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[03] | Unfaithful one (C. Bruner-A. Lyle) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[04] | Me and my old banjo (S. Osborne) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[05] | One kiss away from loneliness (P. Williams-S. Humphrey) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[06] | Fastest grass alive (P. Craft) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[07] | One tear (J. Osborne) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[08] | Windy city (B. Osborne-P. Goble) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[09] | Two lonely hearts (D. Sloan-E. Sloane) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[10] | I'll be alright tomorrow (B. Osborne-P. Goble) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[11] | Making plans (J. Russell-V. Morrison) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[12] | Lonesome feeling (B. Henson) | SH-3758 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
Sonny Roland Osborne-bj/gitjo; Robert Van 'Bobby' Osborne-m; Paul Brewster-g; Blaine Sprouse-f; Jimmy D. Brock-bs | |||
19880000 | 1988, Sugar Hill session, Studio 19, Nashville, Tenn. | ||
[01] | Jesus cares what happens (B. Osborne) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[02] | Medals for mother (B. Perry) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[03] | Savior, Lord and guide (P. Brewster) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[04] | Are you afraid to speak our Savior's name (B. Osborne) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[05] | What a friend we have in Jesus (Traditional) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[06] | Old brush arbors (Traditional) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[07] | Still waters (D. Woolett) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[08] | Where no one stands alone (M. Lister) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[09] | Nearer my God, to thee (Traditional) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[10] | Singing, shouting praises (J. Landers) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
[11] | Hide me rock of ages (B. George) | SH-3764 | |
B. Osborne-V; S. Osborne-V; P. Brewster-V | |||
Sonny Roland Osborne-bj/gitjo; Robert Van 'Bobby' Osborne-m; Raymond Huffmaster-rhythm g; Paul Brewster-rhythm g; Terry Eldredge-sb | |||
19890730 | 30 July 1989, Pinecastle live recording, Streekermoor, Germany | ||
[01] | Fire on the mountain | PRC-0108 | |
(Instrumental) | |||
[02] | Walkin' the floor over you | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[03] | Let's be sweethearts again | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[04] | Muddy bottom | PRC-0108 | |
T. Eldredge-L; B. Osborne-H; S. Osborne-H; T. Smith-V | |||
[05] | If I should wander back tonight | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[06] | Bluegrass melodies (Darrell Statler) | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[07] | Kentucky | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[08] | Sunny side of the mountain | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[09] | Listening to the rain | PRC-0108 | |
T. Eldredge-L; B. Osborne-H; S. Osborne-H; T. Smith-V | |||
[10] | Some things I want to sing about | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[11] | Your love is like a flower | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[12] | Katy Hill | PRC-0108 | |
(Instrumental) | |||
[13] | Georgia mules & country boys | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[14] | Windy city | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[15] | Rank strangers | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[16] | Nearer my God to Thee | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[17] | Orange Blossom Special | PRC-0108 | |
(Instrumental) | |||
[18] | Wreck of the old '97 | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[19] | Blue Ridge cabin home | PRC-0108 | |
T. Smith-L; B. Osborne-H; S. Osborne-H; T. Eldredge-H | |||
[20] | Midnight flyer | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[21] | Georgia pineywoods | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[22] | Tennessee hound dog | PRC-0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[23] | Faded love (John Wills-Bob Wills) | PRC-DVD 0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[24] | Ruby (Cousin Emmy) | PRC-DVD 0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[25] | Rocky Top (Boudleaux Bryant-Felice Bryant) | PRC-DVD 0108 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[26] | Nine pound hammer | PRC-DVD 0108 | |
B. Osborne-L; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[27] | Say ol' man | PRC-DVD 0108 | |
B. Osborne-L; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[28] | My favorite memory | PRC-DVD 0108 | |
B. Osborne-L; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[29] | Rock of ages | PRC-DVD 0108 | |
B. Osborne-L; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; Steve Thomas-f; Glen Duncan-f; Charlie Cushman-f; Terry Smith-bs | |||
19900627 | 27 June 1990, MCA session with Bill Monroe & His Bluegrass Boys, Sound Stage Studio, Nashville, Tenn. | ||
MC 35225 | Just over in the glory land (Arr. Bill Monroe) | MCAD-10017 | |
B. Osborne-L; B. Monroe-T; S. Osborne-B; C. Tate-BS | |||
William Smith 'Bill' Monroe-m; Thomas Dollison 'Tom' Ewing-g; Blake Williams-bj; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Clarence 'Tater' Tate-f; Billy Rose-sb | |||
19910000 | 1991, CMH session, Producer: Sonny Osborne, Homeplace Studio, Nashville, Tenn. | ||
[01] | Hillbilly fever (Vaughn Horton) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | Cincinnati, Ohio (Bill Anderson) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | The last letter (Rex Griffin) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[04] | Fourteen carat mind (Dallas Frazier-Larry Lee) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[05] | Old flames can't hold a candle to you (Hugh Moffatt-Pete Sebert) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[06] | The prisoner's song (Guy Massey) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[07] | You are my flower (A. P. Carter) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[08] | Out behind the bar (Felice & Boudleaux Bryant) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[09] | Paper Rosie (D. Harms) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[10] | Breaking in a brand new pair of shoes (M. Christian) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[11] | Working man blues (Merle Haggard) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[12] | The first fall of snow (Fred Rose) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[13] | Tragic romance (L. M. Jones) | CMH 6269 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[14] | Orange Blossom Special (M. Christian-J. Maphis-Ervin T. Rouse) | CMH 6269 | |
(Instrumental) | |||
Sonny Roland Osborne-bj/g; Robert Van 'Bobby' Osborne-m; Terry Eldredge-rhythm g; Raymond Huffmeister-rhythm g; Steve Thomas-f; Terry Smith-sb | |||
19920806 | 6 August 1992, Pinecastle session, The Barn, Renfro Valley, Ky. | ||
[01] | The fastest grass alive | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | Doin' my time | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | Me and my old banjo | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[04] | Medley: My favorite memory / You win again / Today I started | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[05] | Foggy Mountain rock | PRC-0107 | |
(Instrumental) | |||
[06] | Kentucky | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[07] | Rocky Top | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[08] | One tear | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[09] | Bluegrass melodies | PRC-0107 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Gene Wooten-db; Terry Eldredge-g; David Crow-f; Terry Smith-bs | |||
19940000.1 | 1994, Pinecastle session, Producer: Sonny Osborne; Engineer: Rich Adler, Suite 2000, Nashville, Tenn. | ||
[01] | Sweet sunny South (Traditional) | PRC-1026 | |
B. Osborne-L | |||
[02] | Lorena (Henry DeLafayette Webster-Joseph Philbrick Webster) | PRC-1026 | |
B. Osborne-L | |||
[03] | Shiloh Hill | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[04] | Amazing grace (John Newton) | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[05] | When the roses bloom in Dixieland (A. P. Carter) | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[06] | Ashokan farewell (Jay Ungar) | PRC-1026 | |
(Instrumental) | |||
[07] | Damn Yankee lad | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[08] | The last time (James House) | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[09] | The waltz you saved for me (Paul Johnson) | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[10] | Farther along | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[11] | When I swim the golden river (Jimmie Driftwood) | PRC-1026 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[12] | America the beautiful (Katherine Lee Bates-Samuel A. Ward) | PRC-1026 | |
(Instrumental) | |||
Sonny Roland Osborne-bj/gitjo; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; David Crow-f; Gene Wooten-db; Terry Smith-bs | |||
19940000.2 | 1994, Pinecastle session for David Crow | ||
[01] | River trace | PRC-1035 | |
(Instrumental) | |||
[02] | Springtime | PRC-1035 | |
(Instrumental) | |||
[03] | Martin waltz | PRC-1035 | |
(Instrumental) | |||
[04] | Rutland's reel (Traditional) | PRC-1035 | |
(Instrumental) | |||
[05] | Angeline the baker | PRC-1035 | |
(Instrumental) | |||
[06] | Pretty little Indian | PRC-1035 | |
(Instrumental) | |||
[07] | Minuet in G major | PRC-1035 | |
(Instrumental) | |||
[08] | Sally Goodin (Traditional) | PRC-1035 | |
(Instrumental) | |||
[09] | Say old man | PRC-1035 | |
(Instrumental) | |||
[10] | Mississippi sawyer | PRC-1035 | |
(Instrumental) | |||
[11] | Lonesome moonlight waltz (Bill Monroe) | PRC-1035 | |
(Instrumental) | |||
[12] | High level hornpipe | PRC-1035 | |
(Instrumental) | |||
[13] | St. Anne's reel | PRC-1035 | |
(Instrumental) | |||
[14] | Long cold winter | PRC-1035 | |
(Instrumental) | |||
[15] | Watermelon hangin' on the vine | PRC-1035 | |
(Instrumental) | |||
David Crow-f; Terry Eldredge-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Gene Wooten-db; Terry Smith-bs | |||
19950000 | 1995, Pinecastle session, Rich Adler Studio | ||
[01] | Half a mind | PRC-1184 | |
B. Osborne-L; S. Osborne-V; T. Eldredge-V | |||
Sonny Roland Osborne-gitjo; Robert Van 'Bobby' Osborne-m; Terry Eldredge-rhythm g; David Crow-f; Gene Wooten-db; Terry Smith-sb | |||
19950800 | 1995, Pinecastle session, Suite 2000, Nashville, Tenn. | ||
[01] | There's a little bit of everything in Texas (Ernest Tubb; Rightsong Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[02] | Driftwood on the river (John Klenner-Bob Miller; MCA Music Publishing, ASCAP) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[03] | Rainbow at midnight (Lost John Miller; Shapiro, Bernstein & Co., ASCAP) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[04] | Letters have no arms (Ernest Tubb-Arbie Gibson; Hill & Range Songs, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[05] | Soldier's last letter (Ernest Tubb-Redd Stewart; Noma Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[06] | Drivin' nails in my coffin (Jerry Irby; Hill & Range Songs, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[07] | I'll get along somehow (Ernest Tubb; Unichappell Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[08] | Are you waiting just for me (Ernest Tubb; Noma Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[09] | Daisy a day (Floyd Tillman; Peer International Corp., BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[10] | Waltz across Texas (Talmadge Tubb; Ernest Tubb Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-B; T. Eldredge-H | |||
[11] | I will miss you when you go (Ernest Tubb-B. Stewart; Ernest Tubb Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[12] | Walking the floor over you (Ernest Tubb; Unichappell Music, BMI) | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
[13] | Reprise of Walking the floor over you | PRC-1039 | |
B. Osborne-L; S. Osborne-H; T. Eldredge-H | |||
Sonny Roland Osborne-bj/gitjo; Robert Van 'Bobby' Osborne-m; Terry Eldredge-rhythm g; Gene Wooten-db; David Crow-f; Terry Smith-bs | |||
19950830 | 30 August 1995, Pinecastle session, Studio 2000, Nashville, Tenn. | ||
[01] | Rock of ages (Public domain; arr. Sonny & Bobby Osborne; Rocky Top Music, BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
Sonny Roland Osborne-gitjo; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; David Crow-f; Gene Wooten-db; Terry Smith-bs | |||
19960000 | 1996, Pinecastle session, Studio 2000, Nashville, Tenn. | ||
[01] | It's raining here this morning (Grandpa Jones) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | Old Roy and Brother Oz (Larry Cordle) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | Bluegrass (Mike Anthony-Larry Cordle) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[04] | You don't have to go home (but you can't stay here (Larry Cordle-Jerry Salley-Larry Shell) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[05] | I never once stopped loving you (Bill Anderson-Jan Howard) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[06] | Long enough to make me blue (Mike Anthony-Larry Cordle) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[07] | I ain't got a worry on my mind (Jimmy Helms-Bobby Osborne) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[08] | Worried man blues (A.P. Carter) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[09] | Deep dark water (Larry Cordle-Jimmy Rushing) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[10] | Picture on the wall (A.P. Carter) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[11] | New patches (Leonard Raymond Sipes) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[12] | When my blue moon turns to gold again (Gene Sullivan-Wiley Walker) | PRC-1059 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[13] | Pretty little Indian (Curly Ray Cline; Fort Knox Music, Inc./Trio Music Company, Inc., BMI) | PRC-1124 | |
(Instrumental) | |||
Sonny Roland Osborne-gitjo; Robert Van 'Bobby' Osborne-m; Terry Eldredge-rhythm g; David Crow-f; Gene Wooten-db; Terry Smith-sb | |||
19980400 | Spring 1998, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Ruby (Cousin Emmy) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | Hero of the creek (Larry Cordle) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | I'll just pretend (Jessie Mae Martin) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[04] | Leaning on the everlasting arms | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[05] | A child again (Billy Smith) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[06] | The older he got, the better he was (Billy Smith) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[07] | Grandpaw's radio (Larry Cordle-Larry Shell) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[08] | The great speckled bird (Roy Acuff-Roy Carter-Guy Smith) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[09] | Savior save me from myself (Larry Cordle-Jim Rushing) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[10] | Old friend of mine (Alan O'Bryant-Billy Smith) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; David Crow-f; Glen Duncan-f; Gene Wooten-db; Terry Smith-bs | |||
19980500 | Spring 1998, Pinecastle session, Suite 2000, Nashville, Tenn. | ||
[01] | Picture on the wall (Bud Landress, P. D.) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | Little cabin home on the hill (Lester Flatt-John Hartford-Bill Monroe) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | There's a star-spangled banner waving somewhere (Shelby Darnell-Paul Roberts) | PRC-1085 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; David Crow-f; Glen Duncan-f; Gene Wooten-db; Terry Smith-bs | |||
19981112 | 12 November 1998, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | You go to your church (and I'll go to mine) (Public domain) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[02] | Lonesome wind blues (Wayne Raney; Fort Knox Music, Inc./Trio Music Company, Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | Down where the river bends (Jack Anglin-George Peck-Johnnie Wright; Acuff-Rose Music, Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[04] | Helen (Rebe Gosden; Bobb Music Publishing, BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; Glen Duncan-f; Gene Wooten-db; Terry Smith-bs | |||
19981117 | 17 November 1998, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Take these chains from my heart (Fred Rose-Hy Heath; Milene Music, Inc., ASCAP) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V; T. Smith-V | |||
[02] | Foggy Mountain breakdown (Earl Scruggs; Peer International Corporation, BMI) | PRC-1124 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; Glen Duncan-f; Gene Wooten-db; Terry Smith-bs | |||
19981217 | 17 December 1998, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Y'all come (Arlie Duff) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[02] | My tears don't show (Carl Butler) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[03] | I'm thinking tonight of my blue eyes (Traditional) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[04] | Take my ring from your finger (Charlie Louvin-Ira Louvin) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[05] | Alabama (Eddie Hill-Charlie Louvin-Ira Louvin) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[06] | Wrap my body in Old Glory when I go (Arthur "Guitar Boogie" Smith) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[07] | Seven year blues (Charlie Louvin-Ira Louvin) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[08] | I'm gonna love you one more time (Charlie Louvin-Ira Louvin) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[09] | Is it too late now (Jimmie Davis-Lester Flatt) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[10] | I wonder where you are tonight (Johnny Bond) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[11] | Little rosewood casket (Traditional) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[12] | Love is a danger | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[13] | I cried again (Autry Inman) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[14] | I'm waiting to hear you call me darling (Lester Flatt-Chuck Johnson) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[15] | Can't you hear Jerusalem moan (Traditional) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
[16] | Across the sea blues (Jimmy Martin) | PRC-1100 | |
B. Osborne-V; S. Osborne-V; T. Eldredge-V | |||
Robert Van 'Bobby' Osborne-m; Terry Eldredge-g; Dana Cupp-bj; Glen Duncan-f; Robert Caldwell 'Bobby' Hicks-f; Terry Smith-bs | |||
20000000.1 | 2000, OMS session for Bobby Osborne, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Let the world keep turning | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[02] | Bad news from a friend | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[03] | I'll be there | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[04] | Mom and dad's waltz | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[05] | Ribbon of darkness | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[06] | Act naturally | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[07] | Just a girl I used to know | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[08] | Can we face each other | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[09] | Pick me up on your way down | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[10] | The selfishness in man | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[11] | Not a worry on my mind | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[12] | Oh lonesome me | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[13] | Just one more | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
[14] | Who needs you | OMS-25050 | |
B. Osborne-V; Johnny Russell-V; Hugh Moore, Billy Troy-backup V | |||
Robert Van 'Bobby' Osborne-m; Troy Lancaster-electric g; Glen Duncan-f; Benny Martin-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Randy Hardison, Milton Sledge-drums | |||
20000000.2 | 2000, Pinecastle session for Bobby Osborne & Jesse McReynolds, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn.,
| ||
[01] | Night runner (Jesse McReynolds) | PRC-1107 | |
(Instrumental) | |||
[02] | Okeechobee wind (Jesse McReynolds) | PRC-1107 | |
(Instrumental) | |||
[03] | East Tennessee blues (Public domain) | PRC-1107 | |
(Instrumental) | |||
[04] | The waltz you saved for me (Public domain) | PRC-1107 | |
(Instrumental) | |||
[05] | Drifting and dreaming of you (Jesse McReynolds-Jim McReynolds) | PRC-1107 | |
B. Osborne-HL; J. McReynolds-H | |||
[06] | Sure fire (Bobby Osborne-Jesse Osborne) | PRC-1107 | |
(Instrumental) | |||
[07] | Soldier's joy (Traditional) | PRC-1107 | |
(Instrumental) | |||
[08] | Nearer my God to Thee (Public domain) | PRC-1107 | |
(Instrumental) | |||
[09] | Bonaparte's retreat (Pee Wee King-Redd Stewart) | PRC-1107 | |
(Instrumental) | |||
[10] | Memories (Bobby Osborne) | PRC-1107 | |
J. McReynolds-L; B. Osborne-T | |||
[11] | Cheyenne (Bill Monroe) | PRC-1107 | |
(Instrumental) | |||
[12] | Goodbye Liza Jane (Public domain) | PRC-1107 | |
(Instrumental) | |||
[13] | 7th of December (Bobby Osborne) | PRC-1107 | |
(Instrumental) | |||
[14] | Just wondering why (Jesse McReynolds-Bobby Osborne) | PRC-1107 | |
J. McReynolds-L; B. Osborne-T | |||
[15] | Cotton patch rag | PRC-1107 | |
(Instrumental) | |||
[16] | Bluegrass express (Bobby Osborne) | PRC-1107 | |
J. McReynolds-V; B. Osborne-V | |||
Robert Van 'Bobby' Osborne-m; Jesse McReynolds-m; Charlie Cushman-g/bj; Terry Eldredge-bs | |||
20010607 | 7 June 2001, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Banjo gospel medley | PRC-1124 | |
(Instrumental) | |||
[02] | The end of the world (Sylvia Dee-Arthur Kent; Music Sales Corporation/Edward Proffitt Music, ASCAP) | PRC-1124 | |
[03] | Mansion on the hill (Hank William-Fred Rose; Milene Music, Inc./Intersong-USA, Inc., ASCAP) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
[04] | Billy in the low ground (Bobby Osborne; Acuff-Rose Music, Inc., BMI) | PRC-1124 | |
(Instrumental) | |||
[05] | Cherokee shuffle (Traditional) | PRC-1124 | |
(Instrumental) | |||
[06] | I'm old Kentucky bound (Charlie Monroe; Unichappell Music, BMI) | PRC-1124 | |
B. Osborne-V | |||
[07] | Down in the willow garden (Charles Monroe; Acuff-Rose Music, Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
[08] | Shady Lane (Sonny Osborne; Rocky Top Music, Inc., BMI) | PRC-1124 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dana Cupp-g; Charlie Cushman-g; Shad Cobb-f; Gene Wooten-db; Terry Smith-bs | |||
20010608 | 8 June 2001, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | The black sheep returned to the fold (Traditional/Albert E. Brumley; Stamps-Baxter Music, BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
[02] | Heaven (Helen McSpadden-Boyd McSpadden; Manna Music, Inc., ASCAP) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
[03] | Gone home (Bill Carlisle; Acuff-Rose Music, Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
[04] | Lover's farewell (A. P. Carter; Peer International Corporation, BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; T. Smith-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dana Cupp-g; Charlie Cushman-g; Shad Cobb-f; Gene Wooten-db; Terry Smith-bs | |||
20010610 | 10 June 2001, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Tahoe (Bobby Osborne; Bobby II Publishing, BMI) | PRC-1124 | |
(Instrumental) | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dana Cupp-g; Charlie Cushman-g; Shad Cobb-f; Gene Wooten-db; Terry Smith-bs | |||
20020000 | 2002, OMS session for Bobby Osborne & Rocky Top X-Press, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Mississippi | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[02] | There's always yesterday | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[03] | Borrowed angel | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[04] | High cotton | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[05] | If it ain't broke, don't fix it | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[06] | High weeds and rust | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[07] | You gotta have a license | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[08] | The great pretender | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[09] | Second fiddle | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[10] | South pa | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[11] | Say hello to Heaven | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[12] | Watch old memories burn | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[13] | Whistlin' in the dark | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
[14] | Where I come from | OMS-25130 | |
B. Osborne-V; Hugh Moore-V; Mike Toppins-V; Paul Brewster-V; Doyle Holly-V; Billy Troy-V | |||
Robert Van 'Bobby' Osborne-m; Jim Ed Brown-g/accordion/synthesizer; James 'Jim' Mills-bj; Glen Duncan-f/cello; Burkett Howard 'Josh/Uncle Josh' Graves-db; Mike Douchette-steel g/harmonica; Buddy Hyatt-piano; Terry Eldredge?-bs; Randy Hardison-drums; Kenny Malone-percussion | |||
20020203 | 3 February 2002, Pinecastle session, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Big Sandy River (Bill Monroe-Kenny Baker; Universal-MCA Music Publishing, BMI) | PRC-1124 | |
(Instrumental) | |||
[02] | Love and wealth (Ira Louvin-Charlie Louvin; Acuff-Rose Music, Inc., BMI) | PRC-1124 | |
B. Osborne-V; S. Osborne-V; D. Mosley-V | |||
Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Dana Cupp-g; Robert Bowlin-f/g; David Crow-f; Tim Graves-db; Daryl Mosley-bs | |||
20050000 | 2005, Rounder session for Bobby Osborne & Rocky Top X-Press, Hilltop Studios, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | The hard times | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[02] | The fields have turned brown | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[03] | It's gonna be rainin' til I die | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[04] | West Virginia my home | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[05] | Sunday morning coming down | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[06] | Mansions for me | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[07] | Try a little kindness | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[08] | Rocky Top X-Press | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[09] | Long black train | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[10] | Certain | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[11] | We're living in the last days now | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
[12] | Father and daughter | 11661 0552 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
Robert Van 'Bobby' Osborne-m; Glen Duncan-g; Dana Cupp-bj; Bobby Osborne, Jr.-bs; Daryl Mosley-bs | |||
20070000 | 2007, Rounder session for Bobby Osborne & Rocky Top X-Press, Nashville, Tenn. | ||
[01] | What kind of fool | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[02] | Bluegrass melodies (Darrell Statler) | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[03] | Music makin' man | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[04] | Color me lonely | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[05] | I would like to see you again | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[06] | Under a lonesome moon | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[07] | I'll take a chance | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[08] | Lonesome river | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[09] | Thank God I'm a country boy | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[10] | Lucky Lane shuffle | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[11] | Are you afraid to speak our Savior's name (B. Osborne) | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V | |||
[12] | Go rest high on that mountain | 11661 0582 2 | |
B. Osborne-V; Bobby Vincent-V; Rhonda Vincent-V | |||
Robert Van 'Bobby' Osborne-m; Glen Duncan-g; Dana Cupp-bj; Matt DeSpain-db; Bobby Osborne, Jr.-bs; Daryl Mosley-bs; Rhonda Vincent-V | |||
20080000 | 2008, Rounder session(s) for Bobby Osborne & Rocky Top X-Press, Adventure Studios, Hilltop Studios, Rec Room Studio,
Nashville, Tenn.; Sandy's Ridge, Whites Creek, Tenn.; The Dunk Works, Gallatin, Tenn. | ||
[01] | Let's sing our song | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[02] | What would you give in exchange for your soul | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[03] | A wise man's mind will change | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[04] | You can | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[05] | Different definition of love | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[06] | Drivin' my life away | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[07] | Girl from yesterday | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[08] | Keystone coal | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[09] | After the fire is gone | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[10] | Hyden | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[11] | Shenandoah wind | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
[12] | Way up on the mountain | 11661 0603 2 | |
B. Osborne-V; M. Stuart-V; G. Duncan-V; Connie Smith-V; Rhonda Vincent-V | |||
Robert Van 'Bobby' Osborne-m; Marty Stuart-g; Dana Cupp-bj; Glen Duncan-f/g; Matt DeSpain-db; Bobby Osborne, Jr.-bs | |||
20100000 | 2010, Rural Rhythm session for Bobby Osborne & Rocky Top X-Press, Boj Mahal, Portland, Tenn.; Dunkworks, Gallatin, Tenn.; The
Cave, Dallas, Ga.; Mountain Fever Studio, Willis, Va. | ||
[01] | Mountain fever (R. Hylton) | RHY-1072 | |
Russell Moore-L; B. Osborne-H | |||
[02] | Bring back yesterday (Glen Duncan) | RHY-1072 | |
B. Osborne-L | |||
[03] | Ruby (Cousin Emmy) | RHY-1072 | |
B. Osborne-L | |||
[04] | Memories | RHY-1072 | |
B. Osborne-V; Patty Loveless-V | |||
[05] | With a pain in my heart | RHY-1072 | |
B. Osborne-V; Audie Blaylock-V | |||
[06] | Rocky Top (Boudleaux Bryant-Felice Bryant) | RHY-1072 | |
B. Osborne-L | |||
[07] | Man from Rosine | RHY-1072 | |
[08] | Hidin' in Hyden | RHY-1072 | |
B. Osborne-L | |||
[09] | Up this hill and down | RHY-1072 | |
B. Osborne-L | |||
[10] | Old man and his fiddle | RHY-1072 | |
B. Osborne-L | |||
[11] | Memories of yesterday | RHY-1072 | |
B. Osborne-L | |||
[12] | Bobby Van waltz | RHY-1072 | |
[13] | I've seen it all | RHY-1072 | |
B. Osborne-L | |||
[14] | When I meet mother in Heaven | RHY-1072 | |
B. Osborne-L | |||
Robert Van 'Bobby' Osborne-m; Bobby Osborne-g; Mike Toppins-bj; Glen Duncan-f; Tim Graves-db; Daryl Mosley-bs; Harry Stinson-drums | |||
20110000 | 2011, Rural Rhythm session for Bobby Osborne & Rocky Top X-Press, Boj Mahal, Portland, Tenn.; Dunkworks, Gallatin, Tenn.,
| ||
[01] | I'm going back to the mountain (Jake Landers; Rocky Top Music, Inc., BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-B; G. Duncan-LT | |||
[02] | One more time (Tim Jamison; Rocky Top Music, Inc., BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-B; G. Duncan-LT | |||
[03] | Heartache looking for a home (Paul Craft; Rocky Top Music, Inc., BMI) | RUR-1099 | |
B. Osborne-LV/TC; B. Osborne, Jr.-LC; G. Duncan-B | |||
[04] | Muddy waters (Phil Rosenthal; Lizzie Lou Publications, BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-T; G. Duncan-B | |||
[05] | I wrecked my life for you (Glen Duncan; Angel's Elbow Music, BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-T; G. Duncan-B | |||
[06] | The old oak tree (Jake Landers; Rocky Top Music, Inc., BMI) | RUR-1099 | |
B. Osborne-LV/TC; B. Osborne, Jr.-LC; G. Duncan-B | |||
[07] | The last bridge you'll burn (Bobby Osborne; Rocky Top Music Inc., BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-B; G. Duncan-LT | |||
[08] | Why don't you turn me loose (Glen Duncan; Angel's Elbow Music, BMI) | RUR-1099 | |
B. Osborne-L; B. Osborne, Jr.-B; G. Duncan-LT | |||
[09] | Low and lonely (Fred Rose; Sony/ATV/Milene Music, ASCAP) | RUR-1099 | |
B. Osborne-L | |||
[10] | Born in Kentucky (Greg Preece; Rocky Top Music Inc., BMI) | RUR-1099 | |
B. Osborne-L | |||
Robert Van 'Bobby' Osborne-m; Joe Miller-g; Mike Toppins-6 string bj; Glen Duncan-f; Bobby Osborne, Jr.-bs | |||
20160000 | 2016, Compass session for Bobby Osborne, Producer: Alison Brown, unknown | ||
[01] | They call the wind Maria | Compass 4687 | |
B. Osborne-L | |||
[02] | Goodbye Wheeling | Compass 4687 | |
D. McCoury-V; B. Osborne-V | |||
[03] | Kentucky morning (Darrell Scott) | Compass 4687 | |
B. Osborne-L | |||
[04] | I've gotta get a message to you | Compass 4687 | |
B. Osborne-L; Claire Lynch-V; Trey Hensley-V | |||
[05] | Make the world go away | Compass 4687 | |
B. Osborne-L; Vince Gill-V | |||
[06] | Just in case | Compass 4687 | |
B. Osborne-L | |||
[07] | Don't be cruel | Compass 4687 | |
B. Osborne-L | |||
[08] | Eight more miles | Compass 4687 | |
B. Osborne-L | |||
[09] | Country boy | Compass 4687 | |
B. Osborne-L | |||
[10] | Pathway of teardrops | Compass 4687 | |
B. Osborne-L | |||
Robert Van 'Bobby' Osborne-m; | |||
Revised: 8 February 2018
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