The Fiddler’s
Companion
© 1996-2008 Andrew Kuntz
_______________________________
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ROS - ROTT |
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C
abc’s will convert to standard notation nicely. Or, get a copy of
abcNavigator 2 – its well worth it.
[AK] |
RÓS AN t-SLEIBE. AKA and see "The Mountain Rose."
RÓS AONTROMA. AKA and see "The Antrim Rose."
RÓS BHEAG DUBH. AKA and see "Rois Bheag
Dhubh."
RÓS DEARG, AN. AKA and see "The Red Rose."
RÓS FHIADHAICH
RÓS GAN AIRMEALAC (Rose Without Rue). AKA and see "The
Rose Without Rue."
RÓS SA bhFRAOCH, AN. AKA and see “The Rose in the Heather.” Irish, Double Jig.
RÓS SAN GARRDA. AKA and see "The Rose in the
Garden [1]."
ROSABELL. Scottish, "Very Slow" Strathspey. C Major. Standard. AAB.
Composed by Miss Murray. Carlin (The Gow
Collection), 1986; No. 209.
X:1
T:Rosalie, La
M:6/8
L:1/8
S:Daubat – Cent Contredanses en Rond (1757), No. 14
Z:AK/Fiddler’s Companion
K:F
f/g/ | afc afc | gec gec | bag agf | e3 c2(d/e/) | fdB fdB | cBA GAB | AGF CFE | (F3F2) :|
|:
A/B/ | cAF cAF | fdB Bdf | dBG GBd | gba g3f | c3 B3 | Acf Acf | Acf agf | g3f2
:|
X:1
T:Rosalia, La
M:6/8
L:1/8
S:Aird, Vol. II (1782)
Z:AK/Fiddler’s Companion
K:G
G | BdB GBd | gfe d3 | edc BAG | F2G A2D |
BeB GBd | gfe d^cd | efg agf | ed^c d2 :|
|: d | dBd dBd | dcB c2A | cAc cAc | cBA B2G |
BdB
GBd | gfe d^cd | edc BAG | AGF G2 :|
ROSALIE DE BON MATIN. French, Valse (3/4 time). G Major. Standard tuning. AA'BB'. Stevens (
ROSALIE THE PRAIRIE FLOWER. AKA – “Northumbrian Schottische.”
English, Schottische. D Major. Standard tuning. AB. The melody was composed by songsmith
George F. Root (1820-1985), a prolific composer in
***
But the summer faded, and a chilly blast
O’er that happy cottage swept at last,
When the autumn song-birds woke the dewy morn,
Little prairie flower was gone;
For the angels whispered softly in her ear,
“Child, they Father calls thee, stay not here,”
And they gently bore her, robed in spotless
white,
To their blissful home of light.
***
Of this
period of his career Root himself said in this autobiography The Story of a Musical Life (1891):
***
I saw at once that mine must be the “people’s
song,” still, I am ashamed to say, I
shared the feeling that was around me in regard
to the grade of music. When Stephen
C. Foster’s wonderful melodies (as I now see
them) began to appear, and the
famous Christy’s Minstrels began to make them
known, I “took a hand in” and
wrote a few, but put “G. Freidrich Wurzel” to
them instead of my own name. “Hazel
Dell” and “Rosalie, the Prairie Flower” were
the best known of those so written. It
was not until I imbibed more of Dr. Mason’s
spirit, and went more among the people
of the country, and was thankful when I could
write something that all the people
would sing.
***
Callaghan (Hardcore English), 2007; pg. 90. Topic TSCD 669, Billy Ballantine & Jimmy Hunter (et al)
– “Ranting and Reeling: Dance Music of the north of
X:1
T:Rosalie the Prarie Flower
T:Northumbrian Schottische
M:C
L:1/8
K:Dmajor
f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|f3/2e/d3/2c/ d2 f2|e2 B2 e4|
f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|B3/2c/d3/2e/ f2 e2|d4d4||
e2d3/2e/ f2a2|e2 d3/2e/f4|d2 c3/2d/ e2 f2|d2 c3/2d/ e2 A2|
f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|B3/2c/d3/2e/ f2 e2|d4d4|]
ROSAMOND. English, Ballad Air (cut time). A Minor. Standard tuning. AB. The air
appears in a
ROSASOLIS. AKA and see "Morris Off,"
"Black Eyed Susie [1],"
"Three Jolly Sheepskins
[1]," "Alas, My Little
Bag." English. Bayard (1981) states the tune is one of the earliest
traceable folk‑airs, going back to the Fitzwilliam Virginal Book (1610)
where it was set by Giles Farnaby (c. 1560‑c. 1600). It also appears in
Jehan Tabourot's "Orchesographie" of 1588 in much the same form as it
has today when used in English morris dances, where it is called "Morris
Off" (it is called by Kidson and Moffat the earliest recorded morris
tune). A variant of the Fitzwilliam version appears as a Welsh harp tune in Bennett's
"Alawon Fy Ngwlad" (vol. 2, pg. 136, 3rd tune). Later, from the early
17th century and throughout the 18th, in England a derivative of the tune was
called "Three (Jolly) Sheepskins," and in Ireland it can be found in
collections as "Aillilliu mo Mhailin" (Alas My Little Bag). The
American derivative of the air is "Black‑Eyed Susie."
ROSC CATHA NA MUMHAN (The Battle Cry of
X:1
T:Rosc Catha na Mumhan (The Battle
Cry of Munster)
L:1/8
M:4/4
S:Ó Canainn - Traditional Slow Airs of
K:E Dorian
E2B2 B>cdB|A>BAF D2 EF|G2 FE
BAGF|E2 E>F E2 GF|
E2B2 B>cdB|A>BAF D2 EF|G2 FE
BAGF|E2 E>F E4|
B e2 e e2 f2|e2d2B2A2|B e3
e3f|e2d2B3c|d2 d>d d3B|
A>BAF D2 EF|G2 FE BAGF|E2 E>F
E4||
ROSCOE. Old-Time, Breakdown. G Major. Standard. AB (Silberberg): AA'BB
(Phillips). The tune was in the repertoire of Kyle Creed. Source for notated
version: Jere Canote (Seattle) [Phillips]. Phillips (Traditional American Fiddle Tunes, Vol. 1), 1994; pg. 202.
Silberberg (Tunes I Learned at Tractor Tavern), 2002; pg. 133.
X:1
T:Roscoe
M:C
L:1/8
Z:Transcribed by Carl Barron
K:G
e(g | g2) gg edBA | dB A2G2 (g2 |
g2) g2 e g3 | a3b a2 (b2 | b)aba gedB |
c3 d c2 A(B | B)dBB A F3 | G3A G2 ::
DF | G2B2 A B3 | c3d c2 (B2 |
B)cBA G F3 | D3 E D2 DF | G2B2 A B3
| c3 d c2 (B2 | B)dBB A F3 | G3A G2 :|
ROSCOE PARISH WALTZ. See “Roscoe’s Waltz.”
ROSCOE PARISH’S TUNE. Old-Time, Breakdown. D Major. Every phrase ends on the subtonic chord
(G).
ROSCOE TRILLION. Old‑Time, Breakdown. G Major (‘A’ part) & D Major (‘B’ part).
A
ROSCOE’S GONE. Old-Time, Breakdown. D Major. Written by
ROSCOE’S WALTZ. AKA – “Roscoe Parish Waltz.” Old-Time, Waltz. AAB. Recorded by Hart
& Blech and Bruce Molsky, learned from Roscoe Parish. The tune is a crooked
waltz-time version of the Scottish jig “Muckin’ o' Geordie’s Byre.”
Kerry Blech notes that he later found an almost note-for-note verson of
“Muckin’” in Samuel Bayard’s book Dance
to the Fiddle, March to the
ROSCOMMON AIR. Irish, Air (3/4 time). D Major. Standard. One part. Stanford/Petrie (Complete Collection), 1905; No. 489, pg.
123.
X:1
T:Roscommon Air
M:3/4
L:1/8
S:Stanford/Petrie (1905), No. 489
Z:AK/Fiddler’s Companion
K:D
A | d>cde f>e | e2 ee e2 |
fefa af/e/ | d2 ed B2 | d>cde fe |
dcBA d>c | BAFE AF | E2 EE E2 ||
ROSCOMMON HUNT. Irish, Reel. A Dorian. Standard. AAB. A tune by this title was popular
in 1779, as Berringer noted the title in an account of a "cake" dance
(a dance in which a prize of a cake was awarded) he attended in
ROSCOMMON JIG. AKA and see “Bobby Casey’s
Jig [2],” “Diamond [2],” “The Hag’s Purse,” “Little Black Pig." D
Mixolydian/Major. Standard. AABB. Source for notated version: Anne Sheehy
(Castleisland, County Kerry) [Mulvihill]. Mulvihill (1st Collection), 1986; No. 40, pg. 73.
X:1
T:Roscommon Jig, The
M:6/8
L:1/8
R:Jig
K:D
FG | A2D FED | A2B =cAF | G2E EDE |
=c2d cAG | D3 FED | A2B =cAF |
GEE cEE | DED D2 :: A2 | d2e fed | e2d =cAF | G2E EDE | =c2d
cAG |
Ade fed | e2d =cAF | GEE =cEE | DED
D2 :|
ROSCOMMON REEL (Ríl Roscomain). AKA and see "Miss Patterson's
Slipper." Irish, Reel. E Minor (Breathnach): E Dorian (Cranitch). Standard
tuning. ABC. The tune is sometimes heard in a medley called "Miss Patterson's Slipper"
paired with the reel “Miss Patterson”
(AKA - "Master
Crowley's”), which has led to some name confusion between the tunes.
Sources for notated versions: accordion player Sonny Brogan (County
Sligo/Dublin, Ireland) [Breathnach]; set dance music recorded at Na Píobairí
Uilleann in the late 1980’s [Taylor]; New Jersey flute player Mike Rafferty,
born in Ballinakill, Co. Galway, in 1926 [Harker]. Breathnach (CRÉ I), 1963; No. 202, pg. 78. Cranitch
(Irish Fiddle Book), 1996; No. 72,
pg. 153. Harker (300 Tunes from Mike
Rafferty), 2005; No. 41, pg. 13. Taylor (Music for the Sets: Blue Book), 1995; pg. 5. Nimbus NI5415, Martin O'Connor - "Across the
Waters" (miss-labelled as "Master Crowley's").
|
See also listings at: Alan Snyder’s Cape Breton Fiddle
Recording Index Alan Ng’s Irishtune.info |
X:1
T:Roscommon Reel, The
T:Master Crowley's
T:Crowley's Reel
R:reel
D:The Gathering (Matt Molloy)
D:Paddy Glackin: Ceol ar an bhFidil
le Paddy Glackin.
Z:id:hn‑reel‑180
Z:transcribed by henrik.norbeck@mailbox.swipnet.se
M:C|
L:1/8
K:Edor
EFGA BAGB|AF~F2 dFAF|EFGA ~B3d|1
AFDE FEED:|2 AFDE FEEf||
eB~B2 efge|fa~a2 bfaf|eB~B2
efge|faaf efgf|
eB~B2 GBeg|fa~a2 bgag|faaf egfe|dBAF
EFGA||
~B3A B2dB|AF~F2 dFAF|EBBA ~B3d|AFDE
FEED|
EBBA BcdB|AF~F2 dFAF|EBBA ~B3d|AFDE
FEED||
ROSCOMMONS HORNPIPE. Irish (?), Hornpipe. B Minor. Standard. AABB. From the music manuscripts of Setauket, Long Island, painter and fiddler William Sydney Mount (1807-1868). Mount had evidently copied it from a book or ms. in the possession of Mr. S. Wheeler, perhaps a musical acquaintance or friend.
X:1
T:Roscommons Hornpipe
M:C|
L:1/8
R:Hornpipe
S:William Sydney Mount manuscript copybook, c. 1840, with the notation: “From Mr. S:Wheeler’s collection.”
Z:AK/Fiddler’s Companion
K:B Minor
a2a2 fedc | dBcA B2 :: F2b2b2 ag | fefg a3z | A2a2 agfe | defg agfe | F2b2b2 ag |
fefg
a3z | A2 ag fedc | dBcA B2 :|
ROSE [1]. French, Valse (3/4 time). G Major. Standard. AA'BB'. Composed by Jean‑Claude
Blanc. Stevens (Massif Central),
1988; No. 54.
ROSE [2], LA. Canadian, Waltz. Canada, Prince Edward Island. A Major. Standard. AABB.
Source for notated version: Louise Arsenault (b. 1956, Mont Carmel, East Prince
County, Prince Edward Island; now resident of Wellington) [Perlman]. Perlman (The Fiddle Music of Prince Edward Island),
1996; pg. 174.
ROSE [3], THE. English, Morris Dance Tune (6/8 time). A Major
(Bacon): G Major (Mallinson). Standard. AABBCBBCBB (Mallinson): AABBCC'BBCC'BB
(Bacon). Collected from the village of Leafield, Oxfordshire, in England's
Cotswolds. Leafield was called Fieldtown by the English collector Cecil Sharpe,
and the group of dances from the village are known commonly among morris dance
circles as Fieldtown dances. The music was largely collected from a fiddler of
Sharpe's acquaintance from the village by the name of Frank Butler. Bacon (The Morris Ring), 1974; pg. 155.
Mallinson (Mally’s Cotswold Morris Book),
1988, Vol. 2; No. 60, pg. 29. Cottey Light Industries
CLI-903, Dexter et al - "Over the Water" (1993).
ROSE [4], THE. English?, Reel. B Flat Major. Standard. AABB. Harding’s All-Round Collection, 1905;
No. 92, pg. 29.
X:1
T:Rose, The [4]
M:2/4
L:1/8
R:Reel
S:Harding’s All Round Collection (1905), No. 92.
Z:AK/Fiddler’s Companion
K:B_
d/c/|Bd/B/ ce/c/|d/b/a/g/
fe/d/|eg/e/ db/d/|c/B/c/d/ cd/c/|
Bd/B/ ce/c/|d/b/a/g/ fd/f/|g/e/f/g/
ag/f/|bBB::d/e/|f/d/f/d/ fb/f/|
g/e/g/e/ gb/g/|f/d/f/d/
fb/d/|c/=B/c/d/ cd/c/|Bd/B/ ce/c/|
d/b/a/g/ fd/f/|g/e/f/g/
ag/f/|b/B/B/B/ B:|
ROSE [5], LA. French, Country Dance (2/4 time). A Major. Standard. AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. In this case the title “La Rose” appears to be named after a female, as it is included in a section of tunes called by the first names of various women or girls. Daubat (Cent Contredanses en Rond), 1757; No. 12.
X:1
T:Rose, La [5]
M:2/4
L:1/8
S:Daubat – Cent Contredanses en Rond (1757), No. 12
Z:AK/Fiddler’s Companion
K:A
(ec)(dB)|(cA)(BG)|(A/B/c/d/) ec|(Ac) (GB)|(ec) {e}(dB)|(ce) {b}(ac)|A2 A,2:|
|:eaga|b/a/g/f/ ge|eaga | b/a/g/f/ e2|.e/(a/g/a/) .f/(a/g/a/)|.e/(a/g/a/) .f/(a/g/a/)|{g}f/e/d/c/ B2|A4:|
ROSE
ROSE ALMA POLKA. French‑Canadian, Polka. A Major. Standard tuning. AABB. Carlin (Master Collection), 1984; No. 92, pg.
59.
ROSE AMONG THE HEATHER
[1], THE. AKA and see "The Lad with/wi' the Plaidie.”
Scottish,
X:1
T:Rose Among the Heather, The [1]
M:C
L:1/8
R:
B:Kerr – Merry Melodies, vol. 1, pg. 20
(c. 1880’s)
Z:AK/Fiddler’s Companion
K:D
G|F<A A>F G<B B>G|F>A
D>F E3G|F<A A<F G>Bd>B|A<F G>E (D2D):|
|:A|d>e d>B (A<f)
d>B|A<F d>f e3d|1 f>gf>e d<B d>B|c<d e>c (d2d):|2
f>ed>B A<F d>B|A<F
G>E (D2 D)||
ROSE AMONG THE HEATHER
[2], THE. AKA and see “The Corofin,” “(An) Ros sa bhfraoch,” "The Rose in the Heather."
ROSE AND COLIN. English, Country Dance Tune (6/8 time).
ROSE ANNE’S. Irish, Polka. A Major. Standard tuning. AABB. Jackie Small (CRÉ V) says the tune is reminiscent of
“Comin’ thro the Rye.” Source for notated version: fiddler Mollie Murphy (ne
Myers), Glencollins, County Cork [Breathnach]. Breathnach (CRÉ V), 1999; No. 106, pg. 53 (appears as untitled polka). Gael-Linn CEF176, Jackie Daly - “Many’s a Wild Night”
(from Maurice O'Keeffe, one of the
earliest tunes Maurice remembers learning from his teacher and neighbor John
Lenihan).
X:1
T:Rose Anne's
D:Jackie Daly, "Many's a Wild
Night", track 12(a)
M:2/4
L:1/8
R:polka
Z:Paul de Grae
K:A
E ||: "A" A>G Ac |
"E" B>A Bc | "A" A>G Ac | ea "D" a2 |
"A" A>G Ac |
"E" B>A Bc | "A" AF EF | "D" D2 D2 :||
||: "A" eA Ac |
"Bm" B/c/B/A/ Bc | "A" eA Ac | ea "D" a>f |
"A" eA Ac |
"Bm"B/c/B/A/ Bc | "A" AF EF | "D" D2 D2 :||
***
A / | E / | A / | / D | A / | E / |
A / | D / :||
||: A / | Bm (or E, bass B) | A / |
/ D | A / | Bm / | A / | D / :||
alternative end to either part:
bass run on 5th & 6th strings
(6th = D) ‑ |AF#EF# | D D |
ROSE BUD OF ALLENVALE, THE. AKA and see "Rose of Sharon Waltz," "Rose of
Allendale," "Rose(bud) of Avonmore,"
“Rosebud of Allenvale.” Scottish
(originally), Canadian; Air (6/8 time) or Waltz. A Major. Standard tuning. AB.
Composed by the great Scots fiddler and composer J.
Scott Skinner (1843-1927), originally published in the 1920's in his Cairngorn Series #9. The title sometimes
appears as "The Rose of Allendale" and similar variants, and can be
found in
X:1
T:Rose Bud of Allenvale, The
M:6/8
L:1/8
R:Air
C:J. Scott Skinner
Z:AK/Fiddler’s Companion
K:A
(e/d/) | c>dc BAB | (A3 A2)c | d>ef ecA | (B3B2) e/d/ | c>de ABc
|
d2e f2 g/a/ | eAd c2B | (A3 A2) ||
c/d/ | e>f=g f2e | (d3d2)e | f>ga g2f |
(e3e2) f/g/ | aec A2=G | FAd f^gf |
eAd c2B | (A3A2) ||
ROSE BUD/ROSEBUD REEL. AKA ‑ "Mountain
Ranger Hornpipe [1]."
X:1
T:Rose Bud
M:2/4
L:1/8
R:Reel
S:Ryan’s Mammoth Collection (1883)
Z:AK/Fiddler’s Companion
K:B_
F/E/ | D/F/B/c/ dc/d/ | e/d/c/B/ GF/E/ | D/F/B/c/
d/B/A/B/ | g/f/d/B/ cF/E/ |
D/F/B/c/ dc/d/ | e/d/c/B/ GF/E/ |
D/F/B/d/ c/B/A/c/ | BdB :: B/c/ | d/B/A/B/ G/B/F/B/ |
D/F/B/c/ d/B/A/B/ | g/B/F/B/
e/d/c/B/ | G/c/c/B/ A/B/c/e/ | d/B/A/B/ G/B/F/B/ |
D/F/B/c/ e/B/A/B/ | g/B/f/B/
e/d/c/B/ | A/F/G/A/ B :|
ROSE BUSH. Irish (?), Jig. G Major. Standard tuning. AABB. Cole (1000 Fiddle Tunes), 1940; pg. 66. Ryan’s Mammoth Collection, 1883; pg. 97.
X:1
T:Rose Bush
M:6/8
L:1/8
S:Ryan’s Mammoth Collection
(c. 1883)
Z:AK/Fiddler’s Companion
K:G
D | GAB AGE | ceg dBG | GAB AGE |
FDD DEF |
GAB AGE | ceg dBG | cAc BGB | AEF G2
:: B | d^ce def |
Gfe dBG | {a}gfg eag | fdd def | gbg
faf | ege def | gdB AGA | BGG G2 :|
ROSE BY THE DOOR. American, Waltz. D Major. Standard tuning. AA'BB'. Composed by Andrea
Hoag (
ROSE CONNOLLY. AKA and see "Rosey Connolly,"
"The Fair at Dungarvan,"
"Alas, My Bright Lady,"
"Lament for Kilcash,"
"Nelly, My Love, and Me,"
"There is a Beech‑tree
Grove," "Were
You Ever in Sweet Tipperary?" Irish, Air (6/8 time). E Major. Standard
tuning. One part. The tune was noted by the Irish collector Edward Bunting from
an unknown source in Coleraine in 1811.
***
All you young men and Maidens I pray you take warning by me,
And never court your true love anunder a Hozier Tree.
The devil and his temptations it was that came over me,
And I murdered my Rosey Connolly anunder a Hozier Tree.
***
O'Sullivan notes that
"ozier," a form of willow, is meant for "Hozier" in the
lyric.
***
Joel Shimberg points out that the
American old-time duo Grayson and Whitter recorded a song called "Down In
The Willow Garden" in the 78 RPM era, a reworking of the “Rose Connolly”
theme. However, John Moulden says that “Down in the
***
Down in the willow garden, where me and my love did meet,
It's there we sat a-courting, my love dropped off to sleep.
I had a bottle of burgundy wine, which my true love did not know,
And there I murdered that dear little girl, down under the banks below.
***
I stabbed her with my dagger, which was a bloody knife,
Threw her into the river, with was a dreadful sight.
My father often had told me that money would set me free,
If I would murder that dear little girl, whose name was Rose Connolly.
***
Now he sits in his own cabin door, a-wiping his tear-dimmed eyes.
Watching as his only son climbs up the scaffold high.
My race is run beneath the sun, and hell now waits for me,
because I murdered that dear little girl, whose name was Rose Connolly.
***
The “Down in the
ROSE DIVISION. AKA‑ "Rowe's Division," "Row's Division." Old‑Time,
Breakdown.
ROSE FOR POLLY, A. Old‑Time, Breakdown.
ROSE GARDEN, THE. Irish, Reel. G Major. Standard tuning. AA’B. Source for notated version: the Rice-Walsh manuscript, a collection of music from the repertoire of Jeremiah Breen, a blind fiddler from North Kerry, notated by his student [O’Neill]. O’Neill (Waifs and Strays of Gaelic Melody), 1922; No. 236.
X:1
T:Rose Garden, The
M:4/4
L:1/8
S:Rice-Walsh manuscript
Z:Paul Kinder
R:Reel
K:G
EFGA BE E2|GBAG FDEF|GFEF GABc|1dfe^c dBAF:|2dBAF GE E2||
e2 ee (3efg fe|fedc defg|afgf efga|bgaf ge e2|
efga
bgaf|(3efg fe defg|(3fgf (#efe dfe^c|dBAF GE E2||
ROSE HILL. English, Jig.
ROSE IN FULL BLOOM. AKA and see “Jackson’s Babes,”
“Leanbh Mo Chroi.”
ROSE IN THE GAP, THE. Irish,
Jig. E Dorian. Standard tuning. AABBCC. Vertical
Records, John McSherry & Donal O’Connor – “Tripswitch.”
X:1
T:Rose in the Gap, The
M:4/4
L:1/8
R:Hornpipe
K:Edor
|:(3FGA|B3c B2AF|B2E2E2 (3FGA|B3c
B2AF|A2D2D2 (3EFG|
B3c B2AF|AF ABd3e|fedB (3Bcd
AF|B2E2E2:|
|:Bd|fedB BdBA|B2E2E2Bd|fedB
BdBA|B2D2D2Bd|
fedB BdAF|AFAB d3e|fedB (3Bcd
AF|B2E2E2:|
|:Bd|e3g f2eg|f2e2e2Bd|e3g
f2eg|f2d2d2Bd|