The Fiddler’s
Companion
© 1996-2008 Andrew Kuntz
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ADAM - AH |
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Notation
Note: The tunes below are recorded in what
is called “abc
notation.” They can easily be converted to standard musical notation via
highlighting with your cursor starting at “X:1” through to the end of the abc’s, then “cutting-and-pasting” the highlighted
notation into one of the many abc conversion
programs available, or at concertina.net’s
incredibly handy “ABC Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s
in the Fiddler’s Companion work fine in most abc
conversion programs. For example, I use abc2win and abcNavigator
2 with no problems whatsoever with direct cut-and-pasting. However, due to an
anomaly of the html, pasting the abc’s into the
concertina.net converter results in double-spacing. For concertina.net’s
conversion program to work you must remove the spaces between all the lines
of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C abc’s will convert to standard
notation nicely. Or, get a copy of abcNavigator 2 –
its well worth it. [AK] |
ADAM BUCKHAN, O! English, Air
(4/4 time).
***
Its doon the Lang Stairs, And strite alang the Close,
All in Baker's Entry, Adam Buckham knows.
O Adam Buckham, O, O Adam Buckham,
O;
O Adam Buckham, O, Wiv
his bow legs.
***
Bruce & Stokoe
(Northumbrian Minstrelsy), 1882; pg.
124.
X:1
T:Adam Buckhan O!
M:C
L:1/8
R:Air
S: Bruce & Stokoe – Northumbrian Minstrelsy (1882)
Z:AK/Fiddler’s Companion
K:D
G|FA (Ac) (dA) (AF)|GB Bc d3z|ce ef (ge) (ed)|cA Bc d3||
Z|{d/e/}f2 ed cA (Ac)|{B/c/}d2 cB AF (FA)|{G/A/}B2 AG FA (dA)| Bg (ec) d2||
ADAM
ADAM’S FAVORITE. American, Reel.
ADELE BLANC-SEC. French, Scottish (2/4 time). F Major. Standard tuning. AA'BB'. Composed
by Frederic Paris. Stevens (
ADELINE. Old-Time, Breakdown.
X:1
T:Adeline
M:C|
L:1/8
S:Bruce Molsky, based on Luther Strong’s version
Z:AK/Fiddler’s Companion
K:A Mix
[e4e4] [e4e4] | efec
e3f | edcA BABc | dcBA [G,G]ABc |
d2 ef gefg | e2c2 dcBA | E2 EF GABG |
[A6A6] [A2B2] ||
M:6/4
L:1/8
[Ac][AA][AB][Ac] [A3A3][A3A3][AB] |
M:C|
L:1/8
[Ac][AA][AB][Ac] [A2A2] [A2e2] |
A,G,A,B, =CDEE | G2 E4 EG |
A2 A2 A,2
A2 | ^CDEC A,3A, | [C3E3] A, G,A,B,G, | A,3 A,B, (A, G,3) |
[A4A4] A,4 | ^C4 A,3 G,| A,G,A,B,
=CDEE | G2 E4 EG | A2A2A,2A2 |
^CDEC A,2 A,2
| [C3E3] A,2 G,A,B,G, | A,2 A,B, A,4 ||
ADELINE WALTZ. Old‑Time, Waltz. E Flat Major. Standard tuning.
AB. The melody was composed by Clef Hamman, guitarist
for the East Texas Serenaders of the late
1920's/early 1930's. Although originally played in the key of E Flat, most
modern versions are in D Major. Silberberg (93
Fiddle Tunes I Didn’t Learn at Tractor Tavern), 2004; pg. 1. County 410, "The
ADEW
ADIEU, THE.
English, Country Dance Tune (cut time). B Flat Major.
Standard tuning. ABCD. The
melody appears in Charles and Samuel Thompson’s Compleat Collection of 200 Country Dances, vol. 4 (
ADIEU, ADIEU THOU FAITHLESS WORLD. AKA and see “The Hermit of Killarney.” Irish, Air (4/4 time). A Major. Standard tuning. AABB. O’Farrell (Pocket Companion, Vol. 1), c. 1805; pg. 25. Jerry O’Sullivan – “O’Sullivan Meets O’Farrell” (2005).
X:1
T:Adieu, Adieu Thou Faithless World
M:C
L:1/8
R:Air
S:O’Farrell – Pocket Companion (c. 1805)
Z:AK/Fiddler’s Companion
cB | (A>B)AF (E>F)(AB) | c>ecA B2 (e/d/c/B/) | (A>B)AF (E>F)(AB) |
ce”tr”B>c A2 :: A | Acee (f>e)ce | f>e (d/c/B/A/) B2 (e/d/c/B/) | A>BAF (E>F)(AB) |
ce (B/A/B/c/) A3 :|
ADIEU DUNDEE. AKA – “Adew Dundee.” AKA and see "Bonnie Dundee/Bonne
y Dundee," “The Hearty Boys of Ballymote,” “Laccaroo Boys,” “Mary of Castlecary,” "Saw Ye My Wee Thing," "The Laccarue Boys" (Ire.). Scottish, March. E Minor. Standard tuning. AABB. A march tune appearing in the fifth part of the Skene MS (a lute MS), c. 1615‑1620 (appears as "Adew Dundee"), the Appendix of Playford's Dancing Master of 1688, and O'Neill's Dance Music of Ireland. The title comes from a ballad called "Jockey's Escape from Dundee," which ends, "Adieu to bonny Dundee." Gatherer (Gatherer’s Musical Museum), 1987; pg. 22. Flying Fish, Robin Williamson ‑ "Legacy of the Scottish Harpers, vol. 2."ADIEU MY LOVELY PEGGY. Irish, Air (2/4 time). E Flat Major. Standard tuning. AB.
Stanford/Petrie (Complete Collection),
1905; No. 430, pg. 108.
X:1
T:Adieu My Lovely Peggy
M:2/4
L:1/8
S:Stanford/Petrie (1905), No. 430
Z:AK/Fiddler’s Companion
K:E_
E | E>G Bc
| ee eG | AG/F/ EG | B>G
FG | B/G/ F/E/ EG/B/ | e>d {d}c>B |
G>E F>E | E2 || Bc/d/ ee fe
| dc B>c | GF EG | BG F>G | B/G/ F/E/ EG/B/ |
e>d {d}c>B | GE F>E | E3 ||
ADIEU ROZA. Cajun. A tune developed into "Les Flammes d'Enfer." An influential version of “Adieu Roza” was recorded by Dennis McGee.
ADIEU TO O'REILLY. Irish, Air (3/4 time). C Mixolydian. Standard
tuning. AABB. Joyce (Old Irish Folk Music
and Songs), 1909; No. 257, pg. 124.
X:1
T:Adieu to O’Reilly
M:3/4
L:1/8
R:Air
N:”Tenderly”
S:Joyce – Old Irish Folk Music and Songs
(1909)
Z:AK/Fiddler’s Companion
K:C Mixolydian
CD|EFG>edc|BAG>ECD|EFG>EFD|CC
C2:|
|:EF|G c e2 dc|dcc>B
G2|Gc e>dcB|GA/=B/ c>d|e>dc>BGE|
FAG>EC>D|EFG>EFD|CC C2:|
ADIEU YE YOUNG MEN OF
CLAUDY GREEN. Irish, Air (3/4 time). Ireland,
Derry. A Major. Standard. AB. “Set in the County of Derry, 1834.”
Stanford/Petrie (Complete Collection),
1905; No. 757, pg. 189.
X:1
T:Adieu ye young men of Claudy
green
M:3/4
L:1/8
R:Air
N:”Set in the County of Derry, 1834.”
S:Stanford/Petrie (1905), No. 757
Z:AK/Fiddler’s Companion
K:A
A/4B/4c/4d/4 e/f/g/f/ | e>d cd e/d/c/B/ | c>A GE G/A/B/c/ | d>c Bc/B/ AA |
A3 c/d/ e/f/g/f/ | e>d cd e/d/c/B/ | c>A GE G/A/B/c/ | ed/c/ Bc/>B/ AA | A3 :|
c/d/ eg |
a>f ge fg | e2 dc/d/ eg | a>f g/f/e/d/ cA | B3
A/4B/4c/4d/4 e/f/g/f/ |
e>d cd
e/d/c/B/ | cA GE G/A/B/c/ | d>c Bc/>B/ AA | A3 ||
ADMIRAL, THE. American? Hornpipe. C Major. Standard. AABB.
Not "Admiral's Hornpipe" in Ryan’s
Mammth/Cole's 1000. Harding’s All-Round Collection, 1905; No. 89, pg. 28.
X:1
T:Admiral, The
M:C
L:1/8
R:Hornpipe
S:Harding’s All-Round Collection (1905), No. 89
Z:AK/Fiddler’s Companion
K:C
G2|c2 ec
d2 fd|e2 ge c2e2|f2 af e2 ge|dedc cBAG|c2ec d2 fd|
e2 ge f2 af|gedc G2B2|c2e2c2::c2|cBcA Ggfe|fefg
agfe|
fd2f ec2e|d2 ec
cBAG|c2c2 ec d2 fd|efge f2 ag|gedc G2B2|c2e2c2:|
ADMIRAL
BENBOW. English, Air (3/4 time). G Major.
Standard tuning. AB. Walker (History of
Music in England, 1924) dates the tune to about 1700. He points out that
the melody is also known as a religious carol {“The Land o’ the Leal” (Church
of England, English Hymnal, 1906),
which is simply “Scots wha hae”
sung slowly.} Admiral Benbow was an English admiral
who defeated a fleet of French warships in West Indian waters at the turn of
the 16th century, the only thing marring the victory was the fact that four of
this men‑of‑war refused to join the fight, instead standing-too to
watch. The commanders of those ships did not fare well; two were executed, one
imprisoned for life, and the last died before punishment could be meted out.
The "Admiral Benbow" is the name of the inn
in which we first meet Long John Silver in Robert Louis Stevenson's novel Treasure Island. See also note for the
air "Benbow,
the Brother Tar." Chappell collected the ballad from Dale's
collection, i. 68. Chappell (Popular Music of the Olden Times), vol. 2, 1859; pg. 92.
X:1
T:Admiral
Benbow
L:1/8
M:3/4
K:G
G>D|G2B2d2|d>c
B2 G>A|B2 cB A>G|G4:|
F>G|A2E2
A>G|F>E D2 GD|G2 GABG|c4 BA|
G2B2d2|d>c
B2 GA|B2 cB A>G|G4||
ADMIRAL NELSON. AKA and see “Miss Baker’s
(Hornpipe).” Scottish, Reel. F Major. Standard tuning. AB. Attributed to Niel Gow by Hunter.
***
Admiral Lord Nelson and his lover, Emma Hart, Lady Hamilton.
***
Hunter (Fiddle Music of Scotland), 1988; No. 335.
ADMIRAL RODNEY'S
DELIGHT. English, Jig. England, Northumberland.
G Major. Standard tuning. AA'BBCC. Admiral Rodney won a spectacular victory
(the Battle of the Saints) against a French fleet under Admiral Comte De Grasse in the West Indies in the year 1782.
***
***
See note for “Rodney’s Glory [1]” for more
information. Seattle (William Vickers),
1987, Part 3; No. 508.
ADMIRAL'S HORNPIPE. American, Hornpipe. G Major.
Standard tuning. AABB. Cole (1000 Fiddle
Tunes), 1940; pg. 101. Ryan’s Mammoth
Collection, 1883; pg. 136.
X:1
T:Admirals’ Hornpipe
M:C|
L:1/8
R:Hornpipe
S:Ryan’s Mammoth Collection (1883)
Z:AK/Fiddler’s Companion
K:G
d2 | gdBd gdbg | afdf afc’a
| bgfg bgd’b | agfe defd | gdBd
gdbg | afdf afc’a |
bgd’b afc’a |
b2g2g2 :: (Bc) | dgfe dgfe | dcBc d2 (Bc) | dfeg fagb
|
c’ad’b a2 (Bc) |
dgfe dgfe | dcBc d2 (bc’) | d’bd’b c’agf | g2g2g2 :|
ADRIAN'S HORNPIPE. Old‑Time, Hornpipe or
Breakdown. USA; Missouri, Nebraska. G Major. Standard tuning. AABB. The
original name having been forgotten, the melody was called by
X:1
T:
M:2/4
L:1/8
R:Breakdown
S:Christeson – Old Time Fiddler’s Repertory, vol. 1, No. 121 (1973)
Z:AK/Fiddler’s Companion
K:G
e/f/|gb/a/
ga/g/|e/f/g/e/ d/B/G/B/|A/B/c/d/ e/f/g/f/|e<ab/ a/g/e/f/|
gb/a/ ga/g/|e/f/g/e/
d/B/G/B/|A/B/c/d/ e/f/g/e/|d/B/A/F/ G:|
|:B/A,/|G,/A,/B,/A,/
B,/C/B,/G,/|CC/B,/ C/B,/A,|D>D D/E/F/G/|A/c/B/A/ G/E/D/B,/|
G,/A,/B,/A,/ B,/C/B,/G,/|CC/B,/
C/B,/A,|D>D D/E/F/G/|A/c/B/A/ G:|
ADSON'S SARABAND, NEW. AKA ‑ "New, New Exchange," "Royal Exchange." English,
Country Dance (2/2 time). A Minor. Standard tuning. AABB. Published before
1730. Raven (English Country Dance Tunes),
1984; pg. 13.
ADSON'S SARABAND (Old). AKA and see "The New New Exchange." English, Country Dance (2/2 time).
F Major. Standard tuning. AABB. Published by Playford
in his English Dancing Master (1651) as a dance tune, "longways for six." The melody is quite old and was
considered part of the traditional repertoire in John Playford's
day (Pulver, 1923). Barnes (English Country Dance Tunes), 1986. Raven (English Country Dance Tunes), 1984; pg. 39. Sharp (Country Dance Tunes), 1909/1994; pg. 31.
X:1
T:Adson's Saraband
M:4/4
L:1/8
Q:160
K:F
agfe f2 c2| defg e2 ag | fe d2 d3 c| d6 A2| d2 e2 f3 f| g2 a2 b3 b| ag f 2 e3 d| d6:|
|:
c2 de f3 A |Bc d2 c3 c| de f2 e3 f| g6 a2 | b2 a2 g3
f| e3 d c3 c| de f2 e3 f f6:|
ADVENT. English, Air or March. D Major.
Standard tuning. AA’BB’. A hymn by English composer John Callcott,
employed by Miller as a march. Miller (Fiddler’s
Throne), 2004; No. 326, pg. 193.
ADVENTURE AT
X:1
T:Adventure at
M:6/8
L:1/8
R:Jig
S:Skillern – Compleat Collection of
Two Hundred & Four Reels…(
K:C
gec gec|a2g g3|gec gec|f2e e3|gec gec|afc afc|efg gfe|c3 c3:|
|:def fed|gec gec|def
fed|gec ceg|afa afa|geg geg|agf efd|ccc c3:|
ADVICE, THE. Irish, Air (2/4 time). G Mixolydian
(O’Neill): F Mixolydian (Stanford/Petrie). Standard
tuning. AB. Source for notated version: Chicago Police Sergeant James O’Neill,
a fiddler originally from County Down and Francis O’Neill’s collaborator
[O’Neill]. O'Neill (Music of Ireland:
1850 Melodies), 1903/1979; No. 519, pg. 91. Stanford/Petrie (Complete Collection), 1905; no. 764, pg.
191.
X:1
T:Advice, The
M:2/4
L:1/8
R:Air
N:”Moderate”
S:O’Neill – Music of Ireland (1903), No. 519
Z:AK/Fiddler’s Companion
K:G
DGG A/B/ | DE=F G/>F/ | DGG A/B/
| Bc/>B/ AG | DGG A/B/ | DE =F2 |
DGG A/B/ | Bc/B/
{B}AG || GB/>c/ d>d | ec/>e/ d2 | GB/>c/
dB | dc/B/ BA |
GB/>c/ d=f | ec/>e/
d>B | cBA G/>B/ | dB/G/ AG ||
ADVICE TO THE LADIES. English, Jig. G Major. Standard tuning. AABBCC.
X:1
T:Advice to the ladies
M:6/8
L:1/8
R:Jig
O:Bcd d2
H:via Cock and Bul
K:G
G2B AGF|G2B ABc|B3d3|ABc cBA|G2B AGF|G2B ABc|B3d3|cBA G3:|
|:B2B dBG|ABA Adc|BcB Bcd|e2d efg|B2B dBG|ABA Adc|B3d3|cBA G3:|
|:gfe dcB|ABc def|gfg efg|fdd def|g2de2c|d2B ABc|B3d3|cBA G3:|!
X:2
T:Advice to the ladies - countermelody
M:6/8
L:1/8
C:Jean-Pierre Rasle / Steve Mansfield
R:Jig
K:G
Bcd efg|d6|gfg d3|cBc A3|Bcd efg|d6|gfg d3|edc B3:|
|:BGB BGB|AFA AFA|BGB d3|cde efg|BGB BGB|AFA AFA|BGB d3|edc B3:|
|:Bcd d2g|gfe dcB|Bcd GAB|BAA
ABc|d2B c2A|B2G ABc|gfg d3|edc B3:|
AE FOND KISS. AKA and see "Rory Dall's Port [1]." Scottish, Air (3/4 time). G
Major. Standard tuning. One part. The melody was originally "Rory Dall's Port," a triple time tune taken from Oswald
(and which some say was Oswald’s own) and used by Robert Burns for his song of
the above name. Rory Dall was an ancient harper, originally from Ulster, who composed and played
primarily in Scotland. Emmerson (1971) notes the tune
is of the character of the ancient 'ports' of the harp, a slow Gaelic air,
rather than the vulgarly termed 'Scottish Waltz.' Burns composed the heartfelt
words, which he set to the tune, in 1791, just after the departure of the young
and beautiful Calrinda, Mrs. M'Lehose,
who was journeying to Jamaica to meet her husband. Clarinda and the poet were warm friends who
had met soon after Burns' poems were first published, and the two were
"obviously attracted to one another."
***
Glad we never love sae kindly
Had we never loved sae blindly
We had ne'er been broken‑hearted.
***
Burns’ words were in fact an
adaptation or remolding of the poem “One Kind Kiss
before we Part” by Robert Dodsley, and English butler
who had risen to be a poet, playwright and major literary publisher, and whose
lines were set to music by James Oswald (1710-1769). Neil (The Scots Fiddle), 1991; No. 175, pg. 229.
AEDHEAR CHARRAIC MHIC
CHROISE. AKA and see "Carrickmacross
Air."
AELION NA RUAEN. AKA and see "Aileen Aroon," "Eileen
Aroon." Irish, Air. This famous Irish melody
was recorded (with this spelling) by the Belfast
Northern Star of July 15th, 1792, as played by one of ten Irish harp
masters at the last great convocation of ancient Irish harpers, the Belfast
Harp Festival, held that week (Flood, 1906).
AELTESTER GALOPP. German, Dance Tune. AKA and see "Ben
Walker's Walk‑Around."
AER NA MAIDNE. Irish, Air. G Minor. Standard tuning. AB. Roche Collection, 1982; vol. III, pg. 18.
AERIDEACT NA bPIOBAIRI. AKA and see "The Pipers' Picnic."
AFFAIRE DE PERRODIN, L'. Cajun, Reel. USA. D Major. Standard tuning. AABB. Greenblatt
(The Cajun Fiddle Book), 1985; pg.
11.
AFTER THE BALL. AKA and see "After the Ball is
Over."
AFTER
THE BALL IS OVER. AKA and see "Life On
the Ocean Wave," "Over
the Ocean Waves." American; Air, Waltz or Quadrille. USA; Pa.,
Arizona. C Major (Kartchner): G Major (Bayard).
Standard tuning. ABB. Played by Arizona fiddler Kenner C. Kartchner,
who said "I remember this back to 1892. Guess it is much older." In
fact, the song was not at all older, having been copyrighted in November, 1892,
the composition of Poughkeepsie, New York, born composer, banjo player and
lyricist Charles K. Harris (popularized on the variety stage by J. Aldrich
Libby). Music researcher James J. Fuld (The Book of World Famous Music, 1971)
says that numerous parodies were written to this sentimental favorite, reducing it to nonsense. Source for notated
version: McCullough (Pa.), 1959 [Bayard]. Bayard (Dance to the Fiddle), 1981; No. 637B, pg. 561. Ruth (Pioneer Western Folk Tunes), 1948; No.
133, pg. 47.
AFTER THE BATTLE OF
AUGHRIM. AKA and see "Battle of Aughrim." Irish, Reel. Ireland. A Dorian (Am). Standard
tuning. AABB. Brody picked up this title from the Chieftains recording. Source
for notated version: the Chieftains [Brody].
Brody (Fiddler’s Fakebook), 1983; pg. 21. Kicking
Mule 209, Andy Cahan ‑ "Melodic Clawhammer Banjo." Claddagh
14, Chieftains ‑ "Cheiftains 4." Bay
203, Jody Stecher‑ "Snake Baked a
Hoecake."
AFTER THE BLIZZARD. Irish, Jig. D Major. Standard tuning. AABB. Composed by Falmouth,
Massachusetts, musician and writer Bill Black after weathering the winter of
1996--a particularly harsh one on the North American east coast. Black (Music’s the Very Best Thing), 1996; No.
311, pg. 166.
X:1
T: After the Blizzard
C: © B. Black
Q: 325
R: jig
M: 6/8
L: 1/8
K: D
A | ded BAF | ADD D2 A | ded cBA | FAd B2 A |
ded cdc | Bcd ABc | dAF EDE | FDD D2 :|
A | eff dcB | Add FED | DFA def | baf e2 A |
eff dcB | Add FED | DFA BGE | FDD
D2 :|
AFTER THE HARE. AKA and see “The Ugly Customer.”
American, Reel. A Major. Standard. AABB. Nigel Gatherer notices similarities with
the Scottish tune “Duchess of
Athols’s Slipper.” Cole (1000 Fiddle Tunes), 1940; pg. 34. Ryan’s Mammoth Collection, 1883; pg. 60.
AFTER THE SUN GOES
DOWN (Tareis
Luide Na Greine). AKA and see “Albany Beef,” “Buckley’s Fancy,” “Buckley’s Favorite,”
“From Night Till Morn,” “Lord St. Clair’s Reel.” Irish,
Reel. G Major. Standard. AB (O'Neill/1001 & 1850): AA'B (O'Neill/Krassen). “Buckley’s Fancy” is a related tune. O'Neill (Krassen), 1976; pg. 145. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 1471, pg. 272.
O'Neill (Dance Music of Ireland: 1001
Gems), 1907/1986; No. 700, pg. 124.
X:1
T:After the Sun Goes Down
M:C|
L:1/8
R:Reel
S:O’Neill – Dance Music of Ireland: 1001 Gems (1907), No. 700
Z:AK/Fiddler’s Companion
K:G
G2 BG EGBG | egfa
gedB | G2 BG EGBG | AcBA GE
E2 | G2 BG DGBG |
egfa gedB |
(3efg (3fga gedB | AcBA GE
E2 || gfeg fedB | gfga bgef | gfeg
fedB |
AcBA GE E2 | gfeg
fedB | gfga beeg | bgaf gedB
| AcBA GE E2 ||
AFTON WATER. Scottish, Air (6/8 time). D Major. Standard tuning. One part. The air
used today for this 1786 pastoral song of Robert Burns is not the one he
originally set the song tune, but was substituted by a later editor who thought
it more agreeable. The later air was composed in 1850 by Alexander Hume, of
Edinburgh, a self‑taught musician "who enjoyed an excellent
reputation as a chorister and composer of psalms" (Neil, 1991). Burns'
original setting was to the melody "The Yellow‑Haired Laddie",
and presented to Johnston, the editor of the Scots Musical Museum. Neil (1991) reports that it appears to have
been part of a collection of 12 songs the poet first presented to an admirerer named Mrs. Stewart of Stair and Afton, and that
the Mary named in the song was probably Mary Campbell (Highland Mary), who was
courted by Burns at the time the song was written. Neil (The Scots Fiddle), 1991; Nos. 182 & 183, pg. 237 (old and newer
melodies).
AG BOGADH LINN GO
MEASÚIL. AKA and see "Moving in Decency."
AG CORNAD AR AN
BRAIMFEAR. AKA and see "Rolling on the Ryegrass."
AG CORNAD SIOS AN CNOC. AKA and see "Rolling Down the Hill."
AG DUL AMACH AR AN
LEAC OIGHIR DOM. AKA and see "As I Went Out
Upon the Ice."
AG DUL CHUIG NA RASAI. AKA and see "Off to the Races."
AG FANACHT LEAT ATA ME. AKA and see "I'm Waiting
for You."
AG IMTEACD GO DI AN
SEILG. AKA and see "Off the the Hunt."
AG IMTEACD GO D'I DOMNAC BROC. AKA and see "Going to Donnybrook."
AG IONFAIRT SA TSEAGAL. AKA and see "Rolling
on the Ryegrass."
AG LOMAIRT NA GCAORAC. AKA and see "Shearing
the Sheep."
AG LUASCANACT FA
CUAIRT. AKA and see "Swinging Around
the Circle."
AG MEASGAD NA DIGE. AKA and see "Mixing the
Punch."
AG RINNCE AN LEANB. AKA and see "Dancing the
Baby."
AG ROLLADH SA
BHAIRILLE.
AKA and see “Rolling in the
Barrel.”