The Fiddler’s Companion
© 1996-2008 Andrew Kuntz
_______________________________
Home Alphabetical Files References
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TRIP |
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s Companion
work fine in most abc conversion programs. For example, I use abc2win and
abcNavigator 2 with no problems whatsoever with direct cut-and-pasting.
However, due to an anomaly of the html, pasting the abc’s into the
concertina.net converter results in double-spacing. For concertina.net’s
conversion program to work you must remove the spaces between all the lines
of abc notation after pasting, so that they are single-spaced, with no
intervening blank lines. This being done, the F/C abc’s
will convert to standard notation nicely. Or, get a copy of abcNavigator 2 –
its well worth it. [AK] |
TRIP, DA. Shetland, Shetland Reel. Shetland, Whalsay (?).
TRIP AND GO. English, Country Dance Air (6/4 time). A Major. Standard. AAB. This sixteenth century dance air appears in Musick's Delight on the Cithren (1666).
Chappell (1859) says 'trip and go' seems to have become a proverbial
expression, as in Shakespeare's Love's
Lavour's Lost:
***
‘Trip and go', my sweet.
***
Gosson's Schoole of Abuse (1579):
‘Trip and go', for I dare not tarry.
***
and Ben Jonson's Case is altered:
O delicate 'trip and go'.
***
Perhaps all these references stem
from John Milton’s lyric poem L’Allegro, published in 1645, directed to the
goddess Mirth:
Come, and trip it, as you go,
On the light fantastic toe;
And in they right hand lead with thee
The mountain-nymph, sweet
***
Chappell (Popular Music of the Olden Time), vol. 1, 1859; pg. 309.
TRIP BAG, THE. Shetland, Shetland Reel. Shetland, Whalsay.
TRIP IT ALONG. Irish, Jig and Air. G Major. Standard. AB. Learned by
Joyce as a child in
X:1
T:Trip it Along
M:6/8
L:1/8
R:Air/Jig
S:Joyce – Old Irish Folk Music and Songs (1909)
Z:AK/Fiddler’s Companion
K:G
D2G G2A|B2d cAG|F2 D DED|F3 FED|DGG
G2A|BAG ABc|d2B cAF|G3G3||
g2 d ded|f2g afd|g2d def|g2a bag|fed
cAF|G3G3|g2d def|g2a bag|f2d ded|f2g afd|
g>fg/a/ bag|agf g2e|fed
cAF|G3G3||
TRIP IT UP STAIRS [1] (Rit Suas na Staigrib/Staigride). AKA and Irish, Single Jig. G
Major/D Major. Standard. AABBCC. Kerr (Merry
Melodies), Vol. 2; No. 292, pg. 32. O'Neill (O’Neill’s Irish Music), 1915; No. 206, pg. 111. O'Neill (Music of Ireland: 1850 Melodies),
1903/1979; No. 817, pg. 152. O'Neill (Dance
Music of
X:1
T:Trip it Up Stairs [1]
M:6/8
L:1/8
R:Single Jig
S:O’Neill –
Dance Music of
Z:AK/Fiddler’s Companion
K:G
G2A B2G|A2G FGA|B2E EFE|B2E EFE|G2A
B2^c|d2A BAG|F3D DED|F2D DED:|
|:d2d dAF|DFA dAF|G2E EFE|G2E
EFE|d^cd edc|d^cB ABG|F2D DED|F2D DED:|
|:g2g gag|f2f fgf|e2e e2g|bge
e2f|gfg agf|edc BAG|F2D DED|F2D DED:|
TRIP IT UP STAIRS [2]. See “Tripping Upstairs [2].”
TRIP O'ER
TRIP O’ER THE MOUNTAIN, THE. See “Trip
We Took Over the Mountain.”
TRIP TO
X:1
T: Trip to
T: Andy Irvine's
T:Salmon Tails Up the Water
R: polka
M: 2/4
K: G
D>E DB, | DE GA |
D>E DB, |
Bd dB | ce
ed |
Bd dB | ce
ef | ge f/e/d | e2 ef |
ge f/e/d | ed Bc | dB AB/A/ | GE cE
|
D>E DB, | DE GA |
TRIP TO ALKRINGTON. English, Reel.
TRIP TO ATHLONE(, A). AKA and see “Newport
Lass.” Irish, Jig. D Mixolydian. Standard. AABB. The tune was recorded by
the Tulla Ceili Band, Tulla,
|
See also listings at: Jane Keefer’s Folk Music Index: An
Index to Recorded Sources Alan Ng’s Irishtune.info |
X:1
T:Trip to Athlone, The
T:
R:jig
D:De Danann 1
D:Molloy, Peoples, Brady
Z:id:hn-jig-201
Z:transcribed by henrik.norbeck@mailbox.swipnet.se
M:6/8
L:1/8
K:D
ABA DED|dcA AGE|ABA ABc|dAB cde|
|:f2d edc|Add cde|fed edc|ABc def|
~g3 age|dcA AGE|GFG Ade|1 fdc d2e:|2
fdc d2c||
“variations”
~A3 D2d|d=cA AGE|~A3 ABc|dAB cde|
~A3 D2d|d=cA AGE|~G3 Ade|1 fdc
d2c:|2 fdc d2e||
fed edc|AdB cde|fed efg|ABc def|
g2a age|d=cA AGE|GFG Ade|fec d2e|
fed edc|AdB cde|~f3 gec|ABc def|
g2a age|d=cA AGE|~G3 Ade|fec d2c||
TRIP TO BALLYSHANNON. Scottish, Reel. D Major. Standard tuning.
AABB. Composed by Scottish fiddler Alasdair Fraser, notes Susan Songer (Portland Collection), to commemorate his
honeymoon in Ireland in 1987, when the newlywed couple simply toured the island
at whim in an old VW camper. Songer (Portland
Collection), 1997; pg. 199. Sona Gaia 155,
Alasdair Fraser - “The Road North” (1989).
TRIP TO BARNARD. English, Jig. England, North‑West. C Dorian. Standard
tuning. AABB. Knowles (Northern Frisk), 1988; No. 14. Beautiful Jo BEJOCD-36, Dave Shepherd & Becky Price –
“Ashburnham.”
TRIP TO BATH [1]. English, Jig. England,
Northumberland. G Major. Standard tuning. AABB. The
jig appears in the 1770 music manuscript copybook of Northumbrian musician
William Vickers, about whom unfortunately very little is known. It earlier
appeared in Walsh’s Caledonian Country
Dances and Walsh’s Compleat Country
Dancing Master (vol. 6, 1755, pg. 150). A
Trip to
X:1
T:Trip to Bath [1]
M:6/8
L:1/8
S:William
Vickers (c. 1770)
Z:AK/Fiddler’s Companion
K:G
G/A/ | B>cd gdc | B2G G2B | cde
Aag | f2d d2f | gdB ecA | afd bag | fga dgf | g2G G2 :|
|: B | ceg gec | Bdg gdB | cBc Aag |
f2d d2c | Bdg cea | dfb bag | dcB Agf | g2G G2 :|
TRIP TO BATH [2]. English, Jig. G Major. Standard
tuning. AABB. Source George Bush (c. 1753-1797) was an officer in the
Continental Army during the Revolutionary War. Kate Van Winkler Keller (1992)
dates the tune to the 1720’s and says the original title was “The Bath Medley.”
It was the vehicle for a song that began “The Spring’s a coming, all nature is
blooming,” and was popular throughout the 18th century as a country
dance tune and a quick march. Source for notated version: the George Bush MS
[Keller]. Keller (Fiddle Tunes from the American Revolution), 1992; pg.
21.
X:1
T:Trip to
Bath [2]
M:6/8
L:1/8
S:Bush MS
K:G
G2g fed |
efg dBG | ecA dBG | F2g AFD | G2g fed | efg dBG | ecA dBG| cAF G3 :|
|: f2g afd
| e2f g2g | B2c dBG | F2G AFD | G2g fed | efg dBG | ecA dBG| cAF G3 :|
TRIP TO BEDFORD HOUSE. AKA and see "Love in
a Village" [1], "New Bath whim."
“The Spell.”
TRIP TO BIREY. AKA and see “Oldham Rant.”
TRIP TO BIRMINGHAM. AKA and see “Josie
McDermott’s Reel [1],” “Peg
McGrath,” "The Pile of Bricks."
Irish, Reel. G Major. Standard tuning. AABB. Composed
by Ballyfarnon, County Roscommon, flute player Josie McDermott (d. 1992), who
also was a lilter, singer and saxophone player. See also the related “Corner House ,”
and the note for “Kathleen Lawrie’s
Wedding.” Vallely (Learn to Play the
Tin Whistle with the Armagh Pipers Club), vol. 2; 26.
X:1
T:The Trip to Birmingham
C:Josie McDermott
R:Reel
D:Catherine McEvoy with Felix Dolan
(track 13b)
D:Josie McDermott: Darby's Farewell
M:C
K:G
GAAG ABcd|e2ed edBA|~G3B dBGB|ABAG
E2D2|
GAAG ABcd|efed efga|bzbg ageg|dedB
~G3z:|
|:dggf gzga|bgag edBd|~G3B dBGB|ABAG
E2D2|
dg~g2 ag~g2|bzbg ageg|~G3B dBGB|AGEF
G3z:|
X: 2
T: Trip to Birmingham
C: Josie McDermott
S: "Treoir"
M: 4/4
L: 1/8
Z: Transcribed by Bill Black
R: reel
K: G
E | DGGF G2 Bd | e2 ed edBA | G2 GB dGBG | ABAG
EG D2 |
DGGF G2 Bd | efed efga | bg g2 ageg | dBAB G3 :|
B | dggf g2 ga | bgag edBA | G2 GB dGBG | ABAG
EG D2 |
dggf
g2 ga | bgag edBA | G2 GB dGBG | AGFA G3 :|
TRIP TO BOLINGEN, THE. Scottish, March (2/4 time). A Major. Standard tuning. AABB. Composed by Ron Purvis. Neil (The Scots Fiddle), 1991; No. 24, pg. 33.
TRIP TO BOSTON. AKA and see “Sandy
MacIntyre’s Trip to Boston.”
TRIP TO BOW FAIR, A. English, “Old” Hornpipe (3/2 time). G Minor. Standard
tuning. AABBCC. The melody appears in Walsh’s Lancashire Jigs, Hornpipes, Joaks, etc (c. 1730).
X:1
T:Trip to Bow Fair,A
B:Walsh
R:Hornpipe
M:3/2
L:1/8
K:Gm
B,4 CDEF GABc | d2 B4 FG D2 B,2| C4 DEFG ABcd | e2 c4 GB A2 F2|\
B,4 CDEF GABc | d2 B4 FG D2 B,2|Bgfe dcBd cBAG| FEDC B,CFA,B,4::\
f3 e defe dcBA|B2 F2 _AcBA GEDE|g3 f efgf edc=B| c2 G2 BdcB AF=EF|\
f3 e defe dcBA|B2 F2 _AcBA GEDC| DF B2 CE A2 B,DGF| EDCB, A,B,CA, B,4::\
Bdfb fdBd f_agf| g2 e4 cd A2 f2| BABc dcBA GFED| CB,CD EFGB, A,4|\
Bdfb
fdBd f_agf| g2 e4 cd A2 f2| GBAc Bdfb fdBG| AFGD ECDA, B,4:|
TRIP TO
TRIP TO BURY. English, Country Dance Tune (4/4 time). F Major. Standard tuning. AABB.
Knowles (A Northern Lass), 1995; pg.
4.
TRIP TO CANTERBURY, A. English, Country Dance Tune (6/8 time). G Major. Standard
tuning. AABB. The tune dates to 1798. Barnes (English Country Dance Tunes), 1986.
TRIP TO CARLISLE. English, Jig. England, Northumberland. A Major. Standard
tuning. AABBCC. The melody appears in the 1770 music manuscript copybook
of Northumbrian musician William Vickers, about who unfortunately little is
known. Seattle (William
Vickers), 1987, Part 2; No. 363.
X:1
T:Trip to
M:6/8
L:1/8
R:Jig
S:William
Vickers’ music manuscript copybook, pg. 100
(1770)
Z:AK/Fiddler’s Companion
K:A
A2c cfg|a>gf ecA|A2c cec|B>cB
BGE|A2c cfg|a>gf b2a|
gbg afd|e3E3::E2e edc|fga ecA|E2e
ecA|GAB BGE|
A2c cfg|agf edc|dfB ceA|dBG A3::ecA
fdB|ecA BGE|
ecA fdB|fga ecA|ecA fdB|ecA BGE|fga ecA|dBG
A2:|
TRIP TO CARTMEL. English, Country Dance Tune (4/4 time). A Mixolydian. Standard tuning. AABB. The melody comes from the Browne
family music manuscripts, donated to the Armitt Library, now in the Armitt
Collection of Ambleside Museum. The manuscripts were written in several hands
over time and date to the 1830’s; prior to being collected and donated, they
were in the possession of the Browne family of Troutbeck, in the old
TRIP TO CHESTER, A. English, Country Dance Tune (9/8 time). England, Northumberland. G
Major. Standard tuning. AAB. Source for notated
version: Vickers’ Manuscripts [Knowles]. Knowles (A Northern Lass), 1995; pg. 8. Seattle (William Vickers), 1987, Part 3; No. 499.
X:1
T:Trip to Chester
R:slipjig
C:trad
B:William Vickers MS
M:9/8
L:1/8
K:G
|g2d B/2c/2dB dBG|g2d B/2c/2dB
AFD|g2d B/2c/2dB dBG|B/2c/2dB ADF G3:|
|g/2a/2bg bge bge|f/2g/2af afd
afd|gfg eba gfe|f/2g/2af eA^cd2 B|
cdc afd afd|BcB gdB
gdB|gfedecBAG|B/2c/2dB ADFG3|
TRIP TO CLUMBER(, A). Scottish, Country Dance Tune (2/4 time). F
Major (Aird, McGlashan): D Major (Aird). Standard tuning.
AABBCC. Aird (Selections), vol. II,
1782; No. 33, pg. 13 (version in two keys). McGlashan (Collection of Scots
Measures), c. 1780; pg. 38.
X:1
T:Trip to Clumber
L:1/8
M:2/4
S:McGlashan – Collection of Scots Measures (c. 1780)
Z:AK/Fiddler’s Companion
K:F
c2 cf|f2 ef|db/g/ fe|f/e/f/g/ ff|c2 cf|f2 ef|db/g/ fe|f2 F2:|
|:c2 Ac|cBGE|FCDE|F/E/F/G/ FF|c2 Ac|cBGE|FCDE|F2 F2:|
|:a2 af|b2 b2|geec|f/e/f/g/ ff|a2 af|b2 b2|gf e/f/g/e/|f2 f2:|
X:2
T:Trip to Clumber
M:2/4
L:1/8
S:Aird, vol. II (1782)
Z:AK/Fiddler’s Companion
K:D
A2 Ad | d2 cd | Bg/e/ dc | d/c/d/e/ dd | A2Ad | d2 cd | Bg/e/ dc | d2D2 :|
|: A2 FA | AGEC | DA,B,C | D/C/D/E/ DD | A2 FA | AGEC | DA,B,C | D2D2 :|
|: f2 fd | g2 g2 | eccA | d/c/d/e/ dd | f2 fd | g2g2 | ed c/d/e/c/ dd :|
TRIP TO COTTINGHAM. AKA and see “Garcon Volage,” “Sally Sloane’s,” “The Village Boy Quadrille.” English, Country Dance Tune (6/8 time). England, Yorkshire.
G Major. Standard tuning. AABBCC.
“Trip to Cottingham” can be found in the music manuscripts of Lawrence Ledley
(1827-1897) of Helperby,
TRIP TO CULLENSTOWN. AKA and see “Raheen Reel [2].”
Irish, Reel. Composed by harmonica player Phil Murphy of Ballygow, Co. Wexford.
The Murphy’s recorded this tune in the “Raheen Reels” medley with Kevin Burke
on the latter’s "Up Close" (1984). The
Murphys – "The Trip to Cullenstown." Ossian OSSCD 11, “Séamus Creagh
& Aiden Coffey.” Green Linnet SIF 1052, Kevin Burke – “Up Close” (appears
as part of “Raheen Medley”).
X:1
T:Trip to Cullenstown, The
C:Phil Murphy
D:Séamus Creagh & Aidan Coffey, Ossian
OSSCD 11
R:reel
e3 f ecAB | c3
A BAFA | e3 f ecAB | cBBA B2 AB |
ce ~e2 f2 ec |
efec BAFA | c3 A BAFA|1 EAAG ABcd :|2 EAAG A2 AB
|:
ce ~e2 df ~f2 |
e3 f ecAB | ce ~e2 fe ~e2|afec B2 AB |
ce ~e2 f2 ec |
efec BAFA | c3 A BcAF|1 EAAG A2 AB :|2 EAAG A4 ||
TRIP TO DORMONT, THE. AKA and see "Mr. Maule's Frolick."
TRIP TO DUBLIN. Canadian, Strathspey. Canada, Cape Breton. A Major. Standard
tuning. AB. Composed by fiddler Jerry Holland (Inverness, Cape Breton).
Cranford (Jerry Holland’s), 1995; No.
15, pg. 5. Fiddlesticks cass., Jerry Holland -
“Fathers and Sons” (1992). Green Linnett, Jerry Holland - “The Fiddlesticks
Collection” (1995).
TRIP TO DURHAM. Irish, Slip Jig. North Star NS0031,
"Dance Across the Sea: Dances and Airs from the Celtic Highlands"
(1990).
TRIP TO DURROW, THE (An Turas go Darmhagh).
Irish, Reel. D Major. Standard tuning. AA'B (Carlin):
AABB (Mallinson, Songer, Taylor); ABC (Breathnach). “Trip to Durrow” has been
attributed to Irish fiddler Dan Cleary (1918-2004), of Ballinamere, County
Offaly. Cleary played a number of instruments, including the uilleann pipes,
piano and tin whistle, and was a member of a number of céili bands in the
mid-20th century, notably the Ballinamere Céili Band, which won
All-Ireland titles in the mid-1950’s. “Trip to Durrow” may stem from Cleary’s
days as a young man with the Colmcille Céili Band, of Durrow, Co. Offaly, who
played regularly in the Forresters Hall in Tullamore (see Treoir, vol. 38, No. 2, 2006, pgs. 37-38). The arrangement in
Carlin's collection, by Leo Rowsome, differs from that in Taylor's by being
more regular (the length of the 'A' and 'B' parts is the same with the 'A'
repeated). Taylor (1992) makes the point that his version of "The Trip to
Durrow" is unusual in the length of the second part (16 bars, repeated);
perhaps unique in Irish music along with the possible inclusion of "Ballinasloe Fair" which also
boasts a long second part, though it is altogether half the length of "The
Trip to Durrow.” He thinks the tune may have originally been a three-part
melody. Breathnach (1996) says the three part version, either AABBCC or AABCBC
depending on the locale, has its source in his Ceol Rince na h-Éireann collection. He remarks that the last part
was to illustrate a variant of the ‘A’ part, or how another musician had played
the strain, but that a footnote explaining the structure was omitted from the
volume. Source for notated version: Randal Bays & Joel Bernstein (Seattle,
Washington) [Songer]; piper
Seán Potts (Ireland) [Breathnach]. Breathnach (CRÉ I), 1963; No. 127, pg. 52. Bulmer & Sharpley (Music from Ireland), 1974, vol. 1, No. 27 Carlin
(Master Collection), 1984; No. 194,
pg. 116. Mallinson (Essential), 1995;
No. 15, pg. 6. Songer (Portland
Collection), 1997; pg. 200. Taylor (Through
the Half-Door), 1992; No. 36, pg. 26. Taylor (Music for the Sets: Blue
Book), 1995; pg. 13. GTD Heritage Trad. HCD 008,
Tommy Peoples - "Traditional Irish Music Played on the Fiddle." Shaskeen - "Shaskeen Live." New England Tradition
- “New England Tradition.”
X:1
T:Trip to Durrow, The
R:reel
B:Jim Coogan's Session Tunes
Z:Music: Jean Lewis
Z:abc's: Michael Hogan
M:C|
L:1/8
K:D
FE|:D3 F ADFA | defd B3 c | dBBA dBBA | FADE FE E2 |
D3 F ADFA | defd B3 c | dBBA FAdB | AFEG FD D2 :|
|:d3 e f3 g | afdf gfed | cdef gebe | (3gfe be gf e2 |
dcde f3 g | afdf gfed | (3Bcd ef gbag | fdec d3 e :|
|:fdec d3 e | fded B2 Bc | dBBA dBBA | FADE FE E2 |
D3
F ADFA | defd B3 c | dBBA FAdB | AFEG FD D2 :||
TRIP TO FRANCE. English, Skip Jig. England, North‑West. D Major. Standard tuning. AABB. Knowles (Northern Frisk), 1988; No. 24.
TRIP TO GALLOWAY [1]. English, Country Dance Tune (4/4 time). A Major. Standard
tuning. AABB. Knowles (A Northern
Lass), 1995; pg. 10.
TRIP TO GALLOWAY [2]. AKA and see “Money in Both
Pockets [1].” English, Country Dance Tune (6/8 time). G Major. Standard tuning. AABB. Knowles (A Northern Lass), 1995; pg. 10.
TRIP TO GALWAY (Turas go Gaillim/Gaillimh). Irish, Double Jig. D Minor
(Cole/Ryan): E Dorian (Breathnach). Standard tuning. AABB.
The tune is a variant of “Hills of
Glenorchy [1].” See also “Katy is Waiting.” Breathnach (CRÉ V), 1999; No. 40, pg. 21. Cole (1000 Fiddle Tunes), 1940; pg. 53. O'Neill (Dance Music of
Ireland: 1001 Gems), 1907/1986;
No. 345, pg. 71. Ryan’s Mammoth
Collection, 1883; pg. 83. Outlet 3002, Paddy
Cronin‑ "Kerry's Own Paddy Cronin" (1977).
X:1
T:Trip to Galway, A
M:6/8
L:1/8
R:Jig
S:O’Neill – Dance Music of Ireland:
1001 Gems (1907), No. 345
Z:AK/Fiddler’s Companion
K:D Minor
B | AFD DFA | cdc AGF | E/F/GE CDC |
EFG Ac=B | AFD DFG |
A=B^c d2e | fed edc | Add d2 :: e |
fed afd | d/e/fg afd | edc gec |
c/d/ef gfe | fed edc | d/g/fd cAG |
FGA c=Bc | Add d2 :|
TRIP TO GERMANY, A. English, Reel. England, Northumberland. D Major. Standard
tuning. AABB. Seattle (William
Vickers), 1987, Part 3; No. 562.
TRIP TO GLENORA. Canadian, Jig. Canada, Cape Breton. A Major. Standard
tuning. AABB. Composed by Cape Breton fiddler and composer Dan R.
MacDonald (1911-1976). Cameron (Trip to
Windsor), 1994; pg. 43.
TRIP TO GRINDTHORPE. English, Jig. England, Northumberland. F Major. Standard
tuning. AABB. Seattle (1987) presumes 'Grindthorpe' is 'Grimethorpe'.
Seattle (William Vickers), 1987, Part
2; No. 335.
TRIP TO HARRIGATE [1]. AKA - “Trip to Harro(w)gate.” English, Country Dance Tune (6/8 time). A Major. Standard tuning. AABB. One of the "missing tunes"
from William Vickers' 1770 Northumbrian dance tune manuscript, it also appears
in Thomas Hammersley’s c. 1790
TRIP TO HARROGATE [2]. English. Unrelated to “Trip to Harrigate” [1]. Appears
in the Joshua Jackson (
TRIP TO HERVE’S, THE. Irish,Reel. D Major. Standard
tuning. AABB’. Composed by flute player Michael McGoldrick. Michael McGoldrick - “Morning Rory.”
X:1
T:Trip to Herve's, The
M:2/2
L:1/8
C:Michael McGoldrick
R:Reel
D:Michael McGoldrick,Morning Rory
Z:Rob Greenway, 6/98
K:D
FAAF ABde | f2af dAFA | B2dB AFDE |
FEED E3G |
FAAF ABde | f2af dAFA | B2dB AFDG |
~F3E D4 ::
AB~B2 d2AG | ~F3E FGFE | DEFG ~A2DE
| FG~A2 FG~A2 |
1 AB~B2 d2AG | ~F3E FGFE | DEFG ABAG
| ~F2EG FDD2 :|
2 ~B2 F ~A2 E ~F2 | DEED EFGA | ~B2
F ~A2 E ~F2 | DEED EFGA ||
TRIP TO HIGHGATE, A. English, Country Dance Tune (6/8 time). G Major. Standard
tuning. AABB. The melody is from Charles and Samuel Thompson’s
. Compleat
Collection of 200 Favourite Country Dances, vol. 4 (
X:1
T:Trip to
Highgate
M:6/8
L:1/8
R:Jig
K:G
G|G2B B2d|d2g g2d|edc BAG|FGA
A2G|G2B B2d|
d2g g2d|edc B2A|(G3
G2)::d|d2D D2c|c2C C2c|
B2A GFG|ADD D2d|d2D D2c|c2C C2c|BAG
AGF|(G3 G2):|