The Fiddler’s Companion
© 1996-2008 Andrew Kuntz
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MISS KA – MISS RU |
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C
abc’s will convert to standard notation nicely. Or, get a copy of
abcNavigator 2 – its well worth it.
[AK] |
MISS
KATHERINE STEWART FORBES (STRATHSPEY--OF ACHMEDDEN). Scottish, Strathspey. F Major. Standard tuning. AAB. Composed by William Marshall (1748-1833). Moyra Cowie (The Life and Times of William Marshall,
1999), thinks Miss Katherine was a relation of Sir William Forbes of Pitsligo
Castle, a grandson of the 4th Laird who forfeited his entire
holdings after Culloden, and who was sustained for a time on the kindness of
his tenantry and friends, while he lived in caves disguised as a beggar. Sir
William was a banker who was able to purchase the forfeited estate of
Achmeddan. Marshall, Fiddlecase Edition,
1978; 1822 Collection, pg. 57. Stewart-Robertson
(The Athole Collection), 1884; pg.
242.
X:1
T:Miss Katherine Stewart Forbes
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:F
a|F<F F>A G>AB>d|F<F F>A cd/e/ ~f>c|d<fA<f G>A B<d|~c>f e/f/g/e/ ~f2f:|
a|c<fA<f G<(g g)>a|c<fA<f c<fA<f|B<gA<f G>AB>d|~c>f e/f/g/e/ ~f2 f>a|
c<fA<f
G<(g ~g)>a|c<fA<f c<FA<F|B>dc>A G>AB>d|c>f
e/f/g/e/ f2 f||
MISS KATIE HALL’S REEL. See “Miss
Ketty Hall.”
MISS KATHY GORDON. Scottish. Part of this air shows up in "Caledonian Hunt [1]" and
Bayard's Pennsylvania‑collected "Moniemusk" (a floating title).
MISS KATY TROTTER. See "Miss Katty Trotter."
MISS
KATTY GORDON OF EARLSTON(‘S REEL). Scottish, Strathspey. D Major.
Standard. AABB'. John Glen (1891) finds the earliest appearance of this tune in
print in John Riddell's 1782 collection
(pg. 24). Glen (The Glen Collection of
Scottish Music), vol. 1, 1891; pg. 4.
X:1
T:Miss Katty Gordon of Earlston’s
Reel
M:C
L:1/8
R:Strathspey
S:Glen Collection, vol. 1 (1891)
Z:AK/Fiddler’s Companion
K:D
(D/E/F/G/ A)F dFA(F|BG)AF
E(DEF)|(D/E/F/G/ A)F dFAF|Bgfe d/d/d d:|
|:(d/e/f/g/ a)d fdad|cAeA fAeA|1
(d/e/f/g/ a)f fdad|Adce d/d/d d2:|2
DEFG ABdB|Agfe d/d/d d2||
MISS KATTY MAXWELL(‘S
REEL). Scottish, Strathspey. C Major.
Standard tuning. AAB. John Glen (1891) finds the earliest appearance of this
tune in print in John Riddell's 1782
collection (pg. 30). Glen (The Glen
Collection of Scottish Music), vol. 1, 1891; pg. 10.
X:1
T:Miss Katty Maxwell’s Reel
M:C
L:1/8
R:Strathspey
S:Glen Collection, vol. 1 (1891)
Z:AK/Fiddler’s Companion
K:C
e|c2 (e/d/c/B/) cGEG|c2 (e/d/c)
dDDe|c2 (e/d/c/B/) cGEC|FAF(F EC) C:|
e|gage cdec|daag add(e/f/|g)agf
edcG|A(agf) ecce|
gage cdec|daag add(e/f/|g)aeg
decG|A(agf) ecc||
MISS KATTY TROTTER. Scottish, Reel. G Major. Standard tuning. AAB. Composed by fiddler Robert 'Red Rob' Macintosh (born c.
1745), who doubtless was awarded his nickname because of having red hair. John
Glen (1891) finds the earliest printings of this tune in Neil Stewart's 1761 collection (pg. 59)
and Macintosh's own 1783 collection (pg. 31). Glen (The Glen Collection of Scottish Music), vol. 1, 1891; pg. 9.
X:1
T:Miss Katty Trotter
M:C
L:1/8
R:Reel
S:Glen Collection, vol. 1 (1891)
Z:AK/Fiddler’s Companion
K:G
c|BABG DGBd|cBAG F(AAc)|BGBd
cAce|fadf gGG:|
g|f2 dg BgdB|ceBd A(aag)|(f/g/a)
d>f gdBG|ceAc BGGg|
f2 (dg) BgdB|ceBd A(aag)|fagb
afgc|BdAc BG[B,G]||
MISS KELLY'S. AKA and see “Around the World [1],”
“Highland Man that
Kissed his Grannie [1],” “Jolly Seven.”
Irish, Reel. D Major ('A' part) & B Minor ('B' part). Standard tuning.
AABB. Cole (1000 Fiddle Tunes), 1940;
pg. 32. Ryan’s Mammoth Collection,
1883; pg. 57.
X:1
T:Miss Kelly’s
M:C|
L:1/8
R:Reel
S:Ryan’s Mammoth Collection (1883)
Z:AK/Fiddler’s Companion
K:D
d2 (ad) (fd)(ad) | daaf ecAc | d2
(ad) (fd)(ad) | b^gaf ecAc | d2 (fd) (ad)(fd) |
d2 (ad) ecAc | def^g a2(ga) | bgaf
ecAc :: .d.f.B.f d.f.B.f | .d.f.B.f .e.c.A.c |
defg a2(ga) | bgaf ecAc | dfBf dfBf
| dfBf ecAc | defg a2(ga) | bgaf ecAc :|
MISS KELLY'S FAVOURITE (Rogha Iníon Uí Cheallaigh). AKA and see “Autumn Leaves,” "Ginley's Fancy," "Handsome Sally [1]," “The Man of the House,” “The Merry Thatcher,” “The New Potatoes,” "Old Tom,” “Paddy Carthy’s Reel [2],” "Sally Grant," “Through the Heather." Irish,
Reel. E Dorian. Standard tuning. AB. Breathnach (1976) says the tune is known
as “The Merry Thatcher” in north Dublin. An untitled tune in Stanford-Petrie
(914) is the same in the first part although Breathnach thinks the second part
is faulty and does not relate to the tune. Source for notated version: fiddler
Mickey Doherty, 1965 (Stranorlar, Co. Donnegal, Ireland) [Breathnach].
Breathnach (CRÉ II), 1976; No. 235,
pg. 122.
MISS KENWICK'S REEL. Scottish, Reel. A Major. Standard tuning. AABB. Carlin (Master Collection), 1984; No. 117, pg.
75.
MISS KETTY ALLAN. Scottish. John Glen (1891) finds the earliest appearance of this tune
in print in William Marshall's 1781 collection (pg.
3).
MISS KETTY HALL. Scottish, Jig. D Major.
Standard tuning. AA’BB’CC’AA’DD’AA’EE’AA’FF’AA’BB’. A two-part tune with four
variation sets, in between which Gow directs the playing of the first part of
the melody. Gow’s notation seems to indicated that a drone ‘A’ note be played
at various times throughout the tune, esp. in the 2nd (‘B’) part.
The variation sets printed by Gow are attributed to Sir Alexander Don and Mr.
Nisbet of Dirleton. Aird (Selection of
Scotch, English, Irish and Foreign Airs), c. 1780 (appears as “Katie Hall’s
Reel”). Gow (Second Collection of Niel
Gow’s Reels), 1788; pg. 27 (3rd ed.)
X:1
T:Miss Ketty Hall
M:6/8
L:1/8
R:Jig
N:”The 1st Strain to be
play’d after each Var: And the 1st and 2nd Strains after
the last Var.”
B:Gow – 2nd Collection of Niel Gow’s Reels, 3rd ed.,
pg. 27 (orig. 1788)
Z:AK/Fiddler’s Companion
K:D
f||:{c}d2(A A)FA|AFD Dfe|({c}d2)A
({B}A)GF|”tr”E>FE “tr”c2e|{c}d2(A A)FA|
AFA AFD|GBG FAF|1 (E>FE)
“tr”c2e:|2 (E>FE) “tr”G2E||:(DED) “tr”(FEF)|
DED “tr”F2E|(DED) “tr”(FEF)|(EFE)
“tr”G2E|(DEF) “tr”(FEF)|(FEF) “tr”(FEF)|
GBG AFA|1 (EFE) G2E:|2 (EFE) Efe||
“variation 1”
L:1/8
M:2/4
D/A/F/A/ D/A/F/A/|(3DED
“tr”F>E|D/A/F/A/ D/A/F/A/|(3EFE “tr”G>E|D/A/F/A/ D/A/F/A/|
D/A/F/A/ D/A/F/A/|D/G/B/G/
D/A/F/A/|1 (EFE “tr”G>E:|2 (EFE) Efe||
“variation 2”
L:1/8
M:6/8
.D(FA) .D(FA)|.D(GB) .DGB)|.D(FA)
.D(FA)|.E(GA) .E(GA)|.D(FA) .D(FA)|
.D(GB) .D(GB)|.D(GB) .D(FA)|1 (EFE)
“tr”G2E:|2 (EFE) Efe||
“variation 3”
L:1/8
M:2/4
D/A/F/A/ D/A/F/A/|D/B/G/B/
D/G/B/G/|D/A/F/A/ D/A/F/A/|E/A/G/A/ E/A/G/A/|
D/A/F/A/ D/A/F/A/|D/B/G/B/
D/B/G/B/|D/B/G/B/ D/A/F/A/|1 E/A/G/A/ E/A/G/A/:|2 (EFE) Efe||
“variation 4”
(D/F/)(A/F/) (D/F/)(A/F/)|[D2G2B2]
[D2G2B2]|[D2F2A2] [D2F2A2]|[C2E2A2] [A,2E2A2]|
[D2F2A2] [D2F2A2]|[D2G2B2]
[D2G2B2]|[D2G2B2] [D2F2A2]|1 [C2E2A2] [A,2E2A2]:|2 [C2E2A2] A,f/e/||
X:2
T:Katie Hall’s Reel
M:6/8
L:1/8
R:Jig
B:Aird – Selections, vol. 1, c. 1780
K:D Mixolydian
d2B AFA|AFA Afe|d2B AFD|EFE efe|d2B
AFA|
AFA AGF|GAB AGF|EFE efe::def fgf|def
f2e|
def fgf|efe g2e|def fgf|fgf fgf|gab
agf|efe f2e||
MISS KETTY TROTTER. AKA and see “Katie Trotter.”
MISS KINLOCH OF
GILMERTON. Scottish, Reel. D Major. Standard
tuning. AA'B. Composed by William Shepherd. Glen (The Glen Collection of Scottish Music), vol. 2, 1895; pg. 12.
X:1
T:Miss Kinloch of Gilmerton
M:C|
L:1/8
R:Reel
S:Glen Collection, Vol. 2 (1895)
Z:AK/Fiddler’s Companion
K:D
G|FE/D/ AF BGAG|FDAF GEEG|FE/D/ AF
BGAF|1 Aceg fdd:|2 Egec dDD||
g|fdad bdad|fd b/a/g/f/ geeg|fdad
bdad|~ceag fdda|fdad bdad|fd b/a/g/f/ geeg|
fdcd Bc/d/ AF|Gbag fdd||
MISS KINLOCH'S MINUET. Scottish, Minuet. E Flat Major. Standard tuning. AABB. Composed by
Johann Georg Christoph Schetky (1737‑1824). The German musician Schetky
wrote this minuet soon after coming to Edinburgh in 1772 to take a position as
the Musical Society's principal cellist. Although he seems not to have written
dance music prior to this he wrote 12 minuets for upper‑class girls;
Johnson (1984) thinks this tune the equal of the composer's finest chamber
music. E Flat was a key gaining much favor on the Continent in the mid‑18th
century for orchestral music as it was ideal for arranging the various
orchestral instruments. Source for notated version: Stewart's Newest and Best Minuets, pg. 82. Johnson
(Scottish Fiddle Music in the 18th
Century), 1984; No. 64, pg. 158.
MISS KIRSTY JAMIESON. Scottish, Reel. Scotland,
Shetland Islands. A Major. Standard tuning. AABB. Composed by Shetland fiddler
and composer Ronnie Jamieson. Miller (Fiddler’s
Throne), 2004; No. 217, pg. 134. Attic Records
ATCD040, Ronnie Jamieson and friends – “Aald Noost” (1994). SHIELCD007, Ron Kerr (and His Scottish Dance Band) – “St.
Andrews Ball” (2000).
MISS
L. JOHNSTON'S COMPLIMENTS TO NIEL GOW. See “Miss Lucy Johnston’s
Compliments to Niel Gow.”
MISS L. MONTGOMERIE OF
SKERMORLIE. Scottish, Slow Strathspey. B Flat
Major. Standard tuning. AAB. Carlin (The
Gow Collection), 1986; No. 149. Gow (Third
Collection of Niel Gow’s Reels), 1792; pg. 17 (3rd ed.). Stewart-Robertson
(The Athole Collection), 1884; pg.
284.
X:1
T:Miss L. Montgomrie of Skermorlie
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:B_
D|B,2 B,>B B>AG>F|G>FG>B c<C C>D|B,2 B,>B B>AG>F|G/A/B c/d/e d<B~B:|
d/e/|f>Bf>d f>Bg>f|f>Bf>d d<c cd/e/|f<B f>d f>Bg>B|F>B cB/c/ d<B Bd/e/|
f>Bf>d
f>Bg>f|f>Bf>d d<c cd/e/|B,2 B,>B B>AG>F|G/A/B c/d/e
d<B~B||
X:2
T:Miss L. Montgomery of Skermorlie’s
Strathspey
M:C
L:1/8
R:Strathspey
N:”Slow”
B:Gow – 3rd Collection of Niel Gow’s Reels, 3rd ed.,
pg. 17 (orig. 1792)
Z:AK/Fiddler’s Companion
K:B Flat Major
D|B,2 B,>B (BAG)F|”tr”G>FGB
cCCD|B,2 B,>B (BAG)F|G/A/B c/d/e dBB:||d/e/|
f>B”tr”f>d
f>B}tr}g>f|fBf>B ({B/c/}d)ccd/e/|(f<B)f>d (f>B)g>B|F>B
{d}cB/c/ {c}dBBd/e/|
f>B”tr”d>d
fB”tr”g>f|fBf>d ({B/c/}d)ccd/e/|B,2 “tr”B,>B BAGF|G/A/B c/d/e dBB||
MISS L. STEWART OF THE ISLAND OF JAVA. Scottish. The title is a renaming
of one of William Marshall's earliest tunes, "Lord George Gordon's Reel,"
though with a second part that John Glen (1895) thinks is a "much better
one."
MISS LACEY'S HORNPIPE. AKA and see “Mona’s Delight.”
Irish, Hornpipe. The tune bears some resemblance to an untitled Pennsylvania‑collected
reel (Bayard {Dance to the Fiddle},
1981; No. 100, pg. 59). Breathnach (CRÉ
IV), 1986; No. 214 (appears as untitled hornpipe). Roche Collection, 1982, vol. 2, No. 226.
MISS LAMONT OF LAMONT. Scottish, Strathspey. G Major. Standard. AB. Composed by William
Shepherd. Glen (The Glen Collection of
Scottish Music), vol. 2, 1895; pg. 13.
X:1
T:Miss Lamont of Lamont
M:C
L:1/8
R:Strathspey
S: