The Fiddler’s Companion

© 1996-2007 Andrew Kuntz

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Notation Note: The tunes below are recorded in what is called “abc notation.” They can easily be converted to standard musical notation via highlighting with your cursor starting at “X:1” through to the end of the abc’s, then “cutting-and-pasting” the highlighted notation into one of the many abc conversion programs available, or at concertina.net’s incredibly handy “ABC Convert-A-Matic” at

http://www.concertina.net/tunes_convert.html 

 

**Please note that the abc’s in the Fiddler’s Companion work fine in most abc conversion programs. For example, I use abc2win and abcNavigator 2 with no problems whatsoever with direct cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s into the concertina.net converter results in double-spacing. For concertina.net’s conversion program to work you must remove the spaces between all the lines of abc notation after pasting, so that they are single-spaced, with no intervening blank lines. This being done, the F/C abc’s will convert to standard notation nicely. Or, get a copy of abcNavigator 2 – its well worth it.   [AK]

 

 

 


HILDA CHIASSON. Canadian, Reel. Canada, Cape Breton. G Major. Standard tuning. AABB. Composed by fiddler Brenda Stubbert (b. 1959, Point Aconi, Cape Breton) in honor of fiddler Hilda Chiasson. Cranford (Brenda Stubbert’s), 1994; No. 76, pg. 28. Brenda Stubbert - “Tamerack ‘er Down” (1985).

                          

HILDA’S CHOICE. Canadian, Pipe Reel. Canada, Cape Breton. A Dorian. Standard tuning. AAB. Composed by fiddler Jerry Holland (Inverness, Cape Breton), named for pianist Hilda Chiasson. Cranford (Jerry Holland’s), 1995; No. 29, pg. 9. Odyssey ORCS 1051, Jerry Holland – “Fiddler’s Choice” (1998).

           

HILDA’S SLOW STRATHSPEY. Canadian, Slow Strathspey. Canada, Cape Breton. G Major. Standard tuning. AA’B. Composed by fiddler Jerry Holland (Inverness, Cape Breton) for fiddler Hilda Chiasson. Cranford (Jerry Holland’s), 1995; No. 180, pg. 51.

           

HILDA’S STRATHSPEY. Canadian, Strathspey. Canada, Cape Breton. G Major. Standard tuning. AA’BB’. Composed by fiddler Jerry Holland (Inverness, Cape Breton) for fiddler Hilda Chiasson (Cape Breton). Cranford (Jerry Holland’s), 1995; No. 181, pg. 51.

           

HILL COUNTRY, THE. Irish, Jig. D Mixolydian. Standard tuning. AABB. Composed by Falmouth, Massachusetts, musician and writer Bill Black after a trip to the hill country of central Texas. Black (Music’s the Very Best Thing), 1996; No. 181, pg. 95.

X:1

T: The Hill Country

C: © B. Black

Q: 320

R: jig

M: 6/8

L: 1/8

K: Dmix

A | Add cAG | AGE EDC | Add cAG | edA c2 A |

Add cAG | FGA def | ecA dAF | GEC D2 :|

A | Add cee | dfd AFE | DFA dfa | ged c2 A |

Add cee | dfd efg | faa gec | edc d2 :|

           

HILL LILLY. AKA and see "Chicoutimi Reel [2]." MCA Records MCAD 4037, “The Very Best of Don Messer” (1994).

           

HILL O FINNIGIRT, DA. Shetland, Reel. G Major. Standard tuning. AABB. Composed by Shetland fiddler Peter Fraser. Anderson & Georgeson (Da Mirrie Dancers), 1970; pg. 30.

           

HILL O RÒ, HILL O RÒ.  Scottish, Lullabye. G Dorian. Standard tuning. One part. “Old” notes Morison, who says it was the “Cradle Song of the Infant Seaforth in Eilan Donan Castle, Kintail; composed by his nurse.” Morison (Highland Airs and Quicksteps, vol. 2), c. 1882; No. 30, pg. 16.

X:1

T:Hill o rò, Hill o rò

M:C

L:1/8

R:Lullabye

S:Morison – Highland Airs and Quicksteps, vol. 2, No. 30 (c. 1882)

Z:AK/Fiddler’s Companion

K:G Dorian

A>B G2 F>G D2 | B2B2 c>B Ad | d>c d2 G>F GD | B2 Ad AB G2 ||

 

HILL OF LOCHIEL, THE. Scottish, Slow Air (3/4 time). D Minor. Standard tuning. AAB. Martin (Ceol na Fidhle), vol. 2, 1988; pg. 45.

           

HILL OF SKREEN (Mullach Skrine). Irish,

                                   

HILL ON THE ROAD, THE. AKA and see “The High Part of the Road.”

                       

HILL SIXTEEN. Irish. Hill 16 is the name of a pub near Dublin’s Croke Park, the Gaelic football stadium. The pub itself is called after the name of a terrace at the north end of the park originally formed using the rubble of Dublin city center as a result of the 1916 Easter Uprising.

           

HILL TOP, THE. See "The Hilltop."

           

HILL WITHOUT GRASS, THE. Irish, Air (2/4 time). B Flat Major. Standard tuning. AB. Source for notated version: “From Teige MacMahon” [Stanford/Petrie]. Stanford/Petrie (Complete Collection), 1905; No. 562, pg. 142.

X:1

T:Hill without grass, The

M:2/4
L:1/8

S:Stanford/Petrie (1905), No. 562

Z:AK/Fiddler’s Companion

K:B_

B/G/F/G/ B2 | c/c/c/B/ d2 | Bc/B/ GF/>G/ | BB B2 B/G/F/G/ B2 |

ed/e/ f>d | Bc/B/ GF/G/ | BB B2 || dd/e/ ff | fe/d/ e2 | edcB | GG G2 |

B/G/F/G/ B2 | ed/e/ f>d | Bc/B/ GF/G/ | BB B2 | dd/e/ ff | _ag f>e |

de dc/B/ | GG G2 | B/G/F/G/ B2 | ed/e/ f>d | Bc/B/ GF/G/ | BB B2 ||

           

HILLAND (Highland) TUNE. Scottish, Reel. A Dorian. Standard. AB. Appears in John Young's 1721 collection "full of Highland humour" as the last tune of a dance set. Alburger (Scottish Fiddlers and Their Music), 1983; Ex. 16, pg. 38.

           

HILLAND SOLO, THE. English, Country Dance Tune (4/4 time). A Major. Standard. One part. The melody appears in Walsh’s Third Collection (1730) of Lancashire tunes.

X:1

T:Hilland Solo, The 

B: Walsh

M:4/4

L:1/8

K:A

ef ea fg fg| dg dg BG B2| ef ea fg eg| ef eA ca c2|ef ea fg fg| dg dg BG B2|\

eA cA eA cA | eA cA BG B2| eA cA eA cA| BG BG BG B2|\

L:1/16

eeee e2e2 ggg g2g2|eeee e2e2 c2A2 c4|eeee e2e2 ggg g2g2|dddd d2d2 B2G2 B4|\

eeee e2e2 aaaa a2a2| eeee e2e2 c2A2 c4| dddd d2a2 cccc c2a2|\

BBBB B2g2 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4|A2cd e4 A2fg a4| \

A2Bc d4 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4| dddd d2a2 cccc c2a2|\

BBBB B2g2 B2G2 B4| ABcd e2A2 e2A2 c4| ABcd e2A2 e2A2 c4| A2cd e2A2 e2A2 c4| \

A2ef g2d2 B2G2 B4| eeee eeee ffff ffff| eeee eeee c2A2 c4|ffff gggg ffff ffff|\

dddd dddd B2G2 B4| eeee eeee aaaa aaaa| eeee eeee c2A2 c4| dddd dddd cccc cccc|\

BBBB B2g2 B2G2 B4|ABcd e4 c2A2 c4| d4 agfe c4 agfe| B4 g4 B2G2 B4|\

eeee e2A2 ffff f2A2| eeee e2A2 c2A2 c4| eeee e2A2 ffff f2A2|\

dddd d2G2 B2G2 B4|eeee e2A2 aaaa a2A2| eeee e2A2 c2A2 c4| dddd d2a2 cccc c2a2|\

BBBB B2g2 B2G2 B4| e2A2 dcBA e2A2 dcBA| e2A2 dcBA dcBA B4|

e2A2 dcBA e2A2 dcBA|\ B2G2 B2G2 B2G2 B4| ABcd efge a8:|

                       


HILLS OF ALVA, THE. Scottish, March (4/4 time). D Major. Standard. AABBCCDD.

X:1

T:Hills of Alva, The

L:1/8

M:C

K:D Major

A|f2 fa g2 e>f|ge Ae d2 A2|B<d GB A2 a2|g>f ed dc BA|!

f2 fa g2 ef|ge Ae d2 A2|Bd gB Aa a>g|fe aA d2 d:||!

A|a2 a>g fd A2|A>B df e2 A2|g2 gf ec A2|g>f ed dc BA|!

a a>g fd A2|A>B df e2 A2|Bd fB Aa a>g|f>e aA d2 d:||!

f|A>B A2 d>e d2|f>g fe d2 A2|B>d g2 A>d f2|g>f ed dc BA|!

A>B A2 d>e d2|f>g fe d2 A2|B>d gB aA a>g|fe aA d2 d:||!

f|a>f ge df A2|A>B ed B2 A2|g>f eA ce a2|g>f ed dc BA|!

a>f ge df A2|A>B ed B2 A2|Bd gB Aa a>g|fe aA d2 d:||

           

HILLS OF CAPE MABOU (Cnuic Rudha Mhabou). AKA and see “Arthur Murray’s Reel,” “Lord Murray’s Strathspey.” Canadian, Strathspey. Canada, Cape Breton. A Major. AEae. AB. Source for notated version: Carl MacKenzie (Cape Breton) [Dunlay and Reich]. Dunlay and Reich (Traditional Celtic Fiddle Music of Cape Breton), 1986; pg. 31. Rounder 7009, Doug MacPhee‑ "Cape Breton Piano." WRCI‑1548, Carl MacKenzie‑ "And His Sound Is Cape Breton" (appears as "Strathspey").

           

HILLS OF CLADY, THE. AKA and see "Big Pat's (Dandy) Reel," "The Dandy Reel," "Jimmy the Creelmaker," "O'Connell's Trip to Parliament [2]," "The Pigeon House," "Salamanca [3]," "Tie the Ribbons [1]," "Trim the Bonnet."

           

HILLS OF CLOGHER, THE. AKA and see “The Clogher Reel,” “Country Girls Fortune,” “Dan McCart(h)y’s Fancy,” “The Flowers of Red Hill [2],” “Jim Donaghue’s Reel.” Irish, Reel. A Dorian. Standard. AAB. A version of “Pigeon on the Gate.” Bulmer & Sharpley (Music from Ireland), 1974, Vol. 3, No. 7. Mallinson (Enduring), 1995; No. 20, pg. 8.

           

HILLS OF COOR, THE. Irish, Hornpipe. A Dorian. Standard. AABB. A composition by West Clare fiddler Martin “Junior” Crehan.

           

HILLS OF DONEGAL, THE. Irish, Waltz. D Major. Standard. AA'BB'. Carlin (Master Collection), 1984; No. 293, pg. 164.

           


HILLS OF GLENORCHY [1]. AKA ‑ "Hills of Glenurchie" AKA and see “Braes of Glenorchy [2],” "The Jolly Corkonian," “Pat Burke’s.” Scottish, Canadian; Jig, Quickstep or Pipe March (6/8 time). Canada, Cape Breton. A Mixolydian (Dunlay & Greenberg, Dunlay & Reich): A Mixolydian (Neil): D Dorian (Gatherer): E Dorian/Minor (Cole, Gow, Hinds, Howe, Kerr, Martin). Standard. AABB (Cole, Hinds, Howe, Kerr, Martin): AABB' (Dunlay & Reich): AABB’A’A’BB’ (Dunlay & Greenberg). One of, or perhaps the, earliest setting of the tune is to be found in Alexander Mackay’s collection of c. 1805 under the title “Braes of Glenorchy.” Dunlay & Reich (whose Cape Breton version seems slightly altered) identify this as a pipe tune usually appearing in E minor; the variations are easier to play in E minor or in A minor an octave down, and the authors say its a good tune for octave harmonies or ‘doubling’ the melody. Bayard (1981) remarks that the melody should be categorized as one of the "Hillside" group of tunes (See note for "Hillside [2]"). See also variants “Lark in the Morning,” “Trip to Galway” and “Katy is Waiting.”  Gatherer's (1987) first version is a pipe tune, as is Neil's (1991). See also the cognates “The Old Grey Cat,” “Smuggler’s Reel,” the jig “The Rollicking Boys of Tandaragee,” and the Northumbrian air “The Wild Hills of Wannie.” Lorrie MacKinnon found a Gaelic verse to “Hills of Glenorch” in The Transactions of the Gaelic Society of Inverness (1917), which goes:

***

Loisg a’ chailleach a casan air eibhleig (x3)

‘S chuireadh i feum air ola nan ron

(The old lady burned her feet on an ember and she used seal oil on it).

***

Source for notated version: Buddy MacMaster (Cape Breton) [Dunlay & Greenberg, Dunlay & Reich]. Cole (1000 Fiddle Tunes), 1940; pg. 62. Dunlay & Greenberg (Traditional Celtic Violin Music of Cape Breton), 1996; pg. 106. Dunlay & Reich (Traditional Celtic Fiddle Music of Cape Breton), 1986; pg. 72. Gatherer (Gatherer’s Musical Museum), 1987; pg. 19 (two versions). Gow Collection of Strathspey Reels, Part 6, 1822. Hinds/Hebert (Grumbling Old Woman), 1981; pg. 24 (appears as "Hills of Glenurchie"). Howe (1000 Jigs and Reels), c. 1867; pg. 148. Kerr (Merry Melodies), vol. 1; No. 6, pg. 47. Martin (Ceol na Fidhle), vol. 1, 1991; pg. 19. Miller (Fiddler’s Throne), 2004; No. 57, pg. 45 (appears as “Hills of Glenurchie”). Neil (The Scots Fiddle), 1991; No. 124, pg. 163.  Ryan’s Mammoth Collection, 1883; pg. 92. Scots Guards ‑ Standard Settings. A & M 79602 2001-2, Ashley MacIsaac. Atlantica Music 02 77657 50222 26, SA93130, Donny LeBlanc - “Atlantic Fiddles” (1994). BM-91, Buddy MacMaster – “Glencoe Hall.” Rodeo (Banff) RBS 1255, Barabara MacDonald‑ "Scottish Piano Selections" (appears in "Medley of Jigs"). Celtic CX049 CX 1, (various artists) Donald & Theresa MacLellan/The MacLellan Trio‑ "Cape Breton Violins" (appears after "There Came a Young Man"). LC9501, Lee Cremo. Rounder C-7013, Joe Cormier. Waverly/EMI Records ZLP 2086, Bobby Harvey – “Aye on the Fiddle” (1967).

X:1

T:Hills of Glenorchy [1]

L:1/8

M:6/8

K:E Minor

d|B2E EFE|BAB d2B|A2D DED|AFD FAd|B2E EFE|BAB d2e|dBd AFD|EFE E2:|

|:B|efe edB |efg gfe|ded dAF|d^cd fed|efe edB|efg fef|dBd AFD|EFE E2:|

 

HILLS OF GLENORCHIE [2], THE. Irish, Single Jig. A Dorian. Major. Standard. AABB. Source for notated version: Joe Keegan, father of fiddler and pianist Josephine Keegan, and himself a flute player, “from the County Laois side of Partartington” [McGuire & Keegan]. McGuire & Keegan (Irish Tunes by the 100, vol. 1), 1975; No. 100, pg. 27.

           

HILLS OF GLENSWILLY, THE. Irish, Air and Waltz. Glenswilly is in County Donegal. There was a famous battle at Glenswilly, County Donegal on June 21, 1650, when the native Irish forces under Heber McMahon, the Bishop of Clogher, were defeated and routed by a Cromwellian army.

                       

HILLS OF GLENURCHIE. See "Hills of Glenorchy."

           

HILLS OF HABERSHAM. AKA and see "The Bonny Cuckoo," "Si Bheag, Si Mohr," "Sheebeg, Sheemore."

           

HILLS OF IRELAND, THE (Cnuic Eire). Irish, Slip Jig. E Minor. Standard. AABB. O'Neill (Krassen), 1976; pg. 86. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1162, pg. 219.

X:1

T:Hills of Ireland, The

M:9/8

L:1/8

R:Slip Jig

S:O’Neill – Music of Ireland (1903), No. 1162

Z:AK/Fiddler’s Companion

K:E Minor

B2E EGE AFD | BGB cBA BGE | B2E EGE BGE | AB^c d=cB AFD :|

|: E2e ef^d e2B | E2e e2^c dAF | E2e ef^d e2B | AB^c d=cB AFD :|

           

HILLS OF KESH, THE (Cnocáin na Céise). AKA and see “Blackthorn [2],” "The Eel in the Sink," "The Irishman's Blackthorn." Irish, Reel. A Mixolydian. AABB. The tune was recorded under the “Hills of Kesh” title in 1921 by the great Galway melodeon player, P.J. Conlon. See also Breathnach’s related “Scotch Hunt [2].” Source for notated version: accordion player Joe Sheridan (Ireland) [Breathnach]. Breathnach (CRÉ III), 1985; No. 181, pg. 82. Outlet Records SOLP 1022, Seamus Tansey ‑ "Sligo Ceili" (1973).

           

HILLS OF LARRAGA, THE. Irish, Jig. D Mixolydian. Standard. AABB. Composed by east County Galway flute player Mike Rafferty (now living in New Jersey), to commemorate his birthplace. Black (Music’s the Very Best Thing), 1996; No. 347, pg. 185.

X:1

T: Hills of Larraga

C: Mike Rafferty

Q: 325

R: jig

M: 6/8

L: 1/8

Z:Transcribed by Bill Black

K: Dmix

A/F/ | FDD cAG | dcA A2 G | F2 D c2 A | dcA G2 G |

FDD cAA | dcA B/c/de | fef ded | cAF G2 :|

G | A2 d fed | cAB cde | dcA f2 d | cAF G2 G |

A2 d fed | cAG cde | fef ded | cAF G2 :|

           

HILLS OF LORNE, THE. Scottish, Slow Air (4/4 time). D Major. Standard. AB. James Hunter (1979) notes: "A well‑loved air by the late Charlie Hunter of Oban, a radio operator on the MacBrayne steamers which ply the west‑coast routes." Hunter (Fiddle Music of Scotland), 1988; No. 17. A & M Records 79602 2000-2, Ashley MacIsaac - “Close to the Floor” (1992). Lochshore Records, Archie McAllister and Ross Kennedy – “The White Swan.” 

X:1

T:The Hills of Lorne

R:Slow air

N:from Richard Robinson's Tunebook

O:Scotland

M:4/4

K:D

FE|D2FG A2d2|f3e d2A2|B3d A2F2|E2GF E2FE|\

D2FG A2d2|f3e d2A2|B2gB A2c2|1 d6 FE :|2 d6 ag ||

f2ed B2cd|A3F A2ag|f2ed A2df|e6 fe|\

d2ef A2dc|B2d2 g2ag|f2ed A2c2|1 d6 ag :|2 d6 FE ||


           

HILLS OF MANCHURIA, THE. AKA and see "Manchurian Waltz."

           

HILLS OF OLD, THE. Irish, Reel. D Minor. Standard. AA’BB’. See also the related “Reel of Mullinavat.” Reavy (The Collected Compositions of Ed Reavy), No. 75, pgs. 82-83.

X:1

T:The Hills Of Old

R:reel

C:Ed Reavy

M:2/2

L:1/8

Z:Joe Reavy

N:Ireland has no mountains, only high hills. And these

N:hills are older than the centuries of man, and

N:older too than the many tunes he fondly fashions.

K:F

de |fagf dcAF | G2 AG FDCD | FEFG AGFG | cAGc Adde |

fagb agfe |1 dfec dcAG | FGA=B cdeg | fdec Adde :|2 dfec dcAE |

FGA=B c2 AF|G=BAG FDDe || f2 af Afaf | Afaf gece | f2 af Afaf |

gece fdde | f2 de (3efe ce | defd cAGA | FEDE FGAc | fdec Adde :|2

FEDE FGA=B | cAGE D2 ||

                       

HILLS OF PERTH, THE. Scottish, March (2/4 time). A Mixolydian. Standard tuning. AABB’CCDD’. Martin (Ceol na Fidhle), vol. 4, 1991; pg. 38.

                       

HILLS OF ROANE COUNTY. See "Valse a Belisaire."

           

HILLS OF SHARON. American, Jig. B Minor/D Major. Standard tuning. AABB. Composed in 1990 by Jeremiah McLane of East Randolph, Vermont. The title refers to the hills around Sharon, Vermont. Songer (Portland Collection), 1997; pg. 98.

           

HILLS OF TARA, THE. AKA and see “If there Weren’t Any Men (in the World).” Irish, Barn Dance. G Major. Standard tuning. AABB. Philippe Varlet says the tune is mistakenly called “If the Weren’t Any Men” in Martin Mulvihill’s collection. Both the Four Provinces and the Garryowen Irish Orchestra recorded the tune in the 78 RPM era under the “Hills of Tara” title.

X:1

T:Hills of Tara, The

Z:Philippe Varlet

S:Four Provinces

M:4/4

R:Barn Dance

L:1/8

K:G

Bc|d2 G2 G2 AB|c2 E2 E2 AG|FGAB cBcd|e2 d2 d2 Bc|

d2 G2 G2 AB|c2 E2 E2 AG|FGAB cAFG|A2 G2  G2 :||

Bd|g2 g2 f2 f2|efec A2 AG|FGAB cBcd|e2 d2 d2 Bd|

g2 g2 f2 f2|efec A2 AG|FGAB cAFG|A2 G2  G2 :||

                       

HILLS OF TIPPERARY, THE. Irish, Slip Jig. D Major. Standard. AABBCC (Kennedy): AA'BB'CC' (Roche). Roche labels the tune a Hop Jig. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes), 1999; No. 29, pg. 8. Roche Collection, 1928, vol. 3; No. 115, pg. 36.

X:1

T:Hills of Tipperary, The

M:9/8

L:1/8

R:Slip Jig

S:Roche – vol. 3, No. 115  (1928)

Z:AK/Fiddler’s Companion

K:D

(3A/B/c/ |: dcB AGF ABc | dcd efg fge | dcB AGF ABc |1 dcB ABG FED :|2 (d2D) (D<AG) FED ||

|: (F2A) AFA AFA | (G2B) BGB BGB | (F2A) AFA ABc |1 dcB ABG FED :|2 (d2D) (D<AG) FED ||

|: FGA ABc dcd | (e2E (E2F) GFE | FED AGF ABc |1 dcB ABG FED :|2 (d2D) D<AG FED ||

           

HILLS QUADRILLE. American, Quadrille. USA; Mt. Vernon, Ohio. Edison 52370 (78 RPM), 1928, John Baltzell. {Baltzell was from Mt. Vernon, Ohio, the same town as minstrel Dan Emmett (d. 1904). Emmett returned to the town, poor, in 1888 and later taught Baltzell to play the fiddle}.

           

HILLSBOROUGH. Canadian, Jig. Canada, Cape Breton. G Major. Standard. AABB’. Composed November 30th, 1970, by Cape Breton fiddler and composer Dan R. MacDonald (1911-1976). Cameron (Trip to Windsor), 1994; pg. 62.

           

HILLSDALE ROAD. Canadian, Jig. Canada, Cape Breton. A Major. Standard. AABB. Composed by Cape Breton fiddler and composer Dan R. MacDonald (1911-1976). Cameron (Trip to Windsor), 1994; pg. 41.

           

HILLSIDE [1], THE. AKA and see "Joe Kennedy's Jig." English, Jig. E Minor. Standard. AABB. Raven (English Country Dance Tunes), 1984; pg. 122.

X:1

T:Hillside, The [1]

M:6/8

L:1/8

R:Jig

K:E Minor

d | B2E EFE | BAB d2B | AFD DED | AFA d2B | B2E EFE | BAB d2e |

dBd AFD | EFE E2 :: B | e>fee dB | efg gfe | d>ed dAB | d>ef fed |

gbg faf | ege BdB | dBd AFD | EFE E2 :|

 


HILLSIDE [2], THE. American, Quadrille (6/8 time). G Dorian. Standard. AB. A variation of version #1. Bayard (1981) identifies this as a member of a huge tune group which also includes "The Oyster Wife’s/Wives’ Rant," "The Haughs o’ Cromdale," "Wate You How the Play Began," "Welcome Home [3]," "(Fare Thee Well) Sweet Killaloe," among others. "Sets belonging more to the 'Hillside' group (Nos. 47 and 48) include Journal of American Folklore, XXXI, 163, to 'The Heights of Alma;' Kidson (Traditional Tunes), pg. 98; H.C. Buck, ed. The Oxford History of Music, Introductory Volume, pg. 195, ''The Drunken Sailor;' Thomas D'Urfey, Songs Compleat (1719), II, 83, and VI, 300; Amy Murray, 'Father Allan's Island, pp. 172‑173; Joyce 1872, No. 19; Joyce (Old Irish Folk Music and Songs), 1909, Nos. 73, 155, 193, 241. Petrie, Nos. 318, 319, 1500; O'Neill's Irish Music, Nos. 311, 331; White's Excelsior Coll., p. 15, 'Joe Kennedy's Jig'. Jigs and Reels, p. 4; Hardings Orig. Coll., Nos. 81, 135. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1598. White's Unique Coll., Nos. 8, 10; Hardings All‑Round Coll., Nos. 124, 125 (1st part). Robbins, No. 74; Kerr, Nos. 265, 294, 301, 331; Cole, p. 52, 'Joe Kennedy's Jig,' p. 54, 'Katy is Waiting,' p. 58, 'Lark in the Morning,' p. 62, 'Sunday is My Wedding Day,' p. 62, 'Hills of Glenurchie', JEFDSS, I, 143, 'Donald the Dancer;' Costello, 'Amhrain Mhuighe Seola, p. 60, 'ffrench of Tyrone;' Ord, 'Bothy Songs and Ballads,' pp. 39, 52; Scanlon, p. 40, 'The Waves of Torey,' p. 68, 'The Tenpenny'" (Bayard, 1944). See also Bayard's note for "Bonaparte Crossing the Alps." Source for notated version: John Kubina, (near) Davistown, Pennsylvania, September 3, 1943 (learned from Ann Peterson, fiddler, in East Pittsburgh) [Bayard]. Bayard (Hill Country Tunes), 1944; No. 47 (appears as "Quadrille").

 

HILLSIDE COTTAGE (Teac Beag Taob an Cnuic). AKA and see “I’m Waiting for You [2].” Irish, Hornpipe. G Major. Standard tuning. AABB. See also the related “Off/Going to California.” O'Neill (O’Neill’s Irish Music), 1915/1987; No. 341, pg. 167. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 818, pg. 142.

X:1

T:Hillside Cottage

M:C|

L:1/8
R:Hornpipe

S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 818

Z:AK/Fiddler’s Companion

K:G

D2|G3B AGED|GBdg e3f|{a}gfge dBAc|BGAF GFED|G3B AGED|

GBdg e3f|{a}gfge dBge|dBAB G2:|

|:z2|g2dg edgd|eaab agef|g2 dg edgd|egfa g2 ga|bagb agfa|

gage d2 ef|{a}gfge dBge|dBAB G2:|

 

HILLSWICK. Shetland, Listening Tune (4/4 time). G Major. Standard tuning. AAB. Source for notated version: A. Peterson (Shetland) [Anderson & Georgeson]. Anderson & Georgeson (Da Mirrie Dancers), 1970; pg. 19.

 

HILLSWICK WEDDING. Shetland, Wedding Tune. Composed by Shetland fiddler Tom Anderson. Philo 1042, Boys of the Lough ‑ "The Piper's Broken Finger" (1976).

 

HILLTOP, THE. AKA and see "Barr An Chnuic," "The Boy(s) on the Hilltop." Irish, Reel. A Dorian. Standard tuning. AABB. McNulty (Dance Music of Ireland), 1965; pg. 8. Kevin Burke recorded the tune under the “Hilltop” title. Shaskeen – “25th Silver Jubilee Collection.”

 

HILLTOP (WALTZ).  English, Waltz. G Major. Standard tuning. AABBCCDD. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes), 1999; No. 133, pg. 33.

 

HILLY-GO, FILLY-GO ALL THE WAY. AKA and see "King of the Cannibal Islands," "Cumberland Reel," "Nottingham Swing." English, Jig. D Major. Standard tuning. AAB. Kennedy (Fiddler’s Tune Book), vol. 1, 1951; No. 86, pg. 42.

 

HILTON LODGE. Scottish, Strathspey. C Major. Standard tuning. AB (Surenne): AAB (Athole, Glen, Gow, Skye): AABB' (Kerr). Composed by the great Dunkeld, Perthshire, fiddler-composer Niel Gow (1727-1807). Carlin (The Gow Collection), 1986; No. 74. Glen (The Glen Collection of Scottish Dance Music), vol. 2, 1895; pg. 19. Gow (Third Collection of Niel Gow’s Reels), 1792; pg. 6 (3rd ed.). Kerr (Merry Melodies), vol. 2; No. 88, pg. 12. MacDonald (The Skye Collection), 1887; pg. 118. Stewart-Robertson (The Athole Collection), 1884; pg. 71. Surenne (Dance Music of Scotland), 1852; pgs. 96-97.

X:1

T:Hilton Lodge

M:C|

L:1/8

R:Strathspey

B:Stewart-Robertson - The Athole Collection   (1884)

Z:AK/Fiddler’s Companion

K:C

e/f/ | g<c g>e f<dde/f/ | g<c g>e c>eg>e | f>de>c d<D D>E | C>Ec>E G2G :|

E | C>Ec>E F<D D>E | C>Ec>E G>cEc | G>c E<c d<D D>E | C>Ec>E G2 G>E |

C>Ec>E F<D D>E | C>Ec>E G>cE>c | F>dE>c D<dde/f/ | g>ef>d c2c ||

X:2

T:Hilton Lodge

M:C

L:1/8

R:Strathspey

B:Gow – 3rd Collection of Niel Gow’s Reels, 3rd ed., pg. 6  (orig. 1792)

Z:AK/Fiddler’s Companion

K:C

e/f/|g<cg>e fd”tr”de/f/|gcg>e c>ege|f>de>c d(DD>)E|C>Ec>E G2G:||E|

CEcE F(DD>)E|C>EcE G>cEc|G<cE<c d(DD).E|C>EcE {E}G2 GE|

C>EcE FDDE|C>Ec>E G<cE<c|FdEc D(dd)e/f/|ecdB {B}c2c||

                       

HIMSELF IS SLEEPING. Irish, Jig. G Major. Standard tuning. AABB. McGuire & Keegan (Irish Tunes by the 100, vol. 1), 1975; No. 27, pg. 7.

                       

HINCHY'S DELIGHT (Aoibneasa Ui h-Aengusa). AKA ‑ "Taigleacd Iansiag." AKA and see "Henchey's Delight." Irish, Double Jig. G Major. Standard tuning. AABB (O'Neill/Krassen, 1850): AABBCC (O'Neill/1001 Gems). See also “Hinchy’s Fancy,” below. Sources for notated versiosn: New York fiddler Tom Hinchy, originally from County Clare, by way of the whistling of Daniel Rogers, a native of East Clare living in Chicago, who had learned it from Hinchy—the title is O’Neill’s [O’Neill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. Harker (300 Tunes from Mike Rafferty), 2005; No. 186, pg. 58. O'Neill (Krassen), 1976; pg. 57. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1032, pg. 193. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 215, pg. 50.

See also listings at:

Jane Keefer’s Folk Music Index: An Index to Recorded Sources 

Alan Ng’s Irishtune.info

X:1

T:Hinchy’s Delight

M:6/8

L:1/8

R:Jig

S:O’Neill – Dance Music of Ireland: 1001 Gems (1903), No. 215

Z:AK/Fiddler’s Companion

K:G

A | BAB GBG | AFD G2G | AGA fed | cAG FGA | BAB GBG | AFD F2G |

AGA fed | cAF G2 :: d | gfg afd | gfg a2d | gfg b2g | a2g fga | geg fed | fed cde |

fef ded | cAF G2 :: e/f/ | g/f/eg fdf | e/d/ce dBG | AGA fed | cAG FGA |

g/f/eg fdf | e/d/ce dBG | AGA fed | cAF G2 :|

X:2

T:Hinchy’s Delight

M:6/8

L:1/8

R:Jig

K:G

A|BAB GAG|FDE F2G|AGA fed|cAG FGA|BAB GAG|

FDE F2G|AGA fed|cAF G2::d|gfg afd|gfg a2f|gfg b2g|

a2g fga|gfe fed|fed ^cde|fef ded|cAF G2:|

 

HINCHY'S FANCY. Irish, Jig. G Major. Standard tuning. AABB. O’Neill (1922) remarks: “The above jig named after a blind fiddler of East Clare two generations ago, is a better setting of ‘Hinchy's Delight’, first published in O'Neill's Music of Ireland (1903). It was noted down from the whistling of Daniel Rogers in Chicago many years ago.” O’Neill (Waifs and Strays of Gaelic Melody), 1922; No. 177.

X:1

T:Hinchy's Fancy (#177)

M:6/8

L:1/8

S:Capt. F. O'Neill

Z:Paul Kinder

K:G

A|BAB GBG|AFD F2 G|AGA fed|cAG FGA|

BAB GBG|AFD EFG|AGA fed|cAF G2:|

|:d|gfg afd|gfg a2 d|gfg "tr"b2 g|"tr"a2 g fga|

geg fdf|ece cde|fef ded|cAF G2:||

           

HINDLEY STEEL HORNPIPE. English, Hornpipe. England, Northumberland. G Major. Standard. AABB. Composed by Robert Whinham (1814-1893), a musician, teacher, composer, dancing master and fiddler, originally from Morpeth. Graham Dixon (1995) discovers that Hindley Steel was a remote homestead farm near Wark Forest at Henshaw Common, Northumberland, north of the Roman Wall. It was the home in the 19th century of Tommy Armstrong, a piper and fiddler, whose manuscript recorded a number of Whinham’s tunes. Source for notated version: Annie Snaith  [Dixon]. Dixon (Remember Me), 1995; pg. 34. Common Ground CGR001, Border Spirit – “Hindley Steel.”

 

HINKY DINKY PARLEZ VOUS