The Fiddler’s
Companion
© 1996-2007 Andrew Kuntz
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with your
cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C
abc’s will convert to standard notation nicely. Or, get a copy of
abcNavigator 2 – its well worth it.
[AK] |
HILDA CHIASSON. Canadian, Reel. Canada, Cape Breton. G Major. Standard tuning. AABB.
Composed by fiddler Brenda Stubbert (b. 1959, Point Aconi,
HILDA’S CHOICE. Canadian, Pipe Reel.
HILDA’S SLOW STRATHSPEY. Canadian, Slow Strathspey.
HILDA’S STRATHSPEY. Canadian, Strathspey.
HILL COUNTRY, THE. Irish, Jig. D Mixolydian. Standard tuning.
AABB. Composed by
X:1
T: The Hill Country
C: © B. Black
Q: 320
R: jig
M: 6/8
L: 1/8
K: Dmix
A | Add cAG | AGE EDC | Add cAG | edA c2 A |
Add cAG | FGA def | ecA dAF | GEC D2 :|
A | Add cee | dfd AFE | DFA dfa | ged c2 A |
Add
cee | dfd efg | faa gec | edc d2 :|
HILL LILLY. AKA and see "Chicoutimi
Reel [2]." MCA Records MCAD 4037, “The Very
Best of Don Messer” (1994).
HILL O FINNIGIRT, DA. Shetland, Reel. G Major. Standard tuning. AABB. Composed by Shetland
fiddler Peter Fraser. Anderson & Georgeson (Da Mirrie Dancers), 1970; pg. 30.
HILL O RÒ, HILL O RÒ. Scottish, Lullabye. G Dorian.
Standard tuning. One part. “Old” notes Morison, who says it was the “Cradle
Song of the Infant Seaforth in
X:1
T:Hill o rò, Hill o rò
M:C
L:1/8
R:Lullabye
S:Morison –
Z:AK/Fiddler’s Companion
K:G Dorian
A>B G2 F>G D2 | B2B2 c>B Ad
| d>c d2 G>F GD | B2 Ad AB G2 ||
HILL OF LOCHIEL, THE. Scottish, Slow Air (3/4 time). D Minor.
Standard tuning. AAB. Martin (Ceol na
Fidhle), vol. 2, 1988; pg. 45.
HILL OF SKREEN (Mullach Skrine). Irish,
HILL ON THE ROAD, THE. AKA and see “The High Part of the Road.”
HILL SIXTEEN. Irish. Hill 16 is the name of a pub near
HILL TOP, THE. See "The Hilltop."
HILL WITHOUT GRASS, THE. Irish, Air (2/4 time). B Flat Major. Standard
tuning. AB. Source for notated version: “From Teige MacMahon”
[Stanford/Petrie]. Stanford/Petrie (Complete
Collection), 1905; No. 562, pg. 142.
X:1
T:Hill without grass, The
M:2/4
L:1/8
S:Stanford/Petrie (1905), No. 562
Z:AK/Fiddler’s Companion
K:B_
B/G/F/G/ B2 | c/c/c/B/ d2 | Bc/B/
GF/>G/ | BB B2 B/G/F/G/ B2 |
ed/e/ f>d | Bc/B/ GF/G/ | BB B2
|| dd/e/ ff | fe/d/ e2 | edcB | GG G2 |
B/G/F/G/ B2 | ed/e/ f>d | Bc/B/
GF/G/ | BB B2 | dd/e/ ff | _ag f>e |
de dc/B/ | GG G2 | B/G/F/G/ B2 |
ed/e/ f>d | Bc/B/ GF/G/ | BB B2 ||
HILLAND (
HILLAND SOLO, THE. English, Country Dance Tune (4/4 time). A
Major. Standard. One part. The melody appears in Walsh’s Third Collection (1730) of
X:1
T:Hilland Solo, The
B: Walsh
M:4/4
L:1/8
K:A
ef ea fg fg| dg dg BG B2| ef ea fg eg| ef eA ca c2|ef ea fg fg| dg dg BG B2|\
eA cA eA cA | eA cA BG B2| eA cA eA cA| BG BG BG B2|\
L:1/16
eeee e2e2 ggg g2g2|eeee e2e2 c2A2 c4|eeee e2e2 ggg g2g2|dddd d2d2 B2G2 B4|\
eeee e2e2 aaaa a2a2| eeee e2e2 c2A2 c4| dddd d2a2 cccc c2a2|\
BBBB B2g2 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4|A2cd e4 A2fg a4| \
A2Bc d4 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4| dddd d2a2 cccc c2a2|\
BBBB B2g2 B2G2 B4| ABcd e2A2 e2A2 c4| ABcd e2A2 e2A2 c4| A2cd e2A2 e2A2 c4| \
A2ef g2d2 B2G2 B4| eeee eeee ffff ffff| eeee eeee c2A2 c4|ffff gggg ffff ffff|\
dddd dddd B2G2 B4| eeee eeee aaaa aaaa| eeee eeee c2A2 c4| dddd dddd cccc cccc|\
BBBB B2g2 B2G2 B4|ABcd e4 c2A2 c4| d4 agfe c4 agfe| B4 g4 B2G2 B4|\
eeee e2A2 ffff f2A2| eeee e2A2 c2A2 c4| eeee e2A2 ffff f2A2|\
dddd d2G2 B2G2 B4|eeee e2A2 aaaa a2A2| eeee e2A2 c2A2 c4| dddd d2a2 cccc c2a2|\
BBBB B2g2 B2G2 B4| e2A2 dcBA e2A2 dcBA| e2A2 dcBA dcBA B4|
e2A2
dcBA e2A2 dcBA|\ B2G2 B2G2 B2G2 B4| ABcd efge a8:|
HILLS OF ALVA, THE. Scottish, March (4/4 time). D Major. Standard.
AABBCCDD.
X:1
T:Hills of Alva, The
L:1/8
M:C
K:D Major
A|f2 fa g2 e>f|ge Ae d2 A2|B<d
GB A2 a2|g>f ed dc BA|!
f2 fa g2 ef|ge Ae d2 A2|Bd gB Aa
a>g|fe aA d2 d:||!
A|a2 a>g fd A2|A>B df e2 A2|g2
gf ec A2|g>f ed dc BA|!
a a>g fd A2|A>B df e2 A2|Bd fB
Aa a>g|f>e aA d2 d:||!
f|A>B A2 d>e d2|f>g fe d2
A2|B>d g2 A>d f2|g>f ed dc BA|!
A>B A2 d>e d2|f>g fe d2
A2|B>d gB aA a>g|fe aA d2 d:||!
f|a>f ge df A2|A>B ed B2
A2|g>f eA ce a2|g>f ed dc BA|!
a>f ge df A2|A>B ed B2 A2|Bd
gB Aa a>g|fe aA d2 d:||
HILLS OF
HILLS OF CLADY, THE. AKA and see "Big Pat's (Dandy) Reel,"
"The Dandy Reel," "Jimmy the Creelmaker," "O'Connell's Trip to
Parliament [2]," "The Pigeon
House," "Salamanca [3],"
"Tie the Ribbons [1],"
"Trim the Bonnet."
HILLS OF CLOGHER, THE. AKA and see “The
Clogher Reel,” “Country Girls
Fortune,” “Dan McCart(h)y’s
Fancy,” “The Flowers of Red
Hill [2],” “Jim Donaghue’s Reel.”
Irish, Reel. A Dorian. Standard. AAB. A version of “Pigeon on the Gate.” Bulmer &
Sharpley (Music from Ireland), 1974,
Vol. 3, No. 7. Mallinson (Enduring),
1995; No. 20, pg. 8.
HILLS OF COOR, THE. Irish, Hornpipe. A Dorian. Standard. AABB. A
composition by West Clare fiddler Martin “Junior” Crehan.
HILLS OF DONEGAL, THE. Irish, Waltz. D Major. Standard. AA'BB'.
Carlin (Master Collection), 1984; No.
293, pg. 164.
HILLS OF GLENORCHY [1]. AKA ‑ "Hills of Glenurchie" AKA and see “Braes of Glenorchy [2],” "The Jolly Corkonian," “Pat Burke’s.” Scottish, Canadian; Jig,
Quickstep or Pipe March (6/8 time). Canada, Cape Breton. A Mixolydian (Dunlay
& Greenberg, Dunlay & Reich): A Mixolydian (Neil): D Dorian (Gatherer):
E Dorian/Minor (Cole, Gow, Hinds, Howe, Kerr, Martin). Standard. AABB (Cole,
Hinds, Howe, Kerr, Martin): AABB' (Dunlay & Reich): AABB’A’A’BB’ (Dunlay
& Greenberg). One of, or perhaps the, earliest setting of the tune is to be
found in Alexander Mackay’s collection of c. 1805 under the title “Braes of
Glenorchy.” Dunlay & Reich (whose Cape Breton version seems slightly
altered) identify this as a pipe tune usually appearing in E minor; the
variations are easier to play in E minor or in A minor an octave down, and the
authors say its a good tune for octave harmonies or ‘doubling’ the melody.
Bayard (1981) remarks that the melody should be categorized as one of the
"Hillside" group of tunes (See note for "Hillside [2]").
See also variants “Lark in the
Morning,” “Trip to Galway” and “Katy is Waiting.” Gatherer's (1987) first version is a pipe
tune, as is Neil's (1991). See also the cognates “The Old Grey Cat,” “Smuggler’s Reel,” the jig “The Rollicking Boys of
Tandaragee,” and the Northumbrian air “The Wild Hills of Wannie.” Lorrie
MacKinnon found a Gaelic verse to “Hills of Glenorch” in The Transactions of the Gaelic Society of Inverness (1917), which
goes:
***
Loisg a’ chailleach a casan air eibhleig (x3)
(The old lady burned her feet on an
ember and she used seal oil on it).
***
Source for notated version: Buddy
MacMaster (Cape Breton) [Dunlay & Greenberg, Dunlay & Reich]. Cole (1000 Fiddle Tunes), 1940; pg. 62. Dunlay
& Greenberg (Traditional Celtic
Violin Music of Cape Breton), 1996; pg. 106. Dunlay & Reich (Traditional Celtic Fiddle Music of Cape
Breton), 1986; pg. 72. Gatherer (Gatherer’s
Musical Museum), 1987; pg. 19 (two versions). Gow Collection of Strathspey Reels, Part 6, 1822. Hinds/Hebert (Grumbling Old Woman), 1981; pg. 24
(appears as "Hills of Glenurchie"). Howe (1000 Jigs and Reels), c. 1867; pg. 148. Kerr (Merry
Melodies), vol. 1; No. 6, pg. 47. Martin (Ceol na Fidhle), vol. 1, 1991; pg. 19. Miller (Fiddler’s Throne), 2004; No. 57, pg. 45 (appears as “Hills of
Glenurchie”). Neil (The Scots Fiddle),
1991; No. 124, pg. 163. Ryan’s Mammoth Collection, 1883; pg. 92. Scots Guards ‑ Standard Settings. A & M 79602 2001-2, Ashley MacIsaac. Atlantica Music 02
77657 50222 26, SA93130, Donny LeBlanc - “Atlantic Fiddles” (1994). BM-91,
Buddy MacMaster – “Glencoe Hall.” Rodeo (Banff) RBS 1255, Barabara MacDonald‑
"Scottish Piano Selections" (appears in "Medley of Jigs").
Celtic CX049 CX 1, (various artists) Donald & Theresa MacLellan/The
MacLellan Trio‑ "Cape Breton Violins" (appears after
"There Came a Young Man"). LC9501, Lee Cremo. Rounder C-7013, Joe
Cormier. Waverly/EMI Records ZLP 2086, Bobby Harvey – “Aye on the Fiddle”
(1967).
X:1
T:Hills of Glenorchy [1]
L:1/8
M:6/8
K:E Minor
d|B2E EFE|BAB d2B|A2D DED|AFD
FAd|B2E EFE|BAB d2e|dBd AFD|EFE E2:|
|:B|efe edB |efg gfe|ded dAF|d^cd
fed|efe edB|efg fef|dBd AFD|EFE E2:|
HILLS OF GLENORCHIE [2], THE.
Irish, Single Jig. A Dorian. Major. Standard. AABB. Source for notated version:
Joe Keegan, father of fiddler and pianist Josephine Keegan, and himself a flute
player, “from the County Laois side of Partartington” [McGuire & Keegan].
McGuire & Keegan (Irish Tunes by the
100, vol. 1), 1975; No. 100, pg. 27.
HILLS OF GLENSWILLY, THE. Irish, Air and Waltz. Glenswilly is
in County Donegal. There was a famous battle at Glenswilly, County Donegal on
June 21, 1650, when the native Irish forces under Heber McMahon, the Bishop of
Clogher, were defeated and routed by a Cromwellian army.
HILLS OF GLENURCHIE. See "Hills of Glenorchy."
HILLS OF HABERSHAM. AKA and see "The Bonny
Cuckoo," "Si Bheag, Si
Mohr," "Sheebeg, Sheemore."
HILLS OF
X:1
T:Hills of
M:9/8
L:1/8
R:Slip Jig
S:O’Neill – Music of
Z:AK/Fiddler’s Companion
K:E Minor
B2E EGE AFD | BGB cBA BGE | B2E EGE
BGE | AB^c d=cB AFD :|
|: E2e ef^d e2B | E2e e2^c dAF | E2e
ef^d e2B | AB^c d=cB AFD :|
HILLS OF KESH, THE (Cnocáin na Céise). AKA and see “Blackthorn [2],” "The Eel in the Sink," "The Irishman's Blackthorn."
Irish, Reel. A Mixolydian. AABB. The tune was recorded under the “Hills of
Kesh” title in 1921 by the great Galway melodeon player, P.J. Conlon. See also
Breathnach’s related “Scotch Hunt [2].”
Source for notated version: accordion player Joe Sheridan (
HILLS OF LARRAGA, THE. Irish, Jig. D Mixolydian. Standard. AABB.
Composed by east
X:1
T: Hills of Larraga
C: Mike Rafferty
Q: 325
R: jig
M: 6/8
L: 1/8
Z:Transcribed by Bill Black
K: Dmix
A/F/ | FDD cAG | dcA A2 G | F2 D c2 A | dcA G2 G |
FDD cAA | dcA B/c/de | fef ded | cAF G2 :|
G | A2 d fed | cAB cde | dcA f2 d | cAF G2 G |
A2
d fed | cAG cde | fef ded | cAF G2 :|
HILLS OF LORNE, THE. Scottish, Slow Air (4/4 time). D Major.
Standard. AB. James Hunter (1979) notes: "A well‑loved air by the
late Charlie Hunter of Oban, a radio operator on the MacBrayne steamers which
ply the west‑coast routes." Hunter (Fiddle Music of
X:1
T:The Hills of Lorne
R:Slow air
N:from Richard Robinson's Tunebook
O:
M:4/4
K:D
FE|D2FG A2d2|f3e d2A2|B3d A2F2|E2GF
E2FE|\
D2FG A2d2|f3e d2A2|B2gB A2c2|1 d6 FE
:|2 d6 ag ||
f2ed B2cd|A3F A2ag|f2ed A2df|e6 fe|\
d2ef A2dc|B2d2 g2ag|f2ed A2c2|1 d6
ag :|2 d6 FE ||
HILLS OF MANCHURIA, THE. AKA and see "Manchurian Waltz."
HILLS OF OLD, THE. Irish, Reel. D Minor. Standard. AA’BB’. See
also the related “Reel of
Mullinavat.” Reavy (The Collected
Compositions of Ed Reavy), No. 75, pgs. 82-83.
X:1
T:The Hills Of Old
R:reel
C:Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Ireland has no mountains, only high hills. And these
N:hills are older than the centuries of man, and
N:older too than the many tunes he fondly fashions.
K:F
de |fagf dcAF | G2 AG FDCD | FEFG AGFG | cAGc Adde |
fagb agfe |1 dfec dcAG | FGA=B cdeg | fdec Adde :|2 dfec dcAE |
FGA=B c2 AF|G=BAG FDDe || f2 af Afaf | Afaf gece | f2 af Afaf |
gece fdde | f2 de (3efe ce | defd cAGA | FEDE FGAc | fdec Adde :|2
FEDE FGA=B | cAGE D2 ||
HILLS OF PERTH, THE. Scottish, March (2/4 time). A Mixolydian.
Standard tuning. AABB’CCDD’. Martin (Ceol
na Fidhle), vol. 4, 1991; pg. 38.
HILLS OF ROANE COUNTY. See "Valse a Belisaire."
HILLS OF SHARON. American, Jig. B Minor/D Major. Standard tuning. AABB. Composed in 1990
by Jeremiah McLane of East Randolph, Vermont. The title refers to the hills
around Sharon, Vermont. Songer (Portland
Collection), 1997; pg. 98.
HILLS OF TARA, THE. AKA and see “If there Weren’t Any Men (in the
World).” Irish, Barn Dance. G Major. Standard tuning. AABB. Philippe Varlet
says the tune is mistakenly called “If the Weren’t Any Men” in Martin
Mulvihill’s collection. Both the Four Provinces and the Garryowen Irish
Orchestra recorded the tune in the 78 RPM era under the “Hills of Tara” title.
X:1
T:Hills of Tara, The
Z:Philippe Varlet
S:Four Provinces
M:4/4
R:Barn Dance
L:1/8
K:G
Bc|d2 G2 G2 AB|c2 E2 E2 AG|FGAB
cBcd|e2 d2 d2 Bc|
d2 G2 G2 AB|c2 E2 E2 AG|FGAB cAFG|A2
G2 G2 :||
Bd|g2 g2 f2 f2|efec A2 AG|FGAB
cBcd|e2 d2 d2 Bd|
g2 g2 f2 f2|efec A2 AG|FGAB cAFG|A2
G2 G2 :||
HILLS OF TIPPERARY, THE. Irish, Slip Jig. D Major. Standard. AABBCC
(Kennedy): AA'BB'CC' (Roche). Roche labels the tune a Hop Jig. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes),
1999; No. 29, pg. 8. Roche Collection,
1928, vol. 3; No. 115, pg. 36.
X:1
T:Hills of
M:9/8
L:1/8
R:Slip Jig
S:Roche – vol. 3, No. 115 (1928)
Z:AK/Fiddler’s Companion
K:D
(3A/B/c/ |: dcB AGF ABc | dcd efg
fge | dcB AGF ABc |1 dcB ABG FED :|2 (d2D) (D<AG) FED ||
|: (F2A) AFA AFA | (G2B) BGB BGB |
(F2A) AFA ABc |1 dcB ABG FED :|2 (d2D) (D<AG) FED ||
|: FGA ABc dcd | (e2E (E2F) GFE |
FED AGF ABc |1 dcB ABG FED :|2 (d2D) D<AG FED ||
HILLS QUADRILLE. American, Quadrille. USA; Mt. Vernon, Ohio. Edison
52370 (78 RPM), 1928, John Baltzell. {Baltzell was from Mt. Vernon, Ohio, the
same town as minstrel Dan Emmett (d. 1904). Emmett returned to the town, poor,
in 1888 and later taught Baltzell to play the fiddle}.
HILLSBOROUGH. Canadian, Jig. Canada, Cape Breton. G Major. Standard. AABB’. Composed
November 30th, 1970, by Cape Breton fiddler and composer Dan R. MacDonald
(1911-1976). Cameron (Trip to Windsor),
1994; pg. 62.
HILLSDALE ROAD. Canadian, Jig. Canada, Cape Breton. A Major. Standard. AABB. Composed
by Cape Breton fiddler and composer Dan R. MacDonald (1911-1976). Cameron (Trip to Windsor), 1994; pg. 41.
HILLSIDE [1], THE. AKA and see "Joe Kennedy's Jig." English, Jig. E
Minor. Standard. AABB. Raven (English
Country Dance Tunes), 1984; pg. 122.
X:1
T:
M:6/8
L:1/8
R:Jig
K:E Minor
d | B2E EFE | BAB d2B | AFD DED |
AFA d2B | B2E EFE | BAB d2e |
dBd AFD | EFE E2 :: B | e>fee dB
| efg gfe | d>ed dAB | d>ef fed |
gbg faf | ege BdB | dBd AFD | EFE E2
:|
HILLSIDE [2], THE. American, Quadrille (6/8 time). G
Dorian. Standard. AB. A variation of version #1. Bayard (1981) identifies this
as a member of a huge tune group which also includes "The Oyster Wife’s/Wives’ Rant,"
"The Haughs o’ Cromdale,"
"Wate You How the Play
Began," "Welcome Home [3],"
"(Fare Thee Well) Sweet Killaloe,"
among others. "Sets belonging more to the 'Hillside' group (Nos. 47 and
48) include Journal of American Folklore,
XXXI, 163, to 'The Heights of Alma;' Kidson (Traditional Tunes), pg. 98; H.C. Buck, ed. The Oxford History of Music, Introductory Volume, pg. 195, ''The
Drunken Sailor;' Thomas D'Urfey, Songs
Compleat (1719), II, 83, and VI, 300; Amy Murray, 'Father Allan's Island,
pp. 172‑173; Joyce 1872, No. 19; Joyce (Old Irish Folk Music and Songs), 1909, Nos. 73, 155, 193, 241.
Petrie, Nos. 318, 319, 1500; O'Neill's
Irish Music, Nos. 311, 331; White's Excelsior Coll., p. 15, 'Joe Kennedy's
Jig'. Jigs and Reels, p. 4; Hardings
Orig. Coll., Nos. 81, 135. O'Neill (Music
of Ireland: 1850 Melodies), 1903; No. 1598. White's Unique Coll., Nos. 8, 10; Hardings All‑Round Coll., Nos. 124, 125 (1st part). Robbins,
No. 74; Kerr, Nos. 265, 294, 301, 331; Cole, p. 52, 'Joe Kennedy's Jig,' p. 54,
'Katy is Waiting,' p. 58, 'Lark in the Morning,' p. 62, 'Sunday is My Wedding
Day,' p. 62, 'Hills of Glenurchie', JEFDSS, I, 143, 'Donald the Dancer;'
Costello, 'Amhrain Mhuighe Seola, p. 60, 'ffrench of Tyrone;' Ord, 'Bothy Songs
and Ballads,' pp. 39, 52; Scanlon, p. 40, 'The Waves of Torey,' p. 68, 'The
Tenpenny'" (Bayard, 1944). See also Bayard's note for "Bonaparte
Crossing the Alps." Source for notated version: John Kubina, (near)
Davistown, Pennsylvania, September 3, 1943 (learned from Ann Peterson, fiddler,
in East Pittsburgh) [Bayard]. Bayard (Hill
Country Tunes), 1944; No. 47 (appears as "Quadrille").
HILLSIDE COTTAGE (Teac Beag Taob an Cnuic). AKA and see “I’m Waiting for You [2].” Irish,
Hornpipe. G Major. Standard tuning. AABB. See also the related “Off/Going to California.”
O'Neill (O’Neill’s Irish Music),
1915/1987; No. 341, pg. 167. O'Neill (Dance Music of Ireland: 1001 Gems), 1907/1986; No. 818, pg. 142.
X:1
T:Hillside Cottage
M:C|
L:1/8
R:Hornpipe
S:O’Neill – Dance Music of
Ireland: 1001 Gems (1907), No.
818
Z:AK/Fiddler’s Companion
K:G
D2|G3B AGED|GBdg e3f|{a}gfge
dBAc|BGAF GFED|G3B AGED|
GBdg e3f|{a}gfge dBge|dBAB G2:|
|:z2|g2dg edgd|eaab agef|g2 dg
edgd|egfa g2 ga|bagb agfa|
gage d2 ef|{a}gfge dBge|dBAB G2:|
HILLSWICK. Shetland, Listening Tune (4/4 time). G Major. Standard tuning. AAB.
Source for notated version: A. Peterson (Shetland) [Anderson & Georgeson].
Anderson & Georgeson (Da Mirrie
Dancers), 1970; pg. 19.
HILLSWICK WEDDING. Shetland, Wedding Tune. Composed by Shetland fiddler Tom Anderson. Philo 1042, Boys of the Lough ‑ "The Piper's
Broken Finger" (1976).
HILLTOP, THE. AKA and see "Barr An Chnuic," "The Boy(s) on the Hilltop."
Irish, Reel. A Dorian. Standard tuning. AABB. McNulty (Dance Music of Ireland), 1965; pg. 8. Kevin Burke recorded the tune
under the “Hilltop” title. Shaskeen – “25th Silver
Jubilee Collection.”
HILLTOP (WALTZ). English,
Waltz. G Major. Standard tuning. AABBCCDD. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes), 1999; No. 133, pg. 33.
HILLY-GO, FILLY-GO ALL
THE WAY. AKA and see "King of the Cannibal Islands,"
"Cumberland Reel," "Nottingham Swing." English, Jig. D
Major. Standard tuning. AAB. Kennedy (Fiddler’s
Tune Book), vol. 1, 1951; No. 86, pg. 42.
HILTON LODGE. Scottish, Strathspey. C Major. Standard tuning. AB (Surenne): AAB
(Athole, Glen, Gow, Skye): AABB' (Kerr). Composed by the great Dunkeld,
Perthshire, fiddler-composer Niel Gow (1727-1807). Carlin (The Gow Collection), 1986; No. 74. Glen (The Glen Collection of Scottish Dance Music), vol. 2, 1895; pg. 19.
Gow (Third Collection of Niel Gow’s Reels),
1792; pg. 6 (3rd ed.). Kerr (Merry
Melodies), vol. 2; No. 88, pg. 12. MacDonald (The Skye Collection), 1887; pg. 118. Stewart-Robertson
(The Athole Collection), 1884; pg.
71. Surenne (Dance Music of
X:1
T:Hilton Lodge
M:C|
L:1/8
R:Strathspey
B:Stewart-Robertson - The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:C
e/f/ | g<c g>e f<dde/f/ | g<c g>e
c>eg>e | f>de>c d<D D>E | C>Ec>
E | C>Ec>E F<D D>E | C>Ec>E G>cEc | G>c E<c d<D D>E | C>Ec>E G2 G>E |
C>Ec>E F<D D>E | C>Ec>E G>cE>c | F>dE>c D<dde/f/ | g>ef>d c2c ||
X:2
T:Hilton Lodge
M:C
L:1/8
R:Strathspey
B:Gow – 3rd Collection of Niel Gow’s Reels, 3rd ed., pg. 6 (orig. 1792)
Z:AK/Fiddler’s Companion
K:C
e/f/|g<cg>e fd”tr”de/f/|gcg>e
c>ege|f>de>c d(DD>)E|C>Ec>
CEcE F(DD>)E|C>EcE
G>cEc|G<cE<c d(DD).E|C>EcE {E}G2 GE|
C>EcE FDDE|C>Ec>E
G<cE<c|FdEc D(dd)e/f/|ecdB {B}c2c||
HIMSELF IS SLEEPING. Irish, Jig. G Major. Standard tuning. AABB. McGuire & Keegan (Irish Tunes by the 100, vol. 1), 1975;
No. 27, pg. 7.
HINCHY'S DELIGHT (Aoibneasa Ui h-Aengusa). AKA ‑ "Taigleacd
Iansiag." AKA and see "Henchey's
Delight." Irish, Double Jig. G Major. Standard tuning. AABB
(O'Neill/Krassen, 1850): AABBCC (O'Neill/1001 Gems). See also “Hinchy’s Fancy,”
below. Sources for notated versiosn: New York fiddler Tom Hinchy, originally
from County Clare, by way of the whistling of Daniel Rogers, a native of East
Clare living in Chicago, who had learned it from Hinchy—the title is O’Neill’s
[O’Neill]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co.
Galway, in 1926 [Harker]. Harker (300
Tunes from Mike Rafferty), 2005; No. 186, pg. 58. O'Neill (Krassen), 1976;
pg. 57. O'Neill (Music of Ireland: 1850
Melodies), 1903/1979; No. 1032, pg. 193. O'Neill (Dance Music of
|
See also listings at: Jane Keefer’s Folk
Music Index: An Index to Recorded Sources
Alan Ng’s Irishtune.info |
X:1
T:Hinchy’s Delight
M:6/8
L:1/8
R:Jig
S:O’Neill – Dance Music of Ireland: 1001 Gems (1903), No. 215
Z:AK/Fiddler’s Companion
K:G
A | BAB GBG | AFD G2G | AGA fed |
cAG FGA | BAB GBG | AFD F2G |
AGA fed | cAF G2 :: d | gfg afd |
gfg a2d | gfg b2g | a2g fga | geg fed | fed cde |
fef ded | cAF G2 :: e/f/ | g/f/eg
fdf | e/d/ce dBG | AGA fed | cAG FGA |
g/f/eg fdf | e/d/ce dBG | AGA fed |
cAF G2 :|
X:2
T:Hinchy’s Delight
M:6/8
L:1/8
R:Jig
K:G
A|BAB GAG|FDE F2G|AGA fed|cAG
FGA|BAB GAG|
FDE F2G|AGA fed|cAF G2::d|gfg
afd|gfg a2f|gfg b2g|
a2g fga|gfe fed|fed ^cde|fef ded|cAF
G2:|
HINCHY'S FANCY. Irish, Jig. G Major. Standard tuning. AABB. O’Neill (1922) remarks: “The above jig named after a blind fiddler of East Clare two generations ago, is a better setting of ‘Hinchy's Delight’, first published in O'Neill's Music of Ireland (1903). It was noted down from the whistling of Daniel Rogers in Chicago many years ago.” O’Neill (Waifs and Strays of Gaelic Melody), 1922; No. 177.
X:1
T:Hinchy's Fancy (#177)
M:6/8
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
K:G
A|BAB GBG|AFD F2 G|AGA fed|cAG FGA|
BAB GBG|AFD EFG|AGA fed|cAF G2:|
|:d|gfg afd|gfg a2 d|gfg "tr"b2 g|"tr"a2 g fga|
geg fdf|ece cde|fef ded|cAF G2:||
HINDLEY STEEL HORNPIPE. English, Hornpipe. England, Northumberland. G Major. Standard. AABB.
Composed by Robert Whinham (1814-1893), a musician, teacher, composer, dancing
master and fiddler, originally from Morpeth. Graham Dixon (1995) discovers that
Hindley Steel was a remote homestead farm near Wark Forest at Henshaw Common,
Northumberland, north of the Roman Wall. It was the home in the 19th
century of Tommy Armstrong, a piper and fiddler, whose manuscript recorded a
number of Whinham’s tunes. Source for notated version: Annie Snaith [Dixon]. Dixon (Remember Me), 1995; pg. 34. Common Ground
CGR001, Border Spirit – “Hindley Steel.”