The Fiddler’s Companion
© 1996-2008 Andrew Kuntz
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Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C abc’s will convert to standard notation nicely. Or, get a
copy of abcNavigator 2 – its well worth it.
[AK] |
FOUL WEATHER CALL. English, Hornpipe. D Major. Standard
tuning. AABB. Barry Callaghan
(2007) remarks that it was “popularised as a lumpy step-hop” by modern bands.
The melody comes from the music manuscripts of the Welch family (Bosham,
Susses), from the 19th century. Callaghan (Hardcore English), 2007; pg. 36. EFDSS 6, Flowers & Frolics – “Sold Out” (1984). EFDSS CD04,
X:1
T:Foul Weather Call
M:2/4
L:1/16
R:Hornpipe
K:D
gfed e2a2 | gfed dcBA | d2A2 BcdB | g2f2e4 | gfed e2a2 | gfed dcBA |
d3B BcdG | F2E2D4 :: GFED A2A2 | Bcde dcBA | d2A2 BcdB |
g2f2e4 | gfed e2a2 | gfed dcBA | d3A BcdG | F2E2D4 :|
FOULA REEL. AKA and see "Da Auld Foula
Reel," "Da Shaalds O
Foula," "The Aald Reel." Shetland, Jig. E Minor (sometimes G
Major). Standard tuning. AABB. Hunter (1979) states the tune popularly used for
country dances is known today as "Da Shaalds O Foula" or "Da
Foula Shalds," but "The Foula Reel" is another tune altogether
whose dance has been lost. Anderson & Georgeson (1970), however, assert
there are many variations of both melody and dance (though most versions are in
jig time, with only a few in reel time) that go by all four titles mentioned
above. John Purser says the Foula Reel is still danced as a country dance in
jig time. He thinks the tune had its origins on the Scottish mainland. Anderson & Georgeson (Da
Mirrie Dancers), 1970; pg. 15. Barnes (English Country Dance Tunes, vol. 2),
2005; pg. 45. Hunter (Fiddle Music of
X:1
T:Foula
Reel
T:Da
Shaalds O Foula
M:6/8
L:1/8
R:Jig
K:E Minor
D|:E2G G2e|edB BAB|G2B A2B|G2A
GED|E2G G2e|edB BAB|
G2B A2B|d3 D3::edB ABd|edB BAG|g2B
A2B|
G2A GED|edB ABd|edB BAG|g2B A2B|d3
D3:|
FOULA SHAALDS, THE. AKA and see "Da Shaalds O Foula."
FOULLER'S
RANT. AKA ‑ "Fowler's
Rant"? AKA and see "Seme rune Rallanach,." “Tibby Fowler o’ the Glen [2].”
Scottish, Strathspey. E Minor. Standard tuning. AABBCCDD. John Glen (1891)
finds the earliest appearance of this tune in print in Alexander McGlashan's 1780
collection. A
X:1
T:Fouller’s
Rant
M:C|
L:1/8
R:Strathspey
S:McGlashan
– Strathspey Reels (c. 1781)
Z:AK/Fiddler’s Companion
K:E Minor
G|A/A/A A2
G3B|A/A/A A>B G<E E>G|A/A/A A>B G>AB>d|e<A A>B G>E
E:|
|:a|g>e e<g g<dd<B|g>e e<a g<b e>B|d>eg>d e>d B<b|A/A/A A>B G>E E:|
|:g|a/a/a a2 g3b|a/a/a a>b g<e e>g|a/a/a a2 g3b|baab g>e e:|
|:a|g>e
e<g d>edB|g>e e<a g<b e>B|d>eg>b e>gd>g|A/A/A
A>B G<E E:|
FOUNDERING OF THE BOAT, THE. Irish, Air (3/4 time). B Flat Major. Standard tuning. AB. “In Lough Derag,
X:1
T:Foundering
of the boat, in Lough Dearg,
M:3/4
L:1/8
R:Air
S:Stanford/Petrie (1905), No. 571
Z:AK/Fiddler’s Companion
K:B_
de | c2B2A2 | F2F2A2 | B2B2c | d4 cd
| e2c2B2 | A2B2c2 | d2 c3 B | B4 ||
F2 | F2F2 AB | c2d2c2 | B2A2F2 | F4
FE | F2B2A2 | B2c2d2 | c2A2F2 |
F4 ed | c2B2A2 | F2F2A2 | B2B2c2 |
d4 cd | e2c2B2 | A2B2c2 | de c3B | B4 ||
FOUNDRY SQUARE HORNPIPE. English, Hornpipe. B Flat Major. Standard tuning. AABB. Source for notated version: the c.
1847 music manuscript of Ellis Knowles, a musician from Radcliffe, Lancashire,
England [Plain Brown]. Plain Brown Tune Book, 1997;
pg. 26.
FOUR
AND TWENTY. American, Quadrille (4/4 time).
X:1
T:Four and Twenty
M:4/4
L:1/8
S:Shaw – Cowboy Dances (1943)
Z:AK/Fiddler’s Companion
K:C
c2c2 cGEG|A2A2 AFDF|B2B2 BGAB|c2e2
G4|c2c2 cGEG|
A2A2 AFDF|B2B2 BGAB|c4 c2 z2:|
|:e3d c3B|A2F2F4|d3c B3A|G2E2 E4|c3G
E3G|A2F2 F4|
B2G2 GABG|c2C2 C2z2:|
X:2
T:Four and Twenty
M:2/4
L:1/8
S:Viola “Mom” Ruth – Pioneer Western Folk Tunes (1948)
Z:AK/Fiddler’s Companion
K:C
cc c/G/E/G/|AA A2|BB B/G/A/B/|c>e G2|cc c/G/E/G/|AA A2|
BB B/G/A/B/|c/B/c/d/ c2:|
|:e2
c>G|AF F2|d2 B>G|AE E2|A2 G>E|FA d2|BGAB|c/B/c/d/ c2:|
FOUR AND
TWENTY BLACKBIRDS DANCING ON A FAWN SKIN. Old-Time, Breakdown. A Mixolydian.
Standard tuning. AABB. Source ‘Pappy’
FOUR AND TWENTY
HIGHLANDMEN. Scottish, Reel. The melody appears
in the Drummond Castle Manuscript,
1734, inscribed "A Collection of the best Highland Reels written by David
Young, W.M. & Accomptant." The MS, in the possession of the Earl of
Ancaster at
FOUR BARE LEGS TOGETHER. English, Scottish; Slip Jig and Air.
FOUR CENT COTTON. Old‑Time, Song and Breakdown.
FOUR CORNERS OF ST.
MALO, THE. AKA and see “The Four Poster Bed.”
FOUR CORNERS REEL. AKA and see “The Four Poster Bed.”
FOUR COURTS [1], THE (Na Ceitre Cuirt). Irish, Reel. G Major. Standard
tuning. ABC. The Four Courts is a building in
X:1
T:Four Courts, The [1]
M:C|
L:1/8
R:Reel
S:O’Neill –
Dance Music of
Z:AK/Fiddler’s Companion
K:G
dB|ADFD ADGB|ADFD G2 GB|ADFD
ADGF|(3EFE cA G2 FG|
ADFD ADGB|ADFD G2 FG|AGAc BABc|dBcA
G2||AG|F2 AF cFAG|
F2 cA G2 AG|F2 AF cFAC|dBcA G2 AG|F2
AF cFAG|F2 cA G2 (3ABc|
dfec dc (3ABc|dBcA G2||dB|A2 Ac B2
Bd|ABAF G2 dB|A2 Ac B2 Bc|
dBcA G2 dB|AFAc BGBd|ABAF G2
(3ABc|dfec dc (3ABc|dBcA G2||
FOUR COURTS [2], THE (Na Ceitre Cuirt). AKA and see “Pinch of Snuff.” Irish, Reel. A
Major. Standard. AABBC (O'Neill/1850): ABCD (O'Neill/1001). O'Neill (Music of Ireland: 1850 Melodies),
1903/1979; No. 1397, pg. 260. O'Neill (Dance
Music of
X:1
T:Four Courts, The [2]
M:C|
L:1/8
R:Reel
S:O’Neill –
Dance Music of
Z:AK/Fiddler’s Companion
K:A
c2 Ac B2 Ad | c2 Ac BcdB | c2 Ac B2
Ac | d2 fd BcdB | c2 Ac B2 Ad |
c2 Ac BcdB | c2 Ac B2 Ac | d2 fd
BcdB || ceeg f2 df | e2 cA BcdB |
ceeg (3fga ec | d2 fd BcdB | ceeg f2
df | e2 dA BcdB | ceeg (3fga ec |
d2 fd BcdB || a2 eg a2 eg | a2 ec
BcdB | a2 eg a2 ec | d2 fd BcdB |
agbg agbg | agec BcdB | agbg agec |
d2 fd BcdB || eAcA eAcA | eAcA BcdB |
eAcA eAcA | d2 fd BcdB | eAcA eAcA |
e AcA BcdB | eAcA eAcA | d2 fd BcdB ||
FOUR COURTS [3], THE. Irish, Reel.
FOUR COURTS [4], THE. AKA and see “Paddy in London.” Irish, Jig.
FOUR COURTS OF
FOUR CROSS ROADS, THE. Irish, Polka. Green
Linnet GLCD 1184,
FOUR DRUNKEN MAIDENS, THE. English, Reel.
FOUR-HAND
REEL, THE ("Seisd Na
Ceitre-Lam" or "Cor Ceatrair"). AKA and see "Ballyvaughan," "Corporal Casey [2],” “Corporal Casey’s Fancy,” "Five Mile Chase [1],” “Lady Gardner’s,” “Langford’s Reel,”
"Miss Gardner," "Parnell's Reel," “Wild Fire Chase,” "Yellow-Haired Laddie [1].”
Irish, Reel. G Major. Standard tuning. AB. Under the title “Langford’s Reel”
the melody appears in the mid-19th century music manuscripts of
***
The Scotch are
indefatigable when dancing this Reel; they seem almost
intoxicated with
it—they snap their fingers—throw their arms and feet in
the air—screech
out—and make such quick, and difficult steps, that the
eyes have trouble
following them. The figure is danced by
two ladies and
two gentlemen forming
a line of four, the ladies in the center. They begin
with a chain in
passing in and out of each other, until the two gentlemen
return to their
places, the ladies finish facing the gentlemen; then they
set (or balance) as
long as they can—in fact, they never seem tired, and
seem to acquire fresh strength each time they come to the balance.
***
See also
the Québec variant “Jack Delad.” Source
for notated version: “From my mother” [Mulvihill]. Howe (1000 Jigs and Reels), c. 1867; pg. 32. Levey (Dance Music of
X:1
T:Four-Hand Reel, The
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
R:Reel
K:G
(3DEF|"tr"G2 BG dGBG|FADA FADA|G2 BG dGBd|egfa gedB|
G2 BG dGBG|FADA FADA|G2 BG dcBd|egfa g2||
(3def|gdBd edBd|gdBd "tr"e2 ef|gdBd edBd|egfa g3 d|
gabg efge|dedc BGBd|"tr"edef edBd|egfa gedB||
G2 BG dcBG|(3FED AD BDAD|G2 BG dcBd|egfa gedB|
G2 BG dcBG|(3FED AD BDAD|G2 BG dcBd|egfa g2||
(3def|"tr"g2 gf gdBd|faag fdef|"tr"g2 gf gdBd|(3efg af g3 d|
gabg efge|dedc BGBd|"tr"edef edBd|(3efg af gedB||
X:2
T:Four Hand Reel, The
M:2/4
L:1/8
R:Reel
S:Levey - Dance Music of
N:Appears as untitled reel.
Z:AK/Fiddler's Companion
K:G
D | G(3B/A/G/ d/G/B/G/ | F/G/A/G/ (F/D/) D | G(3B/A/G/ d/G/B/d/ |
(3e/f/g/ f/a/ (g/e/) d/B/ | G(3B/A/G/ d/G/B/G/ | F/G/A/G/ (F/D/) D |
G(3B/A/G/ d/G/B/d/ | e/g/f/a/ g z || g/d/B/d/ e/d/B/d/ | g/f/g/a/ b>a |
g/d/B/d/ e/d/B/d/ | g/a/b/a/ g2 | gb/g/ e/g/e/g/ | d/e/d/e/ B/d/B/d/ |
e/g/e/g/ B/d/B/d/ | e/g/f/a/ g/e/d/B/ ||
FOUR-HAND REEL [2]. English, Reel. An irregular country dance
tune—the ‘A’ part has an odd number of bars. Source for this version was
Blakeney fiddler and blacksmith Herbert Smith
(1892-1961), who played it for BBC collector Peter Kennedy in 1952. Smith described
the dance thus: “The Four Hand Reel consisted of four of them and they would
compete against each other, make from corner to corner; and they would reverse
over from one corner to the other…they’d go round and make a reel of it, you
see…They would go round; after the corners they would go round and get into the
corners again. Why they call it the reel; well, they reel off, d’you see”
(quoted from Chris Holderness, “Herbert Smith: Fiddling blacksmith of
Blakeney”, Musical Traditions MTI 79).
FOUR HANDED REEL.
X:1
T:Four Handed
R:Reel
M:2/4
L:1/8
N:”Lively”
S:Harding’s All-Round Collection (1905), No. 5
Z:AK/Fiddler’s Companion
K:G
gf/e/ d/B/A/G/ | E/GE/ G/E/G/E/ | F/AF/ A/F/A/F/ | G/F/E/F/ G/B/e/f/ |
gf/e/ d/B/A/G/ | E/GE/ G/E/G/E/ | F/BF/ B/F/B/z/ | z/A/F/G/ Ez :|
|: D/F/A/d/ c/d/A/d/ | B/d/G/d/ B/b/a/g/ | f/a/e/g/ d/f/c/e/ | B/e/d/^c/ d/B/G/E/ |
D/F/A/d/ c/d/A/d/ | B/d/G/d/ B/b/a/g/ | f/a/e/g/ d/a/f/d/ | gbgz :|
FOUR HUNDERD YEARS OLD. American, Jig.
FOUR JACKS, THE. Canadian, March (?). D Major ('A', 'B' parts)
& G Major ('C' part). Standard tuning. AABC. Messer (Anthology of Favorite Fiddle Tunes), 1980; No. 184, pg. 126‑127.
FOUR KISSES, THE. Irish, Reel. Shanachie
SH-78010, Solas - “Sunny Spells and Scattered Showers” (1997).
FOUR KNOCKS, THE. See “Dowser’s
Favourite.” Jack Wade collected this tune from the “Late T(om) Matthews,
Co. Meath.” Matthews was a musician from Greenanstown,
FOUR LEAVED SHAMROCK
[1], THE (Seamrog Na
Ceitre Duille).
Irish, Air (4/4 time). G Major. Standard tuning. One part (O'Neill/1915): ABC
(O'Neill/1850). O'Neill (O’Neill’s Irish
Music), 1915/1987; No. 56, pg. 36. O'Neill (Music of Ireland: 1850 Melodies), 1903/1979; No. 135, pg. 24.
X:1
T:Four-Leaved Shamrock, The
M:C
L:1/8
R:Air
N:”Spirited”
S:O’Neill –
Music of
Z:AK/Fiddler’s Companion
K:G
d | dBce dgzg | g>fge d2 zd |
dcAF GBdg | gecA G2 {F/A/G/}F>d |
dBce dgfg | agfe d3d | dc{c}BA Ggfe
| dBB>A G3 || g | aefd gBcd |
eABc F3d | dBce dgfg | gfef g2e ||
dBA>G G2 [B2b2] | [Bb][Aa][Bb][Aa][G2g2] ||
FOUR LEAVED SHAMROCK [2], THE. Irish, Reel. D Major. Standard
tuning. AA’BB’.
X:1
T:Four Leaved Shamrock, The [2]
M:4/4
L:1/8
C:Paddy O'Brien
S:Dan Cummins and Bev Buchannan
R:reel
K:D
fd~d2 edBc|dfec dBAF|DEFB ABdf|~e2df efBd|
fd~d2 edBc|dfec dBAF|DEFB ABdf|1edef d3e:|2edef d3B||
Addc defa|bfaf efdB|BAFB ABdf|eB~B2 egfe|
dBAB defa|bfaf edBA|DEFB ABdf|1edef d3B:|2edef d3e:||
FOUR
MARY'S WALTZ. Scottish, Air and Waltz. G Major.
Standard tuning. AA (Kerr): AB (Perlman). The melody is an adaptation of a
famous Scottish song that usually goes by the title of “Mary Hamilton” or “The
Queen’s Maries,” whose chorus goes:
***
Last night there were four Maries, tonight
there’ll be but three,
There was Mary Beaton and Mary Seaton, Mary
Carmichael and me.
***
The ballad, a lament before the
fourth Mary’s execution, is based on a germ of truth. Four female children were selected to
accompany the six year old Scottish Princess Mary when she was sent to
X:1
T:Four Marys, The
M:3/4
L:1/8
R:Waltz
S:Kerr – Merry Melodies, vol. 3, No.
428 (c. 1880’s)
Z:AK/Fiddler’s Companion
K:G
G2|(B4A2)|G2B2d2|e6|d4G2|B4B2|d2c2B2|(A6|A2)z2d2|
g4 g2|f2d2B2|e4e2|d2G2A2|B2d2B2|A2G2A2|(G6|G2)z2:|
FOUR MILE STONE, THE (Cloch na Ceithre Mhile).
Irish, Reel. E Minor. Standard tuning. AB. The tune was composed by
classically-trained Irish musician Arthur Darley (originally from Dun
Laoghaire, County Dublin), who had an appreciation for traditional music and
who performed (on the violin) and collected it (see Darley & McCall's
collection) in the early 20th century. Darley was employed as a
X:1
T:Cloch na Ceithre Mhile (The Four Mile Stone)
M:C|
L:1/8
C:Arthur Darley
S:Mairead Mhaonaigh etc. (Ceol Aduaidh)
R:Reel
K:C
~A,2 EA,~A,2 EA,|~A,2GE DB,A,B,|
G,2(3B,A,G, DG,B,A,|G,B, (3BBB, G,B,DB,|!
~A,2 EA, ~A,2 AB|(3BBA BG AGAB|
(3BBA BG AGEA|GEDB, G,A,A,G,:|!
(3A,EA BA eABA|A,E (3EEE D2 B,G,|
(3B,A,G, DG, EG,D2|(3ded (3BdB (3GAG DA,|!
(3B,DE AA AB (3cde|AGED E2 AB|
(3BBA BG AGEA|GEDB, G,A,A,G,:|
FOUR MILES TO
FOUR PATTER DOWN. Old‑Time, Fiddle Tune. The title appears in a list of traditional
FOUR POSTER BED, THE. AKA and see “Four Corners of St. Malo,” “Four Corners Reel,” "Four Posts of the Bed," “Les Quatre
Coins du Lit,” “Les Quat' Coins de St Malo.” English, Scottish, Irish,
Shetlands; Polka, Reel or ‘Programme Piece’.
X:1
T:Four Posts of the Bed, The
M:C|
L:1/8
Q:220
S:John Doherty
R:polka
Z:Philippe Varlet
K:D
e2 ef e2 ef | edcB A2 E2 | A2 e2 f2 fe | g2 fe f2 a2 |
e2 ef e2 ef | edcB A2 g2 | f2 g2 e2 c2 |1 d4 g3 f :|2 d4 d2 Ad ||:
f2 gf e2 fg | abag fAde | f2 gf e2 fg | a2 ^gb a2 Ad |
f2 gf e2 fg | abag fAde | f2 gf e2 a2 |1 d4 d2 Ad :|2 d4 g3 f ||:
e2 ef e2 ef | edcB A2 E2 | A2 e2 z2 e2 | z2 e2 z2 e2 |
z2 e2 e3 f | edcB e2 eg | f2 g2 e2 c2 | d4 g3 f :||
FOUR POSTS OF THE BED
[1], THE. See "Four
Poster Bed." Reel or Polka.
FOUR POSTS OF THE BED [2], THE. Irish, Double Jig. Shanachie
SH-78010, Solas - “Sunny Spells and Scattered Showers” (1997).
FOUR PROVINCES (FLING) No. 1. AKA and see “The First of May [1].” Irish, Fling. A Dorian.
Standard tuning. AABB.
X:1
T:Four Provinces Flings #1
T:First of May, The
S:Moloney/O'Donnell/Egan
Z:Nigel Gatherer
M:4/4
L:1/8
K:Ador
z | E>AA>B c3 B | Adde f2 ef | gfec dfec | dcAF G3 F |
E>AA>B c3 B | Adde f2 ef | gfec dedc | A2 AG A2 :|
(3efg | a2 af g2 ge | f2 fd e3 f | gfec dfec | dcAF G3 F |
E>AA>B c3 B | Adde f2 ef | gfec dedc | A2 AG A2 :|
FOUR PROVINCES (FLING) No. 2. AKA and see “Duncan Davi(d)son.”
Irish, Fling. D Major. Standard tuning. AA’B.
X:1
T:Four Provinces Flings #2
T:Duncan Davidson (Kerr's MM Bk1p17)
S:Moloney/O'Donnell/Egan
Z:Nigel Gatherer
M:4/4
L:1/8
K:D
z | D>FA>B A<F d2 | D>FA>B A<F E2 |\
D>FA>B A<Fd>e |1 f>de>g f>dA>D :|
2 f>de>g f>dd || e | f2 f2 g>f>e>d | c>AA>B
c>de>g |\
f2 f2 g>f>e>d | c>ea>g f>dd>e | f2 f2 g>f>e>d |
c>AA>B c>de>g |
(3fed (3edc d>BA>F | G>BA>F G>FE>F |]
FOUR PROVINCES (FLING) No. 3. AKA and see “Lady Mary Ramsay [2],” “The Queen’s Shilling.” Irish, Fling. G Major.
Standard tuning. AAB.
X:1
T:Four Provinces Flings #3
T:Lady Mary Ramsay (Kerr's MM Bk1p10)
T:The Queen's Shilling (DMI752)
S:Moloney/O'Donnell/Egan
Z:Nigel Gatherer
M:4/4
L:1/8
K:G
z2 | G3 B d<BB>c | d<Bg>B d>BA>B | G3 B d<BB>d | (3efg
(3dcB A2 :|
g>a | b<gg>b a<ff>a | g2 gd e>fg>a | b<gg>b a<f
f2 | (3gfe (3dcB A2 g>a |
| b<gg>b a<ff>a | g2 gd e>fg>a | b>ga>f g>fe>d |
(3efg (3dcB A2 |]
FOUR SEASONS [1], THE. Irish, Air or Reel (4/4 time). G Major.
Standard tuning. AB. Stanford/Petrie (Complete
Collection), 1905; No. 416, pg. 105.
X:1
T:Bessy of Dromore
M:C
L:1/8
R:Air
S:Stanford/Petrie (1905), No. 416
Z:AK/Fiddler’s Companion
K:G
D | G2 GG GBdB | c2 BA Bdge | d2 de
dBGA| Bd cB A2 dB | G2 GG GBdB |
c2 BA Bdge | d2 de dBGB | A>GAB
G3 || B/>c/ | d2 dd dggf | edef g3 f/e/ |
d2 de dBGA | BdcB A3 d/B/ | G2 GG
GBdB | c2 BA Bdge | d2 d{f}e dBG>B | A>GAB G2 ||
FOUR SEASONS [2], THE. English, Jig. D Major. Standard tuning. AABBCC.
The jig appears in print in Straight and Skillern’s Two Hundred & Four Favourite Country Dances, vol. 1 (
X:1
T:Four Seasons, The [2]
M:6/8
L:1/8
R:Jig
K:D
aba f2f | agf e2A | d2A e2A | agf e2e |
a2a fdf | agf efe |
d2A e2A | fge d3 ::
FGF EFG G2E F2D | FGF EFG | GFE F2 D |
F2F EFG | FFDE FED | FGF FEF | GFE D2 :: B |
ABA GAG | EFG F2D |
X:2
T:Four
Seasons, The [2]
M:6/8
L:1/8
R:Jig
K:G