The Fiddler’s
Companion
© 1996-2008 Andrew Kuntz
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SC |
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with your
cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C
abc’s will convert to standard notation nicely. Or, get a copy of
abcNavigator 2 – its well worth it.
[AK] |
SCAFFIES CAIRET. Canadian, Jig. Canada, Cape Breton. Published by Charles F. Sherrit. Canadian Broadcasting Corp. NMAS 1972, Natalie MacMaster -
"Fit as a Fiddle" (1993).
SCAIP AN DRUCT. AKA and see "Spatter the Mud."
SCAIP AN PUITEACH. AKA and see "Scatter the Mud."
SCAIPEADH NA gCLEITÍ. AKA and see “Toss the
Feathers.”
SCAIRLAVEG. Scottish (?), March. Topic TSCD 669, Willy
Taylor, Joe Hutton & Will Atkinson (et al) – “Ranting and Reeling: Dance
Music of the north of England” (1998. Atkinson {b. 1908} of Crookham,
Northumberland, was a harmonica player, Taylor a fiddler and Hutton a
Northumbrian small-piper).
SCALDED CAT, THE. Irish, Jig. A tune composed by County Sligo
musician Sheila O’Dowd, the widow of Joe O’Dowd.
SCALDED POOR BOY, THE. Irish, Air (3/4 time). E Flat Major. Standard
tuning. One part. These airs, variants of one-another, are different than “The
Scalded Poor Man,” though all were collected by the great Irish collector P.W.
Joyce. Stanford/Petrie (Complete
Collection), 1905; Nos. 290 & 291, pg. 72.
SCALDED POOR MAN, THE (An Fear Bocht Scallta). Irish, Air (6/8 time). D Major.
Standard tuning. One part. "Scalded" here means "vexed" or
"mortified,” explains collector P.W. Joyce, who elsewhere says the term is
translated from one or the other of two Irish words, loisc [lusk], to burn; and scall, to scald. Source for
notated version: Mr. Francis Hogan of South Lodge, Brenormore, near Carrick‑On‑Suir,
"a good musician and a great entusiast in Irish music and songs," c.
1884 (Joyce). Joyce (Old Irish Folk Music
and Songs), 1909; No. 270, pg. 128.
X:1
T:Scalded poor man, The
L:1/8
M:6/8
N:”Moderate”
S:Joyce – Old Irish Folk Music
Z:AK/Fiddler’s Companion
K:D
D/F/|A2B AFA|B2A F2D|E>FE D2D|(D3
D2)A|B>AF ABc|d3 cBA|
F<BB ABE/E/|(F3 F2)A|BAF ABd|e2d
cBA|FBB ABc/e/|(d3 d2)d|
CBA FGA|B3 AcB|AFE D2D|D3 D||
SCALLOWA(Y) LASSES, DA. AKA and see "Fair Field
House.” Shetland, Reel. A Dorian or A Minor. Standard tuning. AABB (Brody,
Cooke): AA'BB' (Bain). The town of Scalloway is on the main island of the
Shetlands and was the former capitol of the isles. The tune exists in many
versions, but was popularized by Willie Bairnson, and 18th century Shetland
fiddler born in 1740. Willie was taught to play by his step‑father, Mr.
Laing, a gentleman from the mainland of Scotland who was a student of music, a
composer and teacher. G.M. Nelson (1970) believes the tune may have perhaps
been composed by either Willie or his stepfather for it differs from many of
the old Shetland fiddle tunes and sounds as if it was composed by someone with
a Scottish background. Willie was employed as a post runner, carrying letters
to the lairds and businessmen of the Shetlands, and, since he often took his
fiddle with him on his travels, "perhaps no fiddler was so widely heard as
Daa Willie, as he was affectionately called by the younger generation"
(Nelson). In the early years of the 20th century the melody was played
regularly for Foursome Reels and Highland Schottisches. Sources for notated
versions: Peter Fraser (Shetland) [Cooke, version 18c., Anderson &
Georgeson], J. Hoseason's MS (1862) (Shetland) [Cooke, version 18b.]. Anderson
& Georgeson (Da Mirrie Dancers),
1970; pg. 20. Bain (50 Fiddle Solos),
1989; pg. 35. Brody (Fiddler’s Fake Book),
1983; pg. 252. Cooke (The Fiddle
Tradition of the Shetland Isles), 1986; Ex. 18, pg. 68 (three versions). Rounder 3006, Boys of the Lough‑ "Second
Album" (1974. Learned from Tom Anderson who had the tune from Peter Fraser
who lived on the west side of the Shetland's main island).
X:1
T:Da Scalloway Lasses
M:4/4
L:1/8
Q:1/4=220
C:Trad Shetland
S:From the playing of Dave Moss
R:reel
O:Shetland
K:A Aeolian
"Am"eaag
egeB|"C"c2 ec gcec|"Am"eaag egeB|[1cA"Em"BG
"Am" A2 A2:|[2 cA"Em"BG
"Am"A2 Ac||!
"Em"BE
(3EEE "C"c2
ce|"G"d^cde gfed|"Am"eaag egeB|[1 cA"Em"BG
"Am" A2Ac:|[2cA"Em"BG "Am"A4||!
SCAMDENS CADE. AKA –
“Scampden’s Cade.” See “Duke of Perth,”
“Love in a Village [3].”
SCAN TESTER’S NO. 1.
English, Polka. G Major. Standard tuning. From the playing of Scan
Tester (1887-1972), a concertina player from Ashdown Forest, Sussex. Tester
also occasionally played the fiddle. Callaghan (Hardcore English), 2007; pg. 47. EFDSSCD13,
Dan Quinn & Will Duke – “Hardcore
English” (2007. Various artists). HEBE Music HEBECD03, Dan Quinn & Will
Duke – “Scanned.” Topic Records 12T455/6, Scan Tester – “I Never Played to Many
Posh Dances” (appears as untitled “Stepdance”).
X:1
T:Scan Tester’s No. 1
M:4/4
L:1/8
R:Polka
S:Scan Tester (1887-1972)
K:G
BA|G2G2 GABc|d4 d2B2|c2d2e2f2|g4
g2b2|a2g2f2e2|e2d2B3d|
e2d2c2B2|A4 ABAG|G2G2 GABc|d4
d2B2|c2d2e2f2|g4 g2b2|
a2g2f2e2|e2d2B3A|G2B2 cB
A2|G6||:BA|G3A B2c2|e2d2B2B2|
A3B cBAc|e2d2B2A2|G3A
B2c2|e2d2B2g2|fedc B2A2|G6:|
SCAN TESTER’S NO. 2.
English, Polka. G Major. Standard tuning. From the playing of Scan
Tester (1887-1972), a concertina player from Ashdown Forest, Sussex. Tester
also occasionally played the fiddle. Callaghan (Hardcore English), 2007; pg. 47. EFDSSCD13,
Dan Quinn & Will Duke – “Hardcore
English” (2007. Various artists). HEBE Music HEBECD03, Dan Quinn & Will
Duke – “Scanned.” Topic Records 12T455/6, Scan Tester – “I Never Played to Many
Posh Dances” (appears as untitled polka).
X:1
T:Scan Tester’s No. 2
M:4/4
L:1/8
R:Polka
S:Scan Tester (1887-1972)
K:G
Bc|d2 dd d2d2|d2^c2=c2B2|A3B A2G2|F6
DE|F2 EF G2 FG|A2d4 cB|
A2G2F2E2|D6::Bc|d2G2B2
AB|c2E2A3B|c2e2d2c2|
B4 B3c|d2G2B2 AB|c2E2A3B|c2 ec
B2A2|G6:||
SCANDALOUS THOMPSON. Old‑Time, Country Rag. USA, Mo. Composed by Charles Johnson of
Kansas City, 1899.
SCANDINAVIAN ROUND
DANCE. American, Waltz. G Major. Standard
tuning. AA'BB'. The tune indeed sounds Scandinavian. Source for notated
version: Al Sanderson [Phillips]. Phillips (Traditional
American Fiddle Tunes), vol. 2, 1995; pg. 305.
SCANT OF SILLER. English, Reel. England, Northumberland. D Dorian. Standard tuning.
AABB. Seattle (William Vickers),
1987, Part 3; No. 517.
SCARAMOUNEEL O TWANG MADAM. English. A version of “John Come Kiss Me Now,” from
the c. 1798 music manuscript of Joshua Jackson of north Yorkshire.
SCARANT NA GOMPANAUGH. Irish. The tune was recorded by the Belfast
Northern Star of July 15, 1792, as having been played in competition by one
of ten Irish harp masters at the last great convocation of ancient Irish
harpers, the Belfast Harp Festival, held that week.
SCARBOROUGH WHIM. English, Country Dance Tune (6/8 time). G Major. Standard tuning. AABB. The seaside spa town of Scarborough is located in North Riding of Yorkshire. It was a center for society gatherings in the 18th century and featured lavish assembly rooms for dancing, in addition to the two mineral springs frequented for their healthful properties. The town’s fame began in 1626 when Mrs. Tomyzin Farrer ‘discovered’ the medicinal properties of the town’s waters. Work quickly spread and Scarborough became established as the first seaside spa resort, attracting many by its scenic views and the relief of aches and pains by ‘taking the waters’. Scarborough catered to the elite’s pleasures, with fashionable amenities such as nightly dancing and gaming tables to afternoon theater and horseracing on the beach sands. The Victorians further developed it by introducing some of the finest formal gardens in Britain, the renowned Scarborough Spa and the Esplanade. It remains a resort town today. Several tunes in period dance collections indicate its importance: “The Merry Girls of Scarborough” (AKA “The Romps”), “Trip to Scarborough,” “High Way to Scarborough,” “Long Room of Scarborough,” “New Long Room at Scarborough,” and so on. The melody appears in Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (vol. 1, c. 1756), reprinted in David Rutherford’s Complete Collection of the Most Celebrated Country Dances both old and new (c. 1775). Kidson (Old English Country Dances), 1890; pg. 16.
X:1
T:Scarborough Whim
M:6/8
L:1/8
R:Jig
S:Frank Kidson – Old English Country Dances (1890)
Z:AK/Fiddler’s Companion
K:G
d3 BGB|c3 ABc|BGB dBd|gdc BAG|cec
B3|
AFA c3|BGB AFD|G3 G,3::b3 dgb|a2A
dfa|
gfg eag|fed =f3|ece a3|dBd gdB|BGB
AFD|G3 G,3:|
SCARBOROURGH RANT. Northumbrian. One of the "missing tunes" from Vickers' 1770
manuscript.
SCARCE O' TATTIES [1]. Scottish, Jig. A Dorian. Standard tuning. AABB. Composed by Norman
MacLean, although the tune is a variant in jig time of the old song tune
"The Banks of the Devon.” Source for notated version: fiddler Ann Kosinski
(California) via Gordy Euler (Portland, Oregon) [Songer]. Martin & Hughes (Ho-ro-gheallaidh), 1990; pg. 50. Songer
(Portland Collection), 1997; pg. 177.
Green Linnet SIF 3037, Silly Wizard - "Golden, Golden"
(1985). Shanachie 79016, Silly Wizard - “So Many Partings” (1979).
X:1
T:Scarce of Tatties
M:6/8
L:1/8
Z:Jack Campin
K:A Mix
A>ee e>fg|e>dB
d>BG|A>ee e>fg|e>dB A3 |\
a>aa g>ag|f>gf
e>AA|A>ee e>fg|e>dB A3:|
a>ea a2e |g2f e>AA|a>ea a2e |g>af e3 |\
e>ee A>AA|d2f f>ee|A>ee e>fg|e>dB A3:|
SCARCE O’ TATIES [2]. AKA and see “Buttermilk Mary
[2],” “Charlie Lennon’s No.
2,” “Sweeney’s Buttermilk.”
SCARLET CLOG, THE. AKA - “Tommy’s E Flat Clog.” Canadian, Clog.
Canada, Nova Scotia. E Flat Major. Standard tuning. AABB. The tune was recorded
as “Tommy’s E Flat Clog” by the Irish group Moving Clouds. Source for notated
version: Winston Fitzgerald (1914-1987, Cape Breton) who may have learned the
tune from Tommy Doucette (Digby, Nova Scotia) [Cranford]. Cranford (Winston Fitzgerald), 1997; No. 38, pg.
14.
SCARS AND TATTOOS. Canadian, Reel. Canada, Cape Breton. E Major. Standard tuning. AB.
Composed by fiddler Jerry Holland (Inverness, Cape Breton). Cranford (Jerry Holland’s), 1995; No. 128, pg. 37.
SCART SLIDE, THE. Irish, Slide. D Major. Standard tuning. Mulligan, Denis Doody (1978).
X:1
T:Scart Slide, The
L:1/8
M:12/8
K:D
| A2D FED F2A A(2)F | G2A F2G E2F
G2B | A2D FED F2A d(2)f | efe B2c d3 dcB
|
SCARTAGLEN JIG. Irish, Slide (12/8 time). Ireland, Sliabh Luachra region of the
Cork-Kerry border. D Major. Standard tuning. ABB. West Kerry musicians
frequently play this tune paired with and after “Padraig O’Keeffe’s Slide [1]."
Source for notated version: accordion player Johnny O’Leary (Sliabh Luachra
region), recorded in 1985 at Kenmare [Moylan]. Moylan, 1994; No. 131, pg. 77. Claddagh CC5, Denis Murphy and Julia Clifford - “The Star
Above the Garter.” Front Hall 018, How to Change a Flat Tire ‑
"Traditional Music of Ireland and Shetland" (learned from west Kerry
fiddler Julia Clifford).
SCARTAGLEN POLKA [1]. AKA and see “Din Tarrant’s [5],"
“The Humours of Ballydesmond,”
“Knocknaboul Polka [1]," “Knocknabower Polka [1],” “The Little Green Cottage.” Irish,
Polka. Ireland, West Kerry. G Major. Standard tuning. ABCC. Mac Amhlaoibh &
Durham (An Pota Stóir: Ceol Seite Corca
Duibne/The Set Dance Music of West Kerry), No. 20, pg. 20 (appears as “Gan
Ainm” {untitled}).
X:1
T:Scartaglen Polka
R:Polka
M:2/4
L:1/8
K:G
"G"GD GA|"G"Bd de/f/|"G"gB B/A/G/A/|"D"BA AB/A/|"G"GD GA|"G"Bd de/f/|
"D"gB AB/A/|"G"G2 "G"GA:| |:"G"Bd gf|"C"fe e/f/g/e/|"G"dB B/A/G/A/|
"D"BA AG/A/| "G"Bd gf|"C"fe e/f/g/e/|"G"dB AB/A/|1 "G"G2 "G"GA:|2 "G"G2 "G"Gd||
|:"G"gg ag/a/|"G"b2 ba|"G"gg
ag/a/|"G"b2 ba| "C"ge e/f/g/e/|"G"dB
ge|"G"dB AB/A/|1 "G"G2 "G"Gd:|2 "G"G2
"G"GA||
SCARTAGLEN POLKA [2]. AKA and see AKA and see “Danny
Green’s,” “Darby’s Cross,” “Fleadh cheol polka [2],” “John Clifford’s (Polka) [1],”
“John Egan’s (Polka) [2],"
“Tripping to the Well.” Irish, Polka. Ireland, Sliabh Luachra region
of the Cork-Kerry border. D Major. Standard tuning. AA’B: AABB. Played paired
with “Denis Murphy’s Polka [1]”
by source Johnny O’Leary: Matt Cranitch suggests pairing it with “The Top of the Maol.” Source for notated
version: learned from John Clifford by accordion player Johnny O’Leary (Sliabh
Luachra region, Kerry), recorded in Killarney, May, 1987 [Moylan]. Breathnach (CRÉ II), 1976; No. 109 (appears as
untitled polka). Cranitch (Irish Fiddle
Book), 1996; pg. 71. Moylan (Johnny
O’Leary), 1994; No. 41, pg. 25 and No. 110, pgs. 63-64 (two versions). Gael-Linn CEF 092, Julia & Billy Clifford - “Coel as
Sliabh Luachra” (appears as “Darby’s Cross”). Gael-Linn CEF 132, Johnny O’Leary
- “An Calmfhear/The Trooper” (1989. Appears as “John Clifford’s”). Globestyle
Irish CDORBD 085, Johnny O’Leary’s - “The Rushy Mountain” (1994. Reissue of
Topic recordings). Globestyle Irish
CDORBD 085, The Billy Clifford Trio - “The Rushy Mountain” (1994. Appears as
“Danny Green’s”. A reissue CD of Topic recordings from Sliabh Luachra
musicians). Topic 12T311, John & Julia Clifford - “Humours of Lisheen”
(appears as “John Clifford’s”). Topic 12T312, “Billy Clifford” (appears as
“Danny Green’s”).
SCARTAGLEN REEL (Ríl Scairteach an Ghlinne). AKA and see "The Old Kerry Cow," "I Wish I Had a Kerry Cow,"
"The Brown Girl's Reel."
Irish, Reel or Polka (?). D Mixolydian. Standard tuning. AB. Source for notated
version: fiddler Denis Murphy (d. 1974), 1966 (Gneeveguilla, Co. Kerry,
Ireland) [Breathnach]. Breathnach (CRÉ II),
1976; No. 263, pg. 136. Ceol, iii,
pg. 4 (mistakenly called “Lománach Cross”). Kicking
Mule KM‑327, "Scartaglen" (1984. Learned from Cork accordion
player Jackie Daly).
SCARTAGLEN SLIDE, THE. AKA and see “Brosna Slide [3].” Irish, Slide (12/8
time). Ireland, Sliabh Luachra region of the Cork-Kerry border. G Major.
Standard tuning. AABB. The tune is the second of the set called “The Brosna
Slides” in County Kerry. The set is associated with Donal O’Connor. Source for
notated version: Mick Duggan via accordion player Johnny O’Leary (Sliabh
Luachra region) [Moylan]. Ceol, vol.
5, No. 1 (untitiled). Cranitch (Irish
Fiddle Book), 1996; pg. 64. Moylan (Johnny
O’Leary), 1994; No. 85, pg. 48. Mulvihill (1st Collection), 1986; No. 4, pg. 115 (appears as “The
Brosna Slide”). Treoir, vol. IV, No.
5 (appears as “Donal O’Connor’s”). Topic 12T357,
Johnny O’Leary - “Music for the Set” (1977).
SCATTER THE MUD [1] (Sgaipp an Munloc). AKA and see “The Eviction,” “Harry’s Loch,” “Kilfenora Lass,” “Maid(s) of Tramore.” Irish, Double Jig. A
Dorian ('A' part) & G Major ('B' part). Standard tuning. AB. The first part
is shared with “Spatter the Mud [2],” although the second parts differ. O'Neill
(Music of Ireland: 1850 Melodies),
1903/1979; No. 966, pg. 180.
|
See also listings at: Jane Keefer’s Folk Music Index: An
Index to Recorded Sources Alan Ng’s Irishtune.info |
X:1
T:Scatter the Mud [1]
M:6/8
L:1/8
R:Jig
S:O’Neill – Music of Ireland (1903), No. 966
Z:AK/Fiddler’s Companion
K:A Minor
d | eAA B2{c/B/}A | eAA ABd | eAA
B2{c/B/}A | BGG GBd |
eAA B2{c/B/}A | eAA ABd | edc BcA |
BGG G2 :|
K:G
|: d | gfg efg | fag fed | gfg efg |
afd d2d | gfg efg | fag fed | edc BcA | BGG G2 :|
SCATTER THE MUD [2] ("Sgaipp an Munloc" or "Scaip an
Puiteach").
AKA and see “Jack Walsh’s Jig,”
"The Noonday Feast," "The Maids of Tramore,” “Rambles with Rory." Irish, Double
Jig. Ireland; County Sligo, west Clare. A Dorian. Standard tuning. AABB
(Alewine, Breathnach, Flaherty, O’Neill): AA’BB (Harker/Rafferty): AABCCD
(Mitchell). The title is similar to that of the slip jig "Spatter the Mud." Breathanch (1963)
notes that only the first part of Roche’s “The Maids of Tramore” is the same as
this tune, and that the end of the first turn is faulty at that. See also the
related first part of “The Eviction” and “The Monaghan Jig.” Sources for notated
versions: the playing partners of Chicago police Sergeant James Early and John
McFadden, a piper and fiddler from adjoining counties in the province of
Connaght [O’Neill]; piper Patrick Ó Broithe/Pat Brophy (Ireland) [Breathnach];
piper and flute player Tommy Hunt (b. 1908, Lissananny, Ballymote, Co. Sligo)
[Flaherty]; piper Willie Clancy (1918-1973, Miltown Malbay, west Clare)
[Mitchell]; Jack and Fr. Charlie Coen, via New Jersey flute player Mike
Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. Alewine (Maid that Cut off the Chicken’s Lips),
1987; pg. 30. Breathnach (CRE I),
1963; No. 23, pg. 10. Flaherty (Trip to
Sligo), 1990; pg. 131. Harker (300
Tunes from Mike Rafferty), 2005; No. 238, pg. 73. Mitchell (Dance Music of Willie Clancy), 1993; No.
34, pg. 48. O'Neill (Krassen), 1976; pg. 47. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 967, pg. 180.
O'Neill (Dance Music of Ireland: 1001
Gems), 1907/1986; No. 187, pg. 45. Green Linnet
Records, Jack and Charlie Coen – “The Branch Line” (1992. Reissue of Topic
Records album recorded in 1977). Green Linnet SIF‑1041, Kevin Burke ‑
"Portland" (1982). Green Linnet SIF‑1101, Kevin Burke ‑
"Playing with Fire: the Celtic Fiddle Collection" (1989).
|
See also listings at: Jane Keefer’s Folk Music Index: An
Index to Recorded Sources Alan Ng’s Irishtune.info |
X:1
T:Scatter the Mud [2]
M:6/8
L:1/8
R:Jig
S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 187
Z:AK/Fiddler’s Companion
K:A Minor
d|eAA B>cB/A/|eAA ABd|eAA
B>cB/A/|dBG GBd|
eAA B>cB/A/|eAA AGE|GAB Bge|dBA
A2:|
|:d|eaa egg|dBA ABd|eaa egg|dBG
GBd|ea^f g2e|
dBA AGE|GAB Bge|dBA A2:|
SCATTERY ISLAND SLIDE. AKA and see “Going for Water,”
“Going to the Well for
Water [2]." Irish, Slide (12/8 time). Ireland, West Kerry. D Major.
Standard tuning. AABB. Scattery Island is situated in the Shannon
estuary between Clare and Kerry, though part of County Clare (it has also been
described as “comfortably tucked in a harbor by the mouth of Poulnasherry Bay
near Kilrush”); its present name
derives from ‘St. Cathigh’s Island,’ or Inis Cathaigh. Another cleric, St.
Senan from County Clare, lived there for some time in a monastery and it is
said he would travel to and from the island on a flying flagstone. The
islanders removed to Kilrush in the 1950's and it remains uninhabited today,
save for a large bird population. The islanders’ music seemed to have more stylistically
more in common with County Kerry than Clare. An article on Kelly in Dal gCais
Magazine 5, 1979 (possibly by Muiris Ó Rócháin), entitled "The Life
and Times of John Kelly,” confirms the importance of the Kerry influence. Fiddler
Kelly related how his Kerry music came to the island:
***
My grandmother [Mary Brennan, born on Scattery Island] had a
lot of tunes that weren't known in County Clare, polkas, slides
and single jigs. She told me that
when she was a girl boatloads
of people from Kerry would put in to the island almost every Sunday
in summer. Then there was a dance
in the lighthouse. In this way
the Scattery people picked up the Kerry music. From my grandfather
and grandmother I learned quite a number of Kerry style tunes . . .
later
when I got to know (County Clare uilleann piper) Willie Clancy I played
these tunes for him. He had never
heard of them in his part of the county.
***
Black (Music’s the Very Best Thing), 1996; No. 282, pg. 151. Mac Amhlaoibh
& Durham (An Pota Stóir: Ceol Seite
Corca Duibne/The Set Dance Music of West Kerry), No. 75, pg. 44. Moylan (Johnny O’Leary), 1994; No. 167. Sullivan
(Session Tunes), vol. 2; No. 40, pg.
16. Conor Keane (Co. Clare) – “Cooley’s House.”
X:1
T:
M:6/8
L:1/8
Z:Transcribed by Ken Fleming
S:Jackie Daly
R:slide
K:D
|F2A dcd|F2A dcd|{f}e2d cBA|{f}e2d
cBA|F2A dcd|F2A dcd|e2d cBA|1 B2c d3:|2
B2c d2f||aba f2e|d3 def|g3 fgf|e3
efg|aba f2e|d3 def|e2A cBA|1 ABc d2f:|2
ABc d3||\
X:2
T:Scattery Island (Clare version)
R:slide
M:12/8
L:1/8
K:D
FGA dcd FGA dcd|e2A cBA e2d cBA|
FGA dcd FGA d2d|1 e2A cBA f2e d2A:|2
e2A cBA f2e d3|