Love In March

My wife Camilla and I met in an acting class in Beverly Hills CA. We fell in love in March and were married on April 1st 1978. This is our song about love in March.

Lyrics:
 
* [D] In March, [F#m] when the world is reborn, 
* And the [Bm] earth is dressed in [A7] green, 
* [G] I met you, my love, [A7] my bride, 
* And my [Bm] heart’s never been the [A7] same. 
*  
* [D] The daffodils bloom, [F#m] the birds still sing, 
* [Bm] Nature’s symphony [A7] fills the air, 
* [G] Your laughter rings, [A7] like a melody 
* [Bm] In my heart, you’re always [A7] there. 
*
* Chorus: 
* G] In March, [A7] the month of our love, 
* [D] When our hearts became [Bm] entwined, 
* [G] Like the vines that [Em] climb the trees, 
* [G] Our souls forever [A7] bind. 
Break
*  
* [D] Through the years, [F#m] in joy and pain, 
* [Bm] Our love stood the [A7] test of time, 
* [G] Like the seasons, we [A7] change and grow, 
* [Bm] But our bond remains [A7] sublime. 
* Chorus: 
* G] In March, [A7] the month of our love, 
* [D] When our hearts became [Bm] entwined, 
* [G] Like the vines that [Em] climb the trees, 
* [G] Our souls forever [A7] bind.  
Break X 2
© Roger McGuinn Lyrics and Music
McGuinn Music 2025

The Star of County Down

This lovely Irish song was written in the 1800s by Cathal MacGarvey from Ramelton, County Donegal. The tune is traditional and has been used in “Dives and Lazarus” as well as “My Love Nell” and the hymn, “I Heard The Voice of Jesus.”

Lyrics:

[Gm] Near Banbridge Town in the County Down
One morning last July,
From a boreen green came a sweet colleen
And she smiled as she passed me by.
She looked so sweet from her two bare feet
From the sheen of her nut brown hair.
Such a winsome elf, sure I shook myself
For to see I was really there.

From Bantry Bay up to Derry Quay and
From Galway to Dublin Town,
No maid I’ve seen like the fair colleen
That I met in the County Down.

As she onward sped, sure I scratched my head,
Then I looked with a feeling rare,
And I says, says I, to a passer-by,
“Who’s the maid with the nut brown hair?”
He looked at me and he says, to me,
“That’s the gem of the Ireland’s crown.
Young Rosie McCann from the banks of the Bann,
She’s the star of the County Down”.

From Bantry Bay up to Derry Quay and
From Galway to Dublin Town,
No maid I’ve seen like the fair colleen
That I met in the County Down.

At the harvest fair and she’ll be there
So I’ll dress in my Sunday clothes,
With my shoes shone bright and my hat cocked right
with a smile for a nut brown rose.
No pipe I’ll smoke, no horse I’ll yoke
‘Til my plough is rusty brown.
‘Til a smiling bride, by me own bedside
Sits the star of the County Down.

From Bantry Bay up to Derry Quay and
From Galway to Dublin Town,
No maid I’ve seen like the fair colleen
That I met in the County Down.

Blow The Candle Out

“Blow The Candle Out” is an old English sailors song (though not necessarily a sea chantey) dating from 1724 or earlier and also known and sung in Ireland, Scotland, and the U.S.

In this version a young man is about to enter military service for three years, a tragic development in view of his recent marriage to his true love. He promises to resume their love life when he returns, hoping to find a two-year-old son or daughter.

Lyrics:

[Em] Late last Saturday [D] evening
I went to see my [Em] dear
[Em] The candles were all [D] burning
And the moon shown bright and [Em] clear
[G] I rapped upon her [D] window
[Bb] To ease her of her [A7] pain
[Em] She rose and let me [D] in and
Barred the door [Em] again

I like well your behaviour
And this I often say
I cannot rest contented
While you are far away
The roads they are so muddy
I cannot roam about
So roll me in your arms, love
And blow the candle out

Your father and your mother
In yonder room do lie
Hugging one another
So why not you and I
Hugging one another
Without a fear or doubt
So roll me in your arms love
And blow the candle out

And if we prove successful, love
Please name it after me
Hug it neat and kiss it sweet
And dap it on your knee
When my three years are ended
And my time’s run out
Then I will prove my indebtedness
By blowing the candle out

Scottish Reel

It is the Spring in the Northern Hemisphere and time for a Scottish Reel to dance in the refreshing season filled with birds, flowers and love. A wee bit of a dram might make it all the more delightful.

My wife Camilla suggested that the Rickenbacker 12-string with electronic compression sounds like a bagpipe and indeed it does!
Happy Spring!

Lyrics:

Instrumental Music

Stella Got A New Dress

Bob Gibson wrote this song with Bob Camp in the early 60s. Gibson was my first influencer for folk music. In 1957 He came to the Latin School of Chicago and performed a 45 minute set that blew me away! I ran up to Louise Ganter, my music teacher, who had invited Bob and asked what type of music that was? She told me it was folk music and suggested that I check out the newly opened Old Town School of Folk Music. Well after three years of studying there I was a professional musician. So Gibson’s appearance was a life changing event for me.
The Smothers Brothers recorded this song and Tommy who passed away recently, was a good friend. I put this song up as a love ballad for Valentine’s Day as well as a tribute to Bob Gibson and Tommy Smothers.
Happy Valentine’s Day!!!

Lyrics:
In the key of F in the D position with a capo on the third fret.

[D] Stella’s got a new dress [A] just today.
[D] Everywhere she goes the [A] people say.
[Em] Who’s that walkin’ [A] down the street?
[Em] Pretty little girl so [A] dainty and petit
[D] With a brand new way to [A] wear her hair
[D] And a brand new [F#m] bright new [G] dress to wear.
Who could imagine a [Em] sight so fair
[A] As Stella in her pretty new [D] dress?

Stella’s got a new dress don’t you know.
Everybody turns to watch her go.
All dressed up she looks so sweet
Pretty new shoes on her pretty little feet.
The very first time she passed my way
Stella stole my heart away
Who could imagine that lovely day
When Stella got a pretty new dress.

Stella’s got a new dress just today.
Everywhere she goes the people say.
Who’s that walkin’ down the street?
Pretty little girl so dainty and petit
With a brand new way to wear her hair
And a brand new bright new dress to wear.
Who could imagine a sight so fair
As Stella in her pretty new dress?

Hey Lilee

“Hey Lilee” is a song I played with the Limeliters on my first professional recording, “Tonight In Person.” We recorded it live at the Ash Grove folk club in Los Angeles in July of 1960. Although I didn’t receive credit on the album, I made a lot of cash as the opening act and backup musician for the Limeliters, on guitar and banjo.
This is an improvisational song where the audience was invited to make up verses on the fly. I decided to write some love stanzas instead.

Lyrics:

CH: [E] Hey Lilee, Lilee,
Hey Lilee, Lilee, Lo [B7]
[E] Hey Lilee, Lilee,
Hey Lilee, Lilee, Lo [B7]

Hey Lilee come dance with me,
Hey Lilee, Lilee, Lo
We will set our spirits free,
Hey Lilee, Lilee, Lo

In the meadow, twirl and spin,
Hey Lilee, Lilee, Lo
A dance of joy, where love begins.
Hey Lilee, Lilee, Lo

We will let our laughter ring,
Hey Lilee, Lilee, Lo
Chase fireflies, on gentle wings,
Hey Lilee, Lilee, Lo —- CH
CH
Through the night, we’ll laugh and play,
Hey Lilee, Lilee, Lo
Memories, in a special way.
Hey Lilee, Lilee, Lo

In the night, our hearts unite,
Hey Lilee, Lilee, Lo
Enchanting worlds, where dreams take flight,
Hey Lilee, Lilee, Lo

Hand in hand, through forests deep,
Hey Lilee, Lilee, Lo
A journey for our souls to keep.
Hey Lilee, Lilee, Lo —— CH
CH
With every beat, our hearts align,
Hey Lilee, Lilee, Lo
A love so pure, and so divine.
Hey Lilee, Lilee, Lo

Through sun and rain, we will stand strong,
Hey Lilee, Lilee, Lo
And in each other’s arms belong.
Hey Lilee, Lilee, Lo — CH X 3

Jack Monroe

Jack Monroe AKA (Jackie Frazer; The Wars of Germany) [Laws N7] Roud (268)

A rich girl loves a sailor; her father does not, and has the boy pressed to war in Germany. She disguises herself in men’s apparel and enlists under the name (Jackie Monroe). When her lover is wounded, she sends for a London doctor to heal him. She reveals her identity; they are married

“Jack Monroe” dates back to 1818 in the collection of (Garret, _Merrie Book of Garlands)
The chorus Lay the lil·​ly-low ˈliliˌlō
chiefly dialectal, England
Webster’s dictionary definition: as a bright flame indicating the intensity of their love relationship.

This version comes from Hot Springs, North Carolina and was sung by Mrs Gentry, though there are many variations of this tune, including Jack a Roe and Jack the Sailor.
The melody has also been used in the popular worker’s song “Which Side Are You On?”

Lyrics:
[G] Jack he went a-sailing
With trouble on his mind
To leave his native country
And his darling girl [Em] behind

[G] Lay the lily low
[D7] So fare the well my [G] dear

She dressed herself in a man’s array
And apparel she put on
And to the field of battle
She marched the men along

Your cheeks are red and rosy
Your fingers neat and small
Your waist too slim and slender
To face the cannon ball’

‘My cheeks are red and rosy
My fingers neat and small
But it never makes me tremble
To face the cannon ball

The battle being ended
She rode the circle round
And through the dead and dying
Her darling boy she found

She picked him up all in her arms
She carried him down to town
She sent for a London doctor
To heal his bleeding crown

This couple they got married
So well they did agree
This couple they got married
So why not you and me?

Shady Grove

This is a modern adaptation of the classic Bluegrass song, “Shady Grove” from my Limited Edition CD. I have always liked the drums in Hip Hop music and thought it would be fun to add them to this traditional song. The result is what I call “Pho-Cop” being a combination of folk music and Hip Hop. The five string banjo adds a level of antique authenticity. Today marks the 27th anniversary of the Folk Den!
Limited Edition CD

Lyrics:
Mostly in Am

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

Wish I was in shady grove
Sittin’ in a rockin’ chair
If those blues would bother me
I’d rock away from there

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

Had a banjo made of gold
Every string would shine
The only song that it would play
Wish that girl was mine

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

When I was in shady grove
Heard them pretty birds sing
The next time I go to shady grove
Take along a diamond ring

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

When you go to catch a fish
Fish with a hook and line
When you go to court a girl
Never never look behind

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

When I was a little boy
All I wanted was a knife
Now I am a great big man
Lookin’ for a pretty little wife

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

Wish I had a big fat horse
And corn to feed him on
Wish I had a pretty little girl
To feed him when I’m gone

Shady grove my little love
Shady grove I say
Shady grove my little love
Going to shady grove

Mary Ann

This is a traditional calypso song about a sailor looking for his lost love in Trinidad.

Lyrics:

All day all night Mary Ann
Down by the seaside sifting sand
Even little children love Mary Ann
Down by the seaside sifting sand

Sailing down through the islands man
I am searching for me Mary Ann
Sailing down through the islands man
Searching for my Mary Ann

Origin of “Kisses Sweeter Than Wine”

This is the strange history of an obscure Irish ballad that became a popular song. I only played the public domain melody on my Rickenbacker 12-string with some 5-string banjo and bass thrown in. I left out the copyrighted lyrics. The original song is about a dead cow. It was adapted from the traditional “Drimindown / Drumion Dubh.” Lead Belly heard folk singer Sam Kennedy perform it in Greenwich Village and had it translated to English. It was not an easy translation. Pete Seeger and Lee Hays loved the melody but they felt they needed to rewrite the lyrics. The love song “Kisses Sweeter Than Wine” was the result of their collaboration. Once you read the lyrics, you will understand why Pete and Lee changed the words.

We hope your Valentine kisses are sweeter than ever!

These are the original Lyrics almost translated from Gaelic:

Ooohhhh, oohhhh, switches beated him down

And that everyone but Dicky I would change you right now
But this old man he had but one cow
He would send her to the field to be fed
And the way they beat old Jemma dropped dead
Ooohhhh, oohhhh, switches beated him down

When the old man heard that his cow she was dead
Over hedges and ditches and fields he had fled
Over hedges and ditches and fields that were ploughed
—– visit to the wife til they came to his cow
Ooohhhh, oohhhh, switches beated him down

When he first saw Jemma she was in the green grass
No ——————— Jemma so fast
She gave her milk freely without any bill
But the blood of her life spilled out of her pail
Ooohhhh, oohhhh, switches beated him down

So now I sit down and eat my dry meal
But I have no butter to put in my tea
I have no milk to sup with my bread
————————–
Ooohhhh, oohhhh, switches beated him down

If it wasn’t for Dicky I would change you right now
But this old man he had but one cow
He would send her to the field to be fed
And the way they beat old Jemma dropped dead
Ooohhhh, oohhhh, switches beated him down