The Fiddler’s
Companion
© 1996-2008 Andrew Kuntz
_______________________________
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SHE - SHEN |
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s Companion
work fine in most abc conversion programs. For example, I use abc2win and
abcNavigator 2 with no problems whatsoever with direct cut-and-pasting.
However, due to an anomaly of the html, pasting the abc’s into the
concertina.net converter results in double-spacing. For concertina.net’s
conversion program to work you must remove the spaces between all the lines
of abc notation after pasting, so that they are single-spaced, with no
intervening blank lines. This being done, the F/C abc’s
will convert to standard notation nicely. Or, get a copy of abcNavigator 2 –
its well worth it. [AK] |
SHE DIDN’T DANCE AND
DANCE. AKA and see “Pete Sullivan’s.” Irish,
Slide (12/8 time).
SHE GRIPPED AT THE
GREATEST ON'T. AKA and see "East Neuk of Fife." Scottish, Air
(cut time). G Major. Standard tuning. AABB. Composed by James Oswald (1711‑69),
but, with slight alterations, better known and still popular today as "The
East Neuk of
SHE HUNG HER PETTICOAT
OUT TO DRY. Irish, Air (6/8
time). G Major. Standard tuning. AB. Stanford/Petrie (Complete
Collection), 1905; No. 851, pg. 212.
X:1
T:She hung
her petticoat out to dry
M:6/8
L:1/8
R:Air
S:Stanford/Petrie
(1905), No. 851
Z:AK/Fiddler’s
Companion
K:G
d | d2g BAG | A2A A2B | c2B AGA | G2G
G2 B/c/ | d2g BAG | A2A A2B |
c2B AGA | G3 G2 || g/f/ | e2d ded | c2B
BcB | A2G c2B | AFD D2 g/f/ | e2d ded |
c2B BcB | A2G c2B | B3 A2 ||
SHE IS A LOVELY GIRL. Irish, Air (3/4 time). G
Minor. Standard tuning. AB.
O'Neill (O’Neill’s Irish Music),
1915; No. 80, pg. 47.
X:1
T:She is a
Lovely Girl
M:3/4
L:1/8
R:Air
N:”Moderate”
S:O’Neill –
O’Neill’s Irish Music (1915)
Z:AK/Fiddler’s Companion
K:G Minor
G/F/ | D2G2 G/A/ | B2G2A2 | B2d2 cA
| G2 GA BG | A2 G>A GF |
D4 FB | d2e2dc | B2d2f2 | g2G2 GA |
B2G2 AB | d2 A>B AG | G4 ||
Bd | =f2d2e2 | d3e dc | B2G2 FG |
B3c de | f2d2f2 | g4 fd |
d3e dc | B2c2d2 | G2F2 DF | B2G2AB | d2
A>B A>G | G4 ||
SHE IS FIT FOR A KISS. See also the related tunes
"The Old Dutch Churn," "Humours of Bottle Hill,"
"Gliogar an Mheadair"
(Gurgling of the Churn), "Dublin
Streets," "The Dublin Boys,"
"The Night of the Fun [2],"
"A Fig for a Kiss [1],"
"Two in a Gig," "Gáire na mBan."
SHE
IS THE BLACKBERRY'S FAIR BLOSSOM (Si
Blath Geal Na Smeur). Irish, Slow Air (3/4 time). C
Minor. Standard tuning. One
part. Joyce (Old
Irish Folk Music and Song), 1909; No. 765, pg. 376.
SHE
IS/SHE'S THE GIRL THAT CAN DO IT. AKA and see "O My Dear Father Pity Your
Daughter," "Sonny Dan,"
"The Bottle of Brandy,"
"Bully for you," "The Western Jig," "Nelly's Jig," "Teddy/Thady You Gander," "The Bonny Highlander," "The Leg of (a) Duck," "Petticoat Loose [1]," "O My Dear Judy," "Girls of the West," "I Gave to My Nelly," "Daniel of the Sun," "'Tis Sweet to Think," "Bucky Highlander," "From the Court to the Cottage."
SHE LIVED BESIDE THE ANNER.
Irish, Slow Air. The title and
melody of a still-popular song by Charles J. Kickham (1828-1882), a Fenian
novelist from
SHE MOVED THROUGH THE
FAIR. AKA – “Our
Wedding Day,” “Out of the Window.” Irish, Air (3/4
time). D Mixolydian. Standard
tuning. One part. John Loesberg records that the song was
collected in
***
And she stepp'd away from me and this she did say:
'It will not be long love till our wedding day.
***
She walked away from me and she moved through the fair;
She won several goldfish and one teddy bear;
And then she went onward with one star awake;
It was too dark to see, and she fell in the lake.
***
John Moulden remarks that a song
called “Out of the Window” is an antecedent version of the song Colum
transformed into "She moved through the fair." He notes there are
three sources for the song: one recorded from Robert Cinnamond, another from
Eddie Butcher and a third printed in the Sam Henry collection. All modern
performances seem to stem from those sources, including the late Paddy Tunney,
who adapted Robert Cinnamond’s version. Colum (A Treasury of Irish Folklore). Loesberg (Folksongs and
Ballads Popular in
X:1
T:She Moved
Through the Fair
Z:transcribed
by Gregory Taylor
M:4/4
L:1/8
K:D Mix
(D4 DE)F2|G3 F3 G2|A3 ((AA4)|A6) (GE)| (C4 C)D E2|(D8|D6) AB|
c3 d3 A2|B3 (AA4|A6) F2|G3 F3 G2|(A8|A6) AB|
c3 d3 A2|B3 ((A A4)|A6)
F2|G3 F3 G2|(A8|A8)|(D4 D)E F2|
G3 F3 G2|(A4
A)A (A2|A6) (GE)|(C4 C)C D2|((D8|D8)|D8) ||
X:2
T:She Moved
Through the Fair
R:Air
Z:Paul
Kinder
M:3/4
L:1/4
Q:55
K:Bb
"Bb"(3B,/2C/2D/2|"Ab"E
"Gm"D "Ab"E|"Bb"F F2-|"Bb"F2 E/2C/2|!
"Ab"_A,3/2
B,/2 B,|"Bb"B,3-|"Bb"B,2 F/2G/2|"Bb"_A B3/2 F/2|!
"Gm"G F3/2
D/2|"Ab"E D E|"Bb"F3-|"Bb"F2 F/2G/2|!
"Bb"_A B3/2
F/2|"Gm"G F3/2 D/2|"Ab"{EF}E D
E|"Bb"F3-|"Bb"F2 (3B,/2C/2D/2|!
"Ab"E "Gm"D
"Ab"E|"Bb"F F2-|"Bb"F2 E/2C/2|"Ab"_A,2 B,|"Bb"B,3-|"Bb'B,2||!
SHE OUGHTA BEEN A LADY. AKA and see “Hell on the
Wabash [4]," “Pussy and the
Baby,” “Silver Lake [4].” Old-Time, Breakdown. “She Oughta Been
a Lady” is the title by which the tune is generally referred to in
SHE PUT HER KNEE ON
THE OLD MAN. See "Chuir/Cuir i Glun Air a
Bhodach."
SHE ROSE AND LET ME IN. Scottish, Air (4/4 time). E Minor. Standard tuning. AABBCCDD. The tune
is in a corrupt form in Thomson’s Orpheus
Caledonius (ii. 14, 1733), and in Ramsay’s Tea Table Miscellany (1734), where it is marked as being old.
Ritson (Essay on Scottish Song) decided it was an “English song of great merit,
which has be scotified by the Scots themselves.”
Chappell cites the melody’s use by Thomas D’Urfey for his song “The Fair one
let me in” (music credited to Thomas Farmer) in A New Collection of Songs and Poems (1683). Stenhouse strenuously
argued for Scottish provenance. John Glen (Early
Scottish Melodies) dismisses English claims with his finding of an fine set of the tune in the Scottish Margaret Skinkler’s Manuscript Musick Book 1710, under the title of
“She roase and let ‘m In.” Glen says the Sinkler version “is natural and
assuredly superior to the strained artificial set presented by Chappell from
D’Urfey.” The tune appears as the theme for the third section of James Oswald's
variation sonata from his Curious
Collection of Scots Tunes (c. 1739), each section of which is based on a
traditional Scottish air, and also appears in the Gillespie Manuscript of Perth, 1768, under the heading "Scots
Tunes." Chappell (1859) takes exception to the national origin of both
words and music to this song and categorically states they are English, not
Scottish. He acknowledges the tune is popularly claimed as Scotch, and quotes a
letter from Dr. Beattie (appearing in The
Life of James Beattie, L.L.D.), who says of "the celebrated Mrs.
Siddons”:
***
played to her on the violin‑cello.
One of these, 'She rose and let
me in,' which you know
is a favourite of mine, made the tears
start from her eyes. 'Go
on,' said she, 'and you will soon have
your revenge;' meaning
that I should draw as many tears from
her as she had drawn from
me (by her acting).
***
McGibbon (Scots Tunes, Book 1), c. 1746; pg. 9.
X:1
T:The Fair
one let me in
M:C
L:1/8
S:Thomas
D’Urfey (1683)
K:E Minor
B2|G2 FE B2e2|d3c B2 AG|c3B A2
GF|^D6B2|G2 FE B2 e2|
^d3e f2g2|e2 d^c c3B|B6||Bc|d3d
edcB|c2d2 e3d|c2 BA A3G|
G6 g2|e3B c2 BA|f2g2 ^d3B|cBAG
A2B2|d6||
X:2
T:She roase
and let ‘m in
M:C
L:1/8
S:Margaret
Sinkler MS (1710)
K:E Minor
GF|E2B2B2e2|d3c B2c2|A4G FGAB|F6
G>F|E2B2B2e2|
d3c B2B2|g2 fe
e3^d|e6||ef|g3e d2cB|edef g2 Bc|A3G FG A2|
F4 E<F ef|g3e d2cB|edef g2 Bc|A4G
A2B2|e6||
X:3
T:She rose
& let me inn
M:C
L:1/8
R:Air
N:”Slow”
S:McGibbon
– Scots Tunes, Book 1 (c. 1746)
Z:AK/Fiddler’s Companion
K:E Minor
G>F | E2
B>c B2e2 | “tr”^d3^c B2 =c2 | {c}B2 AG (F>G)AG |
G2F2 z2 G>F |
E2 (B>c)
B2e2 | “tr”^d3e f2 B>c | B2f2 (gf)”tr”(e^d) | e6 ::
(e>f) | g2 “tr”(fe) {e}^d2 “tr”(^cB) | (e>^de)f g2 B2 |
A>cBA
G>BAG | “tr”(G2F2) z2 (ef) | (gfg)e (^d^c)(dB) |
“tr”(e^de)f g2B2 | “tr”A3G A2 (B^d) | e6:: (B>A) |
(GB)(FB)
e2g2 | (f^d)(ec) B2c2 | (BA)(cB) (A/B/c/)B/ AG |
“tr”(G2F2) z2 B>A | GBFB e2 e>f | (g/f/e/^d/) e>g f2 (Bc) |
Bbag (fe)(B^d) | e6 :: ef | g2 “tr”(fe) (^de/f/) (B^d) | “tr”e>d
(e/g/f/a/) g2B2 | (cB)(AG) (FE) (A/G/F/G/) | “tr”(G2F2) z2b2 |
(ag)”tr”(fe) “tr”(^d^cd)B | (e/4f/4g/) (f/4g/4a/) (g/4a/4b/)
(a/4b/4c’/) b2 B2 | (cB)”tr”(AG) A2 (B^d) | e6 :|
SHE SAYS SHE’S
CONFUSED. American, Jig. A
Minor. Standard tuning. AABB’.
Composed by
SHE WANTS A FELLOW. English, Jig. D Major. Standard
tuning. AABB.
X: 1
T:She Wants A Fellow
M:6/8
L:1/8
R:Jig
Z:C.G.P
K:D
c|d2DF2D|ABA ABc|d2A GFE|FDD Dfe|d2DF2D|!ABA ABc|d2A GFE|FDDD2:|
|:A|dcd Bcd|efd cBA|!dcd efg|fdd def|gfg Bcd|efd cBA|d2A GFE|FDDD2:|]
SHE WAS THE PROUD ONE. AKA and see “Swaggering Jig [1],”
“Give Us a Drink of Water
[2]." Irish, Slip Jig.
SHEÁIN COUGHLAN’S [1]. Irish, Slide. G Major. Standard
tuning. AABB. Source for notated version: set
dance session music at Na Píobairí Uilleann, recorded in the 1980's [
SHEÁIN COUGHLAN’S [2]. Irish, Slide. A Major.
Standard tuning. AABB. Source
for notated version: set dance session music at Na Píobairí Uilleann, recorded
in the 1980's [
SHEALA NI CHONALLAIN. AKA and see "Little Celia Connellan [1]."
SHEALING IN THE BRAES
OF RANNOCH, THE (Bothan airidh
'm braighe Raineach). Scottish, Slow Air (3/4 time). G Dorian. Standard tuning. AB.
"The Shieling in the Braes of Rannoch is also given as acquired from the
same gentlemen, and more recently sung by Colonel John Ross of the 86th
Regiment" (Fraser). Fraser (The Airs and Melodies Peculiar to the
X:1
T:Shealing in the Braes of Rannoch, The
T:Bothan airidh ‘m braighe Raineach
M:3/4
L:1/8
R:Air
S:Fraser Collection (1874)
Z:AK/Fiddler’s Companion
K:G Minor
G>A|d2f2 =e>c | d2c zG>A | d2 f2 =e>d | c2F zc>A | c2d2 c>d | F2G zd>c |
A2F2G2| A2G z || d>^f | g2b2a>g | f2d zd>^f | g2b2a>g | f2d zf>=e | d2c zA>G |
F2G zd>c| A2F2G2 | A2G z ||
SHEAMUIS BHIG A’ bhFUIL OCRAS ORT?, A (Little
Seamus are you Hungry?). AKA and see “The Roving Bachelor.”
Irish,
SHEAMUS O'BRIEN. AKA and see "Shamus O'Brien."
SHEAN TREWS. See “Sean Trews.”
SHEAR MY SHEEP,
STEPHEN. Old‑Time.
The tune was recorded by the Troy Herald
of
SHEARING THE SHEEP [1] ("Ag Bearrad na Caoire" or "Ag Lomairt
na Gcaorac"). AKA and see "The Red-Haired
Lass." AKA – “Dipping the Sheep.” Irish,
Reel. A Major. Standard tuning.
AABB. Very similar to the well-known
“Red-Haired Lass.” Parts of the tune bear a striking resemblance to
parts of "The Boys of Portaferry."
AB (O'Neill/1850 & 1001): AA'B (O'Neill/Krassen). Miller
(Fiddler’s Throne), 2004; No. 245,
pg. 149. O'Neill (Krassen), 1976; pg. 154.
O'Neill (Dance Music of
|
See also listings at: Alan
Snyder’s Cape Breton Fiddle Recording
Index Jane
Keefer’s Folk Music Index: An
Index to Recorded Sources Alan Ng’s
Irishtune.info |
X:1
T:Shearing
the Sheep [1]
M:C|
L:1/8
R:Reel
S:O’Neill –
Dance Music of
Z:AK/Fiddler’s Companion
K:A
EAAB ABcB|ABcA BF F2|EAAB ABce|faec
d2 cB|A3B ABcB|ABcA BF F2|
EA (3ABA ABce|faec A2 cd||e2 ae
feaf|eaec d2 cd|e2 ae fefb|afec d2 cd|
e2 ae feaf|eaec d2 cB|c2 cB cefb|afec
dBcA||
SHEARING THE SHEEP [2]. Irish, Air (3/4 time).
D Minor/F Major. Standard tuning.
One part. Source for notated version: "Mr. John
Healy, Teacher of Smithstown National School near Castle comer, Co. Kilkenny
(c. 1884). He was then over 70 years of age, and had learned these tunes early
in life" (Joyce). Joyce (Old Irish Folk Music and Songs), 1909; No. 339, pg. 156.
X:1
T:Shearing
the Sheep [2]
M:3/4
L:1/8
R:Air
S:Joyce – Old Irish Folk Music and Songs (1909)
Z:AK/Fiddler’s Companion
K:F
AG|F2D2D2|F2G2A2|c2A2G2|F4F2|F4G2|A2c2c2|d2e2f2|e2d2c2|
d4c2|c4AG|A2c2c2|d2e2f2|e2d2c2|c2d2e2|f4d2|c2A2F2|F2G2A2|c2A2G2|F4F2|F4||
SHEE LA NA QUIRA. AKA and see "Sheela
O'Gara," "Sheela Nee Guira," "Sighile Ní Ghadhra,"
“Sile Ní Ghuire.” Irish, Jig. G Major. Standard. AABB.
X:1
T:Shee La
Na QUira
M:6/8
L:1/8
R:Jig
S:Ryan’s Mammoth Collection (1883)
Z:AK/Fiddler’s Companion
K:G
D | GBB Acc | GBB c2e | dcB Adc | BFA GDB, | GBB Acc | GBB c2e |
dcB Adc | BGG G2 :: B | GBd g2d | ecc
ce | Ace a2g | fdd d3 |
GBd g2d | ecc d2c | BGB cAd | BGG G2 :|
SHEEBEG, SHEEMORE ("Si B(h)eag, Si
M(h)or").
AKA and see “Si Bheag, Si Mhor.”
SHEEHAN’S (JIG). AKA and see “Tom Billy Murphy’s.”
SHEEHAN'S REEL ("Seisd Uí Seadacain" or "Cor Uí
Seadacain"). AKA – “Sheahan’s Reel.” AKA and see "Black-Eyed Sailor," “Broom Reel,” “Joe
O’Connell’s,” "Lord
Wellington [2]," “Wellington’s
Reel [1].” Irish, Canadian, American; Reel.
X:1
T:Sheehan’s
M:4/4
L:1/8
S:learned
from David Kidd
R:reel
Z:Lorna
LaVerne
K:G
|: G2BG DGBG | AGAB cBAG | EAAG ABAG
| FGAG FDEF |
G2BG DGBG | cBAB cdef | gedB c2Bc |
dBcA BGG2 :|
(3ggg bg
dgbg | gbag fdde | (3fff af dfaf | gbag fdef |
(3ggg bg
dgbg | gbag fdef | gedB c2Bc | dBcA BG G2 |
(3ggg bg
dgbg | gbag fdde | (3fff af dfaf | gbag fdef |
g3b a3f | gbag fdef | gedB c2Bc |
dBcA BG G2 |
N:The first
phrase is also played G2BG DGBG | ABcA BGGB | A3 B cABG | EAAG FDEF |...
X:2
T:Sheehan’s Reel
M:C|
L:1/8
K:G
G2BG DG BG|AB cA BG GB|AE AB cB cA|EA AG FD EF|
G2BG DG Bd|cB AB cd ef|ge dB c2Bc|dB cA BG G2:|
|:g2bg dg bg|gb ag fd de|=f2af df af|gb ag =fd d^f|
g2bg dg bg|gb ag fd de|(3gfe dB c2Bc|dB cA BG G2:|
X:3
T:Sheehan’s
S:Paul O'Shaughnessy
Z:Juergen.Gier@post.rwth-aachen.de
M:C|
L:1/8
K:G
G2BG DGBG|ABcd BGGF|EAAB cBcA|EcAG FDEF|\
G2BG DGBd|ceAB cdef|gedB c2Bc|1dBcA BGAF:|2dBcA BGBd|:\
g2bg dgbd|gbag fddg|f2af cfaf|gbag fdef|\
g2bg dgbd|gbag fdef|gedB c2Bc|1dBcA BGBd:|2dBcA BdAF|]
"Var. 2nd part"g2bg gabg|gfga fddg|fgaf dfaf|ge^ce fdef|\
gfgb agba|gbag fdef|gedB ~c2Bc|dBcA BdAF|]
X:4
T:Sheehan's Reel
T:
A:Irish (
S:David Greenberg/John Erdman
D:Natalie MacMaster - Fit as a Fiddle
M:C|
L:1/8
E:7
R:reel
K:G
"G"G2 BG DGBG | "D"ABcA "G"BGGB |
"Am"A^GAB cAB=G | EAAG "D"FDEF|
"G"G2 BG DGBd | "C"cBAB "D"cdef |
"G"gedB "C"c/c/c Bc | "D"dBcA "G"BG G2
:|
"G"g2 bg dgbg | gbag fdde | "D"f2 af dfaf | gbag fdef|
"G"g/g/g bg dgbg | gbag "D"fdef |"G"gedB
"C"c/c/c Bc | "D"dBcA "G"BGG2 :|
SHEEHAN’S (SLIDE). See the related “Is Your Wallet Made of Silk?”
SHEELA BEG NI
CHONALLAIN. AKA and see "Little Celia Connellan [1]."
SHEELA NA GIGG. Irish, Air. Sheela na
Gig is the name of a Celtic fertility goddess. Used in Kane
O’Hara’s ballad opera Midas (1764).
SHEELA NI KELLY. AKA and see "Susai Ni Chellaigh."
SHEELA O'GARA ("Sighile/Síle Ní Ghadhra" or "Sigle
Ní Gadra"). AKA ‑ “Sheila na Guira,” "Shee La Na Quira," "Sheela Nee
Ghadra." AKA and see “Drunken
Parson.” Irish, Air (3/4 time). G
Mixolydian. Standard tuning. AAB.
"Of this fine air there are two very distinct versions, of which one is
represented in Moore's Melodies, with
the words 'Oh, had we some bright little isle of our own;' with sixteen bars in
each Part. The version generally known in
***
Source for
notated version: Rev. Father Gaynor, C.M. (
X:1
T:Sheela Nee Guira
T:Síghile Ni Ghadhra
M:3/4
L:1/8
N:”Moderate”
S:Joyce – Old Irish Folk Music and Song (1909)
Z:AK/Fiddler’s Companion
K:G
BA | G2B2B2 | B2d2d2 | c2d2B2 | B2d3c | B2G2G2 | B2d2 (3cAG | {B}A2G2G2 |
G6 :| BA
| B2=f2e2 | =f2g2g2 | =f2 d2 dc | B3c (3AGF | G2 =f2e2 | =f2g2g2 |
=f2 dcBc |
d4G2 | G2 =f2e2 | =f2g2 ag | =f2 d2 (3de^f | g4 ag |
f2d2B2 |
B2d2d2 |
c2d2B2 | B2d3c | B2G2G2 | B2d2 (3cAG | A2G2G2 | G4 ||
X:2
T:Sheeling O Guira with new Variations
M:3/4
L:1/8
R:Air
S:O’Farrell – Pocket
Companion (c. 1805)
Z:AK/Fiddler’s
Companion
K:G
|: D | GA(Bc)(de) | =f4 ag | f2d2B2 | c4 BA | G2B2d2 | g4 ag |
f2d2f2 | g4 BA |
G2B2B2 | A2c2c2
| G2B2B2 | c2e2g2 | (ed)(cB)(AG) | (FG)(AB)(cA) |
B2G2G2 |
G4 ::
(GB)(dB)(AG) | (Ac)(ec)(BA) | (GB)(dB)(cB) | (Ac)(ec)(BA) | (GB)(dB)(AG) |
(FG)(AB)(cA)
| B2G2G2 | G4 :: d | g3ag2 | g2b2g2 | e2c2c2 | c4 fg |
a3b a2 | a2b2g2 |
f2d2d2 | d4
ef | g3ag2 | g2b2g2 | e2c2B2 | c2e2g2 | (ed)(cB)(AG) |
(FG)(AB)(cA) |
B2G2G2 | G4 :: G | (DG)(BG)(BG) | DAcAcA | DGBGBG | c2e2g2 |
(ed)(cB)(AG) |
(FG)(AB)(cA)
| B2G2G2 | G4 :: d | gdgbag | fdfagf | gdgbag | fdfagf
| g2d2B2 |
c2A2d2 |
B2G2G2 | G4 :: D | GdBdGd | FdAdFd | GdBdGd | FdAdFd |
EcEcEc |
DcDcDc | B2G2G2 | G4 :: GABcde | =f4 ag | f2d2B2 | c4
BA | G2B2d2 |
g4 g2 |
e2c2c2 | f2d2d2 | g2 bgdB | c2e2g2 | edcBAG | FGABcA | B2G2G2 | G4 :|
SHEELAH IN SORROW. AKA and see "Be Easy, You Rogue!"
SHEELAH O'SHANNON. AKA and see "Denis Delaney."
SHEELAH'S WEDDING. AKA and see "St.
Patrick's Day (in the Morning)."
X:1
T:Sheela’s Kiss
M:9/8
L:1/8
R:Slip Jig
S:Levey – Dance Music
of
Z