The Fiddler’s Companion

© 1996-2008 Andrew Kuntz

_______________________________

HOME       ALPHABETICAL FILES        REFERENCES

[COMMENT1] [COMMENT2] 

LADY M – LADY’S

 

 

Notation Note: The tunes below are recorded in what is called “abc notation.” They can easily be converted to standard musical notation via highlighting with your cursor starting at “X:1” through to the end of the abc’s, then “cutting-and-pasting” the highlighted notation into one of the many abc conversion programs available, or at concertina.net’s incredibly handy “ABC Convert-A-Matic” at

http://www.concertina.net/tunes_convert.html 

 

**Please note that the abc’s in the Fiddler’s Companion work fine in most abc conversion programs. For example, I use abc2win and abcNavigator 2 with no problems whatsoever with direct cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s into the concertina.net converter results in double-spacing. For concertina.net’s conversion program to work you must remove the spaces between all the lines of abc notation after pasting, so that they are single-spaced, with no intervening blank lines. This being done, the F/C abc’s will convert to standard notation nicely. Or, get a copy of abcNavigator 2 – its well worth it.   [AK]

 

 

 

LADY MACINTOSH('S REEL) [1]. AKA and see "(A man's a man) For Aw That and Aw That," “Strawberry Blossom [2],” "There's Nae Luck Aboot the Hoose (There’s Nae Luck Ava) [1]." Scottish, Strathspey. D Major. Standard tuning. AAB: AABB (Bremner). The tune is from Robert Bremner and first appears in print in his 1757 collection (pg. 52). Words to the tune appear in A Collection of Loyal Songs, Poems, 1750.  Bruce Olson finds these lyrics in NLS MS 2910 (c 1730? -40's?):

***

A New Song.   Tune: Lady Mackintosh's Reel

That Georgie reigns in Jamie's stead

I'm grieved yet scorn to shaw that

I'll neer look down, nor hang my head

On Rebel whigs for a that

For a' that and a that

And twice as mickle's a that

Hes bonny oer the hill the night

That will be king for a that

***

From the above lines it appears that the Lady Macintosh of the title was Lady Anne Macintosh, also known as Anne Farquharson and Colonel Anne, married to the Laird of Macintosh. It must  have been a contentious union, for the laird supported the Hannovarians during the Jacobite rising in Scotland in 1745-6, while Anne held for Bonnie Prince Charlie. She even raised several hundred men to his service, although she did not personally lead them. At various times she and her husband were both captured by their respective foes, each time being released into each others’ custody.

***

The melody was famously used by Robert Burns as the vehicle for his song "a man's a man for a' that" by which the tune is now often known. Bremner (Scots Reels), c. 1757; pg. 52. Carlin (The Gow Collection), 1986; No. 523. Kerr (Merry Melodies), vol. 2, pg. 17.

X:1

T:Lady MacIntosh’s Reel

M:C|

L:1/8

R:Reel

S:Bremner – Scots Reels (c. 1757)      

Z:AK/Fiddler’s Companion

K:D

f | d/d/d dA B>def | d/d/d gd (B2 B)e | d/d/d dA B>de(g | f)edB (A2 A) :|

|: f | a>baf gfe(g | f)dgd (B2 B)f | a>baf gea(g | f)edB (A2 A) :|

 

LADY MACINTOSHE'S REEL [2]. AKA and see "Knit the Pocky." Scottish, Reel. D Minor. Standard tuning. John Glen (1891) finds the earliest appearance of the tune in print in Neil Stewart's 1761 collection (pg. 20). It appears in Robert Bremner’s 1757 collection as “Knit the Pocky” (whose own “Lady Mackintosh’s Reel” is another tune). The melody appears in the 1770 music manuscript collection of Northumbrian musician William Vickers, about whom nothing is known. It is noted in two sharps in the ms., but probably should have been in the minor mode. Seattle (William Vickers), 1987, Part 1; No. 73.

X:1

T:Lady Mackintosh’s Real [sic]

M:C|

L:1/8

R:Reel

S:William Vickers’ music manuscripts, pg. 15   (1770)

Z:AK/Fiddler’s Companion

K:D Minor

Addc defd|cAGF G/F/E/D/ CE|Dddc defd|ecce d/d/d d2:|

|:defg afdf|ecgc ecce|defg afge|fdec d/d/d d2:|

           

LADY MACKENZIE OF COULL. Scottish, Strathspey. D Major (Martin): C Major (Surenne). Standard tuning. AAB. Martin (Ceol na Fidhle), Vol. 2, 1988; pg. 40. Surenne (Dance Music of Scotland), 1852; pgs. 154-155. Tradition 2118, Jim MacLeod & His Band ‑ "Scottish Dances: Jigs, Waltzes and Reels" (1979).

X:1

T:Lady MacKenzie of Coul

M:C

L:1/8

R:Stathspey

S:SurenneDance Music of Scotland, pgs. 154-155  (1852)

Z:AK/Fiddler’s Companion

K:C

E/F/ | G>AG>c (A<F)F>d | (B<G)G>B (c/d/e/f/) g2 | G>AG>c (A<F)F>c) | B/c/d/B/) G>B c3E/F/ |

G>AG>c (A<F)F>d | (B<G)G>B (c/d/e/f/) g2 | G>AG>c (A<F)F>c) | B/c/d/B/) G>B c3 || f |

(e<g) g2 a>fd>f | e>gc>e (d/c/B/A/) G>f | (e<g) g2 a>fd>f | (e<g) (B/c/d/B/) c3f |

(e<g) g2 a>fd>f | (e<g)(c<e) (d/c/B/A/) G2 | c2 G>E F>AD>f | (f/e/d/c/) (e/d/c/B/) c3 ||

           

LADY MACKENZIE OF SEAFORTH. AKA and see “MacBeth’s Strathspey.” Scottish, Strathspey. A Mixolydian. Standard tuning. AABB'CCDD'. A pipe tune, though better known by pipers (at least in Cape Breton) under the alternate title “MacBeth’s Strathspey.” MacDonald (The Skye Collection), 1887; pg. 70.

X:1

T:Lady MacKenzie of Seaforth

T:MacBeth’s Strathspey

M:C

L:1/8

R:Strathspey

S:MacDonald – Skye Collection (1887)

Z:AK/Fiddler’s Companion

K:D

(a/f/)|eNA e>c e>Ag>e|d>Gd>B d<G f>d|e<A e>c e<A g>e|d>Bg>B BAA:|

|:a|e>ac/<c/a e>ag>e|d>gB/<B/g d>gf>d|1 e>ac/<c/a e<A g>e|d>Bg>B BAA:|2

(e/f/g) a<g f>de>c|d>Bg>B BAA||:a|e>Ac>A eAg>e|d>GB>G d>Gf>d|e>Ac>A e<A g>e|

d>Bg>B B<AA::a|e>Ac>A eA (g/f/e)|d>GB>G dG (f/e/d)|e>Ac>A eA (g/f/e)|dG (d/c/B) cAA:|

|:a|e>ac>a ea (g/f/e)|d>gB>g dg (f/e/d)|1 e>ac>a ea (g/f/e)|dG (d/c/B) cAA:|2 (e/f/g) a/g/f eA (g/f/e)|dG (d/c/B) cAA||

           

LADY MADELINA/MADALINA GORDON('S REEL). Scottish, Reel. F Major. Standard tuning. AAB. Composed by William Marshall (1748-1833), first published in his 1781 collection. Lady Madelina (1772-1847) was the second daughter of the 4th Duke and Duchess of Gordon, who married first Sir Robert Sinclair of Caithness and later Charles Fyche-Palmer of Luckely Park, Berkshire. Marshall, Fiddlecase Edition, 1978; 1822 Collection, pg. 54 and the 1781 Collection, pg. 6 (appears as "Lady Madaline Gordon's Reel"). Stewart-Robertson (The Athole Collection), 1884; pg. 242.

X:1

T:Lady Madalina Gordon

M:C|

L:1/8

R:Reel

B:Stewart-Robertson – The Athole Collection (1884)

Z:AK/Fiddler’s Companion

K:F

CFAF CGBG|CFAF EF/G/ EC|CFAF CGBG|cABG F/F/F ~F2:|

fg/a/ fc dBcA|BGAF EF/G/ EC|FcAc FdBd|cfeg f/f/f ~fg|

afge fcdB|cABG EF/G/ EC|CFAF CGBG|cABG F/F/F ~F2||

           

LADY MADELINA PALMER('S STRATHSPEY). AKA and see “Mr. Lumsdane of Blanerne’s Strathspey.” Scottish, Strathspey. D Major. Standard tuning. AAB. Composed by William Marshall. Gow never affixed his name to it, but did print it in 1791, some 30 years before Marshall published it‑‑the reason: Marshall's airs were often in general circulation before being printed. Lady Madelina was Madelina Gordon (1772-1847), the second daughter of the 4th Duke and Duchess of Gordon. Her second husband was Mr. Charles Fyshe Palmer of Luckley Park, Berwickshire (Moyra Cowie, The Life and Times of William Marshall, 1999). See also note for “Lady Madelina Sinclair.” MacDonald (The Skye Collection), 1887; pg. 37. Marshall, Fiddlecase Edition, 1978; 1822 Collection, pg. 50.

X:1

T:Lady Madelina Palmer’s Strathspey

M:C

L:1/8

R:Strathspey

S:Marshall1822 Collection

Z:AK/Fiddler’s Companion

K:F

A>B|c>Fd>F c>FBd|cF B/A/G/F/ E(GG)A/B/|c<fd<f c<fBd|(EF/G/) (GA/B/) A<F~F:|

f/g/|a>g f<c d<(f ~f>)g|a>g f<c d<g ~g2|a>g f<c d<fc<f|(Bc/d/) (GA/B/) A<(F ~F2)|

a>gf>c d<(g ~g>)b|a>bg>a f>gd>f|(Bc/d/) (GA/B/) A<F~F||

X:2

T:Lady Madelina Palmer

M:C

L:1/8

R:Strathspey

S:Skye Collection (1887)

Z:AK/Fiddler’s Companion

K:D

f|d2 (A>d) (F>d) (A>d)|d>f g/f/e/d/ c<e e>f|d2 A>d (F>d) (A>d)|(c/d/e) (e>g) f<d d:||

f|d<d (f>d) (a<d) f>d|d<d f>d c<e e>f|d<d (f>d) a>d f>d|(c/d/e) e>g f<d d>f|

d<d (f>d) (a>d) (f>d)|d<d f>d c<e e>f|d<d e<e f<f g<g|a<a b>a f<d d||

           


LADY MADELINA SINCLAIR. AKA – “Lady Madeline Sinclair.” AKA and see "The Braes of Aberarder." Scottish, Strathspey. A Major (most versions): G Major (Kennedy, Surenne). Standard tuning. AB (Hardie, Kerr, Surenne): AAB (Athole, Glen, Gow, Honeyman, Hunter, Kennedy, Martin, Skye). Lady Madelina Sinclair (1772-1847) was the second daughter of Alexander, 4th Duke of Gordon, and William Marshall’s employer and patron. Her second husband was named Charles Fyshe Palmer Esq. (see note for “Lady Madelina Palmer”) of Luckley Hall, Berkshire, whom she wed in 1805, however, her first husband was Sir Robert Sinclair of Murtle, who died in 1795 when she was twenty-three. According to Mary Robinson (Beaux and Belles of England), the daughters of Alexander and his wife Jane, the Duchess of Gordon, were far less beautiful than their mother. It was “to her skilful diplomacy alone” that they married well and into fortune. “Lady Madeline was not handsome,” writes Robinson, “but (was) extremely agreeable, animated, and intellectual. Among her other conquests was the famous Samuel Parr, of Hatton, who used to delight in sounding her praises, and recording her perfections with much of that eloquence which is now fast dying out of remembrance…” Palmer became the M.P. for Reading between 1818 and 1837. Madelina is buried with her second husband in St James’s Church, Finchampstead, Berkshire, England.

***

MacDonald, in his Skye Collection, repeats the composer credit Niel Gow awarded himself which appears in the Gow's Third Collection of Strathspey Reels of 1792. However, Charles Duff had a prior claim to authorship of (at least a prototype of) the tune under the title "The Braes of Aberarder," which he earlier published in 1790 (Emmerson, 1971). The tune also appears in Angus MacKay’s c. 1840’s collection of pipe tunes. Christine Martin (2002) notes the tune is also the vehicle for a popular Scots song (albeit with sometimes bawdy words) in the Gaelic puirt a beul tradition, called “A’ bhean a bh’aig an taillear chaol” (The skinny tailor’s wife).

***

Carlin (Gow Collection), 1986; No. 100. Glen (The Glen Collection of Scottish Dance Music), vol. 1, 1891; pg. 25. Gow (Third Collection of Niel Gow’s Reels), 1792; pg. 3 (3rd ed.). Hardie (Caledonian Companion), 1986; pg. 29. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; pg. 19. Hunter (The Fiddle Music of Scotland), 1988; No. 133. Kennedy (Traditional Dance Music of Britain and Ireland: Reels and Rants), 1997; No. 93, pg. 24. Kerr (Merry Melodies), vol. 2; No. 7, pg. 4. MacDonald (The Skye Collection), 1887; pg. 4. Martin (Traditional Scottish Fiddling), 2002; pg. 77. Petrie (Third Collection of Strathspey Reels with a Bass for the Violoncello or piano forte), 1800; pg. 18. Stewart-Robertson (The Athole Collection), 1884; pg. 11. Surenne (Dance Music of Scotland), 1852; pgs. 40-41. Greentrax Recordings CDTRAX 9009, Donald MacDonell (1888-1967) - “Scottish Tradition 9: The Fiddler and His Art” (1993). Greentrax CDTRAX, Deaf Shpherd – “Even in the Rain” (). Rounder 7059, Alex Francis MacKay with Gordon MacLean – “Gaelic in the Bow” (2005). Ron Gonella – “Scottish Violin Music” (1966). “The Caledonian Companion” (1975).

See also listings at:

Alan Snyder’s Cape Breton Fiddle Recording Index

Jane Keefer’s Folk Music Index: An Index to Recorded Sources 

Alan Ng’s Irishtune.info

X:1

T:Lady Madelina Sinclair

M:C

L:1/8

S:Strathspey

B:Stewart-Robertson – The Athole Collection  (1884)

Z:AK/Fiddler’s Companion

K:A

f|e>A c<A c/d/e f2|e>A f/e/d/c/ B2 B>f|e>Ac>A c/e/e a2|A>Ac>B A2A:|

g|a>ef>e (3fga (3gab|a/g/f/e/ a>c B2 B>g|a>ef>e (3fga (3gab|(3agf (3efg a2 (ef/g/|

a>fg>e f>de>c|d>bc>a B3d|c/d/e f2 c/d/e a2|Aac>B A2A||

X:2

T:Lady Madelina Sinclair

M:C

L:1/8

R:Strathspey

S:SurenneDance Music of Scotland, pgs. 40-41  (1852)

Z:AK/Fiddler’s Companion

K:G

e | d<GB>G (B/4c/2<d) e2 | d>G (e/d/c/B/) ({B}A3)e | d>GB>G (B/4c/2<d) e2 | d>GB>A ({A}G3)e |

d<GB>G (B/4c/2<d) e2 | d>G (e/d/c/B/) ({B}A3)e | d>GB>G (B/4c/2<d) e2 | d>GB>A ({A}G3) ||

(e/f/) | g>d({f}e>d (e/4f/2<g) (f/4g/2<a) | (g/f/e/d/) g>B({f}e>)d (3efg (3fga | (g/f/e/d/) (e/f/g/d/) g2 (de/f/) |

g>ef>d e>cd>B | (c<A)(B<g) ({B}A3)G | (B/4c/2<d) e2 (B/4c/2<d) g2 | G<GB>A ({A}G3) ||

X:3
:TLady Madelina Sinclair’s Strathspey

M:C

L:1/8

R:Strathspey

B:Gow – 3rd Collection of Niel Gow’s Reels, 3rd ed., pg. 3  (orig. 1792)

Z:AK/Fiddler’s Companion

K:A

f|e>Ac>A c/d/e “tr”f2|eA {f}ed/c/ {c}B2 Bf|eAcA c/d/e “tr”f2|eA “tr”cB {B}A2A:||

f/g/|a>e”tr”f>e f/g/a ({g/a/}b2)|a/g/f/e/ a>c {c}B2 Bg|a>e”tr”f>e (3fga (3gab|a/g/f/e/ f/g/a/e/ “tr”a2 ef/g/|

afge fdec|d<bc<a {c}B2 BA|c/d/e “tr”f2 c/d/e “tr”a2|A<A”tr”c>B A2A||

 

LADY MADELINA SINCLAIR’S REEL. Scottish, Reel. A Major. Standard tuning. AAB. The melody appears in Malcolm MacDonald's 3rd Collection (c. 1792), dedicated to Miss Drummond of Perth. MacDonald (A Third Collection of Strathspey Reels), c. 1792; pg. 7.

X:1

T:Lady Madelina Sinclair’s Reel

M:C|

L:1/8

R:Reel

S:MacDonald – 3rd Collection of Strathspey Reels (c. 1792)

Z:AK/Fiddler’s Companion

K:A

c | A2 “tr”ED CEDC | B,BBc dcBc | A2 “tr”ED CEDC | DFEC A,A,A, A, :|

c | A2 (d/c/B/A/) eaec | dcBA GBBc | A2 (d/c/B/A/) eaec | dfec A/A/A Ac |

A2 (d/c/B/A/) eaec | dcBA GBBc | A”tr”(FED) CEDC | B,(dcB) cAA ||

           

LADY MADELINA SINCLAIR'S BIRTHDAY. AKA and see “Lady Elgin’s Courtship.” Scottish, Reel. B Flat Major. Standard tuning. AB (Surenne): AAB (Athole, Cranford, Gow): AABB' (Kerr). Lady Madelina Sinclair (1772-1847) was the second daughter of Alexander, 4th Duke of Gordon, and William Marshall’s employer and patron. Her second husband was named Palmer (See note above for “Lady Madelina Sinclair” for more). Paul  Cranford (1997) remarks that this tune was a favorite of Mary ‘Hughie’ MacDonald, and that his source Fitzgerald “played some of his best music with Mary’s daughter, pianist Mary Jessie MacDonald.” Source for notated version: Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]. Carlin (The Gow Collection), 1986; No. 266. Cranford (Winston Fitzgerald), 1997; No. 110, pg. 45. Kerr (Merry Melodies), vol. 2; No. 203, pg. 23. MacDonald (The Skye Collection), 1887; pg. 135. Ryan’s Mammoth Collection, 1883; pg. 60. Stewart-Robertson (The Athole Collection), 1884; pg. 284. Surenne (Dance Music of Scotland); pg. 34. WMT002, Wendy MacIsaac – “That’s What You Get” (1998?).

X:1

T:Lady Madelina Sinclair’s Birthday

M:C|

L:1/8

R:Reel

B:Stewart-Robertson – The Athole Collection (1884)

Z:AK/Fiddler’s Companion

K:B_

d|B2 FB DBFB|B2 d/c/B Accd|B2 FB DBFB|A/B/c ce dB~B:|

d|B/B/B dB fBdB|B/B/B dB Accd|B/B/B dB fBdB|A/B/c ce dBBd|

B/B/B dB fBdB|B/B/B dB Accd|BBcc ddee|ffbf dB~B||

           

LADY MAISTERTON. AKA and see "The Wood Hill." Irish, Air (3/4 time). G Mixolydian. Standard tuning. AB. O'Sullivan (1983) can find no record of a family named Maisterton (which is a Scottish name), though there is "Woodhill or Knocknakillew" in County Sligo. Source for notated version: Bunting states "Lady Maisterton very ancient. From Martin a harpress in County Cavan," though the index to his 1840 edition says the tune was noted from "C. Martin, harper at Virginia, 1800." O'Sullivan/Bunting, 1983; No. 9, pg. 14.

           

LADY MARGARET LINDSAY'S MINUET. Scottish, Minuet (3/4 time). This and a companion tune ("Lady Anne Lindsay's Minuet") were composed by Kelly around 1768 for the Duke of Balcarre's daughters, then aged 17 and 15. The usual practice of naming such tunes was from musician to patron, but Johnson (1983) points out that Kelly was an aristocrat himself who having a private income had no need of patronage. In addition he was a neighbor and second cousin to the girls, thus the tune was written, as were other of his minuets, "for friends for fun" (pg. 150).

           

LADY MARGARET MACDONALD. Scottish. John  Glen (1891) finds the earliest appearance of the tune in print in Neil Stewart's 1761 collection (pg. 34).

           

LADY MARGERET STEWART. Scottish, Reel. B Minor. Standard tuning. AB (Surenne): AAB (Gow): AABB (Kerr): AABB' (Athole). Gow (2nd Collection of Niel Gow’s Reels), 1788; pgs. 22-23 (3rd ed.). Henderson (Flowers of Scottish Melody), 1935. Kerr (Merry Melodies), vol. 3; No. 36, pg. 6. Stewart-Robertson (The Athole Collection), 1884; pg. 132. Surenne (Dance Music of Scotland), 1852; pg. 106. Green Linnet SIF 1047, John Cunningham - "Fair Warning" (1985). Tannahill Weavers – “Dancing Feet.”

See also listings at:

Alan Snyder’s Cape Breton Fiddle Recording Index

Jane Keefer’s Folk Music Index: An Index to Recorded Sources 

X:1

T:Lady Margaret Stewart

M:C|

L:1/8

R:Reel

B:Stewart-Robertson – The Athole Collection  (1884)

Z:AK/Fiddler’s Companion

K:B Minor

g|f2Bf dBfB|f/^g/a ef cAec|f2Bf dBfd|ecac B/B/B ~B:|

|:A|FBBc dBcA|EAAB cdec|1 FBBc dBdb|afec B/B/B B:|2 dBdb cAce|dfec B/B/B B||

           

LADY MARIA DUNDAS. Scottish, Reel. F Major. Standard tuning. AB (Surenne): AABB’ (Kerr). Kerr (Merry Melodies), vol. 4; No. 148, pg. 18. Surenne (Dance Music of Scotland), 1852; pg. 103.

X:1

T:Lady Mary Dundas

M:C

L:1/8

R:Reel

S:SurenneDance Music of Scotland, pg. 103   (1852)

Z:AK/Fiddler’s Companion

K:F

f || c>FF<F c2 Ac | dfef cAAf | c>FF<F c2 Ac | dfcA G<G Gf | c>FF<F c2 Ac |

dfef cAAf | c>FF<F c2 Ac | dfcA G<GG || g | (f/4g/2<a) ga fddf | cfAf cAAc |

(f/4g/2a<) ga fddf | cfcA G<GGg | (f/4g/2<a) ga fddf | cfAf cAAc | faga fgdf | cdAf G<G Gf ||

           

LADY MARIA PARKER. Scottish, Strathspey. A Major. Standard tuning. AA’B. Jones [Ed.] (Complete Tutor Violin), c. 1815; pg. 3.

X:1

T:Lady Maria Parker's Strathspey.

R:strathspey

M:C|

L:1/8

B:Complete Tutor Violin  (c. 1815)

Z:Dr. Evan Jones, 2005

K:A

U:w=!wedge!

U:T=!trill!

N: 1st/2nd time bars marked with slurs not braces. 3rd full bar after repeat a marked as quaver, replaced with semi-quaver.

c2 (B>A) (ce) c2 | d>cBA (GB) E2 | c2 (B>A) (ce) c2 |[1 (A/G/F/E/) FG A2 z2 :|[2 (a/g/).f/.e/ f>g a2 z2]|: (e/4f/4g/) |

a>ef>e a>A (d/c/)wB/wA/ | G>BE>B G>B  E (f/g/) | a>eTf>e a>A (d/c/)wB/wA/ | (GA/B/) (EF/G/) A2 A (e/4f/4g/) |

a>ef>e a>Ac>A G>BE>B G>BE>B | A>cB>d cedf | (a/g/f/e/) f>g a2 z2 |]

 

LADY MARY DOUGLAS. English, Jig. D Major. Standard tuning. AAB.

***

Lady Mary Douglas-Hamilton.

***

Kennedy (Fiddler’s Tune Book), vol. 2, 1954; pg. 45. Raven (English Country Dance Tunes), 1984; pg. 109.

X:1

T:Lady Mary Douglas

L:1/8

M:6/8

K:D

A/G/|FGA A2d|BGB A2G|FGA Adf|f3 e2G|FGA A2d|BGB A2b|afd gec|d3D2:|

f/g/|aba d’2a|f3 d2f|efe a2e|c3 ABc|d2d Bcd|e2e cde|fga agf|edc BAG|FGA A2d|

BGB A2G|FGA Adf|f3 e2G|FGA A2d|BGB A2b|afd gec|d3 D2||

           

LADY MARY DUNDAS.  See “Lady Maria Dundas.”

 

LADY MARY HAY. Scottish, Reel. C Minor. Standard tuning. AAB. Composed by C. Stewart. Glen (The Glen Collection of Scottish Dance Music), Vol. 2. 1895; pg. 32.

X:1

T:Lady Mary Hay

M:C

L:1/8

R:Reel