WILMA LEE & STONEY COOPER
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell, based on the work of Robert Cogswell for the John Edwards Memorial Foundation, & by Bruce A. McGuire, Dave Sax, & Richard Weize for Bear Family Records.
19470600 | Summer 1947, Rich-R-Tone session, Producer: Jim Stanton, Radio Station WWNC, Asheville, N.C., Night session | ||
RRT 7106 | The little rosewood casket (Traditional) | 415 | CCD-291 |
S. Cooper-L; W. L. Cooper-HB | |||
RRT 7108 | What will I do (Bill Carver) | 415 | CCD-291 |
S. Cooper-L | |||
RRT 7109 | Two little orphans (P. D.) | 417 | CCD-291 |
W. L. Cooper-L | |||
RRT 3124 | Wicked path of sin (Bill Monroe) | 417 | 1017 |
S. Cooper-L; W. L. Cooper-H; Abe Cole-H | |||
RRT 4103 | This world can't stand long (Roy Acuff) | 424 | 1017 |
W. L. Cooper-L; S. Cooper-B | |||
RRT 3107 | Tramp on the street (G. & H. Cole) | 424 | BCD-16751 |
W. L. Cooper-L | |||
RRT 4121 | Matthew twenty-four (Lonnie Glosson) | 442 | BCD-16751 |
W. L. Cooper-L | |||
RRT 3121 | My dreamboat is drifting (May Newberry) | 442 | BCD-16751 |
S. Cooper-L | |||
[09] | Girl in the blue velvet band (Cliff Carlisle-Calaway) | 452 | BCD-16751 |
W. L. Cooper-L | |||
[10] | What good will it do (Jerry Ward-Rose Maddox) | 452 | BCD-16751 |
S. Cooper-L | |||
RRT 7107 | Blue mountain girl (Eddie Nesbit) | 445 | BCD-16751 |
S. Cooper-L; W. L. Cooper-H | |||
[12] | I love no one but you | unissued | BCD-16751 |
S. Cooper-L; W. L. Cooper-H | |||
[13] | Things that may have been | 445 | |
W. L. Cooper-V; S. Cooper-V | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Bill Carver-steel g/db/m; Albert Ray 'Ab' Cole-sb; Scotty McGinnis-accordion | |||
19490408 | 8 April 1949, Columbia session, Producer: Art Satherley, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 40677-1 / NASH 708-1 | Willy Roy (the cripple boy) (Doc Williams) | 20586 | HL-7378 |
W. L. Cooper-L | |||
CO 40678-1 / NASH 709-1 | Thirty pieces of silver (Odell McLeod) | 20631 | HL-7233 |
W. L. Cooper-L | |||
CO 40679-1 / NASH 710-1 | What's the matter with this world (J. Anglin-J. Wright) | 20631 | HL-7233 |
S. Cooper-L; W. L. Cooper-T | |||
CO 40680-1 / NASH 711-1 | Moonlight on West Virginia (R. Parker-E. Parker) | 20607 | CCD-291 |
S. Cooper-L; W. L. Cooper-HB | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Blaine Stewart-m; Bill Carver-db; Albert Ray 'Ab' Cole-sb | |||
19490409 | 9 April 1949, Columbia session, Producer: Art Satherley, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 40681- / NASH 712-1 | No one now (Sky Snow) | 20654 | CCS-103 |
W. L. Cooper-L | |||
CO 40682-1 / NASH 713-1 | He will save your soul (from the burning fire) (Wilma Lee & Stoney Cooper) | 20586 | HL-7233 |
S. Cooper-L; W. L. Cooper-HB | |||
CO 40683- / NASH 714-1 | I dreamed about Mom last night (Fred Rose) | 20654 | HL-7378 |
W. L. Cooper-L; S. Cooper-H/sp | |||
CO 40684-1 / NASH 715-1 | On the banks of the river (D. Lewis) | 20607 | CCS-103 |
W. L. Cooper-L; S. Cooper-H | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Blaine Stewart-m; Bill Carver-db; Albert Ray 'Ab' Cole-sb | |||
19500220 | 20 February 1950, Columbia session, Producer: Art Satherley, Columbia Recording Studio A, 799 7th Avenue, New York, N.Y.,
| ||
CO 42881- | I ain't gonna work tomorrow (Arr. Stoney Cooper) | 20686 | CCD-291 |
W. L. Cooper-L | |||
CO 42882-2 | The white rose (T. Lucas) | 20713 | HL-7378 |
S. Cooper-L; W. L. Cooper-HB | |||
CO 42883- | Legend of the dogwood tree (J. Moore) | 20713 | HL-7233 |
W. L. Cooper-L | |||
CO 42884-1 | The message came special (W. L. & S. Cooper) | 20686 | HL-7378 |
S. Cooper-L; W. L. Cooper-T | |||
Wilma Lee Cooper-rhythm g/bj; Dale Troy 'Stoney' Cooper-f; Blaine Stewart-m; Benjamin 'Tex' Logan-f; Bill Carver-db/f; T. Lucas-sb | |||
19501218 | 18 December 1950, Columbia session, Producer: Art Satherley, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn.,
| ||
RH CO 4408-1 | Faded love (J. & B. Wills) | 20781 | BACM 154 |
S. Cooper-L; W. L. Cooper-T | |||
RH CO 4409-1 | The Golden Rocket (H. Snow) | 20781 | HL-7378 |
S. Cooper-L | |||
RH CO 4410- | Mother's prayer (Fowler) | 20801 | HL-7233 |
S. Cooper-L; W. L. Cooper-T | |||
RH CO 4411- | The ghost train (O'Neal) | 20801 | HL-7378 |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Gene Jenkins-electric lead g/rhythm g; Blaine Stewart-m; Bill Carver-db/f; Albert Ray 'Ab' Cole-sb | |||
19510713 | 13 July 1951, Columbia session, Producer: Art Satherley, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 46488- / NASH 1264 | I'm taking my audition (to sing up in the sky) (A. Patterson-W. Caplinger) | 20949 | HL-7233 |
S. Cooper-L; W. L. Cooper-T | |||
CO 46489- / NASH 1265 | Walking my Lord up Calvary Hill (Ruby Moody) | 20949 | HL-7233 |
W. L. Cooper-L; S. Cooper-B | |||
CO 46490-1 / NASH 1266 | All on account of you (O. Reed) | 20898 | CCS-103 |
S. Cooper-L; W. L. Cooper-T | |||
CO 46491-1 / NASH 1267 | Stoney (are you mad at your gal) (Cousin Emmy) | 21049 | CCD-291 |
W. L. Cooper-L | |||
CO 46492-1 / NASH 1268 | The West Virginia polka (I. Louvin-C. Louvin) | 20861 | CCS-103 |
W. L. Cooper-L; S. Cooper-B | |||
CO 46493-1 / NASH 1269 | Sunny side of the mountain (H. McAuliffe-B. Gregory) | 20861 | HL-7378 |
S. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Burkett Howard 'Buck' Graves-db; Joe Earl Stuart, Jr.-m; Benjamin 'Tex' Logan-f | |||
19511217 | 17 December 1951, Columbia session, Producer: Art Satherley, WWVA Studio, Wheeling, W. Va. | ||
CO 47269-1 | You tried to ruin my name (P. W. King-R. Stewart) | 20898 | HL-7378 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Burkett Howard 'Buck' Graves-db; Albert Ray 'Ab' Cole-sb | |||
19520521 | 21 May 1952, Columbia session, Producer: Don Law, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 47995-1 / NASH 1482 | Have mercy on me (Weisman) | 21010 | HL-7378 |
S. Cooper-L; W. L. Cooper-T | |||
CO 47996-1 / NASH 1483 | I cried again (A. Inman) | 21010 | CCS-103 |
W. L. Cooper-L | |||
CO 47997-1 / NASH 1484 | The Clinch Mountain waltz (Wilma Lee Cooper-Stoney Cooper) | 21049 | CCD-291 |
W. L. Cooper-L; S. Cooper-B | |||
CO 47998-1 / NASH 1485 | My Lord's gonna shake my hand (Clyde Moody) | 21000 | HL-7233 |
S. Cooper-L; A. Cole?-H | |||
CO 47999-1 / NASH 1486 | Will the Lord let you in (Martha Carson) | 21000 | HL-7233 |
W. L. Cooper-L; S. Cooper-H; unknown-H | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Benjamin 'Tex' Logan-f; Burkett Howard 'Buck' Graves-db; Johnny Johnson-g; Albert Ray 'Ab' Colee-sb | |||
19530217 | 17 February 1953, Columbia session, Producer: Don Law, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 49016-1 / NASH 1612 | Idle gossip, idle words (M. Carver) | 21161 | CCD-291 |
W. L. Cooper-L | |||
CO 49017-1 / NASH 1613 | Don't play that song (on the juke box tonight) (C. Coben-E. Arnold-C. Green) | 21088 | CCD-291 |
W. L. Cooper-L | |||
CO 49018-1 / NASH 1614 | What can I say (William G. Carver) | 21161 | CCD-291 |
S. Cooper-L; W. L. Cooper-T | |||
CO 49019-1 / NASH 1615 | You belong to somebody else (Adelman, Williams & Coben) | 21088 | CCD-291 |
W. L. Cooper-L | |||
CO 49020-1 / NASH 1616 | Are you walking and a-talking for the Lord (H. Williams) | 21131 | HL-7233 |
W. L. Cooper-L; S. Cooper-B; unknown-H | |||
CO 49021-1 / NASH 1617 | You can't take it with you (when you go) (M. Carson) | 21131 | HL-7378 |
W. L. Cooper-L; S. Cooper-B; unknown-H | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Thomas Lee 'Tommy' Jackson-f; Burkett Howard 'Buck' Graves-db; Marvin H. Hughes-piano; Albert Ray 'Ab' Cole-sb | |||
19531228 | 28 December 1953, Columbia session, Producer: Don Law, Castle Studio, Tulane Hotel, 206 8th Avenue, Nashville, Tenn. | ||
CO 50676-1 / NASH 1751 | You can't feel the way I do (Carver) | 21221 | BACM 154 |
W. L. Cooper-L/T | |||
CO 50677-1 / NASH 1752 | Brand new baby (Thomas) | 21265 | BCD-16751 |
S. Cooper-L | |||
CO 50678-1 / NASH 1753 | Bamboozled (Barefoot-Stutz) | 21221 | BACM 154 |
W. L. Cooper-L; Terry Smith-T; Gene Wooten-B; Clarence "Tater" Tate-BS; Carol Lee Cooper-V | |||
CO 50679-1 / NASH 1754 | Can you forget (Sturdevant) | 21265 | BCD-16751 |
S. Cooper-L; A. Cole-T | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Howard G. Johnson-g; Thomas Lee 'Tommy' Jackson-f; Burkett Howard 'Buck' Graves-db; Albert Ray 'Ab' Cole-sb | |||
19550524 | 24 May 1955, Hickory session, Producer: Wesley Rose, Hickory Studio, 2510 Franklin Avenue, Nashville, Tenn., 19:15-
22:15 | ||
F 82-2 | Each season changes you (Talley-Goree) | 45-1035 | LPM-H-100 |
W. L. Cooper-L; S. Cooper-B | |||
F 83-1 | Just for a while (Cooper & Crawford; Acuff-Rose Pub., BMI) | 45-1028 | BCD-16751 |
W. L. Cooper-L; S. Cooper-B | |||
F 84-4 | How it hurts to cry alone (J. D. Miller; Acuff-Rose Pub., BMI) | 45-1028 | BACM 154 |
W. L. Cooper-L; S. Cooper-H | |||
F 85-4 | Please help me to be wrong (Miller-Guillot; Acuff-Rose Pub., Inc., BMI) | 45-1035 | BCD-16751 |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Eddie Hill-g; Chester B. 'Chet' Atkins-electric g; Thomas Lee 'Tommy' Jackson-f; Ernest T. 'Ernie' Newton-sb; Jimmy Crawford-steel guitar; Robert Lee 'Bob' Foster-steel g | |||
19551110.1 | 10 November 1955, Hickory session, Producer: Wesley Rose, Hickory Studio, 2510 Franklin Avenue, Nashville, Tenn., 19:30-
22:30 | ||
F 106-2 | We make a lovely couple (you and I) (Billy Worth) | 45-1041 | BACM 154 |
W. L. Cooper-L; S. Cooper-B | |||
F 107-2 | Not anymore (Bob Terry) | 45-1041 | BCD-16751 |
C. Theriot-L; W. L. Cooper-T | |||
F 108- | I dreamed of a hillbilly heaven | unissued | BCD-16751 |
S. Cooper-L/sp; W. L. Cooper-T | |||
F 109- | The West Virginia polka | unissued | BCD-16751 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Charles 'Al Terry' Theriot-rhythm g; Chester B. 'Chet' Atkins-electric g; Thomas Lee 'Tommy' Jackson-f; Howard G. Johnson-rhythm g/poss. steel g; Floyd Kramer-piano; Ernest T. 'Ernie' Newton-sb | |||
19551110.2 | 10 November 1955, Hickory session, Producer: Wesley Rose, Hickory Studio, 2510 Franklin Avenue, Nashville, Tenn., 23:00-
02:00 | ||
F 110-1 | I want to be loved (but only by you) (J. & W. Bailes) | 45-1043 | LPM-H-100 |
W. L. Cooper-L; S. Cooper-B | |||
F 111-2 | This crazy, crazy world (J. D. Miller) | 45-1051 | BACM 154 |
W. L. Cooper-L; Charles 'Al Terry' Theriot-B | |||
F 112-1 | Row number two, seat number three (Perkins-Donato) | 45-1043 | BCD-16751 |
W. L. Cooper-L | |||
F 113-2 | I've been cheated too (Wilma Lee Cooper) | 45-1051 | LPM-H-100 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Howard G. Johnson-rhythm g; John M. 'Johnny' Clark-bj; Chester B. 'Chet' Atkins-electric g; Thomas Lee 'Tommy' Jackson-f; Floyd Kramer-piano; Ernest T. 'Ernie' Newton- sb; Woody Woodham-sb | |||
19560920 | 20 September 1956, Hickory session, Producer: Wesley Rose, Hickory Studio, 2510 Franklin Avenue, Nashville, Tenn. | ||
F 138-2 | It's just as well (Bob Terry) | 45-1082 | BCD-16751 |
W. L. Cooper-L; C. Theriot-B | |||
F 139-2 | I'm not the girl (Thelma Blackmon) | 45-1082 | BCD-16751 |
W. L. Cooper-L | |||
F 140-3 | This thing called man (J. D. Miller-T. Boulet) | 45-1064 | BCD-16751 |
W. L. Cooper-L | |||
F 141-1 | The same as never (Terry-Smith-Terry) | unissued | |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Charles 'Al Terry' Theriot-g; John M. 'Johnny' Clark?-bj; Walter Haynes?-steel g | |||
19561106 | 6 November 1956, Hickory session, Producer: Wesley Rose, Hickory Studio, 2510 Franklin Avenue, Nashville, Tenn., 13:30-
16:30 | ||
F 142-4 | Loving you (W. L. Cooper) | 45-1058 | BCD-16751 |
W. L. Cooper-L; Carol Lee Cooper-T; S. Cooper-B | |||
F 143-1 | X marks the spot (Louise Webb; Acuff-Rose Pub., BMI) | 45-1098 | BCD-16751 |
W. L. Cooper-L | |||
F 144-3 | Tramp on the street (Hazel & Grady Cole) | 45-1058 | LPM-H-100 |
W. L. Cooper-L | |||
F 145-4 | My heart keeps crying (Wilma Lee Cooper) | 45-1064 | |
W. L. Cooper-L/H; S. Cooper-L/H; Carol Lee Cooper-H | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; John M. 'Johnny' Clark-bj; Walter Haynes-steel g; Ernest 'Ernie' Newton-sb; Carol Lee Cooper-V | |||
19570906 | 6 September 1957, Hickory session, Producer: Wesley Rose, RCA VIctor Studio, Methodist Television Radio & Film Commission,
1525 McGavock Street, Nashville, Tenn., 21:30-00:30 | ||
F 165-10 | He taught them how (Wilma Lee Cooper) | 45-1078 | LPM-H-100 |
W. L. Cooper-L; Carole Lee Cooper-H; unidentified-BS | |||
F 166-5 | Diamond Joe (Tex Logan) | 45-1070 | BCD-16751 |
S. Cooper-L; Carole Lee Cooper-T | |||
F 167-11 | I tell my heart (Wilma Lee Cooper) | 45-1070 | 66323-2 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; John M. 'Johnny' Clark-bj; Chester B. 'Chet' Atkins-electric g; Thomas Lee 'Tommy' Jackson-f; Woody Woodham-sb; Jerry Johnson-V (165, 166 only); unidentified-BS (165 only) | |||
1975-1976 | 1975-1976, Live radio shows, reissued by Radio Gems, Radio Station WSM?, Nashville, Tenn. | ||
[01] | Diamond Joe | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[02] | Matthew 24 | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[03] | Swanee River | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[04] | Tramp on the street | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[05] | He set me free | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[06] | Cumberland Gap | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[07] | Row #2 seat #3 | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[08] | When my time comes to go | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[09] | We live in two different worlds | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[10] | Poor Ellen Smith | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[11] | Wildwood flower | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[12] | Is it right | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[13] | Come walk with me | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[14] | Wabash Cannonball | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
[15] | Are you walking and a-talking with the Lord | RG-3 | |
Wilma Lee Cooper-V; Stoney Cooper-V; Carol Lee Cooper-V; George McCormick-V | |||
Wilma Lee Cooper-g/clawhammer bj; Dale Troy 'Stoney' Cooper-f; Jimmie Elrod-bj; George Washington McCormick-rhythm g | |||
19580318 | 18 March 1958, Hickory session, Producer: Wesley Rose, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville,
Tenn., 19:00-22:00 | ||
F 179-3 | Come walk with me (Burkett Graves) | 45-1085 | LPM-H-100 |
S. Cooper-L; W. L. Cooper-T; Carol Lee Cooper-H | |||
F 180-16 | Is it right (Don Gibson; Acuff-Rose, BMI) | 45-1085 | BCD-16751 |
S. Cooper-L; W. L. Cooper-T | |||
F 181-3 | Big midnight special (Arr. Wilma Lee Cooper; Acuff-Rose Pub., BMI) | 45-1098 | LPM-H-100 |
W. L. Cooper-L; Carole Lee Cooper-T; S. Cooper-B | |||
F 182-5 | Walking my Lord up Calvary's Hill (Ruby Moody) | 45-1078 | LPM-H-100 |
W. L. Cooper-L; Carole Lee Cooper-T; S. Cooper-B; unidentified-BS | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; John M. 'Johnny' Clark-bj; Benny Edward Martin-f; Jimmy Crawford-steel g; Pee Wee Kirshaw-db; Carol Lee Cooper-V; unidentified-BS (182 only) | |||
19580503 | 3 May 1958, Hickory session, Nashville, Tenn. | ||
F 191- | The Canadian reel (Stoney Cooper) | LPM-H-100 | |
(Instrumental) | |||
F 192- | Home sweet home (Arr. Stoney Cooper) | LPM-H-100 | |
(Instrumental) | |||
F 193 | C & L special (Stoney Cooper) | unissued | |
(Instrumental) | |||
F 194 | Swanee River (Arr., Stoney Cooper) | unissued | |
(Instrumental) | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; James W. 'Jimmy' Elrod-bj; Woody Woodham-sb | |||
19590828 | 28 August 1959, Hickory session, Producer: Wesley Rose, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville,
Tenn. | ||
F 237-10 | Heartbreak Street (Wilma Lee Cooper) | 45-1126 | BCD-16751 |
W. L. Cooper-L/T; S. Cooper-L | |||
F 238-2 | There's a big wheel (Don Gibson) | 45-1107 | LPM-H-100 |
W. L. Cooper-L; S. Cooper-H | |||
F 239-9 | Rachel's guitar (Jean Chapel) | 45-1107 | LPM-H-100 |
W. L. Cooper-L | |||
F 240-5 | Night after night (Tompall Glazer-Wanda Jones) | 45-1147 | BCD-16751 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; James W. 'Jimmy' Elrod-bj; George Washington McCormick-rhythm g; Walter L. 'Hank' 'Sugarfoot' Garland-electric g; Benny Edward Martin- f/rhythm g; Howard White, Jr.-steel g; Joseph S. 'Joe' Zinkan-sb; Murrey M. 'Buddy' Harman-drums | |||
19600222 | 22 February 1960, Hickory session, Producer: Wesley Rose, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville,
Tenn. | ||
F 253-18 | Johnny, my love (Grandma's diary) (Boudleaux & Felice Bryant) | 45-1118 | |
W. L. Cooper-L; S. Cooper-B; Jerry Johnson-HV | |||
F 254-7 | More love (Ira & Charlie Louvin) | 45-1118 | BCD-16751 |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V | |||
F 255-5 | This old house (Stuart Hamblen) | 45-1126 | 66323-2 |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; unknown-BS; unknown-background singers | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-g; George Washington McCormick-rhythm g; Walter L. 'Hank' 'Sugarfoot' Garland-electric g; James W. 'Jimmy' Elrod- bj; Howard White, Jr.-steel g; Woody Woodham-sb; Murrey M. 'Buddy' Harman-drums; Jerry Johnson-V | |||
19601229 | 29 December 1960, Hickory session, Producer: Wesley Rose, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville,
Tenn. | ||
F 300-9 | Train, you took my baby (Harlan Howard & Buck Owens; Acuff-Rose Pub., BMI) | 45-1140 | DJB-26085 |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V | |||
F 301-4 | Heartaches don't lie (Mel & Juanita Foree; Acuff-Rose Pub. Inc., BMI) | 45-1157 | DJB-26085 |
W. L. Cooper-L | |||
F 302-6 | I gotta laugh (to keep from crying) (Don Gibson) | 45-1140 | DJB-26085 |
W. L. Cooper-L; S. Cooper-B | |||
F 303-8 | The wreck on the highway (Dorsey Dixon) | 45-1147 | 66323-2 |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-rhythm g; George Washington McCormick-rhythm g; Walter L. 'Hank' 'Sugarfoot' Garland-electric g; Horace 'Benny' Williams-bj; Jimmy Crawford-steel g; Joseph S. 'Joe' Zinkan-sb; Murrey M. 'Buddy' Harman-drums | |||
19611010 | 10 October 1961, Hickory session, Producer: Wesley Rose, Phillips Studio, 319 7th Avenue North, Nashville, Tenn. | ||
F 334-5 | Trouble ahead (Bill Carver) | 45-1179 | BCD-16751 |
W. L. Cooper-L; S. Cooper-B | |||
F 335-2 | The mighty battle cry (Wilma Lee Cooper; Acuff-Rose Pub. Inc., BMI) | 45-1157 | BCD-16751 |
W. L. Cooper-L; S. Cooper-H | |||
F 336-8 | Doin' my time (Jimmie Skinner) | 45-1193 | |
S. Cooper-L; W. L. Cooper-T | |||
F 337-4 | Have faith in me (Bob Ferguson; Backwoods Music Co., BMI) | 45-1167 | BCD-16751 |
W. L. Cooper-L; S. Cooper-B; Jerry Johnson-V; unknown-sp | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-rhythm g; Marvin Russell-g; Charles 'Buck' Trent-bj; Benny Edward Martin-f; Joseph S. 'Joe' Zinkan-sb; Larry Graham-drums; Jerry Johnson-V | |||
19611228 | 28 November 1961, Hickory session, Producer: Wesley Rose, RCA VIctor Studio, 1610 Hawkins Street, Nashville, Tenn. | ||
F 366-4 | Matthew twenty-four (Lonnie Glosson; Russ Hull's Country Music, BMI) | 45-1167 | LPM-106 |
W. L. Cooper-L; S. Cooper-B; G. McCormick-V | |||
F 367-2 | Six more miles (Hank Williams) | LPM-106 | |
W. L. Cooper-L; S. Cooper-B; G. McCormick-V | |||
F 368-3 | Teardrops falling in the snow (E. C. McCarty) | LPM-106 | |
W. L. Cooper-L | |||
F 369-2 | I'm reading your letter again (Floyd Jenkins) | LPM-106 | |
S. Cooper-L; W. L. Cooper-T | |||
F 370-1 | When God comes and gathers his jewels (Hank Williams) | LPM-106 | |
W. L. Cooper-L; S. Cooper-B; G. McCormick-V | |||
F 371-2 | Singing waterfall (Hank Williams) | 45-1193 | LPM-106 |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-rhythm g; Burkett Howard 'Buck' Graves-db; Floyd Taylor "Lightning" Chance-sb; Larry Graham- drums | |||
19620305 | 5 March 1962, Hickory session, Producer: Wesley Rose, RCA VIctor Studio, 1610 Hawkins Street, Nashville, Tenn. | ||
F 386-2 / 421 | Thirty pieces of silver (Odell McLeod) | LPM-106 | |
W. L. Cooper-L | |||
F 387-3 | At the first fall of snow (Lorene Davis) | H-106 | LPM-106 |
W. L. Cooper-L | |||
F 388-2 | Philadelphia lawyer (Maddox Bros.) | 45-1179 | LPM-106 |
W. L. Cooper-L | |||
F 389-2 | On the evening train (Audrey & Hank Williams) | LPM-106 | |
W. L. Cooper-L | |||
F 390-4 / 422 | Help me understand (Hank Williams) | LPM-106 | |
W. L. Cooper-L/sp | |||
F 391-5 | The legend of the dogwood tree (Juanita Moore) | LPM-106 | |
W. L. Cooper-L/sp | |||
Wilma Lee Cooper-rhythm g; Raymond Q. 'Ray' Edenton-g; Benny Edward Martin-f; Harold B. 'Shot' Jackson-db; Floyd Taylor "Lightning" Chance-sb; Larry Graham-drums | |||
19630129.1 | 29 January 1963, Hickory session, Producer: Wesley Rose, RCA VIctor Studio, 800 17th Avenue South, Nashville, Tenn. | ||
F 480-4 | Every hour and every day (Marshall Pack) | LPM-112 | |
W. L. Cooper-L; S. Cooper-H | |||
F 481-3 | Satisfied (Martha Carson) | 45-1208 | LPM-112 |
W. L. Cooper-L; S. Cooper-H | |||
F 482-4 | There's a higher power (Ira Louvin-Charlie Louvin) | 45-1225 | LPM-112 |
W. L. Cooper-L; Ira Louvin-H | |||
F 483-4 | Keep your eyes on Jesus (Ira & Charlie Louvin) | LPM-112 | |
W. L. Cooper-L; Ira Louvin-H | |||
F 484-3 | Family Bible (Gray-Buskirk-Breeland) | LPM-112 | |
S. Cooper-H; W. L. Cooper-H | |||
F 485-2 | The black sheep returned to the fold (Fred Rose) | LPM-112 | |
W. L. Cooper-L; S. Cooper-B | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-rhythm g; Marvin Russell-electric lead g; Floyd Cramer-piano; Floyd Taylor 'Lightnin' Chance-sb; Murrey M. 'Buddy' Harman-drums | |||
19630129.2 | 29 January 1963, Hickory session, Producer: Wesley Rose, RCA VIctor Studio, 800 17th Avenue South, Nashville, Tenn. | ||
F 486-2 | The way-worn traveler (Arr., Wilma Lee Cooper) | LPM-112 | |
W. L. Cooper-L; S. Cooper-H | |||
F 487-4 | Glory land march (Johnny Masters) | 45-1208 | LPM-112 |
W. L. Cooper-L; S. Cooper-H | |||
F 488-3 | Wandering soul (George Jones-Bill Dudley) | LPM-112 | |
W. L. Cooper-L; S. Cooper-H; unknown-V | |||
F 489-2 | This world can't stand long (Roy Acuff) | 45-1225 | LPM-112 |
W. L. Cooper-L; S. Cooper-H | |||
F 490-2 | When my time comes to go (Molly O'Day) | LPM-112 | |
W. L. Cooper-L; S. Cooper-H | |||
F 491-2 | The story of the three nails (Hess-Benson) | LPM-112 | |
S. Cooper-sp | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-g; Marvin Russell-electric lead g; Floyd Cramer-piano; Floyd Taylor 'Lightnin' Chance-sb; Murrey M. 'Buddy' Harman-drums; Ira Louvin-V (482, 483 only) | |||
19640326 | 26 March 1964, Hickory session, Producer: Wesley Rose, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn.,
| ||
F 633-5 | I couldn't care less (Don Gibson) | 45-1279 | BCD-16751 |
W. L. Cooper-L; Jerry Johnson-V; unknown-V | |||
F 634-6 | Big John's wife (Carver-Abner; Acuff Rose Publ. Inc., BMI) | 45-1257 | BCD-16751 |
W. L. Cooper-L; Jerry Johnson-V; unknown-V | |||
F 635-7 | This train (Arr. Wilma Lee Cooper; Acuff-Rose Publications, Inc., BMI) | 45-1279 | BCD-16751 |
W. L. Cooper-L; Jerry Johnson-V; unknown-V | |||
F 636-6 | Pirate king (Johnny Masters; Starday Music, BMI) | 45-1257 | BCD-16751 |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Harold Ray Bradley-g; Henry Earl Sinks-g; William Frank Gokey-bj; Joseph 'Joe' Edwards-electric lead g; John Shepherd Patrick, Jr.-bs; James Carlisle Isbell-drums; Jerry Johnson-V (633-635 only) | |||
19651207 | 7 December 1965, Decca session, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
NA 13822- / 116819 | Wedding bells (Claude Boone) | 31891 | DL-4784 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 13823- / 116820 | It's started again (Don Gibson) | 31891 | DL-4784 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 13824- / 116821 | It's easier to say than do (John Patrick) | 31971 | DL-4784 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 13825- / 116822 | Strange things happening (P.D.) | DL-4784 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Thomas Grady Martin-g; Joe Edwards-g; Raymond Q. 'Ray' Edenton-g; Harold Bradley-g; Charles Ray 'Charlie' McCoy-organ/harmonica; Hargus M. 'Pig' Robbins-piano; Joseph S. 'Joe' Zinkan-sb; Murrey M. 'Buddy' Harman-drums | |||
19660405 | 5 April 1966, Decca session, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
NA 14011- / 117234 | Tippy toein' (Bobby Harden) | DL-4784 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 14012- / 117235 | Nobody but a fool (would love you) (Bill Anderson) | DL-4784 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 14013- / 117236 | History repeats itself (Buddy Starcher) | DL-4784 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
NA 14014- / 117237 | Each season changes you (Talley-Goree) | 31971 | DL-4784 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Hugh Stoker-V; Ray Walker-V | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-g; Jerry Shook-g; Joe Edwards-g; Hargus M. 'Pig' Robbins-piano; Joseph S. 'Joe' Zinkan-sb; Murrey M. 'Buddy' Harman-drums | |||
19660613 | 13 June 1966, Decca session, Producer: Owen Bradley, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn.,
| ||
14144- / 117717 | A hero's death (Lynn Davis) | 32032 | DL-4784 |
14145- / 117719 | Almost persuaded (Glen Sutton-Billy Sherrill) | DL-4784 | |
W. L. Cooper-L | |||
14146- / 117719 | Three windows (Ralph Carter-L.E. White) | 32032 | DL-4784 |
14147- / 117721 | Don't let your sweet love die (like flowers in the Fall) (Clark Van Ness-Zeke Manners) | 7-32482 | DL-4784 |
S. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Edwards-g; Harold Bradley-g; Wayne Moss-g; Hargus M. 'Pig' Robbins-piano; Charles Ray 'Charlie' McCoy-organ/harmonica; Joseph S. 'Joe' Zinkan-sb; William Paul 'Willie' Ackerman-drums | |||
19670317 | 17 March 1967, Decca session, Producer: Owen Bradley, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn.,
| ||
NA 14601- / 118853 | Never very far from my mind | 32136 | |
NA 14602- / 118854 | Darling, how could you | 32210 | |
NA 14603- / 118855 | Time keeps standing still | 32210 | |
NA 14604- / 118856 | The birds are back | 32136 | |
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-g; Harold Bradley-g; Joseph 'Joe' Edwards-g; Weldon Myrick-steel g; Jerry Smith-piano; Joseph S. 'Joe' Zinkan-sb; Murrey M. 'Buddy' Harman-drums | |||
19680300 | ca. March 1968, Starday session, Starday Sound Studio, 3557 Dickerson Road, Nashville, Tenn. | ||
[01] | I don't believe | 838 | |
W. L. Cooper-V | |||
[02] | I'm surprised at me | 838 | |
W. L. Cooper-V | |||
Wilma Lee Cooper- rhythm g; Dale Troy 'Stoney' Cooper-f; other personnel not known | |||
19690227 | 27 February 1969, Decca session, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
15451-A / 121208 | Not my kind | 7-32581 | |
15452- / 121209 | The right to love (what's left to me) | 7-32581 | |
15453- / 121210 | Guide me home, my Georgia moon | 7-32482 | |
15454- / 121211 | Big midnight special (Arr., Wilma Lee Cooper) | unissued | |
W. L. Cooper-L; S. Cooper-H | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Edwards-g; Herman 'Pete' Wade-g; Hargus 'Pig' Robbins-piano; Weldon Myrick-steel g; James Carlisle Isbell-drums | |||
19721000 | October 1972, Skylite Country session, Woodland Street Studio, 1011 Woodland Street, Nashville, Tenn. | ||
[01] | The great speckled bird (Miller) | SC-7301 | |
[02] | I shall not be moved (Arr. Pat Patterson) | SC-7301 | |
[03] | Me and Jesus (Tom T. Hall) | SC-7301 | |
[04] | Did you think to pray? (M. A. Kidder-W. O. Perkins) | SC-7301 | |
[05] | Thank God I'm free (McFall) | SC-7301 | |
[06] | That's enough to shout about (Ray Lewis) | SC-7301 | |
[07] | I'm using my Bible for a roadmap (Reno-Shroder) | SC-7301 | |
[08] | Lord, I'm coming home (Wm. J. Kirkpatrick) | SC-7301 | |
[09] | Amazing grace (P. D.) | SC-7301 | |
[10] | To my mansion (Jimmie Davis) | SC-7301 | |
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-rhythm g; Joseph 'Joe' Edwards-electric lead g; Bill Carver-db; Carol Lee Cooper-organ; Tony Migliori-piano; Joseph S. 'Joe' Zinkan-sb; ? Fox-drums | |||
19731227 | 27-28 December 1973, Power Pak session, L. S. I. Studio, Nashville, Tenn. | ||
[01] | Walking my Lord up Calvary's hill (Janet Moody) | LP-P O-242 | |
[02] | Give me the roses while I live (James Rowe-R. H. Cornelius) | LP-P O-242 | |
[03] | Tramp on the street (Grady and Hazel Cole) | LP-P O-242 | |
[04] | 30 pieces of silver (Odell McLeod) | LP-P O-242 | |
[05] | This old house (Stuart Hamblin) | GG-805 | LP-P O-242 |
[06] | The drunken driver (Lynn Davis) | LP-P O-242 | |
[07] | The great speckled bird (Ray Carter) | LP-P O-242 | |
[08] | I'm going home on the morning train (Molly O'Day) | LP-P O-242 | |
[09] | I dreamed about mom last night (Fred Rose) | LP-P O-242 | |
[10] | Wreck on the highway (Dorsey Dixon) | GG-805 | LP-P O-242 |
[11] | The little rosewood casket (P.D.) | LP-P O-242 | |
[12] | The legend of the dogwood tree (Janet Moore) | LP-P O-242 | |
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; George Washington McCormick-rhythm g; Bill Carver-db; Joseph 'Joe' Edwards-electric lead g; Bill ?-sb; Carol Lee Cooper-V | |||
19760406 | 6-8 April 1976, Rounder session, Gusto Recording Studio, 3557 Dickerson Road, Nashville, Tenn. | ||
[01] | Poor Ellen Smith (Traditional) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[02] | I'm a Private in the army of the Lord (Albert E. Brumley) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[03] | The hills of Roane County (Traditional) | ROU-4510 | 0066 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[04] | Don't make me go to bed and I'll be good (Hugh Cross) | 0066 | |
S. Cooper-L | |||
[05] | He will set your fields on fire (Wilbur Jones) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[06] | Where is America going? (Alice Coyle) | ROU-4510 | 0066 |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[07] | Star-lit Heaven (Warren Caplinger) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[08] | Heaven express (Traditional) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[09] | I'm just here to get my baby out of jail (M. M. Cole) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
[10] | Prisoner at the bar (Traditional) | 0066 | |
W. L. Cooper-L; S. Cooper-V; L. E. White-V; Carol Lee Cooper-V | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Bill Carver-db/m; Joseph Calvin 'Butch' Robins-bj/g; Jerry Shook-g; James Earl 'Jim' Brock, Jr.-sb; Glen Davis-drums | |||
19760406 | 6-8 April? 1976, Rounder session, Gusto Recording Studio, 3557 Dickerson Road, Nashville, Tenn. | ||
[01] | Forsaken love | 0143 | |
W. L. Cooper-L; S. Cooper-V | |||
[02] | Curly headed baby | 0143 | |
S. Cooper-L; W. L. Cooper-V | |||
[03] | Sinful to flirt | 0143 | |
W. L. Cooper-L | |||
[04] | Nobody's darling but mine | 0143 | |
S. Cooper-L; W. L. Cooper-V; Carol Lee Cooper-H | |||
[05] | Bury me beneath the willow | 0143 | |
W. L. Cooper-L; S. Cooper-V | |||
[06] | Cowards over Pearl Harbor (Fred Rose) | 0143 | |
W. L. Cooper-L | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Joseph Calvin 'Butch' Robins-bj; Jerry Shook-g; Bill Carver-resonator guitar; James Earl 'Jim' Brock, Jr.-bs | |||
19760506 | 6 May 1976, Live radio shows, reissued by Country Road records, Nuggett Studios, Nashville, Tenn. | ||
[01] | Poor Ellen Smith | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[02] | Nobody's darling but mine | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[03] | The hills of Roane County | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[04] | Give me the roses while I live | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[05] | She's my curly headed baby | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[06] | Sweeter than the flowers | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[07] | Walkin' my Lord up Calvary's hill | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
[08] | Back up and push | CR-03 | |
W. L. Cooper-L; S. Cooper-V; G. McCormick-V; B. Carver-V | |||
Wilma Lee Cooper-rhythm g; Dale Troy 'Stoney' Cooper-f; Robert W. 'Bob' Black-bj; Bill Carver-db/m; George McCormick-g; Joe Earl Stuart, Jr.-sb | |||
19760900 | ca. September 1976, Starday session, Producer: Tommy Hill, Gusto Recording Studio, 3557 Dickerson Road, Nashville, Tenn.,
| ||
[01] | Wildwood flower (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
[02] | Gathering flowers from the hillside (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[03] | Lula Walls (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[04] | Little darling pal of mine (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[05] | Picture on the wall (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[06] | God gave Noah the rainbow sign (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[07] | Sweet fern (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[08] | You are my flower (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
[09] | Keep on the firing line (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
[10] | On the rock where Moses stood (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[11] | Hello, central, give me Heaven (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
[12] | Worried man blues (A. P. Carter) | SD-980 | |
W. L. Cooper-L; Carol Lee Cooper-T; Stoney Cooper-B | |||
Wilma Lee Cooper-rhythm g; unknown-lead g; unknown-bj; unknown-db; unknown-bs | |||
19790000 | 1979, Leather session, KA Recording & Sound Corporation, Roanoke, Va. | ||
[01] | Daisy a day (Jud Strunk; Seven High Music, ASCAP) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[02] | Tomorrow I'll be gone (Wilma Lee Cooper; Acuff-Rose, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[03] | Pretty Polly (Traditional) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[04] | Uncle Pen (Bill Monroe; Bill Monroe Music, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[05] | Shackles & chains (Jimmie Davis; Peer Inter., BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[06] | I'm tying the leaves (F. J. Helf-E. S. S. Huntington; Larry Spier, Inc., ASCAP) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[07] | Peggy Lou (Lunsford Brothers-Martin Hickey; Dixie Music, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[08] | I closed my heart's door (Stoney Cooper-Ralph Jones; Acuff-Rose, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[09] | Ain't gonna work tomorrow (Traditional) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[10] | I couldn't believe it was true (Eddy Arnold-Wally Fowler; Vogue Music Co., BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[11] | No one now (Sky Snow; Duchess Music, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
[12] | As long as I live (Roy Acuff; Acuff-Rose, BMI) | LBG-7705 | |
Wilma Lee Cooper-L; Carol Lee Cooper-H; Craig Duncan-V; Gene Wooten-V | |||
Wilma Lee Cooper-g/clawhammer bj [09 only]; Stan Brown-bj; Craig Duncan-f; Gene Wooten-db; Gary Bailey-bs; Glen Davis-drums [05, 10 only] | |||
19800000 | 1980?, Rounder session, Pete's Place, 809 18th Avenue South, Nashville, Tenn. | ||
[01] | You tried to ruin my name | 0143 | |
W. L. Cooper-L | |||
[02] | Far beyond the starry sky | 0143 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
[03] | What'll I do with the baby-O | 0143 | |
W. L. Cooper-L; Terry Smith-H; Gene Wooten-H | |||
[04] | Still there's a spark of love | 0143 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
[05] | Who's gonna shoe your pretty little feet | 0143 | |
W. L. Cooper-L; Carol Lee Cooper-H | |||
Wilma Lee Cooper-g; Stan Brown-bj; Gene Wooten-resonator guitar; Clarence "Tater" Tate-f; Terry Smith-bs; Carol Lee Cooper-V | |||
19810407 | 7 April 1981, Rebel session, Cumberland Sound, Hendersonville, Tenn. | ||
[01] | Pickin' up the pieces (John Patrick-George McCormack) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[02] | The white rose (Tommie Lucas) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[03] | Honey in the rock (Public domain) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[04] | Come walk with me (Burkett Graves) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[05] | Rachel's guitar (Jean Chappell) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[06] | Double up and catch up (Etna Lacey-Les Willard) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[07] | Bamboozled (Carl Stutz) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[08] | Halleluiah! Halleluiah! (Praise the king) (Joe Terry) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[09] | Anywhere (just inside your arms) (Wanda Ballman) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
[10] | Big John's wife (Bill Carver) | REB-1623 | |
W. L. Cooper-L; T. Smith-T; G. Wooten-B; C. Tate-BS; Carol Lee Cooper-V | |||
Wilma Lee Cooper-g/bj; Marty Lanham-bj; Clarence "Tater" Tate-f; Gene Wooten-resonator guitar; Terry Smith-bs; Glen Davis-drums | |||
Revised: 10 April 2017
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