MALCOLM B. 'MAC' WISEMAN
- Chronological Listing of Recording Sessions -
Compiled by Charley Pennell, with data compiled by Eddie Stubbs, Russ Wapensky, & Richard Weize for Bear Family Records, and PragueFrank.
19481000 |
1948 Fall, Mercury session for Flatt & Scruggs, Producer: Robert Murray Nash, Radio Station WROL, Gay Street, Knoxville, Tenn. | ||
YB 2031 | God loves his children (L. Flatt-E. Scruggs; BMI) | 6161 | MG-20358 |
L. Flatt-L; M. Wiseman-T; E. Scruggs-B; Jim Shumate-BS | |||
YB 2032 | I'm going to make Heaven my home (L. Flatt-E. Scruggs; BMI) | 6161 | MG-20542 |
L. Flatt-L; M. Wiseman-T; E. Scruggs-B; Jim Shumate-BS | |||
YB 2033 | We'll meet again sweetheart (L. Flatt-E. Scruggs; Peer, BMI) | 6181 | MG-20358 |
L. Flatt-L; M. Wiseman-T | |||
YB 2034 | My cabin in caroline (Flatt-Scruggs) | 6181 | MG-20358 |
L. Flatt-L | |||
Lester Flatt-g; Earl Scruggs-bj; Malcolm B. 'Mac' Wiseman-g; James 'Jim' Shumate-f; Howard Staton Watts 'Cedric Rainwater'-sb | |||
19491022 |
22 October 1949, Columbia session for Bill Monroe & His Blue Grass Boys, Castle Studio, Tulane Hotel, 206 8th Ave. North, Nashville, Tenn. | ||
CO 41835-4 | Can't you hear me callin' (Bill Monroe) | BCD-16399 | |
M. Wiseman-L; B. Monroe-T | |||
CO 41835-3 | Can't you hear me callin' (Bill Monroe) | BCD-16399 | |
M. Wiseman-L; B. Monroe-T | |||
CO 41835-BD | Can't you hear me callin' (Bill Monroe) | C2K-52478 | |
M. Wiseman-L; B. Monroe-T | |||
CO 41835-2 | Can't you hear me callin' (Bill Monroe) | C2K-52478 | |
M. Wiseman-L; B. Monroe-T | |||
CO 41835-1 | Can't you hear me calling (Bill Monroe) | 20676 | HL-7290 |
M. Wiseman-L; B. Monroe-T | |||
CO 41836-2 | Travelin' this lonesome road (Bill Monroe) | C2K-52478 | |
M. Wiseman-L; B. Monroe-T | |||
CO 41836-1 | Travelin' this lonesome road (Bill Monroe) | 20676 | HL-7338 |
M. Wiseman-L; B. Monroe-T | |||
CO 41837-3 | Blue grass stomp (Bill Monroe) | BCD-16399 | |
(Instrumental) | |||
CO 41837-BD | Blue grass stomp (Bill Monroe) | BCD-16399 | |
(Instrumental) | |||
CO 41837-2 | Blue grass stomp (Bill Monroe) | BCD-16399 | |
(Instrumental) | |||
CO 41837-1 | Blue grass stomp (Bill Monroe) | 20648 | HL-7290 |
(Instrumental) | |||
CO 41838-3 | The girl in the blue velvet band (Cliff Carlisle-Mel Foree) | BCD-16399 | |
B. Monroe-L | |||
CO 41838-2 | The girl in the blue velvet band (Cliff Carlisle-Mel Foree) | BCD-16399 | |
B. Monroe-L | |||
CO 41838-1 | The girl in the blue velvet band (Cliff Carlisle-Mel Foree) | 20648 | HL-7290 |
B. Monroe-L | |||
William Smith 'Bill' Monroe-m; Malcolm B. 'Mac' Wiseman-g; Rudy Lyle-bj; Robert R. 'Chubby' Wise-f; Jack Thompson-bs | |||
19510523 |
23 May 1951, Dot session, Radio Station KWKH Studio, 509 Market Street, Shreveport, La., Afternoon | ||
M 8675 | Little white church (Eugene Wellman) | 45-1075 | DLP-3336 |
M. Wiseman-LV/TC; T. Mullins-LC | |||
M 8676 | I'm a stranger (Mac Wiseman) | 45-1075 | DLP-3697 |
M. Wiseman-LV/TC; T. Mullins-LC | |||
M 8734 | Tis sweet to be remembered (Mac Wiseman) | 45-1062 | DLP-3084 |
M. Wiseman-L | |||
M 8735 | Are you coming back to me (Mac Wiseman) | 45-1062 | DLP-3697 |
T. Mullins-L; M. Wiseman-T | |||
Malcolm B. 'Mac' Wiseman-g; Joe Medford-bj; Ted Mullins-m; Ralph Mayo-f; Don Davis-sb | |||
195201-02 |
January-February 1952, Dot session, Radio Station WHIN Studio, 1625 Highway 109, Gallatin, Tenn., Evening | ||
M 5048 | I'll still write your name in the sand (Buddy Starcher) | 45-1091 | DLP-3084 |
M. Wiseman-L | |||
M 5049 | Four walls around me (Billy Stallard) | 45-1091 | DLP-3084 |
M. Wiseman-L | |||
M 5050 | Georgia waltz (George Krise) | 1092 | DLP-3697 |
M. Wiseman-L | |||
M 5051 | Dreaming of a little cabin (Albert E. Brumley) | 1092 | DLP-3697 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; David 'Stringbean' Akeman-bj; Rollin 'Oscar' Sullivan-m/rhythm g [5050 only]; Thomas Lee 'Tommy' Jackson-f; Ernest 'Ernie' Newton-sb | |||
195203-04 |
March-April 1952, Dot session, Radio Station WHIN Studio, 1625 Highway 109, Gallatin, Tenn., Evening | ||
M 6031 / 8668 | You're the girl of my dreams (A. P. Carter) | 45-1115 | DLP-3697 |
M. Wiseman-L | |||
M 6032 / 8683 | Six more miles (Hank Williams) | 45-1146 | CCS-CD-113 |
M. Wiseman-L | |||
M 6033 / 8667 | I wonder how the old folks are at home (A. P. Carter) | 45-1115 | DLP-3084 |
M. Wiseman-L | |||
M 6034 / 8738 | Going to see my baby (Alton Delmore-Arthur Smith) | 1126 | DLP-3697 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Russell Vass-bj; Jim Williams-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Ernest 'Ernie' Newton-sb | |||
19520600 |
1952 Summer, Dot session, Radio Station WHIN Studio, 1625 Highway 109, Gallatin, Tenn., Evening | ||
M 6076 / 8684 | It's goodbye and so long to you (Raymond Couture-Harold J. Breau) | 45-1146 | DLP-3697 |
Jim Williams-L; M. Wiseman-T | |||
M 6077 / 8739 | Fire in my heart (Buddy Starcher-Clark Van Ness) | 1126 | DLP-3336 |
M. Wiseman-L; J. Williams-T | |||
M 6078 / 8679 | Waiting for the boys (Luther E. Presley) | 45-1131 | DLP-3408 |
M. Wiseman-LV/TC; J. Williams-LC | |||
M 6079 / 8680 | I'd rather live (by the side of the road) (Albert E. Brumley) | 45-1131 | DLP-3697 |
M. Wiseman-L; J. Williams-T | |||
Malcolm B. 'Mac' Wiseman-g; Ed Amos-bj; Jim Williams-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Ernest 'Ernie' Newton-sb | |||
19521100 |
November 1952, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 7031 / 8741 | Shackles and chains (Jimmie Davis) | 45-1150 | DLP-3084 |
M. Wiseman-L | |||
M 7032 / 8740 | Goin' like wildfire (George Krise) | 45-1150 | DLP-3084 |
M. Wiseman-L | |||
M 7033 / 8743 | You're sweeter than honey (George Krise) | 45-1158 | CCS-CD-113 |
M. Wiseman-L | |||
M 7034 / 8744 | Don't let your sweet love die (Clark Van Ness-Zeke Manners-Roy Hall) | 45-1158 | DLP-3084 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Ed Amos-bj; Rollin 'Oscar' Sullivan-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Ernest 'Ernie' Newton-sb | |||
195302-03 |
February-March 1953, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 7090 / 2359 | Crazy blues (Arthur Smith) | 45-1168 | DLP-3408 |
M. Wiseman-L | |||
M 7091 / 2360 | You'd better wake up (Jim Eanes) | 45-1173 | CCS-CD-113 |
M. Wiseman-L | |||
M 7092 / 2361 | When I get the money made (Charles Louvin-Ira Louvin-Mac Wiseman) | 45-1236 | CCS-CD-113 |
M. Wiseman-L | |||
M 7093 / 2362 | Rainbow in the valley (Scott-Ward-James) | 45-1168 | DLP-3084 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Thomas Grady Martin-g; Wayne Brown-bj; Walter L. 'Hank' 'Sugarfoot' Garland-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
195304-05 |
April-May 1953, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North, Nashville, Tenn. | ||
M 8101 / 3918 | I'd rather die young (Smith-Vaughn-Wood) | 45-1173 | DLP-3336 |
M 8102 / 3919 | Remembering (Gurney Martin-Mac Wiseman) | 45-1182 | DLP-3084 |
M. Wiseman-L | |||
M 8103 / 3920 | My little home in Tennessee (Carson J. Robison) | 45-1194 | DLP-3408 |
M. Wiseman-L | |||
M 8104 / 3921 | Let me borrow your heart for just tonight (Lorene Vass-Mac Wiseman) | 45-1182 | DLP-3408 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Thomas Grady Martin-g; Claude J. 'Jackie' Phelps-bj; Walter L. 'Hank' 'Sugarfoot' Garland-m; Thomas Lee 'Tommy' Jackson-f; Dale Potter-f; Ernest 'Ernie' Newton- sb | |||
19530700 |
Summer 1953, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North, Nashville, Tenn. | ||
M 8180 | Love letters in the sand (Charles Kenny-Nick Kenny) | 45-1191 | DLP-3084 |
M 8181 | I haven't got the right to love you (Sam Buchanan-Vernon Claude) | 45-1194 | DLP-3084 |
M. Wiseman-L | |||
M 8182 | Keep on the sunny side (A. P. Carter) | 45-1224 | DLP-3336 |
M. Wiseman-L | |||
M 8183 | Reveille in Heaven (Fred Kirby) | 45-1192 | DLP-3697 |
M. Wiseman-L | |||
M 8184 | Dreams of mother and home (Mac Wiseman) | 45-1192 | DLP-3408 |
M. Wiseman-L | |||
M 8185 | The waltz you saved for me (G. Kahn-W. King-E. Flindt) | 45-1191 | DLP-3336 |
M. Wiseman-L | |||
M 8186 | Paradise Valley (Stamps-White) | DLP-3702 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Allen Shelton-bj; Chubby Collier-m/f [8181 only]; Thomas Lee 'Tommy' Jackson, Jr.-f; Ernest 'Ernie' Newton-sb | |||
19540000 |
1954, Town and Country Time radio broadcast, Arlington, Va. | ||
[01] | You can't judge a book by its cover | TCT-76 | |
M. Wiseman-L | |||
[02] | I saw your face in the moon | TCT-76 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19540100 |
January 1954, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 8275 | I saw your face in the moon (Otis Elder; Leeds Music, ASCAP) | 45-1202 | DLP-3084 |
M. Wiseman-L | |||
M 8276 | You can't judge a book by its cover (Claude Boone) | 45-1202 | DLP-3408 |
M. Wiseman-L | |||
M 8277 | I love you best of all (Trad.) | 45-1224 | DLP-3697 |
M. Wiseman-L | |||
M 8278 | Wabash Cannonball (A. P. Carter) | unissued | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Walter L. 'Hank' 'Sugarfoot' Garland-g; unidentified-bj; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
19540900.1 |
September 1954, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 8424 | Don't blame it all on me (Curt Barrett-Charles Wilkins) | 1230 | DLP-3697 |
M. Wiseman-L | |||
M 8425 | I didn't know (Billy Vaughn) | 1230 | DLP-3697 |
M. Wiseman-L | |||
M 8426 | The little old church in the valley (Gus Kahn-Van Alstyne Egbert-Harold Gene) | 45-1236 | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Donnie Bryant-bj; Don Hoaglin-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
19540900.2 |
September 1954, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North, Nashville, Tenn. | ||
M 8427 | When the roses bloom again (Will D. Cobb-Gus Edwards) | 45-1266 | BCD-15976 |
M. Wiseman-L | |||
M 8428 | Wabash Cannonball (A. P. Carter) | 45-1262 | DLP-3408 |
M. Wiseman-L | |||
M 8429 | Fire ball mail (Floyd Jenkins-William Axt) | 45-1266 | DLP-3408 |
M. Wiseman-L | |||
M 8430 | Darlin' how could you forget so soon (Gene Autry-Pee Wee King-J. L. Frank) | 45-16194 | CCS-109 |
M. Wiseman-L | |||
M 8431 | I'm drifting back to dreamland | 45-1285 | BCD-15976 |
M. Wiseman-L | |||
M 8432 | Smilin' through (Buddy Starcher) | 45-1285 | LP-5067 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Donnie Bryant-bj; Don Hoaglin-m; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
19550300 |
March 1955, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North, Nashville, Tenn. | ||
M 8594-3 | The ballad of Davy Crockett (Thomas Blackburn-George Bruns) | 45-1240 | BCD-15976 |
M. Wiseman-L | |||
M 8595-8 | Danger! Heartbreak ahead (Carl Stutz-Edith Lindeman) | 45-1240 | DLP-3408 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Walter L. 'Hank' 'Sugarfoot' Garland or Thomas Grady Martin-g; Donnie Bryant-bj; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
19550400 |
April 1955, Dot session, Castle Studio, Tulane Hotel, 206 8th Avenue North, Nashville, Tenn. | ||
M 8642 | The Kentuckian song (Irvin Gordon) | 45-1262 | DLP-3336 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Jackie Phelps-bj; Benny Williams-m; Thomas 'Tommy' Vaden-f; Curtis Lee-f; Ernest 'Ernie' Newton-sb | |||
19551000 |
October 1955, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 9001 | I hear you knocking (Dave Bartholomew) | 45-1273 | DLP-3336 |
M. Wiseman-L | |||
M 9002 | Camptown Races (Trad.) | 45-1273 | BCD-15694 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Thomas Lee 'Tommy' Jackson, Jr.-f; Johnny Maddox-piano; Beasley Smith-leader; others unknown | |||
19551200 |
December 1955, Dot session, Engineers: Aaron Shelton & Glenn Snoddy, Castle Studio, Tulane Hotel, 206 8th Avenue North,
Nashville, Tenn. | ||
M 9028 | Dark as a dungeon (Merle Travis) | 45-16194 | BCD-15976 |
M. Wiseman-L | |||
M 9029 | I want to be loved (Walter Bailes-Johnnie Bailes) | unissued | BCD-15694 |
M. Wiseman-L | |||
M 9030 | These hands (Eddie Noack) | 45-1276 | DLP-3408 |
M. Wiseman-L | |||
M 9031 | I'm eatin' high on the hog (Mac Wiseman-Paul Keys) | 45-1276 | DLP-3408 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Chester B. 'Chet' Atkins-elec g; Donnie Bryant-bj; Thomas Lee 'Tommy' Jackson, Jr.-f; Dale Potter-f; Ernest 'Ernie' Newton-sb | |||
19560404 |
4 April 1956, Dot session, Engineers: Aaron Shelton & Glenn Snoddy; Producer: Mac Wiseman, Castle Studio, Tulane Hotel, 206 8th
Avenue North, Nashville, Tenn. | ||
M 9120 | The meanest blues in the world (Martha Carson) | 45-1282 | BCD-15694 |
M. Wiseman-L | |||
M 9121 | Be good baby (Martha Carson) | 45-1282 | BCD-15694 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Billy Vaughn-leader; other details unknown | |||
19560817 |
17 August 1956, Dot session, Producer: Billy Vaughn; Leader: Mac Wiseman, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif., 09:00-12:00 | ||
MB 9284 | I'm waiting for ships that never come in (Olman-Yellen) | 45-15497 | DLP-3336 |
M. Wiseman-L | |||
MB 9285 | One mint julep (Rudolph-Toombs) | 45-15497 | DLP-3336 |
M. Wiseman-L | |||
MB 9286 | Hey mister bluesman (Martha Carson) | unissued | BCD-15694 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Bernard 'Barney' Kessel-g; Jack W. Marshall-g; Larry Breen-sb; Alvin A. Stoller-drums; Milton 'Shorty' Rogers-piano | |||
19570131 |
31 January 1957, Dot session, Leader: Billy Vaughn, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif., 20:00-23:00 | ||
MB 9515-29 | Step it up and go (Trad.) | 45-15544 | DLP-3336 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
MB 9516 | Sundown (Mac Wiseman-Paul Keys) | 45-15544 | DLP-3408 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
MB 9517 | Gone (Smokey Rogers) | unissued | BCD-15976 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Bernard 'Barney' Kessel-g; Jack W. Marshall-g; Larry Breen-sb; Richard C. 'Dick' Shanahan-drums; Jack Halloran Singers-chorus | |||
19570412 |
12 April 1957, Dot session, Leader: Billy Vaughn, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif., 13:30-16:30 | ||
MB 9640 | Teenage hangout (Danny Wolfe) | unissued | BCD-15694 |
M. Wiseman-L | |||
MB 9641 | Because we are young (Allison-Johnson) | 45-15578 | BCD-15976 |
M. Wiseman-L | |||
MB 9642 | Shame, shame, shame (Ken Hopkins-Ruby Fisher) | unissued | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Otis William 'Joe' Maphis-g; Howard Mancel Roberts-g; Larry Breen-sb; Milton Holland-drums; Milton 'Shorty' Rogers-piano | |||
19570805.1 |
5 August 1957, Dot session for Reno & Smiley, Producer: Mac Wiseman; Engineer: Selby Coffeen, RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock Street, Nashville, Tenn. | ||
MW 10039 | Won't you kiss me one more time (Pete Stamper) | DLP-3490 | |
R. Smiley-L; D. Reno-T; Mac Wiseman-HB | |||
Arthur Lee 'Red Smiley'-rhythm g; Donald Wesley 'Don' Reno-bj; Walter Louis 'Hank' 'Sugarfoot' Garland-m; Mac Magaha-f; Benjamin Edward 'Benny' Martin-f; John Palmer-sb; Mac Wiseman- V | |||
19570805.2 |
5 August 1957, Dot session for Reno & Smiley, Producer: Mac Wiseman; Engineer: Selby Coffeen, RCA Victor Studio, Methodist Television, Radio & Film Commission, 1525 McGavock Street, Nashville, Tenn. | ||
MB 10040 | Where did our young years go? (J. Rhodes; Tree Publishing, BMI) | 45-15649 | DLP-3490 |
R. Smiley-L; D. Reno-T; Mac Wiseman-HB | |||
Arthur Lee 'Red Smiley'-rhythm g; Donald Wesley 'Don' Reno-bj; Walter Louis 'Hank' 'Sugarfoot' Garland-m; Mac Magaha-f; Benjamin Edward 'Benny' Martin-f; John Palmer-sb; Mac Wiseman- V | |||
19570820 |
20 August 1957, Dot session, Leader: Billy Vaughn, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif., 20:00-23:00 | ||
MB 10049-36 | I'll still write your name in the sand (Buddy Starcher) | 45-15638 | NLP-2067 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
MB 10050-13 | Tis sweet to be remembered (Mac Wiseman) | 45-15638 | NLP-2067 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
Malcolm B. 'Mac' Wiseman-V; Trefoni 'Tony' Rizzi-g; Howard Mancel Roberts-g; Max R. Bennett-sb; Richard C. 'Dick' Shanahan-drums; Milton 'Shorty' Rogers-piano | |||
19570900 |
September 1957, Dot session, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif. | ||
MB 10152-15 | Promise of things to come (Aaron Schroeder; Ross Jungickel, Inc., ASCAP) | 45-15796 | BCD-15694 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
MB 10153-18 | Thinkin' about you (Fred Carter; American Music, Inc., BMI) | 45-15796 | BCD-15694 |
M. Wiseman-L; Jack Halloran Singers-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Jack Halloran Singers-chorus; other details unknown | |||
19571000 |
October 1957, Dot session, Radio Recorders, 7000 Santa Monica Boulevard, Hollywood 38, Calif. | ||
MB 10319 | Put me in your pocket (W. Lee-O'Daniel) | 45-15731 | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other details unknown | |||
19580221 |
21 February 1958, Dot session, Leader: Mac Wiseman; Contractor: Billy Vaughn, Gold Star Recording Studios, 6252 Santa Monica Boulevard, Hollywood, Calif., 12:00-15:00 | ||
MB 10639 | When the work's all done this fall (Trad.) | 45-15731 | DLP-3336 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Otis William 'Joe' Maphis-g; Marion Z. 'Pee Wee' Adams-sb; Enos 'Skeets' McDonald-sb; James Alexander 'Jimmy' Pruitt-piano | |||
19590000.1 |
1959, U.S. Army session for Country Music Time radio broadcast, unknown | ||
[01] | Wabash Cannonball (A. P. Carter) | CMT-111 | LP-5067 |
M. Wiseman-L | |||
[02] | Driftwood on the river (Don Klenner-Bob Miller) | CMT-111 | LP-5067 |
M. Wiseman-L | |||
[03] | Hold fast to the right (W. H. Doane-R. E. Winsett) | CMT-111 | LP-5067 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19590000.2 |
1959, Bear Family reissue of Country Style USA television broadcast, Producer: Harold Bradley, Nashville, Tenn. | ||
[01] | Stay a little longer, stay all night | BVD-20113 | |
M. Wiseman-L | |||
[02] | Tis sweet to be remembered | BVD-20113 | |
M. Wiseman-L | |||
[03] | Love letters in the sand | BVD-20113 | |
M. Wiseman-L | |||
[04] | Keep on the sunny side | BVD-20113 | |
M. Wiseman-L | |||
[05] | Stay a little longer, stay all night | BVD-20113 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19590000.3 |
1959, U.S. Army session for Country Style television broadcast, Producer: Harold Bradley, Nashville, Tenn. | ||
[01] | Stay a little longer, stay all night | Country Style USA195 | BVD-20113 |
M. Wiseman-L | |||
[02] | Goin' like wildfire (George E. Krise) | Country Style USA195 | LP-5067 |
M. Wiseman-L | |||
[03] | Shackles and chains (Public domain) | Country Style USA195 | LP-5067 |
M. Wiseman-L | |||
[04] | Blue doll | Country Style USA195 | |
M. Wiseman-L | |||
[05] | Each ring of the hammer (Don Owens) | Country Style USA195 | LP-5067 |
M. Wiseman-L | |||
[06] | Unknown | Country Style USA195 | |
(Instrumental) | |||
[07] | Stay a little longer, stay all night | Country Style USA195 | BVD-20113 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; unknown-lead g; Benny Williams-f [06 only]; unknown-steel g; unknown-sb | |||
19590000.4 |
1959, U.S. Army session for Country Style television broadcast, Producer: Harold Bradley, Nashville, Tenn. | ||
[01] | Stay a little longer, stay all night | Country Style USA202 | BVD-20113 |
M. Wiseman-L | |||
[02] | I'm drifting back to dreamland (Charlesworth-Harrison-Sadler) | Country Style USA202 | LP-5067 |
M. Wiseman-L | |||
[05] | Stay a little longer, stay all night | Country Style USA202 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19590000.5 |
1959, U.S. Army session for Country Style television broadcast, Producer: Harold Bradley, Nashville, Tenn. | ||
[01] | Stay a little longer, stay all night | Country Style USA213 | |
M. Wiseman-L | |||
[02] | The preacher and the bear (Joe Arizona) | Country Style USA213 | LP-5067 |
M. Wiseman-L | |||
[03] | Wildwood flower (Public domain) | Country Style USA213 | LP-5067 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19590122 |
22 January 1959, Dot session, Producer: Owen Bradley, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
MB 11831 | Beside the still waters (Theodore Silva) | DLP-3135 | |
M. Wiseman-L | |||
MB 11832 | How great Thou art (Carl Roberg-Stuart Hine) | DLP-3135 | |
M. Wiseman-L | |||
MB 11833 | Just a closer walk with thee (Trad.) | DLP-3135 | |
M. Wiseman-L | |||
MB 11834-3 | Standing somewhere in the shadows (J. E. Rollings) | unissued | BCD-15976 |
M. Wiseman-L | |||
MB 11835-1 | When God dips his love in my heart (Clevant Derricks) | unissued | BCD-15976 |
M. Wiseman-L | |||
MB 11836-13 | Hold fast to the right (James D. Vaughan) | unissued | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Joseph Scudder 'Joe' Zinkan-sb | |||
19590123 |
23 January 1959, Dot session, Producer: Owen Bradley, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn., 21:00-24:00 | ||
MB 11837 | Did you stop to pray this morning (Roy Westmoreland-Mark Hurley-Fred Dexter) | 45-15929 | DLP-3135 |
M. Wiseman-L | |||
MB 11838 | Whispering hope (Septimus Wimmer) | DLP-3135 | |
M. Wiseman-L | |||
MB 11839 | Will there be any stars in my crown (Eliza Hewitt-John Sweeney) | DLP-3135 | |
M. Wiseman-L | |||
MB 11840 | Does Jesus care (Frank Graeff) | DLP-3135 | |
M. Wiseman-L | |||
MB 11841 | It is no secret (Stuart Hamblen) | DLP-3135 | |
M. Wiseman-L | |||
MB 11842-4 | Each ring of the hammer (Don Owens) | unissued | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Joseph Scudder 'Joe' Zinkan-sb | |||
19590126 |
26 January 1959, Dot session, Producer: Owen Bradley, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn., 15:00-18:00 | ||
MB 11834 | Standing somewhere in the shadows (J. E. Rollings) | DLP-3135 | |
M. Wiseman-L | |||
MB 11835 | When God dips his love in my heart (Clevant Derricks) | DLP-3135 | |
M. Wiseman-L | |||
MB 11836 | Hold fast to the right (James D. Vaughan) | DLP-3135 | |
M. Wiseman-L | |||
MB 11842 | Each ring of the hammer (Don Owens) | 45-15929 | DLP-3135 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; poss. Chester B. 'Chet' Atkins-rhythm g; Raymond Q. 'Ray' Edenton-tipple/lead g [11861 only]/tenor bj [11866, 11868 only]; Joseph S. 'Joe' Zinkan-sb; Morris Palmer-drums; The Jordanaires (Hoyt H. Hawkins, Hugh T. Jarrett, Neal Matthews, Jr., Hugh Gordon Stoker)-V chorus | |||
19590323 |
23 March 1959, Dot session, Producer: Owen Bradley, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 11860 | Jimmie Brown, the newsboy (A. P. Carter) | 45-15946 | DLP-3213 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11861 | Driftwood on the river (arr. Mac Wiseman) | 45-16045 | DLP-3213 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11862 | When it's lamplighting time (Lyons-Hart-Poulton-Goodman-Upson) | 45-16008 | DLP-3213 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11863 | Little moses (A. P. Carter) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11864 | The baggage coach ahead (Arr. Mac Wiseman) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11865 | The girl in the blue velvet band (Cliff Carlisle-Mel Foree) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11866 | I've got no use for the women (Arr. Mac Wiseman) | 45-15946 | DLP-3213 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11867 | Barbara Allen (Arr. Mac Wiseman) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11868 | The preacher and the bear (Arr. Mac Wiseman) | 45-16008 | DLP-3213 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11869 | Just tell the world that you saw me (Arr. Mac Wiseman) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11870 | Wildwood flower (A. P. Carter) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 11871 | The wreck of the Old '97 (Whitter-Noell-Lewey) | DLP-3213 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Chester B. 'Chet' Atkins-lead g; Raymond Q. 'Ray' Edenton-rhythm g; Joseph S. 'Joe' Zinkan-sb; Morris Palmer-drums; The Jordanaires (Hoyt H. Hawkins, Ray Walker, Neal Matthews, Jr., Hugh Gordon Stoker)-V chorus | |||
19590700 |
July 1959, Vanguard recording of Newport Folk Festival, Newport Folk Festival, Newport, R.I. | ||
[01] | I wonder how the old folks are at home | VRS-9146 | |
M. Wiseman-L | |||
[02] | Love letters in the sand | VRS-9146 | |
M. Wiseman-L | |||
[03] | Footprints in the snow | VRS-9146 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
19600000 |
1960, U.S. Army session for Country Style radio broadcast, Producer: Harold Bradley, Nashville, Tenn. | ||
[01] | Stay all night, stay a little longer | Country Style USA292 | |
M. Wiseman-L | |||
[02] | There's a star spangled banner waving somewhere | Country Style USA292 | |
M. Wiseman-L; Billy Grammer, Sr.-H | |||
[03] | Bonaparte's retreat | Country Style USA292 | |
Billy Grammer-L | |||
[04] | In the sweet bye and bye | Country Style USA292 | |
M. Wiseman-L; Billy Grammer, Sr.-H; unknown-H | |||
[05] | Stay all night, stay a little longer | Country Style USA292 | |
M. Wiseman-L | |||
Mac Wiseman-g; unknown steel g; Joe Zinkan-sb; Pig Robbins-piano; Billy Grammer, Sr.-V | |||
19600314 |
14 March 1960, Dot session, RCA Victor Studio, 1610 Hawkins Street, Nashville, Tenn. | ||
MB 14792 | The ballad of Davy Crockett (Thomas Blackburn-George Bruns) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14793 | Darling Nellie Gray (Arr. Mac Wiseman) | 45-16107 | DLP-3313 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14794 | The old lamplighter (Tobias-Simon) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14795 | Tom Dooley (Warner-Lomax-Lomax) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14796 | He's got the whole world in His hands (Arr. Geoff Love) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14797 | Old Shep (Red Foley) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-rhythm g/tenor bj [14792-14793 only]; Walter L. 'Hank' 'Sugarfoot' Garland-lead g; Harold Ray Bradley-rhythm g; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Hargus M. 'Pig' Robbins-piano; The Jordanaires (Hoyt H. Hawkins, Neal Matthews, Jr., Hugh Gordon Stoker, Raymond C. Walker)-V chorus | |||
19600315 |
15 March 1960, Dot session, RCA Victor Studio, 1610 Hawkins Street, Nashville, Tenn. | ||
MB 14798 | Sixteen tons (Merle Travis) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14799 | I'm movin' on (Clarence E. Snow) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14800 | The fool (Lee Hazlewood) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14801 | El Paso (Marty Robbins) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14802 | Running Bear (J. P. Richardson) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 14803 | The three bells (Burt Reisfeld-Jean Villard) | DLP-3313 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-rhythm g; Walter L. 'Hank' 'Sugarfoot' Garland-lead g; Harold Ray Bradley-rhythm g; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.- drums; Hargus M. 'Pig' Robbins-piano; The Jordanaires (Hoyt H. Hawkins, Neal Matthews, Jr., Hugh Gordon Stoker, Raymond C. Walker)-V chorus | |||
19600531 |
31 May 1960, Dot session, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 15033 | There's a star spangled banner somewhere (Paul Roberts-Shelby Darnell) | 45-16107 | BCD-15976 |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15034 | Let the lower light be burning | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15035 | In the sweet bye and bye | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Walter L. 'Hank' 'Sugarfoot' Garland-lead g; Harold Ray Bradley-rhythm g; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Hargus M. 'Pig' Robbins-piano; Carl Garvin-trumpet; The Jordanaires (Hoyt H. Hawkins, Neal Matthews, Jr., Hugh Gordon Stoker, Raymond C. Walker)-V chorus | |||
19600613 |
13 June 1960, Dot session, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 15665 / 15967 | I heard my mother call my name in prayer (Thomas A. Dorsey) | DLP-3373 | |
MB 15666 / 15970 | If I could hear my mother pray again (James Rowe-J. W. Vaughan) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15667 / 15972 | Lord, I'm coming home (James Kirkpatrick) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15668 / 15969 | Where is my boy tonight (Robert Lowery) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15669 / 15968 | Bringing in the sheaves (Nowles Shaw-George Minor) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15670 / 15971 | Shall we gather at the river (Robert Lowery) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Walter L. 'Hank' 'Sugarfoot' Garland-lead g; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Hargus M. 'Pig' Robbins-organ [except 15670]/piano [15670 only] | |||
19600814 |
14 August 1960, Kipepeo reissue of live concert with Bill Monroe and Don Reno, Watermelon Park, Berryville, Va. | ||
[01] | Bluegrass stomp | Kipepeo-No-# | |
(Instrumental) | |||
[02] | Can't you hear me callin' | Kipepeo-No-# | |
[03] | I hear a sweet voice calling | Kipepeo-No-# | |
[04] | Lonesome road blues | Kipepeo-No-# | |
(Instrumental) | |||
[05] | Travelling down this lonesome road | Kipepeo-No-# | |
[06] | When He reached down His hand for me | Kipepeo-No-# | |
[07] | When you are lonely | Kipepeo-No-# | |
[08] | Will you be lovin' another man | Kipepeo-No-# | |
William Smith 'Bill' Monroe-m; Mac Wiseman-g; Don Wesley Reno-bj | |||
19600917 |
17 September 1960, Dot session, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 15376 | I like this kind of music (Jessie Mathis-Randall Wilson) | unissued | BCD-15976 |
M. Wiseman-L | |||
MB 15377 | Now that you have me (you don't want me) (Burkett Graves) | 45-16148 | BCD-15976 |
M. Wiseman-L | |||
MB 15378 | I'm the talk of the town (Don Reno) | unissued | BCD-15976 |
M. Wiseman-L | |||
MB 15379 | Glad rags (Johnny Bond; Cimarron Music, BMI) | 45-16148 | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Earl Scruggs-bj; Thomas Lee 'Tommy' Jackson-f; Henry Newton 'Tommy' Vaden-f; Joseph S. 'Joe' Zinkan-bs; Farris Coursey-drums; Marvin Hammond Hughes-piano | |||
19610200 |
ca. February 1961, Dot session, Producer: Beasley Smith, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville,
Tenn. | ||
MB 15654 | The prisoner's song (Guy Massey) | DLP-3702 | |
M. Wiseman-L | |||
MB 15655 | There'll be no teardrops tonight (Hank Williams) | unissued | BCD-15976 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Benny Williams-bj; Papa John Gordy's Dixieland Band | |||
19610304 |
4 March 1961, Dot session, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 15661 | Tell mother I'll be there (Charles Fillmore) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15662 | The beautiful garden of prayer (Eleanor Schroll-James Fillmore) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15663 | Beautiful isle of somewhere (Jessie Pounds-J. F. Fearis) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
MB 15664 | Peace in the valley (Thomas A. Dorsey) | DLP-3373 | |
M. Wiseman-L; Jordanaires-chorus | |||
Malcolm B. 'Mac' Wiseman-g; Walter L. 'Hank' 'Sugarfoot' Garland-lead g; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Hargus M. 'Pig' Robbins-piano/organ; The Jordanaires (Hoyt H. Hawkins, Neal Matthews, Jr., Hugh Gordon Stoker, Raymond C. Walker)-V chorus | |||
19611220 |
20 December 1961, Capitol session #10421, Producer: Ken Nelson, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn., 19:00-22:00 | ||
36927-6 | Footprints in the snow (Trad.) | 4701 | JS-6047 |
M. Wiseman-L | |||
36928-9 | Just outside (Eddie Miller) | 4701 | MME-70037 |
M. Wiseman-L | |||
36929-8 | Pistol packin' preacher (Slim Gordon) | 4854 | JS-6047 |
M. Wiseman-L | |||
36930-16 | What's gonna happen to me (Fred Rose) | 4781 | JS-6047 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Drumright-bj; Horace 'Benny' Williams-m; Norman Keith 'Buddy' Spicher-f; Robert Russell 'Chubby' Wise-f; Joseph S. 'Joe' Zinkan- bs; Murrey M. 'Buddy' Harman, Jr.-drums | |||
19620117 |
17 January 1962, Capitol session #10501, Producer: Marvin Hughes, Bradley Film & Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
37230 | Ballad of the little box of pine (Trad.) | T-1800 | |
M. Wiseman-L | |||
37231 | When the snowflakes fall (Mac Wiseman) | T-1800 | |
M. Wiseman-L | |||
37232 | I'll remember you, love, in my prayers (Trad.) | T-1800 | |
M. Wiseman-L | |||
37233 | Free form the old chain gang (Mac Wiseman) | T-1800 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Drumright-bj; Horace 'Benny' Williams-m; Norman Keith 'Buddy' Spicher-f; Robert Russell 'Chubby' Wise-f; Joseph S. 'Joe' Zinkan- bs; Murrey M. 'Buddy' Harman, Jr.-drums | |||
19620209 |
9 February 1962, Capitol session #10483, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
37154 | Two more years (and I'll be free) (Jimmie Davis-Floyd Tillman) | T-1800 | |
B. Williams-L; M. Wiseman-T | |||
37155 | Bluegrass fiesta (Justin Tubb) | 4781 | T-1800 |
M. Wiseman-LV/TC; B. Williams-TC | |||
37156 | Cotton fields (Huddie Ledbetter) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-TC | |||
37157 | Sing little birdie (Trad.) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-TC | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Drumright-bj; Horace 'Benny' Williams-m; Norman Keith 'Buddy' Spicher-f; Robert Russell 'Chubby' Wise-f; Joseph S. 'Joe' Zinkan- bs; Murrey M. 'Buddy' Harman, Jr.-drums; Marvin Hughes-piano | |||
19620212 |
12 February 1962, Capitol session #10484, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
37158 | Are you missing me? (Ira & Charlie Louvin) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-LC | |||
37159 | Freight train (John Lair) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-LC | |||
37160 | Have a drink on me (Huddie Ledbetter-John Lomax-Alan Lomax) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-LC | |||
37161 | Just a strand from a yellow curl (Mac Wiseman) | T-1800 | |
M. Wiseman-LV/TC; B. Williams-LC | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Charles 'Buck' Trent-bj; Horace 'Benny' Williams-m; Robert Russell 'Chubby' Wise-f; Norman Keith 'Buddy' Spicher-f; Joseph S. 'Joe' Zinkan- bs; Murrey M. 'Buddy' Harman, Jr.-drums; Marvin Hughes-piano | |||
19620924 |
24 September 1962, Capitol session #10758, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
38134 | Tis sweet to be remembered (Mac Wiseman) | 5116 | JS-6047 |
M. Wiseman-L; M. Carter-v; H. G. Stoker-v; Hoyt H. Hawkins-v; Neal Matthews-v; Hugh Gordon Stoker-v; Raymond C. Walker-v; Mildred 'Millie' Kirkham-v | |||
38135 | Goin' like wildfire (George Speedy Krise) | 4899 | MME-70037 |
M. Wiseman-L; M. Carter-v; H. G. Stoker-v; Hoyt H. Hawkins-v; Neal Matthews-v; Hugh Gordon Stoker-v; Raymond C. Walker-v; Mildred 'Millie' Kirkham-v | |||
38136 | I like good bluegrass music (Johnny Ringo-Fred Madden) | 4899 | JS-6047 |
M. Wiseman-L; M. Carter-v; H. G. Stoker-v; Hoyt H. Hawkins-v; Neal Matthews-v; Hugh Gordon Stoker-v; Raymond C. Walker-v; Mildred 'Millie' Kirkham-v | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Charles 'Buck' Trent-bj; Cecil Brower-f; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums | |||
19630412 |
12 April 1963, Capitol session #10828, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
38383-5 | The scene of the crime (Bob Forshee) | 5116 | MME-70037 |
M. Wiseman-L | |||
38384-2/3 | Your best friend and me (Hank Cochrane-Gail Talley) | 5011 | MME-70037 |
M. Wiseman-L | |||
38385 | What a waste of good corn likker (Slim Gordon) | JS-6047 | |
M. Wiseman-L | |||
38386 | When the moon comes over the mountain (Harry Woods-Howard Johnson) | 5011 | JS-6047 |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Joseph 'Joe' Drumright-bj; Benny Williams-m; Lewis 'Lew' Childre Houston-db; Thomas Grady Martin-bass g; Roy M. 'Junior' Huskey-sb; Murrey M. 'Buddy' Harman, Jr.-drums | |||
19640213.1 |
13 February 1964, Capitol session #11230, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
51404-7 | Mother knows best (Marty Robbins) | JS-6047 | |
M. Wiseman-L | |||
51405-12 | Old pair of shoes (Cindy Walker) | 5256 | JS-6047 |
M. Wiseman-L | |||
51406-10 | The mole (Harlan Howard) | MME-70038 | |
M. Wiseman-L | |||
51407-17 | If I could live that way (Roger Miller) | MME-70038 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-12 string g; Donnie Bryant-bj; Thomas Lee 'Tommy' Jackson, Jr.-f; prob. Grover 'Shorty' Lavender-f; Lewis 'Lew' Childre Houston-db; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums | |||
19640213.2 |
13 February 1964, Capitol session #11231, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
51408-18 | Heads you win, tails I lose (Hugh X. Lewis) | 5256 | BCD-15976 |
M. Wiseman-L | |||
51409-8 | Bluegrass music's really gone to town (Justin Tubb) | MME-70038 | |
M. Wiseman-L | |||
51410-6 | Dark hollow (Bill Browning) | JS-6047 | |
M. Wiseman-L | |||
51411-5 | Brother Joe (Charlie Stewart) | MME-70038 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Donnie Bryant-bj; Thomas Lee 'Tommy' Jackson, Jr.-f; prob. Grover 'Shorty' Lavender-f [51408-51409 only]; Lewis 'Lew' Childre Houston-db; Joseph S. 'Joe' Zinkan-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Charles R. 'Charlie' McCoy-harmonica | |||
19640214 |
14 February 1964, Capitol session #11232, Producer: Marvin Hughes, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
51412-11 | Katie waits for me (Claude Putman) | MME-70038 | |
M. Wiseman-L; M. Worth-v | |||
51413-6 | Sweet summer's gone away (Mac Wiseman-Benjamin F. Logan, Jr.) | MME-70038 | |
M. Wiseman-L; M. Worth-v | |||
51414-5 | Brush it off (Hugh X. Lewis) | MME-70038 | |
M. Wiseman-L; M. Worth-B | |||
51415-2 | They're all goin' home but one (Karl Davis-Harty Taylor) | MME-70038 | |
M. Wiseman-L; M. Worth-v | |||
Malcolm B. 'Mac' Wiseman-g; Raymond Q. 'Ray' Edenton-g; Donnie Bryant-bj; Lewis 'Lew' Childre Houston-db; Roy M. 'Junior' Huskey-bs; Murrey M. 'Buddy' Harman, Jr.-drums; Charles R. 'Charlie' McCoy-harmonica; Marion Worth-V | |||
19650700 |
July 1965, Wise session, Producers: Mac Wiseman, George Taylor, RCA Victor Studio, Montreal, Quebec | ||
SoN 24081 | Bringing Mary home (Duffey-Kingston and Mank; Wise-O-Man Music, BMI) | W-1062 | SP-228 |
M. Wiseman-V | |||
SoN 24082 | Maple sugar sweetheart (Ward Allen; Wise-O-Man Music, BMI) | W-1062 | SP-228 |
M. Wiseman-V | |||
SoN 29251 | Legend of the Irish rebel (Mac Wiseman; Wise-O-Man Music, BMI) | W-1063 | SP-228 |
M. Wiseman-V | |||
SoN 29253 | The ghost of Bras d'Or (Lillian C. Walsh-Charlie McKinnon) | W-1063 | SP-228 |
M. Wiseman-V | |||
[05] | Prince Edward Island (is Heaven to me) (Harold Breau) | SP-228 | |
M. Wiseman-V | |||
[06] | What a waste of good corn likker (Slim Gordon) | SP-228 | |
M. Wiseman-V | |||
[07] | My Nova Scotia home (Mac Wiseman) | SP-228 | |
M. Wiseman-V | |||
[08] | When it's apple blossom time in Annapolis Valley (Alberta Slim) | SP-228 | |
M. Wiseman-V | |||
[09] | My Molly Bawn (Mac Wiseman) | SP-228 | |
M. Wiseman-V | |||
[10] | Atlantic lullaby (Cecil B. Smith-Reg. H. Smith) | SP-228 | |
M. Wiseman-V | |||
[11] | My Cape Breton home (Lillian C. Walsh-Charlie McKinnon) | SP-228 | |
M. Wiseman-V | |||
[12] | Pistol packin' preacher (Slim Gordon) | SP-228 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Ronald 'Ron' McMunn-g; Lloyd Grant-bj; Donald 'Don' O'Neil-m; Ward Allen-f; Papa Joe Brown-bs | |||
19650905 |
5 September 1965, Reissue of live concert with Bill Monroe, Roanoke Bluegrass Festival, Cantrell's Horse Farm, Fincastle, Va. | ||
[04] | When he reached down his hand for me | SF-40063 | |
M. Wiseman-L; B. Monroe-T; Don Reno-B; Benny Martin-BS | |||
[05] | Traveling down this lonesome road | SH-DV-604 | |
M. Wiseman-L; B. Monroe-T | |||
[06] | Raw hide | SH-DV-604 | |
(Instrumental) | |||
William Smith 'Bill' Monroe-m; Malcolm 'Mac' Wiseman-g; Benny Martin-f; James William Monroe-sb | |||
19660400 |
April 1966, Rural Rhythm session, Producer: Lee Sutton, Akron, Oh. | ||
[01] | Wreck of the Old 97 | RRMW-158 | |
M. Wiseman-L | |||
[02] | Big midnight special | RRMW-158 | |
M. Wiseman-L | |||
[03] | Mary of the wild moor | RRMW-158 | |
M. Wiseman-L | |||
[04] | The black sheep | RRMW-158 | |
M. Wiseman-L | |||
[05] | Little Mohee | RRMW-158 | |
M. Wiseman-L | |||
[06] | Bringing in the Georgia mail | RRMW-158 | |
M. Wiseman-L | |||
[07] | Grandfather's clock | RRMW-158 | |
M. Wiseman-L | |||
[08] | When they ring those golden bells | RRMW-158 | |
M. Wiseman-L | |||
[09] | I saw your face in the moon | RRMW-158 | |
M. Wiseman-L | |||
[10] | Turkey in the straw | RRMW-158 | |
(Instrumental) | |||
[11] | Little blossom | RRMW-158 | |
M. Wiseman-L | |||
[12] | Corina Corina | RRMW-158 | |
M. Wiseman-L | |||
[13] | There's more pretty girls than one | RRMW-158 | |
M. Wiseman-L | |||
[14] | Rovin' gambler | RRMW-158 | |
M. Wiseman-L | |||
[15] | I'll be all smiles tonight | RRMW-158 | |
M. Wiseman-L | |||
[16] | The waltz you saved for me | RRMW-158 | |
M. Wiseman-L | |||
[17] | Sourwood Mountain | RRMW-158 | |
M. Wiseman-L | |||
[18] | Sittin' on top of the world | RRMW-158 | |
M. Wiseman-L | |||
[19] | How many bisquits can you eat | RRMW-158 | |
M. Wiseman-L | |||
[20] | Little pal | RHY-312 | |
M. Wiseman-L | |||
[21] | Just over in the glory land | RRMW-158 | |
M. Wiseman-L | |||
[22] | Picture from life's other side | RHY-312 | |
M. Wiseman-L | |||
[23] | Precious memories | RHY-312 | |
M. Wiseman-L | |||
[24] | Midnight Special | RHY-312 | |
M. Wiseman-L | |||
[25] | Tramp on the street | RHY-312 | |
M. Wiseman-L | |||
[26] | Wreck of the old 97 | RHY-312 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Rudy Thacker-g; Peggy Peterson-db; unknown-bs | |||
19660425.2 |
25 April 1966, Capitol session with the Osborne Brothers, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
[01] | We live in two different worlds (Fred Rose; Milene Music, ASCAP) | DLP-3731 | |
M. Wiseman-L | |||
[02] | Tragic romance (G. Jones; Lois Pub. Co., BMI) | DLP-3731 | |
M. Wiseman-L | |||
[03] | I'll be all smiles tonight (Adapt. & arr. Mac Wiseman; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
[04] | This is where I came in (Smilie Sutter; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
[05] | You're the best of all the leading brands (Smilie Sutter; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
[06] | Don't make me go to bed and I'll be good (Adapt. & arr. Mac Wiseman; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Lee 'Tommy' Jackson-f; Joseph S. 'Joe' Zinkan-sb; William Paul 'Willie' Ackerman-drums | |||
19660425.1 |
25 April 1966, Capitol session with the Osborne Brothers, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
[01] | The bluebirds are singing for me (Mac Wiseman; Wise-O-Man Music, BMI) | DLP-3731 | |
[02] | New black suit (Mike Paxton; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L; B. Osborne-H | |||
[03] | How lonely can you get (Rusty Nail; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L; B. Osborne-H | |||
[04] | Since the day you went away (Mac Wiseman; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
[05] | Darling little Joe (Mac Wiseman; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
[06] | A million, million girls (Smokey Smith-Joe L. Parish; Wise-O-Man Music, BMI) | DLP-3731 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Sonny Roland Osborne-bj; Robert Van 'Bobby' Osborne-m; Thomas Lee 'Tommy' Jackson-f; Joseph S. 'Joe' Zinkan-sb; William Paul 'Willie' Ackerman-drums | |||
19660501 |
1 May 1966, Hamilton session, Producer: Bonnie Guitar, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
[01] | The letter that never came (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[02] | Wreck of the C&O (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[03] | The black sheep (Adapted by Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[04] | The legend of the haunted woods (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[05] | Put my little shoes away (Adapted by Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[06] | Letter edged in black (Adapted by Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[07] | Ballad of the Lawson Family (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[08] | The east bound train (Adapted by Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[09] | My mother's old sunbonnet (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[10] | May I sleep in your barn tonight mister (Adapted by Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
[11] | Molly Bawn (Mac Wiseman) | HLP-12167 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; other personnel not known | |||
19660500 |
May 1966, Dot session, Producer: Mac Wiseman, Columbia Recording Studio, 804 16th Avenue South, Nashville, Tenn. | ||
MB 21237 | Little bird (Thomas H. Roberts; BMI) | 45-16980 | DLP-3730 |
M. Wiseman-L | |||
MB 21238 | White silver sands (Matthews-Hart; Sharing Music Co., BMI) | 45-16901 | DLP-3730 |
M. Wiseman-L | |||
MB 21239 | Just a baby's prayer at twilight (Lewis-Young-Jerome; Mills Music/Warock Music, ASCAP) | 45-16901 | DLP-3730 |
M. Wiseman-L | |||
[04] | When it's springtime in the Rockies (Wooley-Taggart-Sauer; ASCAP) | DLP-3730 | |
M. Wiseman-L | |||
[05] | You're the only star in my blue Heaven (Gene Autry; ASCAP) | DLP-3730 | |
M. Wiseman-L | |||
[06] | A maiden's prayer (Adapted & arr. Mac Wiseman; BMI) | DLP-3730 | |
(Instrumental) | |||
[07] | At the rainbow's end (Bob Nolan; BMI) | DLP-3730 | |
M. Wiseman-L | |||
MB 21244 | This is where I came in (Smilie Sutter; BMI) | 45-16980 | DLP-3730 |
M. Wiseman-L | |||
[09] | Lonely city park (Stu Phillips; BMI) | DLP-3730 | |
M. Wiseman-L | |||
[10] | Me and your memory (Thomas H. Roberts; BMI) | DLP-3730 | |
M. Wiseman-L | |||
[11] | The Isle of Capri (Kennedy-Grosz; ASCAP) | DLP-3730 | |
M. Wiseman-L | |||
[12] | Forever and ever (Rosa-Winkler; ASCAP) | DLP-3730 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-g; Kelso Herston-g; Roddis Franklin 'Pete' Drake-steel g; Bob L. Moore-sb; Murrey M. 'Buddy' Harman, Jr.-drums; Hargus M. 'Pig' Robbins-piano | |||
19690503 |
3 May 1969, Masters purchased by MGM from Mac Wiseman, Producer: Jack Clement, Jack Clement Recording Studio, 3102 Belmont Boulevard, Nashville, Tenn. | ||
N 50667 | She simply left (Vincent Matthews; Jack Music, Inc., BMI) | K-13986 | BCD-16736 |
M. Wiseman-V | |||
N 50668 | Got leavin' on her mind (Jack Clement; Jack Music, Inc., BMI) | K-13986 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; other personnel not known | |||
19690629 |
ca. 29 June 1969, Masters leased by RCA Victor from Mac Wiseman, Producer: Jack Clement, Jack Clement Recording Studio, 3102
Belmont Boulevard, Nashville, Tenn. | ||
ZWA4 1035 | The things you have turned to | 47-9883 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; other personnel not known | |||
19691001 |
1 October 1969, RCA Victor session, Producer: Jack Clement, Jack Clement Recording Studio, 3102 Belmont Boulevard, Nashville, Tenn. | ||
XWA4 2454 | Johnny's cash and Charley's pride | 74-0283 | LSP-4336 |
M. Wiseman-V | |||
XWA4 2455 | Mama, put your little shoes away (Mac Wiseman) | 74-0283 | LSP-4845 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; other personnel not known | |||
19700202 |
2 February 1970, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:30 | ||
ZWA4 1229 | Crystal chandelier | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1230 | All I have to offer you (is me) | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1231 | Wrinkled, crinkled, wadded dollar bill | 47-9883 | LSP-4336 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; William Wayne 'Billy' Grammer, Sr.-g; William 'Billy' Sanford-bs; John Paul 'Johnny' Gimble-f; Norman Keith 'Buddy' Spicher-f; Lloyd Green-steel g; Roy M. 'Junior' Huskey-bs; Kenneth 'Kenny' Buttrey-drums; Hargus M. 'Pig' Robbins-piano; Williams Irwin-organ | |||
19700203 |
3 February 1970, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:30 | ||
ZWA4 1232 | Ring of fire | 47-9814 | LSP-4336 |
ZWA4 1233 | Me and Bobby McGee | 47-9814 | LSP-4336 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; William Wayne 'Billy' Grammer, Sr.-g; William 'Billy' Sanford-bs; Joseph 'Joe' Talbot-steel g; Ben Schaeufele-steel g; Roy M. 'Junior' Huskey-bs; Kenneth 'Kenny' Buttrey- drums; Hargus M. 'Pig' Robbins-piano; Williams Irwin-organ | |||
19700204 |
4 February 1970, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:30 | ||
ZWA4 1234 | Ballad of a teenage queen | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1235 | Guess things happen that way | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1236 | The day the world stood still | LSP-4336 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; William Wayne 'Billy' Grammer, Sr.-g; William 'Billy' Sanford-bs; Joseph 'Joe' Talbot-steel g; Ben Schaeufele-steel g; Roy M. 'Junior' Huskey-bs; Kenneth 'Kenny' Buttrey- drums; Jerry Smith-piano; Williams Irwin-organ | |||
19700205 |
5 February 1970, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:30 | ||
ZWA4 1237 | The easy part's over | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1238 | Big river | LSP-4336 | |
M. Wiseman-V | |||
ZWA4 1239 | The little folks | 48-1002 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; William Wayne 'Billy' Grammer, Sr.-g; Robert Clark 'Bobby' Thompson-g/bj; William 'Billy' Sanford-bs; Lloyd Green-steel g; Roy M. 'Junior' Huskey-bs; Murrey M. 'Buddy' Harman-drums; Hargus M. 'Pig' Robbins-piano | |||
19710128 |
28 January 1971, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:30 | ||
AWA4 1092 | Sweet sadness | 48-1002 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; William Wayne 'Billy' Grammer, Sr.-g; Jack Clement-g; Ben Schaeufele-steel g; Roy M. 'Junior' Huskey-bs; Murrey M. 'Buddy' Harman-drums; Hargus M. 'Pig' Robbins- piano | |||
19710315 |
15 March 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
AWA4 1245 | The bluebirds are singing for me (Mac Wiseman) | 74-0576 | LSP-4547 |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1246 | We'll meet again sweetheart | 74-0576 | BCD-16736 |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1247 | How lonely can you get (Rusty Nail) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1248 | Will you be loving another man (Lester Flatt-Bill Monroe) | 47-9989 | LSP-4547 |
L. Flatt-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Victor Howard 'Vic' Jordan-bj; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; English P. 'Jake/Cousin Jake' Tullock-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19710316 |
16 March 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
AWA4 1249 | Sweetheart you done me wrong (Lester Flatt-Bill Monroe) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1250 | Homestead on the farm (A. P. Carter) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1251 | Jimmie Brown, the newsboy (A. P. Carter) | 47-9989 | LSP-4547 |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1252 | Now that you have me (Burkett Graves) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Victor Howard 'Vic' Jordan-bj; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; English P. 'Jake/Cousin Jake' Tullock-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19710317 |
17 March 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
AWA4 1253 | I'll never love another (Lester Flatt) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1254 | You're the best of all the leading brands (Smilie Sutter) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1309 | Your love is like a flower (Flatt-Lilly-Scruggs) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1310 | Special (Bill Rice-Jerry Foster) | LSP-4547 | |
L. Flatt-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Victor Howard 'Vic' Jordan-bj; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; English P. 'Jake/Cousin Jake' Tullock-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19710700 |
Summer 1971, Rural Rhythm release of live performance, Renfro Valley Barn Dance, Old US Highway 25, Mount Vernon, Ky. | ||
[01] | Wabash cannonball | RHY-1058 | |
M. Wiseman-V | |||
[02] | I wonder how the old folks are at home | RHY-1058 | |
M. Wiseman-V | |||
[03] | Me & Bobby McGee | RHY-1058 | |
M. Wiseman-V | |||
[04] | Liberty | RHY-1058 | |
(Instrumental) | |||
[05] | Four walls around me | RHY-1058 | |
M. Wiseman-V | |||
[06] | I'll still write your name in the sand | RHY-1058 | |
M. Wiseman-V | |||
[07] | Blue birds are singing for me | RHY-1058 | |
L. Flatt-L; M. Wiseman-T | |||
[08] | Sweet heart you done me wrong | RHY-1058 | |
L. Flatt-L; M. Wiseman-T | |||
[09] | Will you be loving another man | RHY-1058 | |
L. Flatt-L; M. Wiseman-T | |||
[10] | I'll be all smiles tonight | RHY-1058 | |
M. Wiseman-V | |||
[11] | All I have to offer you is me | RHY-1058 | |
M. Wiseman-V | |||
[12] | Are you washed in the blood | RHY-1058 | |
L. Flatt-V | |||
[13] | Jimmy Brown the news boy | RHY-1058 | |
M. Wiseman-V | |||
[14] | Mac Wiseman on the history of bluegrass | RHY-1058 | |
Mac Wiseman-sp; Chubby Wise-sp; Lester Flatt-sp; Carlton Haney-sp | |||
[15] | Prisoner's song | RHY-1058 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Lester Raymond Flatt-rhythm g; William Eugene 'Billy' Edwards-bj; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren- f; Joseph 'Joe' Greene-f; Clarence 'Tater' Tate-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Harley Gabbard-db; John Palmer-sb | |||
19711019 |
19 October 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:00 | ||
AWA4 1874 | I'll stay around | unissued | BCD-16736 |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1875 | Salty dog blues (Wiley Morris-Zeke Morris) | 74-0664 | LSP-4688 |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1876 | Just a strand from a yellow curl (Mac Wiseman) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1877 | Mama's and daddy's little girl (Lester Flatt) | 74-0664 | LSP-4688 |
M. Wiseman-V; L. Flatt-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Donald 'Don' Smith-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19711020 |
20 October 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 10:00-13:00 | ||
AWA4 1878 | Blue Ridge cabin home (Certin-Stacy) | 74-0922 | APL-1-0309 |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1879 | Me and your memory (Thomas H. Roberts) | 74-0736 | LSP-4688 |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1880 | Waiting for the boys to come home (Luther Presley) | 74-0922 | APL-1-0309 |
L. Flatt-V; M. Wiseman-V | |||
AWA4 1881 | On the south bound (Allen Reynolds-Dickey Lee) | 74-0736 | LSP-4688 |
M. Wiseman-V; L. Flatt-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Donald 'Don' Smith-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19711020 |
20 October 1971, RCA Victor session with Lester Flatt, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
AWA4 1882 | I'm waiting to hear you call me darling (Allen Reynolds-Chuck Johnson-Dickey Lee-Lester Flatt) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1883 | Are you coming back to me (Mac Wiseman) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1896 | When you are lonely (Bill Monroe-Lester Flatt) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
AWA4 1897 | You can't trust a friend anymore (Lester Flatt-Tom T. Hall) | LSP-4688 | |
M. Wiseman-V; L. Flatt-V | |||
Malcolm B. 'Mac' Wiseman-V; Lester Raymond Flatt-V; Howard Johnson-g; Haskel McCormick-bj; Roland Joseph White-m; Howard Wilson 'Howdy' Forrester-f; Paul Warren-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Donald 'Don' Smith-sb; Jerry Carrigan-drums; Hargus M. 'Pig' Robbins-piano | |||
19710227 |
27 October 1971, RCA Victor session, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 18:00-22:00 | ||
AWA4 1928 | I'll still write your name in the sand | unissued | BCD-16736 |
M. Wiseman-V | |||
AWA4 1929 | I'd rather live by the side of the road | 74-0639 | BCD-16736 |
M. Wiseman-V | |||
AWA4 1930 | Sing little birdie | 74-0639 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Joseph 'Joe' Allen-bs; James Isbell-drums; Charles Cochran-piano; [overdub session, 22 November 1971]: Daniel 'Danny' Flowers-harmonica; Charles Cochran- harpsichord | |||
19720518 |
18 Mary 1972, RCA Victor session, Producers: Allen Reynolds, Bob McDill, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
BWA4 1447 | Colours | unissued | BCD-16736 |
BWA4 1448 | Song of the wildwood | 74-0758 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
BWA4 1449 | At the crossroad | APBO-0034 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
BWA4 1450 | Let time be your friend | 74-0834 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
BWA4 1480 | On Susan's floor | 74-0758 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
Malcolm B. 'Mac' Wiseman-V; Allen Reynolds-g; Robert 'Bob' McDill-g; Norman Keith 'Buddy' Spicher-f; Lloyd Green-steel g; Joseph 'Joe' Allen-bs; James Colvard-electric bs; James Isbell-drums; Charles Cochran-piano | |||
19720927 |
27 September 1972, RCA Victor session, Producers: Allen Reynolds, Bob McDill, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 18:00-21:00 | ||
BWA4 1787 | Let's all go down to the river (Earl Montgomery-Sue Richards) | LSP-4845 | |
M. Wiseman-V | |||
BWA4 1788 | Sunny side of the mountain (Bobby Gregory-Harry McAuliffe) | LSP-4845 | |
M. Wiseman-V | |||
BWA4 1789 | Eight more miles to Louisville (Grandpa Jones) | 74-0834 | LSP-4845 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Claude Phelps-g; Edward Windsor 'Eddie' Adcock-bj; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Joseph 'Joe' Allen-bs; Kenneth 'Kenny' Malone-drums | |||
19721108 |
8 November 1972, RCA Victor session, Producers: Allen Reynolds, Bob McDill, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 17:00-21:00 | ||
BWA4 1848 | Keep on the sunny side | APBO-0151 | LSP-4845 |
BWA4 1849 | Will the circle be unbroken (Mac Wiseman) | LSP-4845 | |
M. Wiseman-V | |||
BWA4 1850 | Tragic romance (Grandpa Jones) | LSP-4845 | |
M. Wiseman-V | |||
BWA4 1851 | It rains just the same in Missouri (Ray Griff) | APBO-0151 | LSP-4845 |
M. Wiseman-V | |||
BWA4 1852 | City of New Orleans (Steve Goodman) | LSP-4845 | |
M. Wiseman-V | |||
BWA4 1853 | Catfish John (Bob McDill-Allen Reynolds) | LSP-4845 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Claude Phelps-g; Edward Windsor 'Eddie' Adcock-bj; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Joseph 'Joe' Allen-bs; Kenneth 'Kenny' Malone-drums | |||
19730620 |
20 June 1973, RCA Victor session, Producer: Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 18:00-21:00 | ||
CSW4 1420 | You can't go in the red playin' bluegrass | APBO-0034 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; James Colvard-g; Claude Phelps-g; Reginald 'Reggie' Young-g; Robert 'Bobby' Thompson-bj; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Steve Shaffer-bs; James Isbell-drums; Charles Cochran-piano; [overdub session, 26 June 1973]: Robert 'Bobby' Thompson-bj; Charles Cochran-piano; Steve Shaffer-bs | |||
19730705 |
5 July 1973, RCA Victor session, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 14:00-17:00 | ||
CWA4 1438 | The girl I love don't pay me no mind (Gladys Stacy) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1439 | I'll go stepping too (James-Organ) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1440 | Ain't nobody gonna miss me when I'm gone (Lester Flatt) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1441 | I'm a stranger to this world (Mac Wiseman) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; James Colvard-g; Claude Phelps-g; Reginald 'Reggie' Young-g; Robert 'Bobby' Thompson-bj; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Steve Shaffer-bs; James Isbell-drums; Charles Cochran-pianopiano; Steve Shaffer-bs | |||
19730705 |
5 July 1973, RCA Victor session, Producers: Bob Ferguson, Jack Clement, RCA Victor Studio, 800 17th Avenue South, Nashville, Tenn., 18:00-21:00 | ||
CWA4 1442 | There's more pretty girls than one (Arthur Smith-Alton Delmore) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1443 | When my blue moon turns to gold (W. Walker-G. Sullivan) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1444 | Over the hills to the poorhouse (Flatt-Lily) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
CWA4 1445 | 'Tis sweet to be remembered (Mac Wiseman) | APL-1-0309 | |
L. Flatt-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; James Colvard-g; Claude Phelps-g; Reginald 'Reggie' Young-g; Robert 'Bobby' Thompson-bj; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Steve Shaffer-bs; James Isbell-drums; Charles Cochran-pianopiano; Steve Shaffer-bs | |||
19740000 |
1974, Gusto session, Gusto Recording Studio, 3557 Dickerson Road, Nashville, Tenn. | ||
[01] | Jimmy Brown, the newsboy (A.P. Carter; Peer International, BMI) | GT-0049 | |
M. Wiseman-V | |||
[02] | Going like windfire (G. Speedy Krise; Acuff-Rose, BMI) | GT-0049 | |
M. Wiseman-V | |||
[03] | I saw your face in the moon (Elder Otis; Leeds Music, ASCAP) | GT-0049 | |
M. Wiseman-V | |||
[04] | I still write your name in the sand (Buddy Starcher; Dixie Music, BMI) | GT-0049 | |
M. Wiseman-V | |||
[05] | Barbara Allen (Arr. Mac Wiseman; Power Play, BMI) | GT-0049 | |
M. Wiseman-V | |||
[06] | The prisoner's song (Guy Massey; Shapiro-Bernstein, ASCAP) | GT-0049 | |
M. Wiseman-V | |||
[07] | Johnny's cash & Charlie's pride (Cy Coben; Dondo Music, BMI) | GT-0049 | |
M. Wiseman-V | |||
[08] | Sweeter than the flowers (Burns-Rouse-Mann; Ft. Knox, BMI) | GT-0049 | |
M. Wiseman-V | |||
[09] | 18 wheels a humming home sweet home (Jim Fagan; Power Play, BMI) | GT-0049 | |
M. Wiseman-V | |||
[10] | Don't make me go to bed (Hugh Gross; Peer International, BMI) | GT-0049 | |
M. Wiseman-V | |||
[11] | Bringing Mary home | DCD-7790-2 | |
M. Wiseman-V | |||
[12] | Poison love | DCD-7790-2 | |
M. Wiseman-V | |||
[13] | Tis sweet to be remembered | DCD-7790-2 | |
M. Wiseman-V | |||
[14] | Wabash Cannonball | DCD-7790-2 | |
M. Wiseman-V | |||
[15] | I wonder how the old folks are at home | DCD-7790-2 | |
M. Wiseman-V | |||
[16] | Love letters in the sand | DCD-7790-2 | |
M. Wiseman-V | |||
[17] | The waltz you saved for me | DCD-7790-2 | |
M. Wiseman-V | |||
[18] | She's got leaving on her mind | DCD-7790-2 | |
M. Wiseman-V | |||
[19] | Rocky Top (Boudleaux & Felice Bryant) | DCD-7790-2 | |
M. Wiseman-V | |||
[20] | My baby's gone | DCD-7790-2 | |
M. Wiseman-V | |||
[21] | I heard my mother call my name in prayer | DCD-7790-2 | |
M. Wiseman-V | |||
[22] | Where is my boy tonight | DCD-7790-2 | |
M. Wiseman-V | |||
[23] | Mama, put my little shoes away | DCD-7790-2 | |
M. Wiseman-V | |||
[24] | Your best friend and me | DCD-7790-2 | |
M. Wiseman-V | |||
[25] | I haven't seen Mama in years | DCD-7790-2 | |
M. Wiseman-V | |||
[26] | Christmas time's a-comin' (Tex Logan) | HCD-368 | |
M. Wiseman-V | |||
[27] | The girl in the blue velvet band | GT-7702-2 | |
M. Wiseman-V | |||
[28] | Old fashioned Christmas | ||
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Robert 'Bobby' Thompson-bj; Kenneth Dale 'Kenny' Ingram-bj; Marty Stuart-m; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Buck' Graves-db; Roy M. 'Junior' Huskey, Jr.-sb | |||
19740313 |
13 March 1975, RCA Victor session, Producer: Ray Pennington, RCA Victor Studio, 30 Music Square West, Nashville, Tenn., 18:00-21:00 | ||
DWA4 0865 | It comes and goes | 74-0276 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
DWA4 0866 | Dixie hummer | unissued | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
DWA4 0867 | I've got to catch that train | 74-0276 | BCD-16736 |
M. Wiseman-V; vocal chorus | |||
Malcolm B. 'Mac' Wiseman-V; David Kirby-g; Robert 'Bobby' Thompson-g; Johnny Gimble-f; Joseph 'Joe' Allen-bs; Larrie Londin-drums; Bunky Keels-piano | |||
19750000 |
1975, Vetco session, Producer: Rusty York, Jewel Recording Studio, 1594 Kinney Avenue, Cincinnati, Oh. | ||
[01] | Crazy blues (Smith) | LP-508 | |
Mac Wiseman-L | |||
[02] | Knoxville girl | LP-508 | |
Mac Wiseman-L | |||
[03] | I haven't got the right to love you (Sam Buchanan) | LP-508 | |
Mac Wiseman-L | |||
[04] | Going to see my baby (Delmore-Smith) | LP-508 | |
Mac Wiseman-L | |||
[05] | Little white church (Eugene Wellman) | LP-508 | |
Mac Wiseman-L | |||
[06] | Footprints in the snow | LP-508 | |
Mac Wiseman-L | |||
[07] | Georgia waltz (George Keise) | LP-508 | |
Mac Wiseman-L | |||
[08] | Don't let your sweet love die (Clark-Van Ness) | LP-508 | |
Mac Wiseman-L | |||
[09] | When the roses bloom | LP-508 | |
Mac Wiseman-L | |||
[10] | Black sheep | LP-508 | |
Mac Wiseman-L | |||
[11] | Let me borrow your heart (Wiseman-Vass) | LP-508 | |
Mac Wiseman-L | |||
[12] | What a waste of good corn licker | LP-508 | |
Mac Wiseman-L | |||
[13] | Fireball mail (F. Jenkins) | LP-509 | |
Mac Wiseman-L | |||
[14] | Letter edged in black (P. D.) | LP-509 | |
Mac Wiseman-L | |||
[15] | Reveille time in Heaven (F. Kirby) | LP-509 | |
Mac Wiseman-L | |||
[16] | Girl of my dreams (P. D.) | LP-509 | |
Mac Wiseman-L | |||
[17] | Fire in my heart (Starcher-VanNess) | LP-509 | |
Mac Wiseman-L | |||
[18] | Shackles and chains (J. Davis) | LP-509 | |
Mac Wiseman-L | |||
[19] | Roane County (P. D.) | LP-509 | |
Mac Wiseman-L | |||
[20] | You can't judge a book by its cover (W. Cochran) | LP-509 | |
Mac Wiseman-L | |||
[21] | Mary of the wild moor (P. D.) | LP-509 | |
Mac Wiseman-L | |||
[22] | Little home in Tennessee (P. D.) | LP-509 | |
Mac Wiseman-L | |||
[23] | Each ring of the hammer (D. Evans) | LP-509 | |
Mac Wiseman-L | |||
[24] | Four walls around me (B. Stollard) | LP-509 | |
Mac Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-rhythm g; William 'Billy' Edwards-bj; Jeff Terlinger-m; Clarence 'Tater' Tate-f; Buddy Griffin-autoharp/f; Thomas 'Tommy' Boyd-db | |||
19760000 |
Mid-to-late 1970s, CMH session, unknown | ||
[01] | In the pines | CMH-4502 | |
M. Wiseman-V | |||
[02] | House of the Rising Sun | CMH-8586 | |
M. Wiseman-V | |||
[03] | Ida Red | CMH-8683 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19760100 |
Early 1976, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5457 Monroe Road, Charlotte, NC | ||
[01] | Love letters in the sand (J. F. Coots-N. Kenny-C. Kenny) | CMH-1502 | CMH-9001 |
M. Wiseman-L | |||
CMH 5178 | Little blossom | CMH-9001 | |
M. Wiseman-L | |||
[03] | I've got no use for the women | CMH-9001 | |
M. Wiseman-L | |||
[04] | Dark hollow (B. Browning) | CMH-9001 | |
M. Wiseman-L | |||
[05] | The wreck of the old 97 | CMH-9001 | |
M. Wiseman-L | |||
[06] | The ballad of the Lawson Family (M. Wiseman) | CMH-9001 | |
M. Wiseman-L | |||
[07] | May I sleep in your barn tonight, mister? | CMH-9001 | |
M. Wiseman-L | |||
[08] | Bringing Mary home (J. Duffy-C. Mank-J. Kingston) | CMH-9001 | |
M. Wiseman-L | |||
[09] | The girl in the blue velvet band | CMH-9001 | |
M. Wiseman-L | |||
[10] | I'll be all smiles tonight | CMH-9001 | |
M. Wiseman-L | |||
[11] | I wonder how the old folks are at home (Stephen Foster) | CMH-9001 | |
M. Wiseman-L | |||
[12] | Jimmie Brown, the newsboy (A. P. Carter) | CMH-9001 | |
M. Wiseman-L | |||
[13] | Little box of pins | CMH-9001 | |
M. Wiseman-L | |||
[14] | Remembering (M. Wiseman-G. Martin) | CMH-9001 | |
M. Wiseman-L | |||
[15] | These hands (E. Noack) | CMH-9001 | |
M. Wiseman-L | |||
[16] | The baggage coach ahead | CMH-9001 | |
M. Wiseman-L | |||
[17] | I still write your name in the sand (B. Cox) | CMH-9001 | |
M. Wiseman-L | |||
[18] | Six more miles (H. Williams) | CMH-9001 | |
M. Wiseman-L | |||
[19] | Tis sweet to be remembered (M. Wiseman) | CMH-9001 | |
M. Wiseman-L | |||
[20] | Dreaming of a little cabin (A. E. Brumley) | CMH-9001 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Clay Smith-rhythm g; Arthur 'Guitar Boogie' Smith-db/g/m; Clarence 'Tater' Tate-f | |||
19760600 |
Mid 1976, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5457 Monroe Road, Charlotte, NC | ||
[01] | They'll never take her love from me (L. Payne; Fred Rose Music, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[02] | I'll sail my ship alone (Mann-Burns-Bernard-Thurston; Fort Knox Music, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[03] | Don't be angry (S. Jackson; Acuff Rose Pub., BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[04] | The green light (H. Thompson; Brazos Valley Music, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[05] | All for the love of a girl (J. Horton; Belinda Music/Elvis Presley Music, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[06] | My baby's gone (H. Hauser; Central Songs, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[07] | I wonder where you are tonight (J. Bond; Red River Songs, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[08] | I love you a thousand ways (L. Frizzell-J. Beck; Peer Int'l Corp., BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[09] | Flesh and blood (J. Cash; House of Cash, BMI) | CMH-6202 | |
Mac Wiseman-V | |||
[10] | Me & Bobby McGee (K. Kristofferson; Combine Music Corp., BMI) | CMH-6202 | |
Mac Wiseman-V | |||
CMH 5257 | Mother, the queen of my heart (J. Rodgers-H. Bryant; Peer Int'l Corp., BMI) | CMH-1502 | CMH-6202 |
Mac Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Clay Smith-rhythm g; David Deese-bj; Arthur 'Guitar Boogie' Smith-db/g/m/f; Wolfgang Roth-violin; Richard Schuyler-bs; David Brakefield-drums | |||
19761212 |
12 December 1976, Country Road session from live CBC Radio show, Producer: Ira Stewart, Rebecca Cohn Auditorium, Dalhousie University, Halifax, N.S., Canada | ||
[01] | Dueling banjos | CR-01 | |
[02] | Wabash Cannonball | CR-01 | |
M. Wiseman-L | |||
[03] | I wonder how the old folks are at home | CR-01 | |
M. Wiseman-L | |||
[04] | Me and Bobby McGee | CR-01 | |
M. Wiseman-L | |||
[05] | The prisoner's song | CR-01 | |
M. Wiseman-L | |||
[06] | They'll never take her love from me | CR-01 | |
M. Wiseman-L | |||
[07] | Jimmy Brown, the newsboy | CR-01 | |
M. Wiseman-L | |||
[08] | Footprints in the snow | CR-01 | |
M. Wiseman-L | |||
[09] | Catfish John | CR-01 | |
M. Wiseman-L | |||
[10] | Put my little shoes away | CR-01 | |
M. Wiseman-L | |||
[11] | Eight more miles | CR-01 | |
M. Wiseman-L | |||
[12] | Keep on the sunny side of life | CR-01 | |
M. Wiseman-L | |||
[13] | Will the circle be unbroken | CR-01 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Vic Mullen & Meadowgreen: Vic Mullen-bj; Eva Fogarty; Ralph Vidito; Dale Wood; Wendell E. Simm | |||
19770000.1 |
1977, CMH session, Producer: Arthur Smith, Arthur Smith Studio, 5457 Monroe Road, Charlotte, NC | ||
[01] | Did she mention my name (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[02] | Cotton Jenny (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[03] | Rainy day people (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[04] | Summertime dream (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[05] | For lovin' me (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[06] | Steel rail blues (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[07] | Ribbon of darkness (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[08] | The House you live in (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[09] | Early morning rain (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[10] | Old Dan's records (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
[11] | Sundown (Gordon Lightfoot; Warner Bros. Music, ASCAP) | CMH-6217 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Clay Smith-g; Eddie Adcock-bj; Arthur Smith-db/m/f; Jim Buchanan-f; Rob Thome-drums | |||
19770000.2 |
1977, CMH session, unknown | ||
[01] | Dreaming of a little cabin | CMH-9013 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19771200 |
ca. December 1977, Churchill session, Producer: Robert Millsap, Ironside Recording Studio, Nashville, Tenn. | ||
[01] | Never going back again | CR-7706 | BCD-16736 |
M. Wiseman-V | |||
[02] | Goodbye Mexico Rose | CR-7706 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19781200 |
late 1978, Churchill session, Producer: Robert Millsap, Ironside Recording Studio, Nashville, Tenn. | ||
[01] | Dancing bear | CR-7738 | BCD-16736 |
M. Wiseman-V | |||
[02] | Scotch and soda | CR-7738 | BCD-16736 |
M. Wiseman-V | |||
[03] | Me and the boys | unissued | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19790100.1 |
January 1979, Churchill session with Woody Harman, Producer: Robert Millsap, The Wax Works, Nashville, Tenn. | ||
[01] | Blue Heaven | CR-7735 | BCD-16736 |
M. Wiseman-V | |||
[02] | If I could be with you (it must be true) | CR-7735 | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19790100.2 |
ca. January 1979, Churchill session with Woody Harman, Producer: Robert Millsap, Ironside Recording Studio, Nashville, Tenn. | ||
[01] | Two hundred dollars | unissued | BCD-16736 |
M. Wiseman-V | |||
[02] | 45s - 8x10s | unissued | BCD-16736 |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19790201 |
1 February 1979, CMH session with the Osborne Brothers, Producer: Sonny Osborne, Hilltop Recording Studio, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Mountain fever (R. Hylton) | CMH-9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | 'Tis sweet to be remembered (M. Wiseman) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[03] | I've always wanted to sing in Renfro Valley (R. W. Gabbard-J. Ireson) | CMH-9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Roland Sonny Osborne-bj; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Benny Howard Birchfield-tenor g; Ray Edenton-g; Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Gerald Calvin 'Jerry' Douglas-db; James Earl 'Jim' Brock-bs; Robby Osborne-drums | |||
19790315 |
15 March 1979, CMH session with the Osborne Brothers, Producer: Sonny Osborne, Hilltop Recording Studio, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Family Bible (C. Gray-W. Breeland-P. Buskirk) | CMH-9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[02] | Poison love (E. Laird) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[03] | Take me back to Renfro Valley (J. Lair) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
[04] | Shenandoah waltz (C. Moody-C. Wise) | CMH-9016 | |
M. Wiseman-L/V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[05] | Pins and needles (in my heart) (F. Jenkins) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
R 5320 | The bluebirds are singing for me (M. Wiseman; Wise-O-Man Music Pub., Inc., BMI) | CMH-1528 | CMH-9016 |
M. Wiseman-V; B. Osborne-V | |||
[07] | Don't let your sweet love die (C. Van Ness) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[08] | Travelin' this lonesome road (B. Monroe) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Roland Sonny Osborne-bj; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Benny Howard Birchfield-tenor g; Ray Edenton-g; Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Gerald Calvin 'Jerry' Douglas-db; James Earl 'Jim' Brock-bs; Robby Osborne-drums | |||
19790419 |
19 April 1979, CMH session with the Osborne Brothers, Producer: Sonny Osborne, Hilltop Recording Studio, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | You're the girl of my dreams (M. Wiseman) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[02] | It's goodbye and so long to you (R. Coutere-H.J. Breau) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[03] | I'll still write your name in the sand (B. Starcher) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[04] | Are you coming back to me (M. Wiseman) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[05] | I wonder how the old folks are at home (M. Christian) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Roland Sonny Osborne-bj; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Benny Howard Birchfield-tenor g; Ray Edenton-g; Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Gerald Calvin 'Jerry' Douglas-db; James Earl 'Jim' Brock-bs; Robby Osborne-drums | |||
19790425 |
25 April 1979, CMH session with the Osborne Brothers, Producer: Sonny Osborne, Hilltop Recording Studio, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Midnight flyer (P. Craft) | CMH-9016 | |
M. Wiseman-L; B. Osborne-V; S. Osborne-V | |||
[02] | Shackles and chains (J. Davis) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[03] | I'm a stranger here (M. Wiseman) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Roland Sonny Osborne-bj; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Benny Howard Birchfield-tenor g; Ray Edenton-g; Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Gerald Calvin 'Jerry' Douglas-db; James Earl 'Jim' Brock-bs; Robby Osborne-drums | |||
19790508 |
8 May 1979, CMH session with the Osborne Brothers, Producer: Sonny Osborne, Hilltop Recording Studio, 902 Due West Avenue, Nashville, Tenn. | ||
[01] | Four walls around me (B. Stallard) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
R 4996 | Mother Maybelle (J. Maphis-R. L. Maphis; Silverhill Music, BMI) | CMH-1528 | CMH-9016 |
M. Wiseman-V; B. Osborne-V; S. Osborne-V | |||
[03] | Little white church (M. Christian) | CMH-9016 | |
M. Wiseman-V; B. Osborne-V | |||
[04] | Old brush arbors | CMH-6295 | |
M. Wiseman-V; B. Osborne-V; S. Osborne-V; B. Birchfield-V | |||
[05] | Keep on the sunny side | CMH-8490 | |
M. Wiseman-V; B. Osborne-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Roland Sonny Osborne-bj; Robert Van 'Bobby' Osborne-m; Wynn Osborne-bj; Benny Howard Birchfield-tenor g; Ray Edenton-g; Blaine Sprouse-f; Norman Keith 'Buddy' Spicher-f; Burkett Howard 'Josh/Uncle Josh' Graves-db; Gerald Calvin 'Jerry' Douglas-db; James Earl 'Jim' Brock-bs; Robby Osborne-drums | |||
19791016 |
16-18 October 1979, CMH session, Dallas, Tex. | ||
[01] | Bubbles in my beer (B. Wills-T. Duncan-C. Walker; Rightsong Music, BMI) | CMH-9021 | |
M. Wiseman-V | |||
[02] | Slipping around (F. Tillman; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[03] | I wish I had never seen sunshine (J. Roberts-J. Davis; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[04] | Home in San Antone (F. Rose; Milene Music, Inc., ASCAP) | CMH-9021 | |
M. Wiseman-V | |||
[05] | My Mary (S. Hamblen; Hamblen Music Co., Inc., ASCAP) | CMH-9021 | |
M. Wiseman-V | |||
[06] | No letter today (T. Daffan; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[07] | Yesterday's girl (H. Thompson; Brazos Valley Music, Inc., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[08] | Love letters in the sand (J. F. Coots-N. Kenny-C. Kenny; Bourne Co., ASCAP) | CMH-9021 | |
M. Wiseman-V | |||
[09] | I love you because (L. Payne; Fred Rose Music, Inc., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[10] | Time changes everything (T. Duncan; Red River Songs, Inc., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[11] | Worried mind (T. Daffan-J. Davis; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[12] | Drivin' nails in my coffin (J. Irby; Rightsong Music, BMI) | CMH-9021 | |
M. Wiseman-V | |||
[13] | Waltz across Texas (T. Tubb; Ernest Tubb Music, Inc., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[14] | It makes no difference now (F. Tillman-J. Davis; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[15] | Divorce me C.O.D. (M. Travis-C. Stone; Unichappell Music/Elvis Presley Music, BMI/Gladys Music, BMI) | CMH-9021 | |
M. Wiseman-V | |||
[16] | Born to lose (T. Daffan; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[17] | I wonder how the old folks are at home (M. Christian; Silverhill Music, BMI) | CMH-9021 | |
M. Wiseman-V | |||
[18] | The Wild side of life (W. Warren-A.A. Carter; Travis Music Co., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[19] | Oklahoma hills (W. Guthrie-J. Guthrie; Michael H. Goldman, Inc., ASCAP) | CMH-9021 | |
M. Wiseman-V | |||
[20] | Remember me, I'm the one who loves you (S. Hamblen; Intersong Music, ASCAP) | CMH-9021 | |
M. Wiseman-V | |||
[21] | Live and let live (W. Walker-G. Sullivan; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
[22] | One has my name, the other has my heart (H. Blair-E. Dean-D. Dean; Peer Int'l Corp., BMI) | CMH-9021 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19800000 |
1980, CMH session with Merle Travis, Joe Maphis, Jackson D. Kane & Red Herron, Engineer: John Wagner, John Wagner Studios, Albuquerque, N.M. | ||
[01] | Give the fiddler a dram | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[02] | In the pines | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[03] | Fire on the mountain | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[04] | Fifty years ago waltz | CMH-9028 | |
(Instrumental) | |||
[05] | Hell broke loose in Georgia | CMH-9028 | |
(Instrumental) | |||
[06] | Trouble in mind | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[07] | McMichen's reel | CMH-9028 | |
(Instrumental) | |||
[08] | Peach pickin' time in Georgia | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[09] | Limehouse blues | CMH-9028 | |
(Instrumental) | |||
[10] | The convict and the rose | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[11] | Carroll County blues | CMH-9028 | |
(Instrumental) | |||
[12] | House of the Rising Sun | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[13] | I'm looking over a four-leaf clover | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[14] | Dreamy Georgiana moon | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[15] | Waiting for the Robert E. Lee | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[16] | Ida Red | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[17] | Rock Jenny rock | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[18] | Arkansas traveler | CMH-9028 | |
(Instrumental) | |||
[19] | Bile 'em cabbage down | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[20] | Medley: In the blue hills of Virginia/Back to old Smoky Mt | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[21] | Sweet Georgia Brown | CMH-9028 | |
(Instrumental) | |||
[22] | They cut down the old pine tree | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[23] | Darktown strutter's ball | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[24] | Goodnight waltz | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[25] | Farewell blues | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
[26] | Sweet bunch of daisies | CMH-9028 | |
M. Wiseman-L; M. Travis-L/H; J. Maphis-H | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Merle Robert Travis-rhythm g/electric g; Otis W. 'Joe' Maphis-tenor bj/rhythm g/lead g; Red Herron-f; Jackson D. Kane-bs | |||
19811011 |
11 October 1981, RCA Victor live session with the Osborne Brothers, Theatre by the Lake, Opryland, Nashville, Tenn. | ||
[01] | Midnight flyer (Craft) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[02] | Love gone cold (Bond) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[03] | Memories of yesterday (Osborne) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[04] | Grey eagle hornpipe | AHL-1-4324 | |
(Instrumental) | |||
[05] | Old flames can't hold a candle to you (Moffat-Sebert) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[06] | Fastest grass alive (Graft) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[07] | Remembering (Wiseman-Martin) | AHL-1-4324 | |
M. Wiseman-L; Sonny Osborne-H; Paul Brewster-H | |||
[08] | I'd rather live by the side of the road (Burney) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[09] | Bluegrass memories (Statler) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
[10] | Rocky Top (B & F Bryant) | AHL-1-4324 | |
B. Osborne-L; S. Osborne-H; P. Brewster-H | |||
Bobby Osborne-m; Sonny Osborne-bj; Paul Brewster-rhythm g; Ray Edenton-g; Leon Rhodes-lead g; Buddy Spicher-f; Hal Rugg-steel g/db; Jimmy D. Brock-bs; Malcolm B. 'Mac' Wiseman-V | |||
19820000.1 |
1982, Live session with Chubby Wise issued by Gilley's, Producer: Johnny Gimble, Gilley's Dallas, 1135 South Lamar, Dallas, Tex. | ||
[01] | Give me my Smokies and the Tennessee waltz (Steve Michaels) | MG-5006 | |
[02] | Maiden's prayer (Bob Wills) | MG-5006 | |
(Instrumental) | |||
[03] | The waltz you saved for me (King-Kahn-Flindt) | MG-5006 | |
[04] | The wreck of the Old 97 (Whittie-Noell-Lewey) | MG-5006 | |
[05] | The prisoner's song (Guy Massey) | MG-5006 | |
[06] | Carroll County blues | MG-5006 | |
(Instrumental) | |||
[07] | Mama, put my little shoes away (Mac Wiseman) | MG-5006 | |
[08] | Footprints in the snow (Mac Wiseman) | MG-5006 | |
[09] | Shackles and chains (Jimmie Davis) | MG-5006 | |
[10] | I wonder how the old folks are at home (Stephen Foster) | MG-5006 | |
[11] | Wabash Cannonball (A. P. Carter) | MG-5006 | |
[12] | Driftwood on the river (Mac Wiseman) | MG-5006 | |
[13] | Catfish John (McDill-Reynolds) | MG-5006 | |
[14] | Lee Highway | MG-5006 | |
(Instrumental) | |||
[15] | Wesphalia waltz (Collins) | MG-5006 | |
(Instrumental) | |||
[16] | Faded love (Bob Wills) | MG-5006 | |
[17] | It rains just the same in Missouri (Ray Griff) | MG-5006 | |
[18] | Pretty little widder | MG-5006 | |
(Instrumental) | |||
[19] | The kind of love (Jessie Ashlock) | MG-5006 | |
[20] | Mary Linda (Len Babb) | MG-5006 | |
[21] | Liberty | MG-5006 | |
(Instrumental) | |||
[22] | How great Thou art (Hine) | MG-5006 | |
[23] | Cacklin' hen | MG-5006 | |
(Instrumental) | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Robert Russell 'Chubby' Wise-f; Johnny Gimble-f; Herby Remington-steel g; Curly Hollingsworth-piano | |||
19820000.2 |
1982, 51 West session, Nashville, Tenn. | ||
[01] | If teardrops were pennies | Q-16280 | |
M. Wiseman-L | |||
[02] | Don't make me go to bed and I'll be good | Q-16280 | |
M. Wiseman-L | |||
[03] | You are my sunshine | Q-16280 | |
M. Wiseman-L | |||
[04] | Mansion on the hill | Q-16280 | |
M. Wiseman-L | |||
[05] | Let's say goodbye like we said hello | Q-16280 | |
M. Wiseman-L | |||
[06] | Maple on the hill | Q-16280 | |
M. Wiseman-L | |||
[07] | Picture from life's other side | Q-16280 | |
M. Wiseman-L | |||
[08] | Blues in my mind | Q-16280 | |
M. Wiseman-L | |||
[09] | Tramp on the street | Q-16280 | |
M. Wiseman-L | |||
[10] | Remembering | Q-16280 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19850506 |
6 May 1985, MCA session, Producer: Emory Gordy, Jr., Sound Stage Studio, 10 Music Circle South, Nashville, Tenn. | ||
MC 18236 | Travellin' this lonesome road (Bill Monroe) | MCA-5625 | |
M. Wiseman-L; B. Monroe-T | |||
Malcolm B. 'Mac' Wiseman-rhythm g; William Smith 'Bill' Monroe-m; Wayne Lewis-g; Blake Williams-bj; Glen Duncan-f; Clarence 'Tater' Tate-sb | |||
19851200 |
Late 1985 or early 1986, MCA session, Producer: W. R. Holmes, Glaser Sound Studios, 915 9th Avenue South, Nashville, Tenn. | ||
[01] | Once more with feeling (Kris Kristofferson-Shel Silverstein; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[02] | Old country songs (Gary Litton-Tim Miller; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[03] | Lean on me (Bill Chappell; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[04] | How lonely can you get (Rusty Nail; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[05] | Countin' pennies (Mike Anthony Jackson; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[06] | You're the best of all the leading brands (Smilie Sutter; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[07] | Ramblin' round (Woody Guthrie; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[08] | Rose with no thorns (J. Charles Kelly; ASCAP) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[09] | Now that you have me you don't want me (Burkett Graves; BMI) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
[10] | I'd do it all again (Jerry Foster-Bill Rice; ASCAP) | DLP-39086 | |
M. Wiseman-L; Carol Lee Cooper-background V | |||
Malcolm B. 'Mac' Wiseman-g; Tompall Glaser-g; Davis Causey-electric g; W. R. Holmes-electric g/bs; John Hartford-bj/g; Kenny Lovelace-f; Doyle Grisham-steel g; Josh Graves-db; Michael Young- drums; Charles Cochran-keyboards | |||
19890000 |
1989, CMH session, Producers: Billy Troy, Mac Wiseman, Home Place Studio, Nashville, Tenn. | ||
[01] | Don't let your deal go down | CMH-1556 | CMH-9041 |
M. Wiseman-V | |||
[02] | Train 45 | CMH-9041 | |
M. Wiseman-V | |||
[03] | Little rosewood casket | CMH-9041 | |
M. Wiseman-V | |||
[04] | Poor Ellen Smith | CMH-9041 | |
M. Wiseman-V | |||
CMH 1693 | Kentucky | CMH-1556 | CMH-9041 |
M. Wiseman-V | |||
[06] | Salty dog blues | CMH-9041 | |
M. Wiseman-V | |||
[07] | Dust on the Bible | CMH-9041 | |
M. Wiseman-V | |||
[08] | It's mighty dark to travel | CMH-9041 | |
M. Wiseman-V | |||
[09] | Old camp meeting time | CMH-9041 | |
M. Wiseman-V | |||
[10] | Streamlined cannonball | CMH-9041 | |
M. Wiseman-V | |||
[11] | Red rocking chair | CMH-9041 | |
M. Wiseman-V | |||
[12] | Doin' my time | CMH-9041 | |
M. Wiseman-V | |||
[13] | I'm just here to get my baby out of jail | CMH-9041 | |
M. Wiseman-V | |||
[14] | Waiting for the light to shine | CMH-9041 | |
M. Wiseman-V | |||
[15] | Beneath that lonely mound of clay | CMH-9041 | |
M. Wiseman-V | |||
[16] | Short life of trouble | CMH-9041 | |
M. Wiseman-V | |||
[17] | Crying heart blues | CMH-9041 | |
M. Wiseman-V | |||
[18] | Don't give your heart to a rambler | CMH-9041 | |
M. Wiseman-V | |||
[19] | I'm using my Bible for a roadmap | CMH-9041 | |
M. Wiseman-V | |||
[20] | How mountain girls can love | CMH-9041 | |
M. Wiseman-V | |||
[21] | Sailor on the deep blue sea | CMH-9041 | |
M. Wiseman-V | |||
[22] | Light at the river | CMH-9041 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Edward Windsor 'Eddie' Adcock-g/bj; Martha Adcock-g; Jesse McReynolds-m; Jimmy Campbell-f; Kenny Baker-f; Josh Graves-db | |||
19900515 |
15 May 1990, MCA session for Bill Monroe & His Bluegrass Boys, Producer: Steve Buchanan, Reflections Studio, Nashville, Tenn., 14:00-17:00 | ||
[01] | What would you give in exchange? | unissued | |
Mac Wiseman-L; B. Monroe-T | |||
[02] | Cryin' holy unto the Lord (Irene Amburgey) | unissued | |
T. Ewing-L; B. Monroe-T; B. Williams-B; C. Tate-BS | |||
MC 35226 | Just a little talk with Jesus (Cleavant Derricks) | MCAD-10017 | |
T. Ewing-L; B. Monroe-T; B. Williams-B; C. Tate-BS | |||
William Smith 'Bill' Monroe-m; Thomas Dollison 'Tom' Ewing-g; Malcolm 'Mac' Wiseman-g [on 1 only]; Blake Williams-bj; Clarence 'Tater' Tate-f; Billy Rose-sb | |||
19900724 |
24 July 1990, MCA session for Bill Monroe & His Bluegrass Boys, Producer: Steve Buchanan, Reflections Studio, 2741 Larmon Drive, Nashville, Tenn., 18:00-21:00 | ||
MC 35222 | Cryin' holy unto the Lord (Irene Amburgey) | MCAD-10017 | |
T. Ewing-L; B. Monroe-T; B. Williams-B; C. Tate-BS | |||
MC 35224 | Shine hallelujah shine (Bill Monroe) | MCAD-10017 | |
T. Ewing-L; B. Monroe-T; B. Williams-B; C. Tate-BS | |||
MC 35229 | This world is not my home (J. R. Baxter, Jr.) | MCAD-10017 | |
M. Wiseman-L; B. Monroe-T; C. Tate-B | |||
William Smith 'Bill' Monroe-m; Thomas Dollison 'Tom' Ewing-g; Blake Williams-bj; Clarence 'Tater' Tate-f; Billy Rose-sb | |||
19940000 |
1994, Highland (Power Pak) session, Nashville, Tenn. | ||
[01] | Go tell it on the mountain | PKCD-10511 | |
M. Wiseman-L | |||
[02] | Away in a manger | PKCD-10511 | |
M. Wiseman-L | |||
[03] | Up on the house top | PKCD-10511 | |
M. Wiseman-L | |||
[04] | It came upon a midnight clear | PKCD-10511 | |
M. Wiseman-L | |||
[05] | We wish you a merry Christmas | PKCD-10511 | |
M. Wiseman-L | |||
[06] | Silent night | PKCD-10511 | |
M. Wiseman-L | |||
[07] | The first noel | PKCD-10511 | |
M. Wiseman-L | |||
[08] | Too-ra-loo-ra-loo-ral (that's an Irish lullaby) | PKCD-10511 | |
M. Wiseman-L | |||
Malcolm B. 'Mac' Wiseman-V | |||
19950400 |
Spring 1995, Rebel session with Bill Harrell, Producer: Bill Harrell, unknown | ||
[01] | Are you coming back to me (Mac Wiseman) | REB-CD-1725 | |
Mac Wiseman-V; B. Harrell-V | |||
[09] | We'll meet again sweetheart (Lester Flatt-Earl Scruggs) | REB-CD-1725 | |
Mac Wiseman-V; B. Harrell-V | |||
George William 'Bill' Harrell-rhythm g; Malcolm B. 'Mac' Wiseman-V; other personnel not known | |||
19980000 |
1998, Sugar Hill session with Del McCoury and Doc Watson, Nashville, Tenn. | ||
[01] | Little green valley (Carson J. Robison) | SHCD-3888 | |
D. Watson-L; D. McCoury-H; M. Wiseman-H | |||
[02] | The old account (F. M. Graham) | SHCD-3888 | |
D. McCoury-V; M. Wiseman-V | |||
[03] | Speak to me little darlin' (Leslie York) | SHCD-3888 | |
D. McCoury-V | |||
[04] | New moon over my shoulder (Whelan Elke-Jimmie H. Davis-Lee Blastic) | SHCD-3888 | |
D. Watson-V; Alison Krauss-H; D. McCoury-H; M. Wiseman-H | |||
[05] | Beauty of my dreams (Del McCoury) | SHCD-3888 | |
D. McCoury-V | |||
[06] | I'll sail my ship alone (Henry Bernard-Henry Thurston-Morry Burns-Sydney Herman) | SHCD-3888 | |
D. McCoury-V; M. Wiseman-V | |||
[07] | When a soldier knocks (Ernest Tubb-Lou Wayne-Moon Mullican) | SHCD-3888 | |
M. Wiseman-V | |||
[08] | Live and let live (Gene Sullivan) | SHCD-3888 | |
D. McCoury-V; D. Watson-V; M. Wiseman-V | |||
[09] | I've endured (Ola Belle Reed) | SHCD-3888 | |
D. McCoury-L; R. McCoury-H | |||
[10] | Talk of the town (Don Reno) | SHCD-3888 | |
D. McCoury-V; M. Wiseman-V | |||
[11] | Black Mountain rag (Arr. Doc Watson) | SHCD-3888 | |
(Instrumental) | |||
[12] | I wonder where you are tonight (Johnny Bond) | SHCD-3888 | |
D. McCoury-V; D. Watson-V; M. Wiseman-V | |||
[13] | More pretty girls than one (Arthur Smith) | SHCD-3888 | |
D. McCoury-V; D. Watson-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Arthel 'Doc' Watson-g; Del McCoury-g; Terry Eldridge-g; Jack Lawrence-g; Rob McCoury-bj; Ronnie McCoury-m; Jason Carter-f; Jerry Douglas-db; Gene Wooten-db; Byron House-bs; Mike Bub-bs | |||
20010000.1 |
2001, Wise session, Producer: Mac Wiseman, Nashville, Tenn. | ||
[01] | Great speckled bird | MAC-W-102 | |
M. Wiseman-V | |||
[02] | Mom & dad's waltz | MAC-W-102 | |
M. Wiseman-V | |||
[03] | Travelin' blues | MAC-W-102 | |
M. Wiseman-V | |||
[04] | Have I told you lately that I love you | MAC-W-102 | |
M. Wiseman-V | |||
[05] | Wedding bells | MAC-W-102 | |
M. Wiseman-V | |||
[06] | When God dips his love in my heart | MAC-W-102 | |
M. Wiseman-V | |||
[07] | Letter edged in black | MAC-W-102 | |
M. Wiseman-V | |||
[08] | Silver haired daddy of mine (Gene Autry-Jimmy Long) | MAC-W-102 | |
M. Wiseman-V | |||
[09] | Old spinning wheel | MAC-W-102 | |
M. Wiseman-V | |||
[10] | The last letter | MAC-W-102 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Mark Casstevens-g; Buddy Spicher-f; Josh-db; Jack Jackson-bs; Eddie Bayers-drums; Jerry Kroon-drums | |||
20010000.2 |
2001, Wise session, Producer: Mac Wiseman, Nashville, Tenn. | ||
[01] | Wreck of old #9 | MAC-W-102-2 | |
M. Wiseman-V | |||
[02] | I'd trade all my tomorrows | MAC-W-102-2 | |
M. Wiseman-V | |||
[03] | Rocking alone in an old rocking chair | MAC-W-102-2 | |
M. Wiseman-V | |||
[04] | No one will ever know | MAC-W-102-2 | |
M. Wiseman-V | |||
[05] | There's a little pine log cabin | MAC-W-102-2 | |
M. Wiseman-V | |||
[06] | The prisoner's song | MAC-W-102-2 | |
M. Wiseman-V | |||
[07] | Just because | MAC-W-102-2 | |
M. Wiseman-V | |||
[08] | Let's live a little | MAC-W-102-2 | |
M. Wiseman-V | |||
[09] | Filipino baby | MAC-W-102-2 | |
M. Wiseman-V | |||
[10] | Silver threads among the gold | MAC-W-102-2 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Mark Casstevens-g; Edward Windsor 'Eddie' Adcock-bj; Burkett Howard 'Josh/Uncle Josh' Graves-db; Thomas 'Tom' Brumley-steel g; Norman Keith 'Buddy' Spicher-f; Josh-db; Jack Jackson-bs; Eddie Bayers-drums; Jerry Kroon-drums | |||
20010000.3 |
2001, Wise session, Producer: Mac Wiseman, Nashville, Tenn. | ||
[01] | Mother's mansion is higher than mine | MAC-W-108 | |
M. Wiseman-V | |||
[02] | Precious memories | MAC-W-108 | |
M. Wiseman-V | |||
[03] | Remember me | MAC-W-108 | |
M. Wiseman-V | |||
[04] | Things that might have been | MAC-W-108 | |
M. Wiseman-V | |||
[05] | Precious jewel | MAC-W-108 | |
M. Wiseman-V | |||
[06] | When you and I were young, Maggie | MAC-W-108 | |
M. Wiseman-V | |||
[07] | Little pal | MAC-W-108 | |
M. Wiseman-V | |||
[08] | Great judgment morning | MAC-W-108 | |
M. Wiseman-V | |||
[09] | Sweet bunch of daisies | MAC-W-108 | |
M. Wiseman-V | |||
[10] | My darling Nellie Gray | MAC-W-108 | |
M. Wiseman-V | |||
[11] | Carry me back to the mountains | MAC-W-108 | |
M. Wiseman-V | |||
Charlie Collins-g; Jesse Lester McReynolds-m; Edward Lawrence 'Eddie' Stubbs-f; Beecher Ray 'Brother Oswald' Kirby-db; Kent Blanton-sb | |||
20010000.4 |
2001, Wise session, Producer: Mac Wiseman, unknown | ||
[01] | Introduction | MAC-W-109 | |
M. Wiseman-sp | |||
[02] | 'Tis sweet to be remembered (Mac Wiseman) | MAC-W-109 | |
M. Wiseman-V | |||
[03] | Jimmy Brown, the newsboy (A. P. Carter) | MAC-W-109 | |
M. Wiseman-V | |||
[04] | Prisoner's song (Guy Massey) | MAC-W-109 | |
M. Wiseman-V | |||
[05] | Wreck of the old 97 | MAC-W-109 | |
M. Wiseman-V | |||
[06] | I'll be all smiles tonight (A. P. Carter) | MAC-W-109 | |
M. Wiseman-V | |||
[07] | Letter edged in black (Traditional) | MAC-W-109 | |
M. Wiseman-V | |||
[08] | Silver haired daddy | MAC-W-109 | |
M. Wiseman-V | |||
[09] | Old Shep (Red Foley) | MAC-W-109 | |
M. Wiseman-V | |||
[10] | Beagle hound story | MAC-W-109 | |
M. Wiseman-sp | |||
[11] | Footprints in the snow (Traditional) | MAC-W-109 | |
M. Wiseman-V | |||
[12] | Little white church (Eugene Wellman) | MAC-W-109 | |
M. Wiseman-V | |||
[13] | I wonder how the old folks are at home (A. P. Carter) | MAC-W-109 | |
M. Wiseman-L; Roy Lewis-H | |||
[14] | Catfish John | MAC-W-109 | |
M. Wiseman-L; Travis Lewis-H; Lewis Phillips-H | |||
[15] | Love letters in the sand (J. Fred Coots-Charles F. Kenny-Nick Kenny) | MAC-W-109 | |
M. Wiseman-L; Travis Lewis-H; Lewis Phillips-H | |||
[16] | The Carnegie Hall story | MAC-W-109 | |
M. Wiseman-sp | |||
[17] | I'd rather live by the side of the road (Albert E. Brumley) | MAC-W-109 | |
M. Wiseman-L; Polly Lewis-H; Travis Lewis-H; Lewis Phillips-H | |||
[18] | Keep on the sunny side | MAC-W-109 | |
M. Wiseman-L; Travis Lewis-H; Lewis Phillips-H | |||
[19] | Will the circle be unbroken | MAC-W-109 | |
M. Wiseman-L; Travis Lewis-H; Lewis Phillips-H | |||
Malcolm B. 'Mac' Wiseman-rhythm g; | |||
20060000 |
2006, Dualtone session, Producer: John Carter Cash, Cash Cabin Studio, Hendersonville, Tenn. | ||
By the side of the road | CD-1228 | ||
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-V; Bryan Sutton-g; Jesse McReynolds-m; Mark Fain-sb | |||
20061000 |
Fall 2006, Oh Boy session, Producers: John Prine, David Ferguson, The Butcher Shop, Nashville, Tenn. | ||
[01] | Blue eyed Elaine (Ernest Tubb; Norton Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[02] | Don't be ashamed of your age (Bob Wills-Cindy Walker; Unichappell Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[03] | I forgot to remember to forget (Charlie Feathers-Stan Kesler; Edward H. Markus Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[04] | I love you because (Leon Payne; Sony/ATV Acuff Rose Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[05] | Pistol packin' mama (Al Dexter; Universal Songs of Polygram, Int'l. Inc.) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[06] | Saginaw, Michigan (Donald Wayne-Bill Anderson; Sony/ATV Tree Publishing) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[07] | Old dogs, children and watermelon wine (Tom T. Hall; Sony/ATV Acuff Rose Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[08] | Old Cape Cod (Allan Feffrey-Claire Rothrock-Milton Yakus) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[09] | Death of Floyd Collins (Irene Spann-Andrew Jenkins; Shapiro Bernstein & Co.) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[10] | The blue side of lonesome (Leon Payne; Sony/ATV Acuff Rose Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[11] | In the garden (C. Austin Miles) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[12] | Just the other side of nowhere (Kris Kristofferson) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[13] | Old rugged cross (Arr. John Prine; Tommy Jack Music) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
[14] | Where the blue of the night (Fred E. Ahlert-Bing Crosby-Roy Turk) | OBR-038 | |
J. Prine-V; M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; John Prine-g; Pat McLaughlin-g/m/ukulele/baritone g/harmonica; Jamie Hartford-electric g; Tim O'Brien-bj/g; Ronnie McCoury-m; Stuart Duncan-f; Joey Miskulin-accordion; Jack Clement-db; Lloyd Green-pedal steel; Mike Bub-sb; Charles Cochran-electric piano; Kenneth Blevins-drums; Kenny Malone-drums | |||
20080000 |
2008, Wise session, Producer: Mac Wiseman, Nashville, Tenn. | ||
[01] | I was seeing Nellie home | MAC-W-113 | |
M. Wiseman-V | |||
[02] | I'm thinking tonight of my blue eyes | MAC-W-113 | |
M. Wiseman-V | |||
[03] | Send me your address from Heaven | MAC-W-113 | |
M. Wiseman-V | |||
[04] | Comin' home some ole day | MAC-W-113 | |
M. Wiseman-V | |||
[05] | Be nobody's darling but mine | MAC-W-113 | |
M. Wiseman-V | |||
[06] | What is home without love | MAC-W-113 | |
M. Wiseman-V | |||
[07] | My two sweethearts | MAC-W-113 | |
M. Wiseman-V | |||
[08] | Lonesome roving gambler | MAC-W-113 | |
M. Wiseman-V | |||
[09] | Darling little Joe | MAC-W-113 | |
M. Wiseman-V | |||
[10] | Sailin' on Golden River | MAC-W-113 | |
M. Wiseman-V | |||
[11] | Ballad of the haunted woods | MAC-W-113 | |
M. Wiseman-V | |||
[12] | Bad ole Philadelphia lawyer | MAC-W-113 | |
M. Wiseman-V | |||
[13] | When the work's all done this fall | MAC-W-113 | |
M. Wiseman-V | |||
[14] | Listen you drunken drivers | MAC-W-113 | |
M. Wiseman-V | |||
[15] | Please carry me back to the mountains | MAC-W-113 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; Jesse McReynolds-m; other personnel not known | |||
20090000 |
2009, Wise session, Producer: Mac Wiseman, Nashville, Tenn. | ||
[01] | We're waiting for the boys to come home | MAC-W-114 | |
M. Wiseman-V | |||
[02] | My Mary dear | MAC-W-114 | |
M. Wiseman-V | |||
[03] | When it's reveille time in Heaven | MAC-W-114 | |
M. Wiseman-V | |||
[04] | Let's thank God for the U.S.A. | MAC-W-114 | |
M. Wiseman-V | |||
[05] | One of the boys in blue | MAC-W-114 | |
M. Wiseman-V | |||
[06] | See the silver dew on the bluegrass tonight | MAC-W-114 | |
M. Wiseman-V | |||
[07] | I wonder how the old folks are at home | MAC-W-114 | |
M. Wiseman-V | |||
[08] | Just put me in your pocket | MAC-W-114 | |
M. Wiseman-V | |||
[09] | A soldier's last letter | MAC-W-114 | |
M. Wiseman-V | |||
[10] | There's a star-spangled banner waving somewhere | MAC-W-114 | |
M. Wiseman-V | |||
[11] | Ballad of the Irish rebel | MAC-W-114 | |
M. Wiseman-V | |||
[12] | She's my Filipino baby | MAC-W-114 | |
M. Wiseman-V | |||
[13] | Think of me each night at nine | MAC-W-114 | |
M. Wiseman-V | |||
[14] | I saw a rainbow at midnight | MAC-W-114 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-g; other personnel not known | |||
20140000 |
2014, Wrinkled session with Sierra Hull, Nashville, Tenn. | ||
[01] | Blue Ridge Mountain blues (Cliff Hess) | 8336 | |
M. Wiseman-V | |||
[02] | The wreck of the number nine (Carson Robison) | 8336 | |
M. Wiseman-V | |||
[03] | You're a flower blooming in the wildwood (Traditional) | 8336 | |
M. Wiseman-V | |||
[04] | Old Rattler (Traditional) | 8336 | |
M. Wiseman-V | |||
[05] | When it's lamp lighting time in the valley (Harold Goodman-Sam Hart-Joe Lyons-Curt Poulton-Dean Upson) | 8336 | |
M. Wiseman-V | |||
[06] | Answer to weeping willow (A. P. Carter) | 8336 | |
M. Wiseman-V | |||
[07] | The eastbound train (Clara Hauenschild-James Thornton) | 8336 | |
M. Wiseman-V | |||
[08] | Put my little shoes away (Sam Mitchell-Charles Pratt) | 8336 | |
M. Wiseman-V | |||
[09] | Answer to Great speckled bird (Traditional) | 8336 | |
M. Wiseman-V | |||
[10] | Little rosewood casket (Louis P. Goullaud-Charles A. White) | 8336 | |
M. Wiseman-V | |||
[11] | I heard my mother call my name in prayer (E. M. Bartlett) | 8336 | |
M. Wiseman-V | |||
[12] | Will there be any stars in my crown (Eliza E. Hewitt-John R. Sweeney) | 8336 | |
M. Wiseman-V | |||
Malcolm B. 'Mac' Wiseman-rhythm g; Sierra Hull-m; other personnel not known | |||
20160000 |
2016, Mountain Fever session, Producers: Thomm Jutz, Peter Cooper, unknown | ||
[01] | The guitar (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Sierra Hull-V | |||
[02] | Somewhere bound (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Buddy Melton-V; Milan Miller-V; Andrea Zonn-V | |||
[03] | The wheat crop (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Junior Sisk-L; Sonya Isaacs Yeary-H; Andrea Zonn-H | |||
[04] | Barefoot till after the frost (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Jim Lauderdale-L | |||
[05] | Manganese mine (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Shawn Camp-L | |||
[06] | Three cows and two horses (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Buddy Melton-L; Milan Miller-V; Andrea Zonn-V | |||
[07] | Simple math (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Jim Lauderdale-L | |||
[08] | Crimora Church of the Brethren (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Junior Sisk-V; Ronnie Bowman-V | |||
[09] | Going back to Bristol (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
Shawn Camp-V | |||
[10] | I sang the song (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
John Prine-V | |||
[11] | Tis sweet to be remembered (Mac Wiseman-Peter Cooper-Thomm Jutz) | MFR-170120 | |
M. Wiseman-L; Alison Krauss-T | |||
Thomm Jutz-rhythm g; Sierra Hull-m; Justin Moses-bj/db/f; Mark Fain-sb | |||
Revised: 3 April 2017
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